#cf-premiere — Public Fediverse posts

CF Signals: Andrea Zarco – Pass The Void [Flip The Lid]

Flip The Lid returns with the third chapter of its Rolly Bump compilation series, bringing together ten fresh cuts that move through the label’s broad territory between progressive house and tech house. Since its launch in 2025, the imprint has developed a sound shaped by acid, percussion, rave energy and progressive movement, and Rolly Bump Vol. 3 expands that palette with contributions from artists across the Flip The Lid orbit. The result is a fast-moving collection that travels through trance-tinged euphoria, driving grooves, deep tribal rhythms, acid pressure and bigger dancefloor moments.

Opening the compilation is Andrea Zarco, the Mexican DJ and producer now based in Barcelona. Her sound has grown through house, acid and techno, gradually finding a particular connection with hard house and the accelerated energy of 1990s UK rave culture. As part of Femnoise, and through appearances at venues including Razzmatazz, Sala Apolo, Nitsa and HÖR Berlin, Zarco has developed a style where speed, groove and emotional intensity remain closely connected. Her production catalogue follows the same direction, moving between raw club energy and a more personal sense of narrative.

https://soundcloud.com/clubfuriess/cfs-andrea-zarco-pass-the-void-ftl006

For this Club Furies Signal, we focus on “Pass The Void,” the opening track of Rolly Bump Vol. 3. Zarco brings that fast-moving sensibility into Flip The Lid’s progressive territory, shaping a track around driving rhythm, rave tension and forward momentum. There is a sense of acceleration throughout, with the groove constantly pushing the track ahead while the melodic and percussive elements give it room to breathe. It carries the physical urgency associated with hard house while retaining the spacious, progressive character that defines the compilation.

“Pass The Void” sets the tone for a compilation that is clearly made for movement. Andrea Zarco enters the Rolly Bump universe with a track that feels equally at home in a packed club or a festival setting, channeling rave energy into a contemporary progressive framework. Rolly Bump Vol. 3 arrives October 2, 2026 as FTL006, with “Pass The Void” opening the transmission for the latest Club Furies Signal.

Title: Rolly Bump Vol. 3
Label: Flip The Lid
Catalogue: FTL006
Format: Digital
Distro: EPM Music
Mastering: Colin @ Considered Sounds
Artwork: TTRCTL
Genres: Progressive House / Tech House
PR: The Light

Release Date: October 2, 2026
Support & Buy: Bandcamp

Tracklist
1. Andrea Zarco – Pass The Void
2. Bright Clouds – Coastline
3. Collie – Rise
4. Guycelium – Fool Me Thrice
5. House Twelve – Tactica
6. Kitsta – Pocka Tribe
7. Laars – Superterrestrial
8. Mtty – Wanted
9. SpunOff – Picante
10. Boudi – M2TB

Andrea Zarco

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Flip The Lid

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Club Furies

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CF Signals: Infame Gonza – Subversion del Pulso [Kyma Komplex]

Kyma Komplex emerges from Mexico City as a multidisciplinary platform where record label operations, artistic expression, and cultural management converge into a single manifesto for liberation. Envisioned as a space to strip away conventional dynamics and pursue individual emancipation, the project frames electronic music and contemporary art as essential vehicles for catharsis. Grounded in the energy of its local circuit, the label crafts a sonic and visual identity geared toward movement, immersion, and pushing creative boundaries: a core of cultural resistance built for unconstrained experimentation, calling on the community to reconnect with body and space through collective experience.

Its latest release comes from Gonzalo Moreira, better known as Infame Gonza, a Uruguayan artist currently based in the UK. His EP Memoria del Ritmo explores a conceptual framework where the body, temporality, and the dancefloor meet within a single sonic syntax. Built on broken-beat architecture, Latin-rooted percussion, and a sharp electro edge, the record settles into a dialectical tension between physical momentum and the weight of memory, delivering a physical device aimed straight at instinct and collective memory.

https://clubfuries.com.mx/2026/06/20/cfs-dan-chicharron-pin-crash-audio-kyma-komplex/

Rooted in reflection on the passage of time, the record assumes that physical body holds a mnemonic trace: a grammar of rhythms, nocturnal synchronicities, and primal modes of communication that predate spoken language. Within this frame, the release acts as a call to reclaim the core essence of club culture, stripping away technological excess in favor of intersubjective connection through dancefloor catharsis.

https://soundcloud.com/clubfuriess/cfs-infame-gonza-subversion-del-puslo-kyma-komplex

The producer contrasts high-intensity grooves with arpeggiated sequences and a raw aesthetic that trades hyper-technical polish for functional immediacy. The EP’s internal narrative moves between tension and subtle melancholy, establishing an atmosphere built for dancefloor rigor that balances introspective focus with visceral drive.

Label: Kyma Komplex
Artist: Infame Gonza
Title: Memoria Del Ritmo

Release Date: October 2, 2026
Support & Buy: Bandcamp

Tracklist
1. Cosas que Bailan
2. Subversion del Pulso
3. Memoria del Ritmo
4. Arde la Noche

Infame Gonza

Website | SoundCloud | Instagram

Kyma Komplex

SoundCloud | Bandcamp | Instagram

Club Furies

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CF Signals: ANIMAM – Yocu [Elephant Gait Music]

Elephant Gait Music presents Gulf Of Mexico EP, the latest release from Mexico City-born artist ANIMAM, now based in Playa del Carmen. The six-track release moves through a sonic landscape shaped by the relationship between nature, technology and cultural memory, bringing together original productions with remixes by Marseille-based Pierre Labret and Elephant Gait affiliate Golden Axe. Across the EP, the Gulf of Mexico becomes more than a geographical reference: it becomes a space through which ANIMAM explores how a change in environment can reshape the way music is created and experienced.

The release unfolds through three original pieces that approach this relationship from different angles. “Yocu” turns toward Mayan ceremonial traditions and the balance between civilization and nature; “Ravvadobb,” featuring Argentine musician Artifex, traces the influence of reggae and dub across Mexico’s Caribbean coast; while “Ecosistema” explores the meeting point between technological production and the natural world. The remixes expand these ideas further, with Golden Axe taking “Yocu” into darker dub territory and Pierre Labret offering two contrasting interpretations of “Ecosistema.”

https://soundcloud.com/clubfuriess/cfs-animam-yocu-gait14ep

For this Club Furies Signal, we focus on “Yocu,” a trance-driven piece built around the idea of mental sharpness, nature and ancestral memory. One of its most distinctive elements is a recording of a Mayan story told by a shaman in the jungle of El Cuyo, Yucatán, recounting the tale of Yum Balam, the great guardian jaguar of the milpas. The voice gives the track a remarkable sense of place, while the hypnotic electronic framework creates a space where the spoken story and the rhythm seem to coexist on their own terms.

There is something particularly compelling about the way “Yocu” allows these different temporalities to meet. The track moves through trance, ritual and electronic repetition, creating an atmosphere that feels both physical and contemplative. ANIMAM describes Gulf Of Mexico as a reflection of his own move from Mexico City to Playa del Carmen, as well as a statement about the value of Mexico’s musical and natural heritage. “Yocu” captures that idea with unusual clarity: a piece where the jungle, the dancefloor and an ancestral story occupy the same sonic space. Gulf Of Mexico EP arrives October 2, 2026 on Elephant Gait Music.

Label: Elephant Gait Music
Artist: ANIMAM
Title: Gulf Of Mexico EP
Catalogue: GAIT14EP
Mastering: Pavel Grachev
Artwork: TRR

Release Date: October 2, 2026
Support & Buy: Bandcamp

Tracklist
1. ANIMAM – Yocu
2. ANIMAM feat. Artifex – Ravvadobb
3. ANIMAM – Ecosistema
4. ANIMAM – Yocu (Golden Axe Remix)
5. ANIMAM – Ecosistema (Pierre Labret Flora Remix)
6. ANIMAM – Ecosistema (Pierre Labret Fauna Remix)

ANIMAM

SoundCloud | Instagram | Threads | Bandcamp | Linktree

Elephant Gait Music

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: q-Bit – Lost Syntax (MIKEL Remix) [Metal Disorder by Armen Crew]

Metal Disorder by Armen Crew returns with Corrupted Protocol EP, the latest release from q-Bit and the fourth entry in the label’s catalogue. Landing on October 1, the EP brings together raw electro, techno and futuristic electronic textures, with remixes by Lemon Schaden and MIKEL expanding the record into different rhythmic territories. The release also marks an important step for the label: MD004 becomes Metal Disorder’s first vinyl release, with an ultra-limited run of just 20 copies.

https://clubfuries.com.mx/2026/08/06/cfs-bane9-milan-doullins-garage-83-la-grande-gudule-armen-crew/

q-Bit has already appeared on the Armen Crew platform and on the label’s radio show, developing a sound focused on machines, electronic tension and futuristic textures. Corrupted Protocol pushes that language further through a selection that moves between the raw mechanical character of “Mind Under Latency” and “Lost Syntax”, the darker atmospheres of “Chronosphere” and “System Collapse”, and three reinterpretations of “Lost Syntax.” The result is a release that keeps its machinery exposed while allowing each version to alter the balance between rhythm, space and intensity.

For this Club Furies Signal, we focus on “Lost Syntax” MIKEL Remix. MIKEL takes the original into a more driving and club-oriented dimension, preserving the track’s mechanical character while giving its rhythmic core greater weight. The groove feels tightly wound, with electronic textures moving around a persistent pulse that keeps the track in a state of controlled tension. There is a distinctly physical quality to the remix, yet the sound remains sufficiently spacious for its details to emerge gradually.

At 6:08, “Lost Syntax (MIKEL Remix)” finds its strength in that balance between machine precision and hypnotic movement. It feels like a system running under pressure, constantly processing and rearranging its own components while the groove keeps pushing forward. As part of Corrupted Protocol, the remix becomes another piece of the EP’s larger mechanical language — and another glimpse into the corrupted world that Metal Disorder describes so directly: the system glitches, the vinyl takes control.

https://soundcloud.com/clubfuriess/cfs-qbit-lost-syntax-mikel-remix-md004

Label: Metal Disorder by Armen Crew
Artist: q-Bit
Title: Corrupted Protocol EP
Remixes: Lemon Schaden and Mikel
Genre: Electro, Techno, Electronic, House
Catalogue: MD004

Release Date: October 1, 2026
Support & Buy: Bandcamp

Tracklist
Vinyl
q-Bit – Mind Under Latency – 5:49
q-Bit – Lost Syntax – 4:42
q-Bit – Lost Syntax (MIKEL remix) – 6:08
q-Bit – Lost Syntax (Lemon Schaden Club remix) – 5:20

Digital
q-Bit – Chronosphere – 5:26
q-Bit – System Collapse – 6:21
q-Bit – Lost Syntax (Lemon Schaden Heartbeat remix) – 13:50

Credits
Mastering: Simon Hamelin @ HDN Mastering
Artwork & Design: Formanoire
20 Promo Vinyl by Galette Records, Bzh

q-Bit 

SoundCloud | Instagram

MIKEL 

SoundCloud | Instagram

Metal Disorder

SoundCloud | Instagram | Facebook

Armen Crew

SoundCloud | Instagram | Facebook | Bandcamp
Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Diaz Tech – Paradigma (Veltran Chaca-Chaca Remix) [DMNSNL]

Díaz Tech marks his debut on the Dimensional catalog with Paradigma, an offering built around the darker, more incisive spectrums of broken beat music. Across three original compositions, the Mexican artist models the record’s architecture through euphoric, irregular rhythms, heavy low-end lines, and tension-saturated atmospheres, maintaining a raw and hypnotic drive throughout. The EP closes with contributions from Veltran and Tierra de Ovnis, who deliver two remixes that broaden the scope of Paradigma, enriching the release through complementary acoustic angles while pushing deeper into vanguard synth design.

Spanning over fifteen years in the scene, Mexican DJ and producer Daniel Alberto—known artistically as Díaz Tech—has sustained a steady sonic evolution anchored by a clear signature: the exploration of psychedelic nuances and dense acid lines. His composition framework bridges digital workflows with analog design, integrating organic instrumentation and personal vocal takes that inject a raw, Latin identity into his studio work.

https://clubfuries.com.mx/2026/07/08/cfs-dan-chicharron-bousculade-dmnsnl/

Veltran is a digital artist focused on sound design and 3D art; based in Mexico City, he stands as a key figure at the intersection of visual tech and avant-garde electronics. As founder of independent platforms Kyma Komplex and Ultramind, he has built a creative ecosystem dedicated to testing the boundaries between club functionality and contemporary synthetic aesthetics.

https://soundcloud.com/clubfuriess/cfs-diaz-tech-paradigma-veltran-remix-dmnsnl009

His remix, titled «Chaca-Chaca», unfolds as an uninhibited sonic intervention into Díaz Tech’s raw sound, filtered through the distinct lens of the Kyma Komplex head. Rooted in the trippier, slow-burning edges of indie dance—touching on ritualistic and tribal territory within a liminal space outside traditional rules—the cut delivers continuous excitation from start to finish.

Label: DMNSNL
Artist: Diaz Tech
Title: Paradigma
Catalogue: DMNSNL009

Release Date: September 24, 2026
Support & Buy: Bandcamp

Tracklist
1. Paradigma
2. Electric Bounce
3. Don’t Back
4. Paradigma (Veltran Chaca-Chaca Remix)
5. Electric Bounce (Tierra De Ovnis Remix)

Diaz Tech

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Veltran

SoundCloud | Instagram | Bandcamp | Linktree

DMNSNL

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Club Furies

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CF Signals: Born in Lagash – Ephemeral You [Raw Quarter]

Founded in 2017 by the minds behind THC Recordings and the Colombian promoter The Hindie Corporation, Raw Quarter operates out of Bogotá, Berlin, and Barcelona as a social hub centered on the purest spectrums of raw house and techno. For its upcoming digital release, RAWQTRDL006, the platform welcomes Colombian artist Born In Lagash with a twelve-track LP that moves uncompromisingly between avant-garde electronics and high-density techno.

https://clubfuries.com.mx/2026/04/11/cfp-vlad-bruackja-151kmxh-raw-quarter/

Born In Lagash is the electronic music project launched in 2017 by the producer and performer based in Pereira, Colombia. Emerging during a period of personal darkness following his phase with the BAAMBATTA project, the outlet was born as a channel to transform melancholy, anger, and grief into sonic architecture and an act of acoustic protest.

Born In Lagash’s narrative frames darkness not as a destructive endpoint, but as a vehicle toward catharsis and hope. Rooted in techno as its driving core, his sound incorporates the rhythmic drive of electro, the aggression of electro thrash, and the tempo of drum and bass. Through his productions and sets, the Colombian artist builds dark, emotionally charged landscapes, inviting listeners to navigate their inner minds and convert personal catharsis into a collective, liberating dancefloor experience.

https://soundcloud.com/clubfuriess/cfs-born-in-lagash-ephemeral-you-raw-quarter

Hailing from the cold climate of Duitama («The Pearl of Boyacá»), Born In Lagash has refined a sonic identity marked by broken rhythms, rock influences, and iridescent textures. His studio work—backed by labels like Planet X, Sleaze Records, and Qeone—balances unsettling atmospheres and melancholic vistas with bursts of noise and direct dancefloor energy.

«Ephemeral You» arrives toward the end of the LP as one of the cuts where emotion hits closest to the surface. Featuring a subtle sound that borders on trance and hypnosis in a liminal way, a sense of transience runs through the track’s structure, taking on an ethereal quality that touches the absolute and the ineffable.

On RAWQTRDL006, the producer delivers an exhaustive journey synthesizing his hybrid, visceral vision, reaffirming the label’s commitment to unconstrained artistic expression: pure pulse, zero gimmicks.

Artist: Born in Lagash
Title: Left Behind LP
Label: Raw Quarter
Catalogue: RAWQTRDL006

Release Date: September 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Back to Lagash
2. Should I?
3. Surrender
4. Vorax
5. Spora
6. Sequoia
7. Jcy Xaklet
8. Forbidden Machine
9. Simultaneous Mutation
10. Life Lesson
11. Ephemeral You
12. Backyard Memories

Born in Lagash

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Raw Quarter

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Club Furies

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CF Signals: 4C1D3Z – Triceratops [Ketapasando]

Conspiracy World marks the return of 4C1D3Z to the Ketapasando catalog, resuming an exploration where acid, broken-beat rhythms, and corrosive electronics collide far outside predictable conventions or formulas. The EP unfolds a micro-narrative anchored in paranoia and technological suspicion: a sonic architecture of uncalibrated machinery, spiraling 303 lines, mutant percussion, and an underlying atmosphere of alienation.

https://clubfuries.com.mx/2026/06/15/cfs-apple-k-current-blackmail-ktpep044/

Far from a simple genre exercise, the release reinforces the project’s core premise: approaching the dancefloor as a testing ground for experimentation, physical drive, and questioning reality. The record will be available on September 22 across streaming platforms and as a free download via Bandcamp.

4C1D3Z is a project engineered entirely through hardware manipulation, occupying the space where acid, electro, techno, and trance intersect, drawing on the raw aesthetics of synthesizers and drum machines. Its acoustic frame layers heavy basslines, frantic percussive patterns, and an obsessive 303 presence, crafting compositions that move seamlessly between expansive hypnosis and structured chaos without losing touch with the floor.

https://soundcloud.com/clubfuriess/cfs-4c1d3z-triceraptops-ktpep045

Tied to Ketapasando since its early days, the act previously made its mark on the imprint with Sorprendo (KTPEP021), establishing itself as a recurring force within the collective’s creative direction and ongoing output.

«Triceratops» unfolds as a complete sonic narrative grounded in rock-solid concepts and sharp execution. Driven by an uninhibited, fresh approach to sound design, the piece feels simultaneously heavy and electric. Moving through distinct phases and chapters, the track spins a rugged, nuclear tale—delirious and dense, yet laced with moments of striking delicacy.

Label: Ketapasando
Artist: 4C1D3Z
Title: Conspiracy World
Catalogue: KTPEP045

Release Date: September 22, 2026
Support & Buy: Bandcamp

Tracklist
1. Alien State
2. Flat Earth Reflux
3. Triceratops

4C1D3Z 

SoundCloud

Ketapasando

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Club Furies

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CF Signals: html_ – Longitude Zero [ANAØH]

We introduce the Mexican imprint ANAØH, whose curation has recently gravitated toward versatile sonic territories while maintaining a sharply defined identity. This time, Colombian trio html_ marks their debut on ANAØH with Provincia, a four-track EP deploying a complex, fresh, and deeply organic perspective on contemporary techno. The release arrives at a pivotal moment for the Colombian scene, which, beyond its passionate crowd, is establishing a new generation of producers internationally recognized for studio sophistication and rich musical influences.

https://clubfuries.com.mx/2026/06/10/cfs-joshua-calleja-obstacles-ana112/

html_ is a Colombian trio formed by producers and DJs Animuss, Sinistermind, and Insen, conceived as a collective platform to channel a diverse, honest, and unconstrained sonic vision. The project stands out for its ability to weave varied rhythms and soundscapes into a single narrative, seamlessly moving across electro, breakbeat patterns, and a raw, hypnotic strain of techno rich in organic nuances.

On Provincia, the collective shapes each track as an independent chapter driven by evolving micro-details, singular textures, and dynamic contrasts that encourage multi-layered listening. The EP hits a sweet spot between mental tension and physical drive, merging intricate sound design with raw, floor-focused percussion. With this release, html_ reaffirms the maturity of cutting-edge South American electronics on the global stage.

https://soundcloud.com/clubfuriess/cfs-html-longitude-zero-ana146

«Longitude Zero» serves as the opening track for this sonic universe and can be understood as the acoustic prime meridian from which everything expands. Rather than implying a bare sound, the piece acts as the fundamental layer that enables all that follows, holding the entire release’s sonic DNA in nuce. Given the complexity of this concept, the composition required subtlety, pristine design, and fluid execution—delivering on all fronts with precision.

Label: ANAØH
Artist: html_
Title: Provincia
Catalogue: ANA146

Release Date: September 4, 2026
Support & Buy: Bandcamp

Tracklist
1. html_ – Longitude Zero (Original Mix)
2. html_ – Magic Herbs (Original Mix)
3. html_ – Provincia (Original Mix)
4. html_ – Rahdown (Original Mix)

html_

SoundCloud | Instagram | Bandcamp

ANAØH

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Doriko – 7 Gesceap Of Pneuma [Black Shapes]

Hailing from Rome, Italy, Black Shapes defines itself through the ethos «Lost in Monochrome | Where sound finds its shadow». Following our recent discovery of the imprint, its sonic identity left a strong impression, and we now welcome them back to our platform. This fourth volume of their multi-artist series, titled ZEROFOUR, unfolds as a high-intensity journey across the spectrum of modern techno.

https://clubfuries.com.mx/2026/05/17/cfs-oydet-circle-bsl03/

Doriko is a DJ, producer, and vinyl collector who approaches electronic music as a direct vehicle for inner exploration. Balancing dancefloor functionality with raw emotional weight, her output translates her inner universe using analog wax and rhythmic precision as core pillars.

https://clubfuries.com.mx/2026/07/13/cfs-doriko-the-water-spirits-call-ea007d/

Her track title bridges two loaded concepts: Gesceap—an Old English word meaning «creation,» «shape,» or «destiny» (the root of the modern word shape)—and Pneuma—the Ancient Greek term (πνεῦμα) for «breath,» «spirit,» or the vital force animating the cosmos. Through this lens, «7 Gesceap Of Pneuma» suggests a sound portrait of spiritual forms.

https://soundcloud.com/clubfuriess/cfs-doriko-7-gesceap-of-pneuma-bsl04

Anchored in Doriko’s signature deep techno direction, the track builds upon wide, deep sonic architectures. Subtle electrical pulses flickering briefly across the arrangement trigger delicate tube-like modulations, adding layer and sophistication to an impressive texture for the floor.

Artist: Various Artists

Label: BLACK SHAPES

Catalogue: BSL04
Format: Digital

Genre: Electronic

Style: Techno/Dub/Electronica

Mastered by:
Dustywork at THE SHAPING ROOM (tracks 1-3-4)
Gianluca Meloni at Odyssey Mastering (track 2)

Release Date: September 7, 2026

Support & Buy: Bandcamp

Tracklist
1. TAOYEMA – DARK NECESSITY
2. INHERENT – RESPIRI
3. DORIKO – 7 GESCEAP OF PNEUMA
4. K-SEA – RUSTIC

Doriko

SoundCloud | Instagram | Bandcamp | Threads

Black Shapes

Dustywork | SoundCloud | Instagram | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: iBOT – Angeli e Demoni [Diffuse Reality Records]

iBOT (Ivano Marsalisi) is an Italian DJ, producer, and beatmaker (born in Turin, 1985) aligned with the modern wave of hypnotic, minimalist, modular, and raw-textured techno. His sound blends structural rhythm with a mystic-driven studio methodology.

Founder of Research From Space Records (established in 2021) and based in Northern Italy, iBOT has built a prolific discography with appearances on global imprints such as Soma, Subsist Records, Diffuse Reality, Arido Records, Affekt Recordings, TMM, Concepto Hipnotico, and [R]3volution, among many others. Coming up through Turin’s club, rave, and afterparty circuit—and having touched down in Berlin, London, Barcelona, and Ibiza—he has earned firm support across the underground scene.

https://clubfuries.com.mx/2025/08/03/cfp-ibot-timeless-extended-mix-wlv4/

He now returns to Barcelona-based Spanish label Diffuse Reality Records to deliver his third output on the platform: Mental Journey, a seven-track original collection delivering a solid, versatile, complex, and deep sonic vision.

https://soundcloud.com/clubfuriess/cfs-ibot-angeli-e-demoni-drss1499

Among our favorite cuts is «Angeli e Demoni», anchored by a refined, driving groove cut through by otherworldly vocal textures that lend the track a strong edge. Stabilizing its sound within instability itself, the piece pushes into territories both menacing and thrilling, leveraging that duality to yield an impressive texture for the floor.

Label: Diffuse Reality Records
Artist:
iBOT
Title: The Mental Journey
Format: Digital

Catalogue:
DRSS1499

Release Date: August 2026
Support & Buy: Bandcamp

Tracklist
1. Mutant Infected 06:36
2. Hypnosis 07:04
3. Ancestral Landscape (Extended Mix) 07:36
4. Chicago heartbeat (Original Mix) 06:43
5. Angeli e Demoni 06:24
6. Keep Jump (iBOT hardgroove Hypnotic Rework) 07:04
7. The Mental Journey (Extended Mix) 07:31

iBOT

SoundCloud | Instagram | Beatport | Linktree

Diffuse Reality Records

Website | SoundCloud | Instagram | Facebook | Twitter | YouTube | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Esteban Miranda – Self Determination [Illegal Alien Records]

Between Lands & Oceans returns with its third installment, establishing itself as the annual summer V/A compilation released exclusively in digital format by Illegal Alien Records.

https://clubfuries.com.mx/2026/08/07/cfs-k-h1-chatka-iarblo003/

True to the label’s core vision, this thoughtfully curated selection brings together established figures and emerging talents aligned by an uncompromising passion for underground techno. The result is a compelling collection that reflects the platform’s overall aesthetic, favoring artistic freedom, authenticity, and a steadfast dedication to delivering high-caliber sound.

https://clubfuries.com.mx/2026/08/01/cfs-esteban-miranda-crystalysis-iar401/

This third volume gathers twenty exclusive tracks spanning hypnotic grooves, raw energy, and deep rhythms crafted for both the dancefloor and active listening. It stands as a celebration of the genre’s sonic diversity, engineered to move the body while inviting deeper mental engagement.

Hailing from Colombia, Esteban Miranda delivers «Self Determination», a cut that channels the volcanic density of rugged, compact techno. Nevertheless, his refined sound design introduces agile, fresh accents that lift the weight off the arrangement, rendering a track as heavy as it is delicate.

https://soundcloud.com/clubfuriess/cfs-esteban-miranda-self-determination-iarblo003

Driven by a persistent and subtle progression, the track achieves full sonic immersion where the ego seamlessly merges with the sound. The carefully layered frequencies bind these elements together, forging an alloy between listener and acoustic space.

Label: Illegal Alien Records
Artist: 500MA, A.Paul, Alexi Delano, Aphazia, Black Hypnotist, Chich, Colomboi, Ehmarj, Esteban Miranda, Jen Cruz, K-H1, Ket Robinson, Kevin Villa, Marco Ramos, MSDMNR, Perpetual Black Second, Procombo, Ricardo Garduno, Sarf, Sola Contagio, Vanina Buniak, and Xris Vavrzhina.
Title: Between Lands & Oceans III
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IARBLO003
Mastering by The Programnaitor
Artwork design by Rommulo

Release Date: August 28, 2026
Support & Buy: Bandcamp

Esteban Miranda

SoundCloud | Instagram | Threads | Bandcamp

Illegal Alien Records

SoundCloud | Website | Bandcamp | Instagram | Facebook | YouTube | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Dark Matter Project – Velocity Shift [Black Hole Transmissions]

London-based producer Shane dB, also operating as Dark Matter Project, steps up the game with the release of Hollow Signal on his Black Hole Transmissions label. This new body of work arrives during a period of high creative momentum, acting as the direct follow-up to Space Time Emotion, which was released earlier in February 2026.

https://clubfuries.com.mx/2026/06/30/cfs-solenoid-simulay-decay-bht008/

The EP kicks off with «Velocity Shift», a heavy-hitting techno track built to drive immediate energy onto the dancefloor. Its lead riff was crafted by chopping an atmospheric sample to enhance its drive, paired with a high-register synth that glides upward in pitch, introduced in brief fragments before unleashing the full sequence.

https://soundcloud.com/clubfuriess/cfs-dmp-velocity-shift-bht009

The track delivers a sound that feels compact yet remarkably weightless, unfolding like a continuous, shimmering cluster of crystals. As it reaches its climax, the arrangement forces these sonic particles into a full collision, triggering a striking, diamond-like burst of light and texture across the mix.

Following this blast, the track seamlessly reclaims its initial pressure and intensity through an eager, rising tempo. As it unfolds, the atmosphere briefly clears to shed the heavy tension, offering a glimpse of light at the end of the psychological tunnel… or so it seems.

Label: Black Hole Transmissions
Artist: Dark Matter Project
Title: Hollow Signal
Catalogue: BHT009
Mixed and Mastered in Berlin, July 2026.

Release Date: August 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Velocity Shift
2. Hollow Signal
3. Event Horizon
4. Entanglement

Dark Matter Project / Black Hole Transmissions

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Club Furies

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CF Signals: Valentin Zad & Carara – Modular 001 [Counter Pulse]

Counter Pulse stands as a powerful corrective force against transient trends within the international techno scene. Its unwavering commitment to high-caliber underground sound serves as a vital bridge between authentic artists and an industrial strain of techno that continues to redefine its modern edge.

https://clubfuries.com.mx/2026/04/29/cfp-carara-valentin-zad-natural-resources-trm388/

As one of the most conceptually rigorous imprints on the independent circuit, the label now introduces German producers Valentin Zad and Carara. The duo delivers Modular EP, a three-track collection showcasing the finest moments of their creative synergy—a collaborative effort recently featured on the Portuguese label trau-ma.

https://soundcloud.com/clubfuriess/cfs-valentin-zad-carara-modular-001-cp188

The lead track, «Modular 001», drills through the room with a velvety texture. Relentless, fluid, and razor-sharp, the piece carries raw emotional undertones, transitioning from volcanic energy into a liberating climax that soars straight toward an infinite horizon.

Artist: Valentin Zad & Carara
Title: Modular EP
Label: Counter Pulse
Catalogue: CP188
Mastered by Andreas Florin (Florin Media)

Release Date: August 28, 2026
Support & Buy: Bandcamp

Tracklist:
1. Modular 001
2. Modular 002
3. Modular 003

Carara

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Valentin Zad

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Counter Pulse

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Club Furies

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CF Signals: Mr. Bouncy Castle – Booty Hazard [Diffuse Reality Records]

We introduce Mr. Bouncy Castle, a Winnipeg-based Canadian producer who has spent most of his time in Antarctica researching the depths of ice caves. He has been living in an improvised igloo built using a bouncy castle as a base beneath a layer of reinforced ice. He enjoys cold, bouncy things…

https://clubfuries.com.mx/2026/07/11/cfs-cat-can-do-avant-drss1477/

For one of his recent releases, he arrives on the Spanish multi-platform Diffuse Reality Records with a collection of tracks titled Voici Monsieur Château Gonflable, featuring four original cuts.

https://soundcloud.com/clubfuriess/cfs-mr-bouncy-castle-booty-hazard-drss1506

«Booty Hazard» emerges from the vast expanses of that icy continent where he has lived for so long, an environment that has undoubtedly shaped his sound to its core. Perpetual, ethereal, expansive, immense. Clocking in at over 20 minutes, this track is the ultimate embodiment of the dynamic between Antarctic ice and the artist’s underlying vision.

The rest is about surrendering to the sheer length of the track and the infinite ice of the frozen continent…

Artist: Mr. Bouncy Castle
Title: Voici Monsieur Château Gonflable
Format: Digital
Label: Diffuse Reality Records
Catalogue: DRSS1506

Release Date: August 17, 2026
Support & Buy: Bandcamp

Tracklist
1. Booty Hazard
2. Boom boom bien
3. Tomato Warning
4. Dansk in the dark

Mr. Bouncy Castle

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Diffuse Reality Records

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Club Furies

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CF Signals: SHAWN ❅- Spiritual [Anodynic Frequencies]

The third release on the Anodynic Frequencies label comes from a Rome-based DJ and producer whose sound blends deep atmospheres, hypnotic melodies, and contemporary techno influences.

Shawn❅, the moniker of Alessandro Romeo, is an Italian producer, DJ, and composer. His journey into electronic music began at the age of 14, when he also composed his first piano piece. Initially experimenting with production under a different alias, he created tracks bridging ambient and cinematic electronics before discovering techno and stepping into a whole new world.

https://clubfuries.com.mx/2026/02/12/cfp-fog-catcher-twin-ii-afd002/

His sound is defined by dark atmospheres and intense melodic and harmonic arrangements—strongly echoing his musical roots—interwoven with rhythms that sometimes subtly fade, sometimes strike with conviction, but always share a single purpose: to convey raw emotion.

https://soundcloud.com/clubfuriess/cfs-shawn-spiritual-af003

This is Spirit, an EP featuring two original tracks and remixes by Yujinn and Enzo Pietropaolo. The original track «Spiritual» evokes the spirit itself—the psychic, soulful, mental, emotional, inner, ethereal, immaterial, impalpable, and Platonic. Throughout the unfolding soundscape of «Spiritual», this concept morphs into something ethereal and idyllic, driven by a sound design as immaculate as it is flawless.

Moving from the depths to the climax, it places us amid frozen forests and icy tundras, where the cold becomes the absolute sine qua non of existence, and its evolution turns into a perpetual atmosphere.

Produced by: SHAWN ❅
Title: Spirit EP
Mastered by Tomas Gonzalez / Medellín, Colombia
Artwork by Chris Rome
Label: Anodynic Frequencies
Catalogue: AF003

Release Date: August 15th, 2026
Support & Buy: Bandcamp

Tracklist
1. SHAWN ❅ – Meditation
2. SHAWN ❅ – Spiritual 06:35
3. SHAWN ❅ – Meditation (Yujinn Remix)
4. SHAWN ❅ – Spiritual (Enzo Pietropaolo Remix)

SHAWN ❅

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Anodynic Frequencies

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Club Furies

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CF Signals: Bane:9, Milan d’Oullins – 777 [Garage 83-C x La Grande Gudule x Armen Crew]

Following the legacy of Her Tentacles Sip My Mind, L’Ultime Ventouse, Panne Seiche, Bulot Rider, and Octo+, the aquatic territory’s most select collaboration returns with Krab Core. A magnificent various artists compilation, as varied as its title suggests, uniting once again the creative forces of this summer’s triple musical alliance. Between aquatic experiments, sonic drifts, and unhinged crustaceans, the artists plunge into a collective journey through uncharted and delightfully absurd waters. Available as a «pay-what-you-want» release on Bandcamp—alongside a super limited CD edition for dedicated collectors—the compilation features cover art by Billy Dogz.

https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

At Club Furies, we are thrilled to be part of this major release with the exclusive Premiere of 777, a track by French producers Bane:9 and Milan d’Oullins. Rising from the depths of bass music and breakbeat, the piece deploys a mysterious, nostalgic, and electric sound design. Its architecture evokes a landscape submerged in cold shores and black sands, an environment where echoes of the past overlay time to emerge with an energy as subtle as it is potent.

https://soundcloud.com/clubfuriess/cfs-bane9-milan-doullins-garage-83-la-grande-gudule-armen-crew

The track’s narrative articulates through a rhythm and progression as delicate as it is patient. The sonic structure reveals itself as plastic and versatile, masterfully proving that the seams of high intensity can run along parallel rails. With 777, Bane:9, Milan d’Oullins, and this summer alliance sign a flawless sonic manifesto: proving that avant-garde electronic music reaches its apex when percussive complexity embraces cinematic drift and abyssal immersion.

https://clubfuries.com.mx/2026/04/24/cfp-n-trip-amplify-arm009/

Towards the denouement, the composition rejects any complacent resolution or traditional fading closure. The breakbeat drive cuts off abruptly mid-modular friction, leaving residual frequencies and the depth’s echo suspended in mid-air like an unfinished interference in the dark.

KRAB CORE
GARAGE 83-C x LA GRANDE GUDULE x ARMEN CREW
VARIOUS ARTIST

Credits
Mastering: Simon Hamelin @ HDN Mastering
Track 17 Self-mastered
Artwork: Billy Dogz (www.instagram.com/billy_dogz/)

Release Date: August 14, 2026
50 CD’s and Bandcamp Only: armencrewmusic.bandcamp.com

Tracklist
01 – bane:9, Milan d’Oullins – 777 – 5:32
02 – Akam Sector – Desafio de Embolada – 4:37
03 – Azogial – Me You – 5:24
04 – DJ 8.6 – Gudule Gonk – 4:40
05 – Jacques Satre – Lizards Games Stepper – 5:21
06 – DJ LM$ – Bug Me Out – 3:54
07 – Nyttes – Ominous Harvest – 5:54
08 – Oda Fiasco Bravo – Up and Fine – 5:05
09 – alombreducheval – Toto il est Bien – 8:16
10 – Pas de Pâquerette – Ouvrir les Côtés – 2:57
11 – eul Diap – Kulta Kuro – 8:40
12 – Gargantuan Grief & acheve – Pseudo-V – 4:10
13 – Force Rouge – Somewhere Over The Rainbow – 4:18
14 – DJ Padset – Revenge – 4:03
15 – Francis Cheval, Pickle Vick – La Soupe Aux Petits Choux – 3:14
16 – Zwoin – Ta Mère – 4:18
17 – reallyraw – Zehef – 2:38
18 – Lemon schaden x anodyna – Anhedonia – 3:50

Bane:9

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Milan d’Oullins

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Garage 83-C

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La Grande Gudule

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Armen Crew

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Club Furies

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CF Signals: Tierra de Ovnis & Baby Witch – Si me Gusto [OMERTA]

The convergence of hybrid sonic identities finds fertile ground within the dark electronic landscape to sabotage generic molds. Russian imprint OMERTA returns to our pages with the second various artists compilation in its catalog—an ambitious 22-track collection crafted over six months of international curation. In this release, cyberpunk aesthetics and cult atmospheres intertwine across a massive output championing the strength of the global underground.

Https://clubfuries.com.mx/2026/04/25/cfp-dj-sunshine-sloppy-say-in-uk-omerta/

The vanishing point of this release materializes on our exclusive Premiere: Si Me gusto, a joint effort between veteran Mexican DJ and producer Tierra de Ovnis—known for bridging psychedelia, indie dance, techno, and organic Latin American nuances—and Guadalajara-born project Baby Witch. The piece deploys an immersive sound design driven by a mysterious atmosphere and an incipient rhythm that warps the club’s standard temporality, surgically mutating into accelerated, deeply exciting drives.

https://soundcloud.com/clubfuriess/cfs-tierra-de-ovnis-baby-witch-si-me-gusto-omerta

Far from strident speed or immediate saturation, the track’s narrative sustains a beautiful tension: it remains reticent throughout its entire architecture, carefully managing modular energy with analog rigor over the body in motion. With Si Me gusto, the Mexican acts and OMERTA sign a sharp editorial stance: proving that contemporary underground music reaches its highest peak when rhythmic acceleration coexists with subtlety, mystery, and atmospheric restraint.

Towards the denouement, the composition rejects any complacent resolution or functional fading closure. The drive simply cuts off mid-cyberpunk friction, leaving the residual frequencies and the mysterious aura suspended in mid-air like an unfinished interference in the dark.

Label: OMERTA
Artist: Various Artists
Title: VA — OMERTA Vol. 2
Catalogue:

Release Date: August 8, 2026
Support & Buy: Bandcamp

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

Tracklist
1. Magnum Opus – More Than Just A Sign
2. OKO – Danse Macabre
3. Sasha Paige – Artificial
4. WLDV – Data Burn 05:29
5. Ruksby – All Gonna Die
6. Morze & Krupps – Wild Wild West
7. Gelainheim – Burning Through Youth 04:06
8. Tierra de Ovnis & Baby Witch – Si me Gusto
9. Modeca – Complex Analysis
10. Clouzer – Beyond
11. Prince Terrible – Infierno
12. Lucas Novaes – Tic Tac
13. Lex-Or & GO5 – Juego de Cromos
14. Kenny Campbell – Between the Right and the Righteous
15. Corporate Guest – Denied
16. Díaz Tech – Out of the Dark
17. Jorge Galindo – Necromano
18. Mverto Futura – Nowayout (Systematic Abuse)
19. Jauzas The Shining – Húmedo
20. MANASYt – Lothar Schramm (Live)
21. Tevatea – Urzi
22. Rambal Cochet – Valencia Draft Mode (Ruta Destroy Mix)

Tierra de Ovnis

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Baby Witch

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OMERTA RECORDS

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Club Furies

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Club Furies Mix Series: Cintas Furiosas Present Monotone

The deconstruction of the contemporary live act format finds its most subversive fuel within geographic and stylistic hybridization. Monotone—the joint project of Francesco Presotto and Annie Hall, operating between Venice and La Coruña—develops a distinct signature at the exact intersection of drum & bass, jungle, and IDM. Their output pairs high-precision rhythmic architecture with a deeply atmospheric scope, where tension, distortion, and spatial design balance technical rigor with emotional intensity.

Supported since their debut EP, Call Your Friends, by seminal figures such as dBridge, Grant Marshall, Amon Tobin, Laurent Garnier, Modeselektor, Kode9, Venetian Snares, and Objekt, the duo continues refining a high-tension identity now solidifying within the Cintas Furiosas catalog.

https://clubfuries.com.mx/2026/07/16/cfs-monotone-with-u-tentapes/

Our mix series is called Cintas Furiosas — Furious Tapes. The concept draws inspiration from the Baseball Furies, the cult gang from The Warriors, and from Imperator Furiosa, the central figure of Mad Max: Fury Road and Furiosa: A Mad Max Saga. Both references converge around the same idea: intensity, displacement, and energy held in permanent tension. Each edition functions as a tape projecting a different kind of “furious sound” depending on the invited artist, expanding the concept toward new textures, velocities, and emotional states. This time, that fury takes on a particularly fluid and magnetic form through Monotne.

The peak point of physical and narrative immersion in this entry manifests through its subtle, masterfully delivered beginnings, inserting us into cracks of a decoupled reality to forge parallel worlds via the surgical use of glitch and spatial sparks. Once reality is suspended by Monotone‘s rhythmic genius, the producers gracefully introduce new noise and interference into the sound’s drive, leading into pure delirium while evoking sleepless nocturnal cities and deeply rooted modern societal stories.

https://soundcloud.com/clubfuriess/cfmx-cf-present-monotone

The composition’s architecture delivers a rhythmic stabilization refreshed by subtle yet potent electricity. Through percussive breaks that unexpectedly plunge us into the depths of the night and the dancefloor, the piece locks us into an infinite loop crossing streets, cities, countries, planets, and galaxies in a mix as precise as it is flawless. With this contribution to Cintas Furiosas, the project signs a sharp editorial stance against the European electronic scene: proving that cult sound reaches its apex when hardware complexity pays homage to cinematic immersion.

Towards the denouement, the structure rejects any complacent resolution or functional summary. The analog drive cuts off abruptly mid-sonic effervescence, leaving the echo of glitch and interference suspended in mid-air like an unfinished remnant in the dark.

Technical sheet
Artist: Monotone
Series: Cintas Furiosas by Club Furies
Origin: Venice (Italy) and La Coruña (Spain)

Tracklist
1. 96 Back – Venetian Blinds
2. Two Fingers – Deep Freda
3. See Mask – Panic Button
4. Objekt – 35
5. DVA – Mad Hatter
6. Sha Sha Kimbo – Save the World (Machine Girl Rmx)
7. Traxman – Ace Boogie
8. Annie Hall – Atomic 20
9. Dj Sotofett & Kavadi – Kandhan Karunai
10. Karenn – Crush The Mushrooms
11. Vril – Berlin Speed Drive
12. CCL – Plot Twist
13. Introspekt – Physicality (original mix)
14. Fields Of Mist – Biological Lair
15. RVRSRVR – ON MY OWN (unreleased)
16. Maoupa Mazzocchetti – Laura
17. Nasty Habits – Shadow Boxing (The Remix)
18. Dub Phizix – The Clock Ticks
19. Ivy Lab – Baby Grey
20. Dwarde & Tim Reaper – Holding On

Monotone

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Club Furies

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CF Interview | The only question left is when: Catástrofe Club presents Un Futuro Tranquilo by Periphylla

Editorial introduction

For Catastrofe Club, the extinction of the human species is not a threat. It is the resolution.

Josep M. Herrera and David Molina have been building their singular universe from Roca Umbert Fàbrica de les Arts in Granollers for over a decade — an unclassifiable project that moves freely between post-punk, darkwave, electronic and post-rock without the slightest trace of self-consciousness. Their first three albums were, in their own words, the soundtrack of a world without direction, of a society heading straight for the edge. Un Futuro Tranquilo arrives after that trilogy closes, and proposes something stranger: the day after. A future in which humanity has already disappeared, and the rest of living beings can finally breathe.

This is their fourth LP and their first on Periphylla Records. The darkness is still there — but it sounds, and feels, brighter than ever. The messages remain raw, the humour remains peculiar, the vocals remain mostly spoken-word over richly layered electronics. What has changed is the calmness. Catastrofe Club have accepted the catastrophe, and it suits them well. We spoke with them about the end of everything — and why it might be good news.

The interview was conducted and answered in Spanish, and the English translation was produced using DeepL and reviewed by Club Furies

I. The trilogy and the reset

01 Your first three albums formed a trilogy of their own. What did it feel like to close that chapter — and what made you decide that the fourth record had to begin somewhere completely different, on the other side of the catastrophe?

— A: In all cases of bereavement, the first stage is denial, followed by a stage of grief and anguish, and finally the stage of acceptance. It is this last stage that brings healing. Surely the suffering of watching everything around us crumble over the years has ultimately led us, naturally and without premeditation, to this final stage, the one that sets us free. We accept defeat with calm. This leads us to write serenely about human extinction and to emphasise the beauty of a world in which the other species live, at last, in a certain harmony.

02 The press kit describes Un Futuro Tranquilo as «a kind of reset.» What does a reset sound like for Catastrofe Club — what stays, and what had to change?

— A: This fresh start leaves behind the anguish and suffering. The new album transports us to a new world full of relief, where there is nothing but peace. This has given us a breath of fresh air on a personal level throughout the creative process and has also breathed new life into the music itself, which – without losing our essence – has evolved into something more expansive, more ethereal and lighter.

https://clubfuries.com.mx/2026/07/23/cfr-catastrofe-club-un-futuro-tranquilo-py222/

II. The concept — extinction as relief

03 The album sets out an uncomfortably peaceful future in which the human species has already disappeared — and frames that as good news for every other living being on the planet. How seriously do you mean it?

— A: We mean this entirely seriously. There’s no irony in it.

04 You describe yourselves not as visionaries but as chroniclers — of a reality many are still unwilling to face. What does it mean to chronicle something like this through music rather than through journalism, activism, or silence?

— A: We have other small ways of getting involved in activism. But Catástrofe Club is a project that encompasses music, lyrics and visuals too. And it is this project that allows us to portray and capture with greater clarity the decline that we witness every day.

https://soundcloud.com/thebrvtalistxx/premiere-cat-strofe-club-en-el

05 The tracklist moves from «En el futuro» to «El fin de la especie» to «La belleza» to «Nadie.» That arc feels deliberate — almost liturgical. Did the sequence emerge from the concept, or did the concept emerge from the sequence?

— A: The concept emerged from a single song, ‘En el futuro’, which is the opening track on the album. The song depicts a world where humans have already become extinct and where animals and plants are finally able to live in peace and harmony. Once we’d finished the song, we realised straight away that this idea could be developed, expanded upon, and could form the basis of an entire album.

III. The sound

06 On this record you lean further into post-rock and cinematic territory while keeping the post-punk and darkwave energy. What pushed you in that direction — and how does the expanded sonic palette serve the expanded emotional register of the album?

— A: To be honest, there was no intention behind it. The very theme of the album transported us mentally to that world full of peace and harmony. And that led us, song after song, to a more ethereal, more expansive sound than on previous albums. It all happened very naturally and spontaneously. In any case, regardless of styles and nuances, everything we do still sounds like Catástrofe Club.

07 The press kit mentions that your darkness «sounds and feels brighter than ever» on this LP. How do you make darkness sound bright without losing what makes it dark?

— A: We are beings of light; we are drawn more to the light than to the darkness. However, a certain amount of darkness is always lurking, both within us and before our very eyes. Our music reflects exactly that: light and darkness never touch, but they walk hand in hand. Both are authentic, real, walking side by side. Just as in life.

08 Your vocals are mostly spoken-word — raw, direct, laced with humour. On an album about the end of the species, what does humour do that solemnity can’t?

— A: Rather than humour, what we’re really trying to do is show the viewer some affection. To tell them, in a gentle way, that they’re about to disappear and will never be here again. It’s like giving them a warm hug before breaking news that they’re bound to find unsettling. We probably use a certain amount of humour as an emotional entry point, as a necessary anaesthetic before the lethal injection.

https://soundcloud.com/clubfuriess/cfs-catastrofe-club-todo-sigue-py222

IV. Influences and identity

09 The press kit places you between The Cure and Sigur Rós, Idles and Fontaines DC, Astrud and Punsetes, Albert Pla and Faemino y Cansado. That is a genuinely unusual range. How do you hold all of that together without it collapsing into pastiche?

— A: They are simply some of the influences we’ve grown up with. We’d love to have traits of all those monsters. But it’s true that they’ve all left their mark on our personal development, on how we’ve matured since our teenage years. And in some way, that’s inside us, lying dormant, probably shaping some tiny part of our creative process.

V. Periphylla Records and the release

10 Un Futuro Tranquilo is your first release on Periphylla Records. What does that change — if anything — about how the album reaches the world, and what it means to release something this particular through a label?

— A: Our relationship with Periphylla is undoubtedly the story of a happy, chance encounter. We saw in them – and in their parent organisation, Diffuse Reality – a collective very much in tune with our own way of understanding life and creativity. We discovered a team of people who prioritise artistic intent, a love for the community and a passion for creative projects, going beyond traditional norms and clichés. They placed their trust in us by featuring our live performances at several of their events, and we are proud that they are the ones helping us to distribute our work across various countries. Having travelling companions like them is a gift. Whatever time we have left in this world, it is worth sharing it in this way.

https://clubfuries.com.mx/2026/07/15/cfs-catastrofe-club-todo-sigue-py222/

VI. What comes after

11 The album ends with «Nadie.» After you’ve narrated the end of the species — calmly, without trauma — what comes next for Catastrofe Club?

— A: Probably nothing. We won’t be around anymore. We won’t be able to write songs, and there won’t be anyone left to listen to them.

Editorial closing

Un Futuro Tranquilo is an ood about the end of everything that somehow manages not to be depressing. Catastrofe Club have spent a decade chronicling collapse with black humour, raw language and a singular ood universe that belongs to no genre and sounds like no one else. Their fourth LP closes a trilogy and opens something stranger: a world after us, quieter, more beautiful, without trauma. If this is what the apocalypse sounds like, at oodtit has ood music. Out October 7th on Periphylla Records.

Artist: Catástrofe Club
Title: Un futuro tranquilo
Format: Vinyl, 12»/ Digital
Label: Diffuse Reality / Periphylla Series
Catalogue: PY 222

Release Date: July 10, 2026
Support & Buy: Bandcamp

Tracklist
A1. En el futuro
A2. Todo sigue
A3. Casa piedra camino
A4. Satélites
A5. Querido yo
B1. El fin de la especie
B2. Un día mejor
B3. La belleza
B4. En el futuro II
B5. Nadie

Credits
Written and Produced by Catástrofe Club
All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
Josep Maria Herrera (vocals, guitars, programming).
David Molina (bass, programming)

All tracks written and produced by CATASTROFE CLUB.
Recorded at the “Fábrica de Galletas” (CATASTROFE CLUB home studio) in 2025, except for the vocals, which were recorded by Dani Gil at Siete Barbas Estudio (Barcelona) in January 2026.
Mixed and mastered by Dani Gil at Siete Barbas Estudio (BCN) between February and May 2026.

Design and artwork: Raquel Castro and Joan Antoni Martori.

Catástrofe Club

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Periphylla

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Club Furies

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CF Signals: Horizon Resonances – Strelyali [Nettuno]

Contemporary sound design achieves a political and cathartic dimension when it transmutates the geography of trauma into documentary matter. Through field recordings, Horizon Resonances presents Ludy under the wing of Milan-based Italian imprint Nettuno. The release captures the atmosphere of streets marked by social tensions, weaving four stories reflecting the memory and daily friction of Odessa.

https://clubfuries.com.mx/2026/06/17/cfs-opalo-desire-nettuno/

Our exclusive Premiere, Strelyali, stands as a blunt testament to this premise. The piece unfolds from an overwhelming depth, ruggedness, and heaviness, where cries and claims of difficult definition emerge to shatter the sonic framework. The project’s brilliance lies within its compositional tension: the contemplative placidity of Ambient collides head-on with the hostility of Drone, reaching a relentless synthesis where sound seeks not evasion, but visceral testimony.

https://soundcloud.com/clubfuriess/cfs-horizon-resonances-strelyali-nettuno

Towards the denouement, the composition avoids any complacent resolution or functional fade. The analog drive cuts off abruptly mid-textural friction, leaving the field recordings and distant cries echoing in mid-air like an unfinished interference in the dark. With Ludy, Horizon Resonances and Nettuno sign a harrowing sonic manifesto: they prove that today’s most relevant experimental music is that which converts urban fractures into an impregnable piece of cult art.

Label: Nettuno
Artist: Horizon Resonances
Title: Ludy

Release Date: July 24, 2026
Support & Buy: Bandcamp

Tracklist
1. May
2. Strelyali
3. Ruky
4. Ludy

Credits
Written and produced by Boris Bondarenko, Ukraine.
Mastering and artwork by Nettuno Lab., Milan.

Horizon Resonances

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Nettuno

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Club Furies

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CF Signals: J.M.Blex – Don’t Let Me Go [BBop Music]

The evolution of underground house thrives on the consistency of creators who view the dancefloor as a catalyst for the subconscious. J.M.Blex is the moniker of Jaroslav Maděra, a Czech Republic-born artist whose trajectory spans from his early vinyl-spinning days in the early 2000s to his deep dive into digital production with Ableton Live from 2009 onward. After leaving his mark across clubs in his homeland, appearing on influential radio stations, and participating in the eclectic band Černý Ledňáček, the producer now focuses his drive on refining his signature sound, landing on the Manchester-based British imprint BBop Music with his new single, Don’t Let Me Go—delivered alongside its Extended Mix and Radio Edit.

https://clubfuries.com.mx/2026/07/10/cfs-dj-blaque-t-spcial-sound-tech-xpresso-bbm341/

The track’s thesis is built upon a clever structural duality. From the very first bars, the sound reveals itself as sweet and charming, utilizing sophisticated melodic lines that immediately lock in the listener’s attention. However, the piece waives the complacency of daytime radio, quickly transitioning into raw club-oriented environments where the night, dance, and sweat claim total control. It is within this precise transition that the producer achieves a flawless synthesis between harmonic warmth and the physical grit of the floor, providing the release with a spectacular and unique atmosphere.

https://soundcloud.com/clubfuriess/cfs-j-m-blex-dont-let-me-go-bbm342

The architecture of the cut manages its timing with analog-like mastery; the groove becomes persistent and elastic, dragging the body into continuous motion while vocal frequencies hover above a high-octane bassline. With Don’t Let Me Go, J.M.Blex and BBop Music sign a flawless editorial stance against the immediacy of today’s scene: they prove that contemporary house reaches its highest level of sophistication when it is capable of mutating from melodic subtlety to the physical, visceral immersion of midnight.

Towards the denouement, the extended version’s structure avoids standard fading closures; the drive holds its tension and cuts off abruptly, leaving the main frequencies vibrating in mid-air like a residual echo in the dark.

Artist: J.M.Blex
Title: Don’t Let Me Go
Label: BBop Music
Genre: House
Catalogue: BBM342

Release Date: July 24, 2026
Support & Buy: Beatport

Tracklist
1. Don’t Let Me Go (Extended Mix)
2. Don’t Let Me Go (Radio Edit)

J.M.Blex

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BBop Music

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Club Furies

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CF Signals: Monotone – With U [tentapes]

The deconstruction of the contemporary club finds a field of absolute subversion within the hybridization of artistic identities. Monotone is the live electronic music project formed by Francesco Presotto and Kimi Recor—artists with extensive backgrounds under their monikers Ex.Hale and DRÆMINGS across imprints like Sonic Groove, Voidance, or Sumerian Records—whose proposal geographically oscillates between Venice and La Coruña. Joining forces, the duo deconstructs common compositional standards to erect a vision characterized by dark textures, atmospheric weight, and a distinctive ability to provoke a feeling of artistic and textural asphyxiation within the listener.

For the sixth release in the tentapes catalog, we welcome Monotone with Fictional Science, an immersive experience composed of four deeply emotional pieces blending field recordings and powerful low-end. The closing point and peak acceleration of this sonic universe concentrates on With U. The cut completes the release’s emotional circle in a definitive fashion, driving a continuous high energy from the start that drifts between the idyllic and the ineffable.

https://soundcloud.com/clubfuriess/cfs-monotone-with-u-tentapes

The track’s architecture manages tension with analog mastery, reaching sonic deltas that dip straight into silence—structural containment voids suspending the room’s breath—before forcefully reclaiming the flight previously undertaken. Altogether, it solidifies as one of the week’s most refined works, where sound design and physical force advance in flawless harmony.

Towards the denouement, the composition avoids complacent solutions; the structure interrupts its rhythmic drive abruptly mid-sonic effervescence, leaving the synths’ echo and emotion floating like an unfinished interference in the dark. With Fictional Science, Monotone and tentapes sign a sharp editorial stance: a manifesto proving that avant-garde live electronic music reaffirms itself when capable of jarring both the body and the psyche.

Label: tentapes
Artist: Monotone
Title: Fictional Science
Catalogue: TNTPS006
W&P Ana Artalejo Moreno & Francesco Presotto
Master Ravi Raisa

Release Date: July 23, 2026
Support & Buy: Bandcamp

Tracklist
1. Deep Forest Dream
2. Endless
3. Fictional Science
4. With U

Monotone

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tentapes

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CF Signals: cat can do – Avant [Diffuse Reality Records]

The mysticism of the nocturnal floor transforms under the skin of a feline mutating with the shadows. Our favorite cat, cat can do—who regularly turns into a wolf by night under his Only Wolf moniker—returns to our pages to reinforce his tight-knit bond with the unwavering Spanish platform Diffuse Reality Records. Following multiple acclaimed references on the label, the Canadian-born, Alicante-based producer unveils Avant, a four-track collection of original cuts evading conventional molds to delve into the territories of a hybrid, cult techno.

https://clubfuries.com.mx/2026/05/28/cfmx-cf-present-cat-can-do/

The core synthesis of this release manifests mysteriously on the title track, Avant. The piece sparks with reticent sounds that approach patiently, as if originating from other times and unexplored dimensions. Far from monolithic industrial rigidity, the cut boasts the characteristic subtlety and self-assurance of the producer’s sound design, weaving a dense, liquid texture where physical friction coexists with a profound spatial elegance.

https://soundcloud.com/clubfuriess/cfs-cat-can-do-avant-drss1477

The composition’s narrative warps the club’s temporality. Climaxes arrive with surgical delicacy, briefly arresting time and space within a structural containment void; it is there that latent howls emerge, rapidly transmuting into acid drops and synthetic bulbs that re-ignite everything within the Alicante cat’s sonic and visual universe, reactivating the groove with an unyielding, expansive movement.

https://clubfuries.com.mx/2025/08/18/cfr-2025-11-cat-can-do-presents-emotional-apres-at-diffuse-reality/

Towards the denouement, the sonic architecture shuns the complacency of a gentle descent or a functional summary. The drive simply cuts off mid-analog tension, leaving the acid frequencies vibrating in mid-air like an unfinished interference in the dark. With Avant, cat can do and Diffuse Reality sign a sharp editorial stance against today’s underground scene: they prove that avant-garde techno solidifies when hardware precision surrenders to the animalistic, unpredictable nature of the night.

Artist: cat can do
Title: Avant
Format: Digital
Label: Diffuse Reality Records
Catalogue: DRSS1477

Release Date: July 20, 2026
Support & Buy: Bandcamp

Tracklist
1. Avant
2. Tragic
3. Brothers
4. 2004

cat can do

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CF Signals: Apigenin – Future Proof [Black Hole Transmissions]

Apigenin is the Berlin-based project formed by Solenoid, a three-decade veteran of the techno scene, and his nephew mmoonn, a musician and visual artist. Their collaboration finds a compelling balance between experience and contemporary sensibility, united by a shared fascination with the hypnotic potential of groove. Two generations converge around a common understanding of techno as a language of repetition, immersion, and perceptual transformation.

https://clubfuries.com.mx/2026/06/07/cfs-apigenin-focused-bht007/

Their second EP for Black Hole Transmissions delves deeper into that territory. Across four compositions, the duo develops a sound rooted in deep textures, functional repetition, and rhythmic structures that favour gradual absorption over immediate impact. Each track explores a different variation of the same principle, the ability of groove to engage both the body and the mind at once.

Future Proof expands upon the atmosphere established by the opening track through enveloping synthesizers and deeply grounded rhythmic patterns. Additional percussive elements introduce movement and spatial depth, while melodic layers evolve patiently toward increasingly immersive states. Every transformation feels purposeful, contributing to a seamless and carefully controlled flow.

https://soundcloud.com/clubfuriess/cfs-apigenin-future-proof-bht007

From the outset, the level of immersion is striking. The sound gradually surrounds the listener, creating a trance-like state that unfolds to its fullest potential throughout the track. The progression remains steady and deliberate, shaping intricate sonic labyrinths that seem to contain both the mystery and the solution within themselves. Time feels folded and stretched, as if different moments of the composition were coexisting inside the same expanding continuum.

With this second release, Apigenin further consolidates a vision centred on the most immersive aspects of contemporary techno. Rather than relying on immediate formulas, the duo builds its language through precision, patience, and gradual evolution. In Future Proof, that approach reaches a particularly evocative form. The future suggested by its title appears neither as promise nor destination, but as an open territory where every structure, rhythm, and perception is continuously tested.

Label: Black Hole Transmissions
Artist: Apigenin
Title: Focussed
Catalogue: BHT007

Release Date: June 26, 2026
Support & Buy: Bandcamp

Tracklist
1. Focused
2. Future Proof
3. Groovin
4. North

Black Hole Transmissions

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Club Furies

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CF Signals: Ópalo – Desire [Nettuno]

“Beneath the surface of the waves, invisible currents flow.” This is how the new Milan-based Italian label led by taru introduces itself. A statement that works both as an aesthetic manifesto and a curatorial promise. From its very first steps, the project reveals a particular sensitivity toward detail, atmosphere, and those forms of electronic music that derive their strength from subtlety. There is a sophistication here that never feels performative. Instead, it emerges gradually from below the surface, much like the unseen currents capable of shaping entire landscapes.

https://clubfuries.com.mx/2026/05/28/cfs-opalo-piano-works-3-caracteres/

Its inaugural release comes from Ópalo, the Quito-based producer already familiar to our pages and seemingly destined to open this new chapter. The Ecuadorian artist delivers a body of work centered on warmth, elegance, and the evocative power of sound. Through compositions that feel relaxed yet meticulously crafted, the EP reconnects with sensibilities often lost to time. There is something deeply cinematic about these tracks, as though they belonged to an old VHS tape rediscovered after years in storage, still carrying traces of its original glow.

https://soundcloud.com/clubfuriess/cfs-opalo-desire-nettuno

The collection begins with Desire, a piece that immediately establishes the emotional tone of the release. Delicacy and subtlety move together until sophistication and sensuality become inseparable qualities. Synthesizers drift effortlessly across a spacious and luminous sound field, sketching urban landscapes that feel strangely pristine, almost impossible, suspended somewhere outside conventional time. The feeling is not exactly nostalgic. It is closer to the sensation of recognizing a memory that remains frustratingly out of reach.

Everything shifts when the vocals arrive. Their presence introduces a more human, rough-edged, and unpredictable dimension into a structure that had previously felt carefully controlled. There is an improvised quality to their appearance, a spontaneity that cracks the polished surface and allows fresh air to enter the composition. From that moment onward, the track gains a different kind of depth. The initial ethereality remains intact, yet it becomes more tangible, more embodied. As though beneath the elegant architecture of the music, the listener suddenly discovers the presence of those who inhabit it.

Label: Nettuno
Artist: Ópalo
Title: Sitcom

Release Date: June 24, 2026
Support & Buy: Bandcamp

Tracklist
1. Ópalo – Desire
2. Ópalo – SMS
3. Ópalo – So Beautiful
4. Ópalo – Heart 2 Heart

Ópalo

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Nettuno

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CF Signals: Krzyzøk – Omen [Arctronic Records]

Polish-Spanish artist, producer, and DJ Krzyzøk, now based in Madrid, makes his debut on one of our favorite labels. His arrival on Arctronic Records comes in the form of Echoes From Warsaw, a four-track EP that dives deep into the more forceful and functional territories of contemporary techno. It is a release that balances immediate energy with a refined sense of structure and control.

Specializing in raw techno and hardgroove, while drawing influence from the classic sounds of the 1990s and early 2000s alongside EBM, new wave, and European synth-driven traditions, Krzyzøk has developed a sound that treats the dancefloor as a space of sustained tension. His productions move through insistent rhythms, carefully measured progressions, and a constant awareness of the physical momentum generated by repetition and groove.

https://clubfuries.com.mx/2026/04/02/cfp-revelation-sequence-hemodynamic-adjustment-arc011/

Throughout Echoes From Warsaw, historical influences are absorbed into a contemporary language that avoids easy nostalgia. The past functions as material rather than destination. Each track establishes its own identity while contributing to the coherence of the whole, creating a narrative where groove, pressure, and depth evolve together.

https://soundcloud.com/clubfuriess/cfs-krzyzok-ome-arc012

Omen stands out as one of the EP’s most compelling moments. From the very beginning, its intensity is undeniable, yet it never relies on brute force to achieve its effect. There is an unexpected softness in the way its elements are assembled. The textures possess a velvety quality that cushions the impact without diminishing its power, generating a persistent sense of propulsion that quickly becomes hypnotic.

Once the track settles into its central momentum, layers begin moving across one another in seemingly different directions, creating friction, tension, and interaction. What makes the piece particularly engaging is that these contrasting movements never dissolve into chaos. Instead, they become part of a larger architecture where separation itself generates cohesion. The result is a state of continuous motion, an elegant and relentless rhythmic machine that keeps attention suspended while advancing with unwavering precision toward increasingly deeper territory.

Label: Arctronic Records
Artist: Krzyzøk
Title: Echoes From Warsaw
Catalogue: ARC012

Release Date: June 26, 2026
Support & Buy: Bandcamp

Credits
Written & produced: Krzyzøk.
Mastered: Endplate.
Artwork: Arcfilter.

Tracklist
1. Echoes From Warsaw
2. Klockform
3. Glittering In The Dark
4. Omen

Krzyzøk

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Arctronic Records

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CF Signals: SLV – Red Clouds [Illegal Alien Records]

From an early age, SLV developed a close relationship with music. He grew up in an environment where records, rhythms, and curiosity about sound were part of everyday life. His father and uncle, both passionate music lovers, introduced him to the creative processes that take place behind every production, nurturing an interest that would eventually evolve into a lifelong artistic vocation. That early fascination with the hidden mechanics of sound remains evident throughout his work, where every detail appears shaped by a deliberate search for balance, tension, and movement.

Over the years, the Sicilian producer has built a distinctive identity through the convergence of different currents within electronic music. His work combines the rhythmic solidity of techno with a melodic sensitivity inherited from broader club traditions, resulting in compositions and DJ sets defined by precise grooves, gradual development, and a strong sense of sonic storytelling. His influences range from foundational figures of electronic music to contemporary artists who continue to push the genre forward, a balance that allows his sound to feel both familiar and forward-looking.

https://clubfuries.com.mx/2026/04/14/cfp-dj-dextro-sintetico-iarltdt021/

Now, Illegal Alien Records presents a new 12-inch vinyl release from one of the most consistent names in contemporary techno. With releases on respected labels such as Soma, Mutual Rytm, Clergy, and Minsubasa, SLV has established a reputation built on quality, consistency, and a sonic identity that remains instantly recognizable.

His debut for the Mexican imprint arrives under the title Iterum, a four-track EP where firm rhythms, refined structures, and progressive tension converge into a body of work designed for continuous motion. More than a simple addition to the catalogue, the release represents the meeting point of two visions that understand techno as an exercise in precision, depth, and longevity.

https://soundcloud.com/clubfuriess/cfs-slv-red-clouds-iarltd022

Red Clouds captures many of the EP’s defining qualities with remarkable clarity. Its title feels almost like a sonic image before the music even begins. Dense and persistent clouds drifting slowly across the horizon, carrying an energy that never needs to erupt in order to be felt. From the opening moments, the track establishes a constant sense of suspension, where every element seems perfectly positioned within the larger structure.

Textures expand with subtle elegance, rhythms advance with determination, and tension accumulates gradually without relying on sudden gestures. A quiet effervescence runs beneath the entire composition, remaining carefully contained beneath its polished surface. That ability to sustain energy without exhausting it becomes one of the track’s greatest strengths. The result is a deeply hypnotic piece of techno where power emerges through precision, and where continuous progression becomes a form of irresistible gravitational pull.

Label: Illegal Alien Records / Illegal Alien LTD
Artist: SLV
Title: Iterum
Genre: Techno
Format: Vinyl 12′ / Digital WAV/AIFF/MP3
Catalogue: IARLTDT022
Mastering: The Programnator
Artwork Designed: Rommulo

Release Date: June 17, 2026
Support & Buy: Website

SLV ‘Iterum’ | IARLTDT022

A1. SLV – Cropped (Original Mix)
A2. SLV – Red Clouds (Original Mix)
B1. SLV – Cicles of Life (Original Mix)
B2. SLV – Silent Cosmos (Original Mix)

Written & Produced by SLV
Artwork design by Rommulo
Mastering by The Programnator
Vinyl Distribution by Triple Vision
Limited Copies

Illegal Alien Records 2026 | Published by Copyright Control

www.illegalalienrecs.com

SLV

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Illegal Alien Records

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CF Signals: APPLE-K – Current Blackmail [Ketapasando]

A Beautiful Threat is the latest release from APPLE-K on Ketapasando, a two-track exploration of contemporary jungle at its most intense. Sharp breaks, deep low-end pressure, and shadowy atmospheres form the foundation of a release where rave energy and rhythmic precision exist in perfect balance. Both tracks acknowledge the legacy of classic jungle while pushing its language toward heavier and more contemporary territory.

https://clubfuries.com.mx/2026/02/27/im117-draingin-ktp041/

Based in Magdeburg, APPLE-K has developed a distinctive voice within the world of high-intensity broken rhythms. Emerging from the breakcore scene, his productions merge aggressive break programming with an unusual sensitivity toward atmosphere and emotional depth. Since 2020, he has steadily refined a sound where rave culture, modern electronic intensity, and melodic nuance coexist within a cohesive artistic vision.

https://clubfuries.com.mx/2026/05/05/cfr-2026-05-ketapasando-kebradito-remixes-ju-ju/

Current Blackmail revolves around the unmistakable force of the Amen Break, operating between 166 and 168 BPM while balancing atmospheric depth with physical momentum. The title track moves into darker and more introspective territory, creating a tension that never fully resolves and keeping the listener suspended in a constant state of anticipation.

https://soundcloud.com/clubfuriess/cfs-apple-k-current-blackmail-ktpep044

Ghostly pads, granular textures, and distant resonances shape a landscape saturated with unease. The sonic environment feels vast yet strangely confined, like an abandoned industrial structure where every reflection generates new echoes. Above this foundation, the Amen Breaks cut through the mix with surgical precision, fracturing time into waves of continuous motion.

https://clubfuries.com.mx/2026/04/06/cfp-ju-ju-tomillo-cuidado-con-el-gatito-ktpep042/

The energy never erupts outright; it accumulates. Every measure adds pressure to a system that appears perpetually close to collapse without ever crossing that threshold. This is where Current Blackmail reveals its greatest strength. Its ability to sustain a sense of looming threat while the rhythm advances relentlessly, transforming tension into a hypnotic force that lingers long after the final break has faded.

Label: Ketapasando
Artist: APPLE-K
Title: A Beautiful Threat
Catalogue: KTPEP044

Release Date: June 23, 2026
Support & Buy: Bandcamp

Tracklist
1. Current Blackmail
2. What A Beautiful Life

APPLE-K

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Ketapasando

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Club Furies

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CF Interview | AMAS & FRITHJOF-MARTIN GRABNER – SRDGN × LPZG: The strictness of Bach, dissolved

Editorial Introduction

What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical facade? AMAS and Frithjof-Martin Grabner spent three years finding out.

SRDGN × LPZG is not a reinterpretation. It is a dissection. The duo AMAS — two old friends from southern Germany, one handling production and sound design, the other artistic vision and concept — began the project in the raw isolation of Pula, at the southernmost tip of Sardinia. There, they extracted the rhythmic and tonal skeleton of 14 Bach works and fused them with field recordings of the surrounding landscape, building a hypnotic framework of electronic structures rooted in Minimal, Dub-Techno, and Ambient.

That foundation then traveled to Leipzig, where it met Frithjof-Martin Grabner: solo double bassist, professor at the HMT Leipzig, and one of the most rigorous interpreters of the Baroque tradition in Germany. In an intense session at the historic HMT hall, Grabner improvised freely over the material — not from a score, but from instinct, in the spirit of Miles Davis scoring «Ascenseur pour l’échafaud»: atmosphere over technical perfection. The result blurs the line between analog depth and synthetic texture, between the 18th century and the club.

We spoke with AMAS and with Frithjof-Martin Grabner about the making of a record that is both an act of radical respect and radical transformation.

I. The origin — Sardinia and the idea

01 AMAS & GRABNER

SRDGN × LPZG took three years and two very different geographies to come together. What was the original impulse — what made you decide that Bach was the right starting point for this project?

— A: We didn’t actually think about these specific genres [Ambient and Dub Techno] at the beginning. After our first five releases, which were still very closely oriented toward the rigid structure of classic techno productions, we wanted to break away from this rigid scheme in our next work. The goal was to create tracks that could breathe more freely. We have also always had a great love for Ambient and soundtrack music. Ultimately, we combined both in the 14 tracks: the free approach all the way to tracks in a classic guise. The idea was to produce exactly 14 tracks. 14 is the «Bach number»; he was fascinated by numerology, prime numbers, and cryptograms (B=2+A=1+C=3+H=8=14). This number defined the framework. Afterward, it moved forward intuitively: we listened through Bach’s MIDI directories and looked for interesting sequences we wanted to work with. Before we left for Sardinia, 14 respectable sketches had already been laid out, providing a framework for our musical journey.

— G: By the time I joined the project, the first tracks had already been recorded in Sardinia. The Bach pieces had therefore already been incorporated. It seemed natural for me to draw inspiration from my surroundings, from the incredible complexity and profound depth of Bach’s music, and to improvise during these recordings in Leipzig. The result was a blend of jazzy, contemporary classical and completely free sounds. On top of that, I have been studying Bach in depth for over 40 years. However, it was important to us that Bach’s influence should remain an inspiration rather than being overtly audible.

https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-vernunft-amas006

02 AMAS

You began in Pula, Sardinia — extracting and digitally dissecting the rhythmic and tonal essence of 14 Bach works while recording the surrounding landscape. What did isolation do to the music? Would the album sound different if it had started in a city studio?

— A: We wanted to go on a musical journey and incorporate the location directly into the music. That changed the fundamental mindset in the production process; it felt less like «production.» Our house was right by the sea with its own garden and access to the water. This contemplative mood, the vastness, and the silence put us into a completely different state of mind compared to our usual studio environment; we weren’t entirely ourselves and could forget almost everything. For us, the isolation was ultimately a blessing. It was late March with incredibly erratic weather—just right for absorbing all the diverse moods, sounds, and living things of the island around us and letting them flow directly into the project. If we listen to the different tracks today, it teleports us right back to that little house by the sea.

https://open.spotify.com/intl-es/track/2ZO9TuUHfPSS3kYt7VHcGi

II. The encounter — Leipzig and the double bass

03 AMAS & GRABNER

The session at HMT Leipzig was described as spontaneous improvisation over rudimentary sketches — closer to Miles Davis scoring a silent film than to classical rehearsal. How did you both experience that session in the moment?

— A: After the time on Sardinia, we went to Leipzig to record the tracks with F.M. Grabner. The session took place in one go over an entire day. He played completely freely over our sketches. Working with such a renowned and classically trained musician was surprisingly easy, though that was also due to F.M. Grabner and his easygoing nature, as well as our shared love for jazz, improvisation, and red wine.

-G: At the beginning of our recordings, there was a slight «fear of contact» on my part. This made me question whether I could meet the «expectations» for these improvisations, for this kind of music. That quickly faded with intensive engagement. We moved on to the recordings just a few minutes after listening to the tracks from Sardinia. Particularly interesting was when I played loops onto the first tracks and could then improvise on top of them again. That was a completely new dimension in my forms of expression, which usually tend to have a more «reproducing» character.

04 Grabner

Your career has been built inside the Baroque tradition — Bach Collegium Stuttgart, the Berlin Bach Academy, decades interpreting this repertoire. What does it feel like to approach Bach not as a score to be performed, but as raw material to be dissolved into techno?

— G: The Bachian music, which I obviously know, played more of an inspiring role here. For example, we rearranged, mirrored, inverted, and heavily distorted the notes «b a c h» so that they wouldn’t just «jump out» at the listener. For me, the final result of our production contains so many different facets of musical expression: highly percussive elements, the sonic spectrum of free jazz, all the way to aleatoric music.

05 AMAS

When Grabner’s double bass arrived into the electronic framework you had built in Sardinia, what changed? Was there something in the material that you hadn’t anticipated — something his instrument revealed that the machines couldn’t?

— A: It was as if we were entering a completely new tonal universe. Previously, we had only recorded short cello sections in Stuttgart and then integrated them into our earlier albums; here, we suddenly had entire improvised pieces, which were also played in a much more complex way than simply reproducing “normal” notes. There are bow strokes, and in some cases Frithjof even played the wood with the strings—we had to figure all of that out for ourselves first and then integrate it accordingly. Fortunately, through various technical maneuvers and experiments, the two universes merged quite beautifully, and we were able to combine the perfection and precision of the machines with the analog, organic play of Frithjof.

https://open.spotify.com/intl-es/track/2ZO9TuUHfPSS3kYt7VHcGi

III. Bach as material

06 AMAS & GRABNER

The press kit describes this as a «radical reimagining» rather than a translation of Bach. Where is the line between respect for the source and freedom to transform it — and did that line shift over the three years of the project?

— A: Just as we wanted to break away from the logic of common techno productions, the idea was to «free» Bach—who built his music according to almost rigid architectural principles. This often happened intuitively, frequently through unpredictable moments in sound design by sending note sequences through complex effect chains. It was supposed to be an AMAS record first and foremost. Some note sequences were processed so heavily that a layperson might not associate this soundscape directly with Bach—though surprisingly, F.M. Grabner always heard it. In other tracks, however, it was important to us to work explicitly with the original tone sequences. In up to 15 iterations, we kept reducing the material and carving out the «distillate.»

— G: Respect and admiration for the “Fifth Evangelist” are always present. It is precisely this freedom to engage with these roots that has made the current result possible. We have not imposed any limits on ourselves, but have consistently created work with an open-ended outcome.

07 Grabner

You have spent your career teaching and performing Bach with extreme precision. In post-production, your double bass often blurs the line between analog depth and synthetic texture — almost losing its identity as an acoustic instrument. Did that feel like a loss, or a liberation?

— G: I find that totally exciting. The «sonic layers» shift, but all the «played notes and effects» were left intact. Of course, they were distorted, overtone vibrations were made audible in a different way, and so on. In the final result, we experience a fusion of completely different stylistic elements into a new whole.

IV. The sound — Minimal, Dub-Techno, Ambient

08 AMAS & GRABNER

The album moves across Minimal, Dub-Techno and Ambient — and the tracklist reads like a single conceptual arc: Ankunft, Weite, Verirrung… through to Vernunft and Abschied. Was that arc composed intentionally, or did it emerge from the material itself?

— A: From the very beginning, the intention was to make an album with 14 tracks; it wasn’t meant to be a string of individual songs, but rather a single piece with 14 chapters. We wanted to capture our journey at that time musically, and the structure actually came together quite naturally. We always work with a strong concept, an idea that helps us stay on track and focus on the concept. With 14 tracks/chapters, it’s easy to lose sight of the big picture or the central theme, but thanks to our clear concept from the start, that fortunately didn’t happen to us. Frithjof was also part of the concept from the very beginning; he just didn’t know it yet.

— G: The structure, the sequence and the 14 tracks were all part of Philip and David’s plan from the very beginning. The fact that the ‘dramaturgy’ has turned out so cohesive is down to the interplay within the music, the arrangement of the tracks and the constant re-examination of them. This is the result of Philip and David’s immense hard work.

https://open.spotify.com/intl-es/track/20f8plybp9ThT4pOlR4SnN

09 AMAS

Your sound has been described as multilayer, melodic and warm — personal and always conceptual. How do you balance those qualities when the source material is as structured and mathematical as Bach? Where does the warmth come from in a record built on Baroque rigor?

— A: Debussy once said: «Music is what happens between the notes.» Perhaps that is exactly what reflects the counter-design to the mathematical rigor of Bach. Between these two poles, we transport a large spectrum of personal states—melancholy, vulnerability, but also vitality. That is what art should fundamentally always do. The warmth also comes from our sound design. Field recordings are an essential part of the sound. From the voices of the neighbors to the sound of the sea, bird chirping, or the sound of a metallic lamp bowl, everything was co-processed. Especially that plastic chandelier in WEITE almost managed to sound like a synthesizer. Furthermore, it was important to us to send the central instrument—the double bass—into the exact same acoustic «space» across all tracks. For this, we developed our own preset based on an Eventide reverb.

https://clubfuries.com.mx/2026/05/26/cfs-amas-fm-grabner-amas006/

V. The release — vinyl, limited edition, AMAS Studio

10 AMAS & GRABNER

SRDGN × LPZG comes out as a limited double LP — 200 copies worldwide, 180g vinyl, a 3D effect cover. For a record that began in isolation in Sardinia and was shaped by improvisation in Leipzig, what does the physical object mean? Why does this music need to exist on vinyl?

— A: «Audiophile» means to us that we rely on 180g vinyl. We put a lot of love for detail into our physical releases and have been working since day one with the team from Matter of Fact in Güstrow, who do fantastic work. Ultimately, it is most likely an album for the HiFi system and especially for the turntable; the vinyl mastering [by Brian Sanhaji / Calyx Mastering] is simply outstanding here and brings the entire depth and complexity of all 14 tracks into the ear with appropriate warmth and intensity.

— G: The tactile experience of holding such a ‘heavy’ record in your hand is something quite special. I’ve heard from students and colleagues that they’d love to own this ‘physical LP’ from AMAS Studio and add it to their collection. Of course, platforms like Apple Music or Spotify are widely used, but putting a record on the turntable at home and listening to it (with a glass of red wine in hand) is a real treat.

11 AMAS

This is AMAS006 — the sixth release on your own label. What does it mean to release something this ambitious on AMAS Studio rather than an established electronic label? What does keeping it in-house protect?

— A: We just want to go at our own pace, produce when we feel like it, and approach our art the way we see fit. We don’t rule out releasing on another label at all; it just happened this way. You gain certain freedoms, but you also take on responsibilities, like paying the bills on time, haha… In the end, it’s just a blessing to be able to manage the number of people involved yourself—from mastering to the photo shoot.

VI. What this means

12 Grabner

You have performed in symphony halls across Europe, Asia and America, and taught at conservatories for decades. How do you think your students — or your peers in the classical world — will receive a record that places your double bass inside Dub-Techno and Ambient structures?

— G: Whenever I told colleagues with my classical background about our project, there were questioning looks and rather a lack of understanding. As soon as the music was played (in a quiet setting and over a good sound system), there was enthusiasm.

https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

13 AMAS & GRABNER

SRDGN × LPZG sits between two worlds — the Baroque canon and the electronic underground — without fully belonging to either. Who do you imagine listening to this record, and what do you want them to take away from it?

— A: There are pieces for the club or festivals, but also for the car or an evening at home with a glass of red wine, one track or another is suitable. We are proud that we were able to implement the concept so stringently. AMAS is allowed to challenge the listener and occasionally leave familiar listening paths.

— G: Ever since our music became available to listen to, I have received nothing but positive feedback. This has come from listeners of my own generation as well as from classical music enthusiasts, jazz fans, techno and pop listeners of all ages, right through to young people whose musical tastes have not yet been fully formed. Realy incredible!

https://clubfuries.com.mx/2026/06/03/cfr-2026-06-amas-fm-grabner/

Editorial Closing

SRDGN × LPZG is a record that shouldn’t exist — and that is precisely why it does. The distance between Johann Sebastian Bach and Dub-Techno is not a contradiction to be resolved; in the hands of AMAS and Frithjof-Martin Grabner, it becomes a creative space that neither tradition could have opened alone. Three years, two geographies, one radical act of listening. Out June 5th on AMAS Studio.

https://open.spotify.com/intl-es/album/08iZXlHzr3fy5O9yIOrSKW

Label: AMAS Studio
Artist: AMAS & Frithjof-Martin Grabner
Title: SRDGN X LPZG
Format: Album
Catalogue: AMAS006
Release Format: Vinyl LP, Digital
Distribution: DIG DIS!, AMAS/ Decks
Domain: amas-studio.bandcamp.com

Release Date: June 5, 2026
Support & Buy: Bandcamp

Pre Order Links Vinyl: Deejay | Juno | Decks

Tracklisting
1. ANKUNFT
2. WEITE
3. VERIRRUNG
4. NACHT
5. RAUSCH
6. ABSTRAKTION
7. STIMMEN
8. CHAOS
9. WEGE
10. LICHT
11. KLARHEIT
12. DUESTERNIS
13. VERNUNFT
14. ABSCHIED

AMAS / AMAS Studio

Website | Instagram | Bandcamp | Linktree

Frithjof-Martin Grabner

Website | Apple Music | Discogs

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Tia Ottman – Elastik [EABE]

From the sonic landscapes of Finland, EABE has established itself as a key platform for hypnotic and visceral techno, operating as a meeting point where Nordic austerity is transformed into deeply immersive listening rituals. Through a curatorial vision centred on atmosphere and emotional intensity, the label has built a strong identity that continues to expand through Seremonia, a sublabel that approaches electronic music not merely as functional structure, but as a practice connected to the ancestral, the essential, and the transformative.

EABE’s vision is not concerned with conventional expectations. Its catalogue is devoted to experiences where texture, tension, and emotional depth carry as much weight as physical movement. Each release reinforces an understanding of techno as a contemporary language capable of shaping perception itself, positioning the label among the most compelling outlets for listeners seeking personality, technical precision, and a clearly defined aesthetic direction.

https://clubfuries.com.mx/2026/05/23/cfs-janos-emporio-love-poem-eabe/

Its latest release marks the debut of Tia Ottman on the label. Based in Helsinki, the DJ and producer operates at the intersection of deep house, minimal, and an emotional sensibility that runs throughout her work. Her productions combine immersive grooves, melancholic textures, and atmospheres influenced by contemporary pop language, creating a sound where introspection and dancefloor functionality coexist naturally.

Her creative process is guided by intuition rather than adherence to stylistic formulas. The music develops through the relationship between body, emotion, and movement, resulting in fluid structures, subtle progressions, and carefully constructed sonic environments capable of supporting both collective energy and individual reflection.

Across her productions, emotional depth and rhythmic drive remain inseparable. Melodic elements introduce an affective dimension without interrupting the groove, while the percussive foundations maintain a constant presence that encourages immersion. The strength of her work emerges not through dramatic contrasts, but through gradual transformations that continuously reshape perception.

https://soundcloud.com/clubfuriess/cfs-tia-ottman-elastik-eabe

With this release on EABE, and another forthcoming on The Sound Collective, Tia Ottman continues to solidify a distinctive artistic identity within contemporary electronic music. Her work inhabits a space where club culture, emotional exploration, and questions of identity intersect naturally, resulting in compositions that function equally as dancefloor tools and spaces for introspection.

Elastik showcases those qualities from the very beginning. The track arrives with immediate presence, rapidly developing a dense texture that expands into soundscapes that feel both compact and vast. As it unfolds, melodic flashes emerge like openings within the rhythmic structure, constantly redirecting the listener’s attention. At this point the journey appears to split into multiple possible paths. Deep house, minimal, and techno impulses interact without any one of them taking control, creating a suspended state where each sonic decision opens a new direction. The intensity continues to build until it reaches elastic techno and house resonances that push the track toward its limits, sustaining a tension that never fully breaks but continues to vibrate long after the music has faded.

Label: EABE
Title: Elastik
Artist: Tia Ottman
Catalogue: EABE-LXXXII
Mastered by ODJ Pirkka
Artwork by Aito Kopisto

Release Date: June 17, 2026
Support & Buy: Bandcamp

Tracklist
1. Elastik 05:43
2. Elastik (Type-303 remix) 05:17
3. Elastik (drS remix) 06:45

Tia Ottman

Website | SoundCloud | Beatport | Bandcamp

EABE

SoundCloud | Bandcamp | Instagram | Facebook | Twitter | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree