#premiere — Public Fediverse posts

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

The Last Nordic Tribe Now on Steam!
https://store.steampowered.com/app/3435710/The_Last_Nordic_Tribe/
#premiere #pcgame #vikings #steamgame #newgame #actiongame #discount #neversaynever

The Last Nordic Tribe Now on Steam!
https://store.steampowered.com/app/3435710/The_Last_Nordic_Tribe/
#premiere #pcgame #vikings #steamgame #newgame #actiongame #discount #neversaynever

CF Signals: Giorgio Brindesi – On My Mind [Behind The Noise]

Behind The Noise, the Mexican electronic music label focused on underground and crossover-oriented sounds, continues strengthening an identity built around openness and sonic exploration. More than simply functioning as a record label, the project operates as a support network for both emerging and established artists interested in developing music with a clear sense of personality, whether through experimental structures or direct dancefloor functionality. Across its catalog, one element remains constant: releases where groove and sonic identity converge without sacrificing freshness or direction.

https://clubfuries.com.mx/2026/05/05/cfp-youthindrvgs-darkness-behind-the-noise/

For one of its latest releases, the label introduces Giorgio Brindesi, presenting “Love and Frequencies”, a project rooted in Indie Dance, Dark Disco, and Italo Disco aesthetics. Within that framework emerges ‘On My Mind’, a double-tracker driven by electric energy, nocturnal propulsion, and a sensual tension sustained from beginning to end. The release unfolds through luminous darkness — wet neon surfaces, reflective textures, and rhythms that gradually acquire a physical dimension of their own.

https://soundcloud.com/clubfuriess/cfs-giorgio-brindesi-on-my-mind-behind-the-noise

The title track immediately establishes its dancefloor-oriented force. Built around 128 BPM in F Major, “On My Mind” combines deep, highly mobile basslines with textures drawing from minimal bass and bass house, while a sharply constructed groove maintains constant momentum throughout the track. Female vocals move through the center of the mix like hypnotic transmissions, carrying emotional tones that fluctuate between desire, chemical euphoria, and psychological tension. Conceptually, the track revolves around substances, altered perception, and the lingering sensory residue left behind after the rave itself — the moment when the body leaves the space while the mind remains trapped inside the pulse.

From the very beginning, the sound feels electric, piercing, and physically overwhelming. Neon darkness slowly floods the atmosphere while purple flashes and metallic frequencies spread across the body like synchronized voltage. The vocals emerge through dense synthetic layers, breathing against the groove with an almost ritualistic intensity. Everything unfolds like a carefully engineered sonic spell: movement takes control immediately, and the body gradually dissolves into a current where rhythm, desire, and perception collapse into the same frequency.

Label: Behind The Noise
Artist: Giorgio Brindesi
Title: On My Mind
Catalogue: 112026BTN

Release Date: May 15, 2026
Support & Buy: Beatport

Tracklist
1. On My Mind 05:33
2. I Wanna Taste It 05:58

Giorgio Brindesi

SoundCloud | Instagram | Facebook | Beatport  

Behind The Noise

SoundCloud | Instagram | Bandcamp | Beatport | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: PETRU KSS – Tuplet Puppet (Saytek Remix) [Kolibri Space Shuttle Records]

Kolibri Live Part 6 brings closure to a process shaped through layers, variations, and real-time decisions. At its core is PETRU KSS, Corsican-born, shaping a language where driving techno intertwines with a sustained narrative. His practice rests on rhythmic precision and structural contrast, generating a continuous tension between body and perception. Hardware is not secondary—it organizes gesture, defines time, and shapes how sound breathes.

In this sixth installment, the trajectory reaches a point of condensation. The EP weaves original material and reinterpretations into a unified operational system, with live execution keeping the pulse active. “Liminal Orbit” and “Tuplet Puppet” act as anchors, structuring the flow through contrast and intensity. Club energy remains present throughout, threaded by a narrative that extends beyond function into a deeper sonic continuity.

https://clubfuries.com.mx/2026/03/08/cfr-2026-01-kolibri-petru-kss-lp-01/

The reinterpretations broaden the field while preserving cohesion. SAYTEK brings a Detroit-rooted groove into “Tuplet Puppet,” driven by moving chords and a raw physicality that retains its performative core. Ross Harper amplifies repetition and pressure, pushing the track into a more industrial zone. Meanwhile, Alinep & Mica reshape “Liminal Orbit” through a hypnotic lens, grounded in rough textures and restrained acidity, while Ømen directs the material toward peak-time territory, balancing rhythmic impact with melodic lift.

The closing section shifts the listening state. Beatless versions of “Genesis” and “Landing” suspend the pulse, opening a descent into ambient space. Time stretches, structure dissolves, and sound expands outward. The sensation becomes one of slow movement, as accumulated energy finds release through spatial diffusion. The project’s arc completes itself in this transition, leaving a resonance that lingers beyond rhythm.

https://soundcloud.com/clubfuriess/cfp-petru-kss-saytek-tuplet-puppet-kss-lp01f-d

Within this framework, “Tuplet Puppet (SAYTEK Remix)” holds a distinct presence. The track advances with a firm groove, shaped by fluid chord movement and sustained inertia. Energy rolls forward continuously, guided by a design that avoids rigidity. Layers vibrate, shift, and morph, maintaining a heightened sense of attention.

SAYTEK’s approach is evident throughout. His live, no-postproduction method introduces an organic quality where potential imperfection becomes part of the flow. There is a direct relationship between gesture and outcome, translating action into sound in real time. This dynamic introduces a human dimension within a mechanical structure, balancing precision with immediacy.

In Kolibri Live Part 6, this affinity with PETRU KSS’s vision becomes fully apparent. Techno unfolds as a performative field, where machines extend intention and time is constructed in the moment. The ending does not close—it leaves the system in motion, still resonating.

EP Credits
Artist: PETRU KSS
Remixers: SAYTEK, Alinep and Mica, Ømen, Ross Harper
Title: Kolibri Live Part 6
Mastering: Calyx, Arnaud Le Texier, Wavewalker Studio
Artwork: Baptiste Bianciot
Label: Kolibri Space Shuttle Records
Catalogue: KSS-LP01f-D

Release Date: June 5, 2026
Support & Buy: www.petru.live/kolibri-live-part6

Tracklist
1. Liminal Orbit (Alinep & Mica Remix)
2. Liminal Orbit (Ømen Remix)
3. Tuplet Puppet (SAYTEK Remix)
4. Tuplet Puppet (Ross Harper Remix)
5. Genesis (Beatless)
6. Landing (Beatless)

SAYTEK (LIVE)

SoundCloud | Instagram

PETRU KSS & Kolibri Space Shuttle Records

Website | SoundCloud | Instagram | Bandcamp | Facebook | KSS

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

Leipzig: Performance im Freibad hinterfragt Ost-West-Unterschiede

Das Studio Urbanistan hat die audiovisuelle Performance „Nach der Bahn die Wende“ für das Freibad konzipiert. Dabei erscheint…
#Leipzig #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Freibad #Germany #Identität #kulturnachrichten #leipzig #lofft #MDR #Ost #performance #premiere #Sachsen #Theater #Urbanistan #West
https://www.europesays.com/de/1014875/

Düsseldorf: Circus Roncalli baut Nostalgielandschaft im Rheinpark auf

Wenn Zirkusdirektor Bernhard Paul auf das vergangene halbe Jahrhundert zurückblickt, ist er ganz schön stolz. Denn sein Circus-Theater…
#Duesseldorf #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Düsseldorf #"circus" #BernhardPaul #Germany #Jubiläumstournee #Nordrhein-Westfalen #premiere #Roncalli #Tochter
https://www.europesays.com/de/1013704/

Blender's Singularity premiere stream is streaming!

https://www.youtube.com/live/T6rIuMKYxww

#b3d #blender3d #animation #studio #release #premiere

@classicalmusic
So 10.05.|18:00 - 21:00 h MEZ - LIVE

Brett Dean: "Of One Blood"
(Uraufführung)

Elizabeth I, Queen of England - Johanni van Oostrum
Mary, Queen of Scots - Vera-Lotte Boecker
Female Consort I - Seonwoo Lee
Female Consort II - Mirjam Mesak
Female Consort III - Lotte Betts-Dean
Female Consort IV - Meg Brilleslyper
...
Leitung: Vladimir Jurowski
Solo-Cembalo - Mahan Esfahani
Bayerisches Staatsorchester

https://www.br.de/radio/live/br-klassik/programm/2026-05-10/3704616/

#music #classic #oper #live #premiere #contemporary

CF Interview | apaull: «Do you have the gunfactor?» On Furnace Room Recordings

Some albums arrive with a concept so precisely articulated that the music barely needs defending. Gunfactor, apaull’s new record on Furnace Room Recordings, is one of them. Ten tracks navigating the pathways to fame — and infamy — across a sonic palette that moves from techno to synthwave by way of industrial, always with an economy of means that signals someone who knows exactly what they’re doing. The title lettering is by Al Diaz, a past collaborator of Jean-Michel Basquiat. The photographs are by Dave Clarke. We spoke with apaull about the album, its contradictions, and the questions it leaves unanswered.

Club Furies: The title operates simultaneously in two languages with meanings that don’t contradict each other but pull in different directions. Was that tension intentional from the start, or did the linguistic ambiguity emerge during the process and you decided to let it do its work?

apaull: The tension was intentional. The Dutch meaning came first, though. I was having coffee with a Dutch booking agent and she said you need produce good music but also have the “gunfactor”, this intangible ’it factor’ to become successful (and famous). The immediate question is how does one achieve that “it factor”. The theme developed from there. Either you have exceptional talent which leads to fame or you are somehow notorious, which leads to infamy.

https://soundcloud.com/apaull_music/sets/gunfactor-8-tracks

Club Furies: The album draws an implicit distinction between earned fame and inflicted fame. Tracks like «Veilig» or «King Dome» seem to inhabit that grey zone where recognition arrives through circumstances no one would have chosen. How do you construct that difference narratively without collapsing into moral judgment?

apaull: Great question. While I have strong personal views I try to present things agnostically. I create perspectives in my tracks, that sometimes belie my personal views, but are really there to ask the listener what they think. It’s like listening to a painting. What do you hear and what do you think about it?

Club Furies: «Finishing School» summons something from another era that, by your own notes, «might still hold true today.» What strikes you as more unsettling: that those ideas persist, or that we still have to keep saying so?

apaull: “Finishing School” is a tongue in cheek examination of societal structure. In previous eras, roles were more clearly defined than they are today, if not over the top rigid. Today we find ourselves in jello, where structure has been systematically removed. We now live in an open concept society, if not over the top lax. “Finishing School’s” light hearted question is do we need some of that structure back.

Club Furies: The album has very specific geographies: Berlin in January, Detroit, New York implicit in «Veilig.» Do those physical contexts affect the compositional process technically — in the sound, the tempo, the processing — or do they function more as states of mind?

apaull: Both. I absorb where I am and this influences my state of mind and how I write. I write music almost continually and love writing in hotel rooms. For instance, the album track “Fang Mich” (Catch Me) was written and produced in Berlin. It captures the vibes I soaked in from the winter weather, Tresor & Berghain techno forays, a cold and jet lag. I live two hours from Detroit, the birthplace of techno, and go there for Movement each year. Detroit techno is pretty straight ahead but with indelible flashes of house. It is warmer than Berlin techno. The track “Veilig” (Safe) was written about something that happened in New York. I have been there many times and carry the vibe of this ‘infinite city’ with me.

Club Furies: «Cartel» proposes a kind of inverse moral relativism. It’s arguably the album’s most conceptually exposed position. What was the writing process like for that track: did you start from the concept or arrive at it through the music?

apaull: I came accross the vocal sample first and used it as the track’s foundation. I wrote the music around this sample (normally I do it the other way around). I found it interesting that a politician would compare a global body (World Economic Forum) to Columbian drug cartels, the point being that the espoused global organizations are cartels, in there own right. The pandemic made clear that this is the case.

https://open.spotify.com/intl-es/album/2zoMok0136WpNuiulxOrXq

Club Furies: «True Though» suggests that sufficient fame functions as a shield. What’s interesting is that the track doesn’t sound like furious critique — it sounds more like resignation. Is that emotional ambiguity deliberate, or is it what came out?

apaull: My song writing is about providing a perspective, without the proselytizing that fury might evoke. I create these track perspectives to be there subliminally, that is you will only hear them if you listen deeply and far away from the club. “True Though” is about how Canada’s now former prime minister could not remember how many times he had donned ‘black face’, was somehow not cancelled and was still able to ascend this high office. While I’m a firm believer in redemption, I doubt that other politicians would have received this benefit of the doubt.

Club Furies: You close the album with «Altamont Joy,» which ends on «You’re gonna look real crazy, being on the other side of that line.» That line can be read as a warning, a statement of fact, or an irony. Did you want it to be all three at once?

apaull: The sample, in question, was delivered, by the speaker, as an omimous warning. It presents two perspectives, the speaker’s and the other, across some imaginary dotted line into a philosophical ‘no mans land’. The point of the track is that we cannot function with this level of polarization because the ability to discuss and reach consensus is lost.

https://soundcloud.com/apaull_music/gunfactor-demo

Club Furies: Bringing in Al Diaz for the title lettering places the record in a visual conversation with eighties street art and everything that history implies. How did you come to him, and what did you want that choice to communicate?

apaull: I met him through my friend and artist, Jason Maclean, on one of my trips to New York, and was mesmerized by his history and works. I was quite taken by his lettering (assembled from New York Metropolitan Transit Authority posters). For the purposes of creating visual artistic continuity between my releases I thought this lettering would work well.

Club Furies: Every track on the album has a remix. That’s a structural decision, not an accessory one. What interests you about the dialogue between your version and another artist’s reinterpretation? Are there tracks where that tension feels particularly generative?

apaull: I made a decision, early on, to release on my own label because I was new, wanted full control of my music and didn’t think the slog of attracting label interest was a good use of my time. Working with remixers was a good alternative to labels. I work with remixers for two reasons: 1. To have them create more danceable and club friendly versions of a track; and 2. To introduce my music to their audiences. The bonus is that I have been able to work with artists who I respect and admire, and learn from them.

https://clubfuries.com.mx/2026/02/22/cfp-apaull-king-dome-pyrame-frr034/

Club Furies: Your music operates in a space where peak time and after-hours aren’t opposites but continuities. That implies a certain resistance to the kind of specialization the market tends to reward. How do you think about that position in relation to how electronic music circulates today?

apaull: I see my music as art. While notionally it fits into the techno genre, I spend no time trying to get it to fit what is being played in clubs. While I enjoy club music, I see what is produced as being derivitive more than specialization. Clubgoers enjoy this musical continuity and for producers it can be a pathway to success. There is nothing wrong with that. I work diligently to create a sound, that is grounded but unique, and then work even harder to find the right audience. My work with club friendly remixers, as described above, is an invitation to their audience to become part of mine. Over time, what I produce will continue to work its way into clubs and other venues.

Club Furies: Furnace Room Recordings is now thirty-six releases in. What does running your own label mean for a project like yours? Does the autonomy change what you’re willing to sign off on?

apaull: The label means I get to release what I want and build a solid catalog that I control. It is a platform that now allows me to present my music to potential labels, remixers and venues and work to attract their interest. My goal is to write and professionally produce interesting tracks. I only sign off on and release  tracks after my team has given their stamp of approval.

Club Furies: If the album asks «do you have the gunfactor?» — what’s your answer?

apaull: Ultimately, that is for others to decide, but, to save them some time I would say, YES.

https://youtu.be/xuALldIl4Uw

Gunfactor is not a comfortable record, and it doesn’t try to be. It is a work that observes, with clinical detachment, the mechanisms by which the world rewards, ignores, or destroys people — and has the honesty not to offer solutions. In a circuit that often consumes itself in its own effervescence, apaull builds something slower and more durable: a body of work with edges, with conceptual texture, with the kind of coherence that can only come from someone who has been at this long enough not to need to impress anyone.

The question that titles the album stays open. Perhaps that is the only honest answer there is.

Gunfactor is released April 24, 2026 on Furnace Room Recordings (frr036), distributed by Superstition and available on all platforms. Remixes accompany the album as single and EP releases.

As a complement to the Gunfactor release, the inclusion of the Dina Summer Remix, set to be released on May 22, adds a significant layer of contemporary energy to the project. This remix not only reinterprets apaull’s sonic vision but also serves as a strategic bridge for listeners to further explore the creative process detailed in this interview.

artist: apaull
Album: Gunfactor
Release Format: Digital
Cat. No. frr036
Distribution: Superstition, all online platforms

Release Date: April 24, 2026
Pre Order FurnaceRoomRecords.lnk.to/Gunfactor

apaull- writing, producing, mixing
Abe Duque- Executive Producer, mastering

Tracklist
1. Fang Mich 04:07
2. King Dome 05:20
3. Push the Button 06:10
4. Veilig 04:38
5. Finishing School 05:05
6. Gunfactor 05:34
7. Cartel 07:11
8. True Though 05:04
9. Payload 05:32
10. Altamont Joy 07:30

apaull

Website | SoundCloud | Instagram | Facebook | Bandcamp | Linktree

Furnace Room Records

Instagram | Facebook | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

🎙️ ■ Billie Eilish y su novio Nat Wolff debutan como pareja oficial en la premiere de su documental en Los Ángeles ■
https://los40.com/2026/05/07/billie-eilish-y-su-novio-nat-wolff-debutan-como-pareja-oficial-en-la-premiere-de-su-documental-en-los-angeles/?int=MASTODON_WORLD

#cine #premiere #conciertos #estrenos #billieeilish #documental #musica #estrenoscine #canciones

🎙️ ■ Billie Eilish y su novio Nat Wolff debutan como pareja oficial en la premiere de su documental en Los Ángeles ■
https://los40.com/2026/05/07/billie-eilish-y-su-novio-nat-wolff-debutan-como-pareja-oficial-en-la-premiere-de-su-documental-en-los-angeles/?int=MASTODON_WORLD

#cine #premiere #conciertos #estrenos #billieeilish #documental #musica #estrenoscine #canciones

soon to come, Seat Time Motorsports, a #premiere #motorsports club supporting High Performance Driver Education #HPDE and their Ultimate Driving Machines. #BMW #kopitiam #singlish #singapore #johor

soon to come, Seat Time Motorsports, a #premiere #motorsports club supporting High Performance Driver Education #HPDE and their Ultimate Driving Machines. #BMW #kopitiam #singlish #singapore #johor

https://www.europesays.com/afrique/94129/ Paiements internationaux : Abidjan en première ligne pour bâtir une souveraineté financière africaine #Abidjan #africaine #Afrique #bâtir #CôteD'Ivoire #en #financière #internationaux #ligne #paiements #pour #première #souveraineté #une

Französische Filmtage 2026 im Programmkino Ost: 22 Filme, Tati-Werkschau & Kulinarik in #Dresden #Striesen.
https://striesen-oiger.de/2026/05/05/franzoesische-filmtage-in-striesen/
#Frankreich #Premiere #Kurzfilm #ClermontFerrand #Frankophon #Sachsen
@Programmkino Ost @Filmverband Sachsen @Institut français de Dresde #Rillettes

https://www.europesays.com/afrique/92955/ Marché financier : NSIA Banque Côte d’Ivoire réussit une première cotation stratégique à la BRVM #à #Afrique #banque #BRVM #cotation #Côte #CôteD'Ivoire #d’Ivoire #financier #la #marché #NSIA #première #réussit #stratégique #une

https://www.kpopnsfw.com/254834/260504-numero-tokyo-site-update-twices-momo-and-sana-attended-the-japan-premiere-of-the-film-the-devil-wears-prada-2-in-custom-dresses-from-miu-miu-and-prada/ 260504 Numéro TOKYO Site Update – TWICE’s MOMO and SANA attended the Japan premiere of the film “#The Devil Wears Prada 2” in custom dresses from “Miu Miu” and “Prada.” #attended #CUSTOM #Devil #dresses #film #japan #Miu #momo #Numéro #prada #Premiere #sana #Site #Tokyo #Twice #TWICEs #update #wears

Katy Perry to premiere concert doc ‘The Lifetimes Tour – Live in Paris’ at Tribeca Fest – Lakes Media Network

It’s been a year since Katy Perry launched her Lifetimes tour, and if you didn’t get to see…
#France #FR #Europe #EU #Paris #8211 #8216the #concert #doc #fest #katy #lifetimes #live #perry #premiere #tour #tribeca
https://www.europesays.com/france/9934/

Neuss: Rheinisches Landestheater stellt neue Spielzeit vor

Das Rheinische Landestheater macht sich selbst zum Thema: Bei der Vorstellung des Programms für die neue Sp…
#Duesseldorf #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Düsseldorf #Abo #Brechts #Bühne #Bühnenfassung #Fassung #Germany #Gieselmann #Johannsen #Kunst #Nordrhein-Westfalen #premiere #Programmvorstellung #RLT #Stück #Stückentwicklung #Vorstellung
https://www.europesays.com/de/975763/

https://www.kpopnsfw.com/249211/260423-wwd-japan-twitter-update-the-japan-premiere-of-the-devil-wears-prada-2-which-is-set-to-be-released-on-may-1st-was-held-at-roppongi-hills-in-tokyo-twices-momo-and-sana-who-serve-as-t/ 260423 WWD JAPAN Twitter Update – The Japan premiere of “The Devil Wears Prada 2,” which is set to be released on May 1st, was held at Roppongi Hills in Tokyo. #TWICE’s #MOMO and #SANA, who serve as the film’s Japan ambassadors, appeared at the event! #1st #Ambassadors #appeared #Devil #Event #films #held #Hills #japan #momo #prada #Premiere #released #Roppongi #sana #serve #Set #Tokyo #Twice #TWICEs #Twitter #update #wears #WWD

https://www.kpopnsfw.com/249211/260423-wwd-japan-twitter-update-the-japan-premiere-of-the-devil-wears-prada-2-which-is-set-to-be-released-on-may-1st-was-held-at-roppongi-hills-in-tokyo-twices-momo-and-sana-who-serve-as-t/ 260423 WWD JAPAN Twitter Update – The Japan premiere of “The Devil Wears Prada 2,” which is set to be released on May 1st, was held at Roppongi Hills in Tokyo. #TWICE’s #MOMO and #SANA, who serve as the film’s Japan ambassadors, appeared at the event! #1st #Ambassadors #appeared #Devil #Event #films #held #Hills #japan #momo #prada #Premiere #released #Roppongi #sana #serve #Set #Tokyo #Twice #TWICEs #Twitter #update #wears #WWD

https://www.kpopnsfw.com/249039/260423-momo-looking-stunning-at-the-devil-wear-prada-2-japan-premiere-%f0%9f%94%a5/ 260423 Momo looking stunning at “The Devil wear Prada 2” Japan premiere 🔥 #Devil #HiraiMomo #japan #momo #prada #Premiere #Stunning #Twice #wear

Der Verein „Forum Zukunft“ setzt ein erstes sichtbares Zeichen zur Belebung des Quartiers

Organisiert wird die Veranstaltung vom neu gegründeten Verein „Forum Zukunft“…
#Wuppertal #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Abend #Axel #Cronenberg #Cronenberger #Dreyer #Feierabend #Feierabendmarkt #Foerderverein #Forum #Germany #Klimaschutzverein #Markt #Nordrhein-Westfalen #premiere #Quartiers #Verein #Zukunft
https://www.europesays.com/de/967047/

Theater in Moers: Schnitzler-Drama aktueller denn je

„Das ist kein Sozialdrama à la Gerhart Hauptmann, das Schauspiel der ‚Ruf des Lebens‘ von Arthur Schnitzler ist…
##Duisburg Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Duisburg #["Moers"] #Arnold #ArthurSchnitzler #Deutschland #Germany #Lebens #Marie #max #Möbelstück #Nordrhein-Westfalen #premiere #Ruf #SanktPetersburg #Stück #Stücktext #Theaterstücken
https://www.europesays.com/de/966485/

https://www.europesays.com/be-fr/82654/ Un papy qui ne paie plus ses factures, un frère porteur d’un handicap mental, une maman démente : plus de 150 000 personnes sont sous administration #BE #BEFr #Belgique #Belgium #bruxelles #cour #justice #LaurenceMassart #pension #première #présidente #tribunal

https://www.europesays.com/videos/13537/ PARIS: Mode-Schock? Kopftuch erobert den Laufsteg! #2026 #aktuell #catwalk #event #fernsehen #frankreich #frauen #hijab #Istanbul #laufsteg #looks #mode #models #modenschau #ModestFashionWeek #n24 #nachrichten #NachrichtenAktuell #news #Paris #premiere #religion #türkei #tv #ursprung #video #welt #WELTNews

Monitores ASUS ProArt garantem validação oficial para edição HDR no Adobe Premiere
🔗 https://tugatech.com.pt/t82345-monitores-asus-proart-garantem-validacao-oficial-para-edicao-hdr-no-adobe-premiere

#adobe #asus #hdr #oficial #premiere 

https://www.evshift.com/440443/beyond-the-world-premiere-the-911-gt3-s-c-up-close/ Beyond the World Premiere: The 911 GT3 S/C up close #Close #ElectricCars #ElectricVehicles #EV #GT3 #Porsche #PorscheAuto #PorscheCAR #PorscheCars #PorscheModelle #PorscheModels #Premiere #World

https://www.europesays.com/at/106491/ „Nino“ feiert im Theater Phönix Premiere #AT #Austria #Brunner #Deraspe #Linz #Nino #Österreich #Premiere #TheaterPhönix

https://www.europesays.com/at/100722/ Erste „Goldene“ für den Bezirk #Bezirk #Erste #Erstmals #feuerwehren #Feuerwehrjugend #Feuerwehrjugendleistungsabzeichen #Gold #Hochfilzen #Jugendmitglieder #Lofer #Martin #Nachrichten #News #Premiere #Prüfung #Schlagzeilen #Tag #Tiroler #TopMeldungen #Zehn

https://www.europesays.com/dk/57734/ Copenhagen – Hampstead Theatre – Theatre News #acting #actor #backstage #Broadway #casting #Copenhagen #CurtainUp #Drama #features #FirstNight #fringe #HaroldPinter #LeadRole #LondonTheatre #LondonTickets #LoveTheatre #OffWestEnd #premiere #preview #ProductionImages #RedCarpet #RedCurtain #RehearsalImages #Script #ShowNews #spotlight #Stage #Theatre #TheatreNews #thespian #touring #Transfer #WestEnd #WestEndTickets

N2 : les résultats et le classement des Girondins

© Iconsport N2 : une victoire importante des Girondins, mais La Roche toujours leader Une soirée avec quelques…
#Bordeaux #FR #France #Actu #News #Europe #EU #actu #Actualités #banc #classement #europe #face #Girondins #leur #Locmine #match #Mavuba #NouvelleAquitaine #pour #première #remporte #Républiquefrançaise #résultats
https://www.europesays.com/fr/848468/

https://www.europesays.com/fr/848468/ N2 : les résultats et le classement des Girondins #actu #Actualités #banc #Bordeaux #classement #EU #europe #face #FR #France #Girondins #leur #Locmine #match #Mavuba #News #NouvelleAquitaine #pour #première #remporte #RépubliqueFrançaise #résultats

https://www.europesays.com/fr/848236/ Girondins : Réaction de Rio Mavuba après la victoire à Locminé (1-2) #Après #banc #Bordeaux #FR #France #Girondins #Locmine #Mavuba #pour #première #reaction #savoure #Sports #Victoire

https://www.europesays.com/fr/847726/ Girondins : Rio Mavuba réussit ses débuts, victoire à Locminé (1-2) #banc #Bordeaux #débuts #equipe #FR #France #Girondins #Locmine #Mavuba #pelouse #pour #première #réussit #signe #Sports #succès #Victoire

“Echoes” of ancient Greece: ‘Hadestown’ cast to perform Live at the V&A – Theatre News https://www.byteseu.com/1917516/ #acting #actor #backstage #Broadway #Casting #CurtainUp #drama #Features #FirstNight #fringe #Greece #HaroldPinter #LeadRole #LondonTheatre #LondonTickets #LoveTheatre #OffWestEnd #premiere #Preview #ProductionImages #RedCarpet #RedCurtain #RehearsalImages #script #ShowNews #spotlight #stage #Theatre #TheatreNews #thespian #Touring #transfer #WestEnd #WestEndTickets

St Patrick's Cathedral, Dublin 8,
Thursday, May 7 from 8 pm to 9:30 pm

https://www.eventbrite.ie/e/the-city-of-our-dreaming-concert-tickets-1985316649542

The centrepiece of our 75th celebrations, “The City of Our Dreaming’ concert. Celebrating our great city, our liberties' origins, our musical tradition, and our commitment to Irish artists. The text for 'The City of Our Dreaming' is an original poem by Paula Meehan, commissioned by the choir and composed for choir by Seán Doherty.

#choir #choral #concert #contemporary #music #premiere #dublin

Over the past weeks I coded a tool to inspect FinalCut XML files in the browser with source highlighting, and file listing:

► https://philstrahl.com/tools/post-tools/timeline-inspector/

All processing takes place locally inside your browser. Coded by yours truly without AI.

#noAI #tool #editor #post #video #premiere #resolve

https://www.europesays.com/fr/838221/ Girondins : premiers pas de Rio Mavuba à l’entraînement après le changement de staff #Après #avec #Bordeaux #changement #dirigee #entame #entrainement #football #FR #France #Girondins #Mavuba #nouvelle #phase #première #premiers #seance #Sports #staff

Girondins : Rio Mavuba, enfant du club, prend les rênes de Bordeaux

© Iconsport Girondins de Bordeaux : Rio Mavuba nommé après la mise à pied d’Irlès Changement fort aux…
#Bordeaux #FR #France #Actu #News #Europe #EU #actu #Actualités #Après #Bruno #club #confier #decide #encore #Enfant #equipe #europe #Girondins #Irles #leur #Mavuba #mise #NouvelleAquitaine #officiel #pied #première #prend #rênes #Républiquefrançaise
https://www.europesays.com/fr/833904/

https://www.europesays.com/fr/833904/ Girondins : Rio Mavuba, enfant du club, prend les rênes de Bordeaux #actu #Actualités #Après #Bordeaux #Bruno #club #confier #decide #encore #Enfant #equipe #EU #europe #FR #France #Girondins #Irles #leur #Mavuba #mise #News #NouvelleAquitaine #officiel #pied #première #prend #rênes #RépubliqueFrançaise

So war die Premiere des Cirque du Soleil mit Alegria

Dem Cirque du Soleil eilt sein guter Ruf voraus. Und so waren zur Premiere am Donnerstagabend bereits mehr…
#Duesseldorf #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Düsseldorf #Akrobatik #Alegría #Cirque #Clowns #Germany #Livemusik #Nervenkitzel #Nordrhein-Westfalen #premiere #Premierengäste #Schneesturm #Soleil
https://www.europesays.com/de/900891/

https://www.europesays.com/be-fr/54980/ 54 étudiants infirmiers en immersion totale dans les hôpitaux de Dinant, Godinne et Saint-Elisabeth Namur #BE #BEFr #Belgique #Belgium #DINANT #étudiants #GODINNE #Hôpitaux #immersion #infirmiers #Namur #première #SaintElisabeth #totale

Teaser Foi de prof de Harold COBERT

#foi #professeur #enseignement #classe #bureau #lycee #eleves #arrivee #eleve #premiere #premierefois #haroldcobert #editionsdurocher #litterature #livre #booktok #bookstok #booktube #booktuber #booklover #books #bookreview #bookstagram #bookstagrammer

https://youtube.com/shorts/DVkHPmDwuWU?feature=share