#premiere-cf — Public Fediverse posts

Club Furies Review | Windows of Marzahn: _studio416 x Sender Berlin Build MazanA on Snork Enterprises Records

Snork Enterprises brings Sender Berlin back with MazanA, a four-track EP produced in collaboration with _studio416, the collective formed by Sven Elmlund and Hendrik Vaak. The release arrives fourteen years after the Berlin project’s last record, and it does so on the same label that put out that album back in 2012.

Sender Berlin has been around since 1999. The original core, made up of Hendrik Vaak, Torsten Litschko, and Alexander Lukat, welcomed Sven Elmlund in 2024. The project’s first two albums, Spektrum Weltweit and Gestern Heute Morgen, came out on Tresor Records and shaped a trajectory that never settled into a single techno style.

_studio416 is the studio collective of Sven Elmlund and Hendrik Vaak. That’s where the idea of reviving Sender Berlin was born.

_studio416 works as the space where Sven Elmlund and Hendrik Vaak process what Sender Berlin hadn’t touched in fourteen years. The studio sits in Marzahn, far from Berlin’s usual circuits, among the concrete housing blocks built through the seventies and eighties. That environment, hostile at first glance, holds a life of its own. Birds sing, the wind cuts through the concrete pillars, and the city’s noise only becomes noticeable once attention settles on it, past a certain hour.

Hendrik Vaak describes a scene that sums up that relationship between space and production well. While they worked, the lights in an apartment building facing the studio switched on and off, sometimes in time with the music. Some windows stayed lit no matter what. Others never lit up at all. That observation reads as more than an anecdote.

Marzahn’s built environment, with its repetitive architecture and its invisible domestic rhythms, became a material condition of MazanA’s sound. The studio didn’t just house the production, it shaped it. Those strangers’ lights, switching on with no evident pattern to an outside observer, work as a precise metaphor for how Sender Berlin and _studio416 understand techno today, a system that holds together without needing every part to reveal its inner logic.

https://www.youtube.com/watch?v=VJInnjy2bz0

MazanA keeps Berlin techno as its foundation, danceable without rushing, with excursions into Detroit and dub techno on the opening cuts, and a more spherical, vocal-driven vein toward the close.

The title track carries a heavy conceptual weight, that of the concrete that gives depth to the whole record, translated into a sound that’s hard, cold, massive, and finely polished. It unfolds without a care, like cement left to dry, its power resting in the indifference with which it knows itself unshaken. Sparkling flashes lift the texture, charging it with an electricity that comes and goes, like a pinball.

https://soundcloud.com/clubfuriess/cfs-studui416-sender-berlin-noiser-snork131

If MazanA plays with a heavy, raw concrete, true to its essential chemistry and left largely untreated, Concrete Rush demands an electric, agile, polished treatment. The track picks up that same weight and density, but a sound design skillfully lifts it into something fresh, letting it fade out slowly. Noiser’s sound carries a lot of air and floats like a feather through industrial settings and environments, in warehouses as fleeting as they are abandoned. A tense calm arrives and simply is, and flows that way, reaching a sonic flight that’s as reflective as it is electric and metallic.

https://soundcloud.com/the-waveform-transmitter/studio-morning

The Morning holds all the sentimentality and raw, nerve-deep emotion that only well-integrated vocals can pull off. The result blends the aftermath of a night out with the unstoppable arrival of day, carrying all the emotional weight that comes with it, but also a distinct energy and self-awareness that lifts that hour into something nostalgic and enchanting.

https://www.youtube.com/watch?v=0hStR_KiT9U&list=RD0hStR_KiT9U&start_radio=1

MazanA marks the beginning of a new chapter for Sender Berlin. MazanA closes a fourteen-year cycle and opens another almost right away. Remixes from Truncate, Nerk, Syntax Error, and Lyoma are already on the way, promising to stretch the sonic vocabulary Sender Berlin and _studio416 built in Marzahn into other corners of techno. A vinyl edition, still in the works, confirms this return aims to settle beyond the digital format.

Heard as a whole, MazanA pulls off something rare for a comeback. It sounds like genuine continuity and a real beginning at once, without leaning on nostalgia or repeating old formulas. Marzahn’s concrete, lights switching on and off, found its sonic translation in four tracks that hold onto the project’s historical identity while pushing it somewhere new.

https://open.spotify.com/intl-es/album/4VT210bQnpADZxVNInpfTC

Artist: _studio416 x Sender Berlin
Title: MazanA
Label: Snork Enterprises
Catalogue: Snork131
Format: Digital · Vinyl to follow

Release Date: September 4, 2026
Support & Buy: Bandcamp

Tracklist
1. MazanA — Produced by Hendrik Vaak, Sven Elmlund
2. Concrete Rush — Produced by Hendrik Vaak, Sven Elmlund, Tomek Piesiak
3. Noiser — Produced by Sven Elmlund, Hendrik Vaak
4. The Morning — Produced by Sven Elmlund, Hendrik Vaak; Vocals: Maria Pietranera

Sender Berlin

SoundCloud | Instagram | Facebook | YouTube

_studio416

Instagram | YouTube | Facebook | Bandcamp 

Snork Enterprises

SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp 

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Kat.lysa – Back back back then

Kat.lysa is a Berlin-based artist navigating the intersection of experimental ambient and cerebral techno. Her output stands out for its introspective approach, emphasizing nuanced immersion, enveloping atmosphere, and meticulous textural detail within every composition.

With Feeling something, her sophomore EP, the producer delivers a body of work rooted in deep reflection on the act and presence of feeling. The project treats emotional perception as a raw, uncorrupted source, purposefully bypassing categorization, rationalization, or traditional analytical frameworks.

https://soundcloud.com/clubfuriess/cfs-kat-lysa-backa-back-back-then

Across the release, Kat.lysa translates this conceptual statement into a soundscape where abstract ambient subtlety weaves through techno pulse dynamics, inviting the listener into a deep-listening exercise caught between emotional density and sonic abstraction.

«Back back back then» presents a retrospective look into bygone eras, signaled right from its title. Between textures crackling across empty streets and quiet, rustling nights, the past surfaces amidst persistent nostalgia and emotional weight. The air and atmosphere merge to bring silence to the forefront, lulling urban noise to sleep while blowing winds of the past that feel destined to return to their origin.

Artist: Kat.lysa
Title EP: Feeling something
Label: Self-release
Format: WAV
Genre: Ambient
Country: Germany

Release Date: September 23, 2026
Support & Buy: Bandcamp

Tracklist
1. Back back back then
2. Where go?
3. Waiting
4. Some things between us
5. I kiss you everywhere
6. Turn the soil

Credits
Text excerpts and vocals by Pilar Petropoulos-White.
Artwork by Clara Pistner
Mastered by Matthias Millhoff

Kat.lysa

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: html_ – Longitude Zero [ANAØH]

We introduce the Mexican imprint ANAØH, whose curation has recently gravitated toward versatile sonic territories while maintaining a sharply defined identity. This time, Colombian trio html_ marks their debut on ANAØH with Provincia, a four-track EP deploying a complex, fresh, and deeply organic perspective on contemporary techno. The release arrives at a pivotal moment for the Colombian scene, which, beyond its passionate crowd, is establishing a new generation of producers internationally recognized for studio sophistication and rich musical influences.

https://clubfuries.com.mx/2026/06/10/cfs-joshua-calleja-obstacles-ana112/

html_ is a Colombian trio formed by producers and DJs Animuss, Sinistermind, and Insen, conceived as a collective platform to channel a diverse, honest, and unconstrained sonic vision. The project stands out for its ability to weave varied rhythms and soundscapes into a single narrative, seamlessly moving across electro, breakbeat patterns, and a raw, hypnotic strain of techno rich in organic nuances.

On Provincia, the collective shapes each track as an independent chapter driven by evolving micro-details, singular textures, and dynamic contrasts that encourage multi-layered listening. The EP hits a sweet spot between mental tension and physical drive, merging intricate sound design with raw, floor-focused percussion. With this release, html_ reaffirms the maturity of cutting-edge South American electronics on the global stage.

https://soundcloud.com/clubfuriess/cfs-html-longitude-zero-ana146

«Longitude Zero» serves as the opening track for this sonic universe and can be understood as the acoustic prime meridian from which everything expands. Rather than implying a bare sound, the piece acts as the fundamental layer that enables all that follows, holding the entire release’s sonic DNA in nuce. Given the complexity of this concept, the composition required subtlety, pristine design, and fluid execution—delivering on all fronts with precision.

Label: ANAØH
Artist: html_
Title: Provincia
Catalogue: ANA146

Release Date: September 4, 2026
Support & Buy: Bandcamp

Tracklist
1. html_ – Longitude Zero (Original Mix)
2. html_ – Magic Herbs (Original Mix)
3. html_ – Provincia (Original Mix)
4. html_ – Rahdown (Original Mix)

html_

SoundCloud | Instagram | Bandcamp

ANAØH

SoundCloud | Instagram | Facebook | Bandcamp | Beatport | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: html_ – Longitude Zero [ANAØH]

We introduce the Mexican imprint ANAØH, whose curation has recently gravitated toward versatile sonic territories while maintaining a sharply defined identity. This time, Colombian trio html_ marks their debut on ANAØH with Provincia, a four-track EP deploying a complex, fresh, and deeply organic perspective on contemporary techno. The release arrives at a pivotal moment for the Colombian scene, which, beyond its passionate crowd, is establishing a new generation of producers internationally recognized for studio sophistication and rich musical influences.

https://clubfuries.com.mx/2026/06/10/cfs-joshua-calleja-obstacles-ana112/

html_ is a Colombian trio formed by producers and DJs Animuss, Sinistermind, and Insen, conceived as a collective platform to channel a diverse, honest, and unconstrained sonic vision. The project stands out for its ability to weave varied rhythms and soundscapes into a single narrative, seamlessly moving across electro, breakbeat patterns, and a raw, hypnotic strain of techno rich in organic nuances.

On Provincia, the collective shapes each track as an independent chapter driven by evolving micro-details, singular textures, and dynamic contrasts that encourage multi-layered listening. The EP hits a sweet spot between mental tension and physical drive, merging intricate sound design with raw, floor-focused percussion. With this release, html_ reaffirms the maturity of cutting-edge South American electronics on the global stage.

https://soundcloud.com/clubfuriess/cfs-html-longitude-zero-ana146

«Longitude Zero» serves as the opening track for this sonic universe and can be understood as the acoustic prime meridian from which everything expands. Rather than implying a bare sound, the piece acts as the fundamental layer that enables all that follows, holding the entire release’s sonic DNA in nuce. Given the complexity of this concept, the composition required subtlety, pristine design, and fluid execution—delivering on all fronts with precision.

Label: ANAØH
Artist: html_
Title: Provincia
Catalogue: ANA146

Release Date: September 4, 2026
Support & Buy: Bandcamp

Tracklist
1. html_ – Longitude Zero (Original Mix)
2. html_ – Magic Herbs (Original Mix)
3. html_ – Provincia (Original Mix)
4. html_ – Rahdown (Original Mix)

html_

SoundCloud | Instagram | Bandcamp

ANAØH

SoundCloud | Instagram | Facebook | Bandcamp | Beatport | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: html_ – Longitude Zero [ANAØH]

We introduce the Mexican imprint ANAØH, whose curation has recently gravitated toward versatile sonic territories while maintaining a sharply defined identity. This time, Colombian trio html_ marks their debut on ANAØH with Provincia, a four-track EP deploying a complex, fresh, and deeply organic perspective on contemporary techno. The release arrives at a pivotal moment for the Colombian scene, which, beyond its passionate crowd, is establishing a new generation of producers internationally recognized for studio sophistication and rich musical influences.

https://clubfuries.com.mx/2026/06/10/cfs-joshua-calleja-obstacles-ana112/

html_ is a Colombian trio formed by producers and DJs Animuss, Sinistermind, and Insen, conceived as a collective platform to channel a diverse, honest, and unconstrained sonic vision. The project stands out for its ability to weave varied rhythms and soundscapes into a single narrative, seamlessly moving across electro, breakbeat patterns, and a raw, hypnotic strain of techno rich in organic nuances.

On Provincia, the collective shapes each track as an independent chapter driven by evolving micro-details, singular textures, and dynamic contrasts that encourage multi-layered listening. The EP hits a sweet spot between mental tension and physical drive, merging intricate sound design with raw, floor-focused percussion. With this release, html_ reaffirms the maturity of cutting-edge South American electronics on the global stage.

https://soundcloud.com/clubfuriess/cfs-html-longitude-zero-ana146

«Longitude Zero» serves as the opening track for this sonic universe and can be understood as the acoustic prime meridian from which everything expands. Rather than implying a bare sound, the piece acts as the fundamental layer that enables all that follows, holding the entire release’s sonic DNA in nuce. Given the complexity of this concept, the composition required subtlety, pristine design, and fluid execution—delivering on all fronts with precision.

Label: ANAØH
Artist: html_
Title: Provincia
Catalogue: ANA146

Release Date: September 4, 2026
Support & Buy: Bandcamp

Tracklist
1. html_ – Longitude Zero (Original Mix)
2. html_ – Magic Herbs (Original Mix)
3. html_ – Provincia (Original Mix)
4. html_ – Rahdown (Original Mix)

html_

SoundCloud | Instagram | Bandcamp

ANAØH

SoundCloud | Instagram | Facebook | Bandcamp | Beatport | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: html_ – Longitude Zero [ANAØH]

We introduce the Mexican imprint ANAØH, whose curation has recently gravitated toward versatile sonic territories while maintaining a sharply defined identity. This time, Colombian trio html_ marks their debut on ANAØH with Provincia, a four-track EP deploying a complex, fresh, and deeply organic perspective on contemporary techno. The release arrives at a pivotal moment for the Colombian scene, which, beyond its passionate crowd, is establishing a new generation of producers internationally recognized for studio sophistication and rich musical influences.

https://clubfuries.com.mx/2026/06/10/cfs-joshua-calleja-obstacles-ana112/

html_ is a Colombian trio formed by producers and DJs Animuss, Sinistermind, and Insen, conceived as a collective platform to channel a diverse, honest, and unconstrained sonic vision. The project stands out for its ability to weave varied rhythms and soundscapes into a single narrative, seamlessly moving across electro, breakbeat patterns, and a raw, hypnotic strain of techno rich in organic nuances.

On Provincia, the collective shapes each track as an independent chapter driven by evolving micro-details, singular textures, and dynamic contrasts that encourage multi-layered listening. The EP hits a sweet spot between mental tension and physical drive, merging intricate sound design with raw, floor-focused percussion. With this release, html_ reaffirms the maturity of cutting-edge South American electronics on the global stage.

https://soundcloud.com/clubfuriess/cfs-html-longitude-zero-ana146

«Longitude Zero» serves as the opening track for this sonic universe and can be understood as the acoustic prime meridian from which everything expands. Rather than implying a bare sound, the piece acts as the fundamental layer that enables all that follows, holding the entire release’s sonic DNA in nuce. Given the complexity of this concept, the composition required subtlety, pristine design, and fluid execution—delivering on all fronts with precision.

Label: ANAØH
Artist: html_
Title: Provincia
Catalogue: ANA146

Release Date: September 4, 2026
Support & Buy: Bandcamp

Tracklist
1. html_ – Longitude Zero (Original Mix)
2. html_ – Magic Herbs (Original Mix)
3. html_ – Provincia (Original Mix)
4. html_ – Rahdown (Original Mix)

html_

SoundCloud | Instagram | Bandcamp

ANAØH

SoundCloud | Instagram | Facebook | Bandcamp | Beatport | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: html_ – Longitude Zero [ANAØH]

We introduce the Mexican imprint ANAØH, whose curation has recently gravitated toward versatile sonic territories while maintaining a sharply defined identity. This time, Colombian trio html_ marks their debut on ANAØH with Provincia, a four-track EP deploying a complex, fresh, and deeply organic perspective on contemporary techno. The release arrives at a pivotal moment for the Colombian scene, which, beyond its passionate crowd, is establishing a new generation of producers internationally recognized for studio sophistication and rich musical influences.

https://clubfuries.com.mx/2026/06/10/cfs-joshua-calleja-obstacles-ana112/

html_ is a Colombian trio formed by producers and DJs Animuss, Sinistermind, and Insen, conceived as a collective platform to channel a diverse, honest, and unconstrained sonic vision. The project stands out for its ability to weave varied rhythms and soundscapes into a single narrative, seamlessly moving across electro, breakbeat patterns, and a raw, hypnotic strain of techno rich in organic nuances.

On Provincia, the collective shapes each track as an independent chapter driven by evolving micro-details, singular textures, and dynamic contrasts that encourage multi-layered listening. The EP hits a sweet spot between mental tension and physical drive, merging intricate sound design with raw, floor-focused percussion. With this release, html_ reaffirms the maturity of cutting-edge South American electronics on the global stage.

https://soundcloud.com/clubfuriess/cfs-html-longitude-zero-ana146

«Longitude Zero» serves as the opening track for this sonic universe and can be understood as the acoustic prime meridian from which everything expands. Rather than implying a bare sound, the piece acts as the fundamental layer that enables all that follows, holding the entire release’s sonic DNA in nuce. Given the complexity of this concept, the composition required subtlety, pristine design, and fluid execution—delivering on all fronts with precision.

Label: ANAØH
Artist: html_
Title: Provincia
Catalogue: ANA146

Release Date: September 4, 2026
Support & Buy: Bandcamp

Tracklist
1. html_ – Longitude Zero (Original Mix)
2. html_ – Magic Herbs (Original Mix)
3. html_ – Provincia (Original Mix)
4. html_ – Rahdown (Original Mix)

html_

SoundCloud | Instagram | Bandcamp

ANAØH

SoundCloud | Instagram | Facebook | Bandcamp | Beatport | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Doriko – 7 Gesceap Of Pneuma [Black Shapes]

Hailing from Rome, Italy, Black Shapes defines itself through the ethos «Lost in Monochrome | Where sound finds its shadow». Following our recent discovery of the imprint, its sonic identity left a strong impression, and we now welcome them back to our platform. This fourth volume of their multi-artist series, titled ZEROFOUR, unfolds as a high-intensity journey across the spectrum of modern techno.

https://clubfuries.com.mx/2026/05/17/cfs-oydet-circle-bsl03/

Doriko is a DJ, producer, and vinyl collector who approaches electronic music as a direct vehicle for inner exploration. Balancing dancefloor functionality with raw emotional weight, her output translates her inner universe using analog wax and rhythmic precision as core pillars.

https://clubfuries.com.mx/2026/07/13/cfs-doriko-the-water-spirits-call-ea007d/

Her track title bridges two loaded concepts: Gesceap—an Old English word meaning «creation,» «shape,» or «destiny» (the root of the modern word shape)—and Pneuma—the Ancient Greek term (πνεῦμα) for «breath,» «spirit,» or the vital force animating the cosmos. Through this lens, «7 Gesceap Of Pneuma» suggests a sound portrait of spiritual forms.

https://soundcloud.com/clubfuriess/cfs-doriko-7-gesceap-of-pneuma-bsl04

Anchored in Doriko’s signature deep techno direction, the track builds upon wide, deep sonic architectures. Subtle electrical pulses flickering briefly across the arrangement trigger delicate tube-like modulations, adding layer and sophistication to an impressive texture for the floor.

Artist: Various Artists

Label: BLACK SHAPES

Catalogue: BSL04
Format: Digital

Genre: Electronic

Style: Techno/Dub/Electronica

Mastered by:
Dustywork at THE SHAPING ROOM (tracks 1-3-4)
Gianluca Meloni at Odyssey Mastering (track 2)

Release Date: September 7, 2026

Support & Buy: Bandcamp

Tracklist
1. TAOYEMA – DARK NECESSITY
2. INHERENT – RESPIRI
3. DORIKO – 7 GESCEAP OF PNEUMA
4. K-SEA – RUSTIC

Doriko

SoundCloud | Instagram | Bandcamp | Threads

Black Shapes

Dustywork | SoundCloud | Instagram | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: LexxD – Takin’ Me [BBop Music]

Hailing from Manchester, our beloved UK imprint BBop Music welcomes back the mysterious project LexxD with Takin’ Me, a two-track package featuring the title cut alongside «Let’s Do It», rooted in a fresh, understated house and deep house sound.

https://clubfuries.com.mx/2026/08/09/cfs-lexxd-in-motion-bbm345/

The title track, «Takin’ Me», warmly transports the listener into sunlit landscapes where country and coast converge, wrapping the floor in a groove as smooth as it is sensual. Moving at a measured pace—knowing precisely when to build pressure and when to ease back—its sound design settles into an ethereal, captivating finish.

https://soundcloud.com/clubfuriess/cfs-lexxd-takin-me-bbm348

Artist: LexxD
Title: Takin’ Me
Label: BBop Music
Genre: House
Catalogue: BBM348

Release Date: September 4, 2026
Support & Buy: Beatport

Tracklist
1. Takin’ Me
2. Let’s Do It

LexxD

YouTube

BBop Music

SoundCloud | Facebook | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: _studio416 x Sender Berlin – Noiser [Snork Enterprises]

Sender Berlin is back. Following a 14-year hiatus, the legendary Berlin project returns with MazanA, a four-track EP produced in collaboration with _studio416, released via Snork Enterprises—the same imprint behind their 2012 vinyl release.

Founded in 1999 by Hendrik Vaak, Torsten Litschko, and Alexander Lukat—who were joined by Sven Elmlund in 2024—Sender Berlin built its legacy with two cult LPs on Tresor Records (Spektrum Weltweit and Gestern Heute Morgen). This new chapter took shape in the _studio416 facility, set amidst the concrete environment and late-night calm of Berlin’s Marzahn district—an industrial backdrop that directly informs the record’s sound design.

https://soundcloud.com/clubfuriess/cfs-studui416-sender-berlin-noiser-snork131

Anchored by Berlin techno—rhythmic, functional, and unhurried—MazanA weaves Detroit and dub techno influences into cuts like «MazanA» and «Concrete Rush», spherical repetition on «Noiser», and the vocal presence of Maria Pietranera on «The Morning». It serves as a clear statement defining Sender Berlin’s sound today.

«Noiser» hits crisp from the start, bringing to mind the warmth of damp timber spaces making their claim on the acoustic space. With refined subtlety, its texture builds through acoustic decouplings whose synthesis weaves a complex, fresh, and delicately electric landscape.

Artist: _studio416 x Sender Berlin
Title: MazanA
Label: Snork Enterprises
Catalogue: Snork131
Format: Digital · Vinyl to follow

Release Date: September 4, 2026
Support & Buy: Bandcamp

Tracklist
1. MazanA — Produced by Hendrik Vaak, Sven Elmlund
2. Concrete Rush — Produced by Hendrik Vaak, Sven Elmlund, Tomek Piesiak
3. Noiser — Produced by Sven Elmlund, Hendrik Vaak
4. The Morning — Produced by Sven Elmlund, Hendrik Vaak; Vocals: Maria Pietranera

Sender Berlin

SoundCloud | Instagram | Facebook | YouTube

_studio416

Instagram | YouTube | Facebook | Bandcamp 

Snork Enterprises

SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp 

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: _studio416 x Sender Berlin – Noiser [Snork Enterprises]

Sender Berlin is back. Following a 14-year hiatus, the legendary Berlin project returns with MazanA, a four-track EP produced in collaboration with _studio416, released via Snork Enterprises—the same imprint behind their 2012 vinyl release.

Founded in 1999 by Hendrik Vaak, Torsten Litschko, and Alexander Lukat—who were joined by Sven Elmlund in 2024—Sender Berlin built its legacy with two cult LPs on Tresor Records (Spektrum Weltweit and Gestern Heute Morgen). This new chapter took shape in the _studio416 facility, set amidst the concrete environment and late-night calm of Berlin’s Marzahn district—an industrial backdrop that directly informs the record’s sound design.

https://soundcloud.com/clubfuriess/cfs-studui416-sender-berlin-noiser-snork131

Anchored by Berlin techno—rhythmic, functional, and unhurried—MazanA weaves Detroit and dub techno influences into cuts like «MazanA» and «Concrete Rush», spherical repetition on «Noiser», and the vocal presence of Maria Pietranera on «The Morning». It serves as a clear statement defining Sender Berlin’s sound today.

«Noiser» hits crisp from the start, bringing to mind the warmth of damp timber spaces making their claim on the acoustic space. With refined subtlety, its texture builds through acoustic decouplings whose synthesis weaves a complex, fresh, and delicately electric landscape.

Artist: _studio416 x Sender Berlin
Title: MazanA
Label: Snork Enterprises
Catalogue: Snork131
Format: Digital · Vinyl to follow

Release Date: September 4, 2026
Support & Buy: Bandcamp

Tracklist
1. MazanA — Produced by Hendrik Vaak, Sven Elmlund
2. Concrete Rush — Produced by Hendrik Vaak, Sven Elmlund, Tomek Piesiak
3. Noiser — Produced by Sven Elmlund, Hendrik Vaak
4. The Morning — Produced by Sven Elmlund, Hendrik Vaak; Vocals: Maria Pietranera

Sender Berlin

SoundCloud | Instagram | Facebook | YouTube

_studio416

Instagram | YouTube | Facebook | Bandcamp 

Snork Enterprises

SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp 

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: FUGAZA × AUTOBUSZ – Crash or Cash [Dirty Athena Records]

Dirty Athena Records is an independent record label based in Berlin, Germany, dedicated to electronic music and live performances. Crash Or Cash marks the latest collaboration between AUTOBUSZ and FUGAZA, independently released via the imprint.

FUGAZA blends analog turntablism mastery with an audiophile sensibility, delivering high-energy, classic deep house engineered strictly for the dancefloor. His identity serves as a bridge where old-school attitude meets contemporary club euphoria, grounded in solid technique and an obsessive commitment to sound design.

https://soundcloud.com/clubfuriess/cfs-fugaza-autobusz-crash-or-cash-dirty-athena-records

Meanwhile, AUTOBUSZ is the electronic project led by producer and composer Gogo Silvano Dario. Firmly rooted in techno, the project drives a distinct club sound combining hypnotic grooves, complex rhythmic frameworks, and dark, enveloping atmospheres. Driven by artistic independence, AUTOBUSZ merges compositional rigor with high-impact nocturnal rhythms.

«Crash Or Cash» stands as a modern tribute to the uninhibited euphoria of late-90s and early-2000s club culture, translating that era’s energy into a sleek, powerful production. Built upon steady, driving rhythms and a relentless hypnotic momentum, the track crafts an expansive atmosphere tailored for peak-hour sets. By merging FUGAZA’s classic background with AUTOBUSZ’s technical, dark approach, the piece balances emotional weight with pure dancefloor utility, standing as a manifesto for timeless electronic music.

Artist: AUTOBUSZ × FUGAZA
Track: Crash Or Cash
Label: Dirty Athena Records

Credits
Written and produced by FUGAZA & AUTOBUSZ.
Mixed by Gogo Silvano Dario.
Mastered by Thomas Schmid.
Cover picture by Dominik Kneißl.
© Dirty Athena 2026

AUTOBUSZ

Instagram | Beatport | Bandcamp | Linktree

FUGAZA

SoundCloud | Instagram | Bandcamp | Linktree

Dirty Athena Records

Website | Instagram | TikTok | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Manrish – Rigel [Message 431]

Message 431 delivers a new techno transmission built upon a raw, deep, and hypnotic sound architecture. The label presents Alnitak EP, a five-track body of work by Manrish that unfolds as a masterclass in monolithic, visual minimalism.

https://clubfuries.com.mx/2025/11/13/cfp-manrish-contact-invection-series/

Drawing conceptual inspiration from the luminosity of the Orion constellation, the release strips techno down to its primary elements: pure textures, heavy low-end pressure, and hypnotic repetition engineered strictly for the dancefloor.

https://clubfuries.com.mx/2026/08/17/cfs-inspired-groove-stage-separation-message-431/

Rigel translates to «foot» in Arabic, stemming from Rijl Jauza («the foot of the central one»), denoting the bright star’s position at the left foot of Orion. On the title cut, «Rigel», the sound design turns raw, powerful, and metallic-electric, riding along thick yet nimble and polished rails.

https://soundcloud.com/clubfuriess/cfs-manrish-rigel-message-431

The crafted texture ultimately reaches straight for the constellation itself, delivering an immersive experience for the floor.

Label: Message 431
Title: Alnitak
Artist: Manrish
Catalogue: MSG431EP009

Release Date: September 1, 2026
Support & Buy: Bandcamp

Tracklist
1. Alnitak 04:54
2. Meissa 04:41
3. Saiph (Interlude) 01:04
4. Mintaka 05:16
5. Rigel 05:26

Credits
Written and produced by Manrish.
Artwork by RZNBAM.
Released by Message 431.

Manrish

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Message 431

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Club Furies

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CF Signals: A.Paul & Chich – Jack On Fire [Illegal Alien Records]

Illegal Alien Records delivers the third volume of Between Lands & Oceans, its annual digital-exclusive summer compilation. Staying true to the imprint’s core ethos, this installment gathers a thoughtful selection of established icons and rising talents aligned by a shared commitment to uncompromising underground techno. The label reasserts its dedication to creative freedom, championing artistic authenticity without enforcing rigid aesthetic templates.

https://clubfuries.com.mx/2026/08/20/cfs-colomboi-step-back-iarblo003/

Between Lands & Oceans III features twenty exclusive tracks bridging hypnotic grooves, raw energy, and high-propulsion rhythms. Engineered for peak-time dancefloor impact as well as focused listening, the collection serves as a definitive showcase of the label’s signature sound and vision.

https://soundcloud.com/clubfuriess/cfs-a-paul-chich-jack-on-fire-iarblo003

Among the standout cuts is «Jack on Fire» by A.Paul and Chich. Driven by a crisp, rising edge and infused with phenomenal old school touches, the track delivers immediate drive. Steering clear of formulas, the interplay of sound design, rhythm, and intensity shapes an open, breathable arrangement that introduces a fresh, fluid momentum to the floor.

Label: Illegal Alien Records
Artist: 500MA, A.Paul, Alexi Delano, Aphazia, Black Hypnotist, Chich, Colomboi, Ehmarj, Esteban Miranda, Jen Cruz, K-H1, Ket Robinson, Kevin Villa, Marco Ramos, MSDMNR, Perpetual Black Second, Procombo, Ricardo Garduno, Sarf, Sola Contagio, Vanina Buniak, and Xris Vavrzhina.
Title: Between Lands & Oceans III
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IARBLO003
Mastering by The Programnaitor
Artwork design by Rommulo

Release Date: August 28, 2026
Support & Buy: Bandcamp

A.Paul

Website | SoundCloud | Instagram | Facebook

Chich

Instagram | Threads

Illegal Alien Records

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Club Furies

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CF Signals: iBOT – Angeli e Demoni [Diffuse Reality Records]

iBOT (Ivano Marsalisi) is an Italian DJ, producer, and beatmaker (born in Turin, 1985) aligned with the modern wave of hypnotic, minimalist, modular, and raw-textured techno. His sound blends structural rhythm with a mystic-driven studio methodology.

Founder of Research From Space Records (established in 2021) and based in Northern Italy, iBOT has built a prolific discography with appearances on global imprints such as Soma, Subsist Records, Diffuse Reality, Arido Records, Affekt Recordings, TMM, Concepto Hipnotico, and [R]3volution, among many others. Coming up through Turin’s club, rave, and afterparty circuit—and having touched down in Berlin, London, Barcelona, and Ibiza—he has earned firm support across the underground scene.

https://clubfuries.com.mx/2025/08/03/cfp-ibot-timeless-extended-mix-wlv4/

He now returns to Barcelona-based Spanish label Diffuse Reality Records to deliver his third output on the platform: Mental Journey, a seven-track original collection delivering a solid, versatile, complex, and deep sonic vision.

https://soundcloud.com/clubfuriess/cfs-ibot-angeli-e-demoni-drss1499

Among our favorite cuts is «Angeli e Demoni», anchored by a refined, driving groove cut through by otherworldly vocal textures that lend the track a strong edge. Stabilizing its sound within instability itself, the piece pushes into territories both menacing and thrilling, leveraging that duality to yield an impressive texture for the floor.

Label: Diffuse Reality Records
Artist:
iBOT
Title: The Mental Journey
Format: Digital

Catalogue:
DRSS1499

Release Date: August 2026
Support & Buy: Bandcamp

Tracklist
1. Mutant Infected 06:36
2. Hypnosis 07:04
3. Ancestral Landscape (Extended Mix) 07:36
4. Chicago heartbeat (Original Mix) 06:43
5. Angeli e Demoni 06:24
6. Keep Jump (iBOT hardgroove Hypnotic Rework) 07:04
7. The Mental Journey (Extended Mix) 07:31

iBOT

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Diffuse Reality Records

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Club Furies

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CF Signals: Dj Blaque T – 2 Am (Deep Xpresso) [BBop Music]

Hailing from Rustenburg, South Africa, Dj Blaque T presents a new release on Manchester-based imprint BBop Music. The two-track package, titled 2 AM, includes the title track alongside «Been Stuck», both delivered in their signature Deep Xpresso versions.

https://clubfuries.com.mx/2026/07/10/cfs-dj-blaque-t-spcial-sound-tech-xpresso-bbm341/

We bring you the premiere of the title cut, «2 AM». What happens at 2:00 AM in the heart of the night? Consider everything it took to reach that peak hour, and reflect on the distinct energy deep house instills in a dancefloor at that exact moment. Let your thoughts and emotions take over: this track is a pure, immersive beauty.

https://soundcloud.com/clubfuriess/cfs-dj-blaque-t-2-am-bbm347

Artist: DJ Blaque T
Title: 2 AM
Label: BBop Music
Genre: House
Catalogue: BBM347

Release Date: August 28, 2026
Support & Buy: Beatport

Tracklist
1. 2 AM (Deep Xpresso)
2. Been Stuck (Deep Xpresso)

DJ Blaque T

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BBop Music

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Club Furies

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CF Signals: Giorgio Brindesi – On My Mind (Alvee Remix) [Behind The Noise]

One of the standout producers to emerge from the Mexican underground scene in recent years—with a career spanning nearly a decade—is Alvee. Hailing from Torreón, Coahuila, his output features an electric, dark, and singular blend of original sounds, alongside a catalog of remixes that often surpass the originals.

Now he lands on Behind The Noise, a thriving Mexican imprint for which we recently featured an in-depth review and held the full Premiere of their female-led compilation, Frecuencias Líquidas.

https://clubfuries.com.mx/2026/07/20/cfr-frecuencias-liquidas-behind-the-noise/

For this release, Alvee takes on remix duties for «On My Mind», reimagining the original track through an indie dance lens infused with a strong dark disco edge. The rework builds around lush synths, deep basslines, and a hypnotic percussive structure driving a fluid, elegant groove.

https://soundcloud.com/clubfuriess/cfs-giorgio-brindesi-on-my-mind-alvee-btn

Balancing melodic progression and rhythmic tension, the track honors the core identity of the original while pushing it into a nocturnal territory tailored for maximum dancefloor impact. It seamlessly bridges the playful energy of the original mix with a darker, electric sound design defined by freshness and sophistication.

Label: Behind The Noise
Title: On My Mind (Remix)
Artist: Giorgio Brindesi
Remixes: Alvee, Blex Ar, Camilo García, Valmaiin
Catalogue: 302026BTN

Release Date: August 24, 2026
Support & Buy: Beatport

Tracklist
1. Giorgio Brindesi – On My Mind (Alvee Remix)
2. Giorgio Brindesi – On My Mind (Valmaiin Remix)
3. Giorgio Brindesi – On My Mind (Blex Ar Remix)
4. Giorgio Brindesi – On My Mind (Camilo García Remix)

Giorgio Brindesi

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Alvee

SoundCloud | Instagram

Behind The Noise

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Liarsenic – El Baile De Los Veganos (SHR Remix) [Pure Nrgy]

Founded in Querétaro in 2022, Pure Nrgy emerged from the depths of the local underground scene through a series of downtown events that ultimately solidified its community. Over time and through natural evolution, the project expanded its boundaries into a record label and podcast series, launching its catalog with a CD compilation that made its devotion to the old school crystal clear.

https://clubfuries.com.mx/2026/05/17/cfs-liarsenic-el-mundial-de-los-desaparecidos-pnva006/

On the dancefloor, its booth has hosted key figures such as Ricardo Garduno, Jose Monsalve, Juan Evangelista, and Kevin Matto, establishing a direct lineage to classic techno. However, through its label and podcast platforms, the project broadens its spectrum toward soundscapes ranging from industrial and hypnotic to trance and ambient.

Now, they unveil the third installment in the remix series for «El Baile De Los Veganos» by label head Liarsenic. The release features an industrial techno reinterpretation by SHR—a Mexico State-born, Mexico City-based producer, founder of CrMA Records, with previous releases on imprints like Carbone Records—who delivers a fierce, unmissable cut.

https://soundcloud.com/clubfuriess/cfs-liarsenic-ebdlv-shr-remix-pure-nrgy

The package is rounded out by a remastered version of the «Dream Edit» by Gia Blackwood, alongside the original mix and its extended version to complete a cohesive release. This multi-angled approach delivers a dynamic toolkit built for both high-impact club play and deep listening.

SHR‘s remix hits with immediate power, driving a heavy industrial backbone that demands high speed and relentless intensity. A striking intro hints at unpredictable turns before exploding ipso facto into a continuous, pounding rhythm, ensuring this vegan dance echoes on indefinitely.

Label: Pure Nrgy
Title: El Baile De Los Veganos Pt.3 [EP]
Artist: Liarsenic
Remix by SHR
Dream Edit by Gia Blackwood
Catalogue: PNVA006
Genre: Electronic
Style: Techno/Deep/Hypnotic/Industrial

Release Date: August 15, 2026
Support & Buy: Bandcamp

Tracklist
1. El Baile De Los Veganos (Extended Mix) 09:20
2. El Baile De Los Veganos (SHR Remix) 08:55
3. El Baile De Los Veganos (Gia Blackwood Dream Edit) 06:50
4. El Baile De Los Veganos (Original Mix) 05:52

Credits
W+P: Liarsenic, SHR, Gia Blackwood.
Mastering: Micropunto Studio

SHR

SoundCloud | Instagram | Threads | Facebook | CrMA Records

Liarsenic

SoundCloud | Instagram | Bandcamp

Pure Nrgy

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: USAW – Afterglow [Illegal Alien Records]

International platform Illegal Alien Records welcomes USAW for their official debut on the imprint. Formed in 2021, the Berlin-based live duo has rapidly established itself at the core of the city’s scene, earning well-deserved recognition through a signature sound that seamlessly fuses raw dancefloor energy with deep, immersive melodic structures.

The project unfolds functional soundscapes tailored for the club, armed with hypnotic synth lines and precision-driven rhythms. Their approach seeks to create a unique experience without ever losing sight of techno‘s core purpose: moving the crowd. Through high-powered live sets, USAW continues to push boundaries and captivate audiences with a distinct sonic identity.

https://clubfuries.com.mx/2026/05/29/cfs-procombo-evil-talisman-iarltds010/

Over recent years, the duo has built a formidable reputation with releases on heavyweight labels such as ARTS, Truncate, Clergy, and their self-titled imprint USAW, solidifying their standing within the contemporary techno landscape. Orbital arrives as another statement of force from the Berlin duo and a standout addition to the Illegal Alien Records catalog.

Titled Orbital, the EP gathers four meticulously crafted cuts that showcase the duo’s artistic vision. Built upon robust club architecture, the record delivers rich melodic synths, immersive atmospheres, and a solid groove that naturally draws the listener into an unbroken journey, building emotional tension while sustaining relentless momentum.

https://soundcloud.com/clubfuriess/cfs-usaw-afterglow-iarltds011

«Afterglow» serves as the opening piece to the Berlin duo’s sonic universe. Literally referring to the light remaining in the sky after sunset, the term metaphorically describes the lingering warmth felt after a profound experience; this exact evocative essence is translated into the track’s sound design, leaving a lasting impression on the listener.

Overall, Orbital by USAW demonstrates a refined balance between melodic storytelling and peak-time functionality, delivering a track collection engineered to engage both body and mind. The result is an EP that operates with equal intensity in intimate listening environments and in the peak-hour frenzy of a packed club.

Label: Illegal Alien Records
Artist: USAW
Title: Orbital
Genre: Techno
Format: Digital WAV/MP3 / Vinyl Dubplate
Catalogue: IARLTDS011
Mastering by The Programnaitor
Artwork Design by Rommulo

Release Date: August 21, 2026
Support & Buy: Bandcamp

USAW ‘Orbital’ IARLTDS011

A1 – USAW – Afterglow
A2 – USAW – Orbital
B1 – USAW – Blurred
B2 – USAW – Static

Written & Produced by USAW
Mastered by The Programnator
Limited Copies

Illegal Alien Records 2026 | Published by Copyright Control

www.illegalalienrecords.com

USAW

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Illegal Alien Records

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Club Furies

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CF Signals: Esteban Miranda – Self Determination [Illegal Alien Records]

Between Lands & Oceans returns with its third installment, establishing itself as the annual summer V/A compilation released exclusively in digital format by Illegal Alien Records.

https://clubfuries.com.mx/2026/08/07/cfs-k-h1-chatka-iarblo003/

True to the label’s core vision, this thoughtfully curated selection brings together established figures and emerging talents aligned by an uncompromising passion for underground techno. The result is a compelling collection that reflects the platform’s overall aesthetic, favoring artistic freedom, authenticity, and a steadfast dedication to delivering high-caliber sound.

https://clubfuries.com.mx/2026/08/01/cfs-esteban-miranda-crystalysis-iar401/

This third volume gathers twenty exclusive tracks spanning hypnotic grooves, raw energy, and deep rhythms crafted for both the dancefloor and active listening. It stands as a celebration of the genre’s sonic diversity, engineered to move the body while inviting deeper mental engagement.

Hailing from Colombia, Esteban Miranda delivers «Self Determination», a cut that channels the volcanic density of rugged, compact techno. Nevertheless, his refined sound design introduces agile, fresh accents that lift the weight off the arrangement, rendering a track as heavy as it is delicate.

https://soundcloud.com/clubfuriess/cfs-esteban-miranda-self-determination-iarblo003

Driven by a persistent and subtle progression, the track achieves full sonic immersion where the ego seamlessly merges with the sound. The carefully layered frequencies bind these elements together, forging an alloy between listener and acoustic space.

Label: Illegal Alien Records
Artist: 500MA, A.Paul, Alexi Delano, Aphazia, Black Hypnotist, Chich, Colomboi, Ehmarj, Esteban Miranda, Jen Cruz, K-H1, Ket Robinson, Kevin Villa, Marco Ramos, MSDMNR, Perpetual Black Second, Procombo, Ricardo Garduno, Sarf, Sola Contagio, Vanina Buniak, and Xris Vavrzhina.
Title: Between Lands & Oceans III
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IARBLO003
Mastering by The Programnaitor
Artwork design by Rommulo

Release Date: August 28, 2026
Support & Buy: Bandcamp

Esteban Miranda

SoundCloud | Instagram | Threads | Bandcamp

Illegal Alien Records

SoundCloud | Website | Bandcamp | Instagram | Facebook | YouTube | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Nnamael – Anachronism [Signal Rec]

Nnamael is a Berlin-based Swiss DJ, producer, and resident at SUBVERTED. Her musical origins trace back to underground metal, an influence that still echoes through her studio work and curation. Her sets are defined by a deep, hypnotic, and mental drive wrapped in dark atmospheric soundscapes, utilizing up to four decks to weave a loop-based orchestra that moves the dancefloor through a fluid, progressive journey.

https://clubfuries.com.mx/2026/06/27/cfs-yunze-ou-boot-nvl-54-sgn068/

She stands out for a distinctive sound marked by innovation and a bold crossover of genres, drawing heavily from darkpsy and industrial techno. Her early releases quickly garnered support from major international figures, a momentum solidified by her recent appearance on Dax J’s Monnom Black and performances at premier venues like Tresor and ://about blank in Berlin, Fold in London, and Lofi in Amsterdam.

Now, Nnamael arrives on Signal Rec with five powerful cuts conceptualized as sonic sculptures that balance shadowy moods with flashes of light. Her music induces trance-like states through the seamless interplay between heavy kick drums and devastating synth sequences, creating a sensory drop that feels like plunging into a cosmic abyss.

https://soundcloud.com/clubfuriess/cfs-nnamael-anachronism-sgn069

Anachronism is the act of placing something outside its proper time. The track «Anachronism» embodies this idea through a sound that is deep, agile, mysterious, and transcendent; driven by a relentless rhythm and atmospheres locked in a struggle for symbiosis, the piece maintains a velvety, compact structure without losing its fresh and captivating momentum.

With her EP Beauty in Order, Tragedy in Repetition, we enter the intricate domain of a deeply introspective and emotive sonic identity. It is a release rooted in hypnotic experimentation, driven by a constant desire to push beyond established boundaries.

Label: Signal Rec
Artist: Nnamael
Title: Beauty in Order, Tragedy in Repetition
Catalogue: SGN069

Bandcamp Release Date: August 14, 2026
Official Release Date: August 21, 2026

Support & Buy: Bandcamp

Credits
Written & produced by Nnamael
Mastered by Drop-E

Tracklist

1. Beauty in Order, Tragedy in Repetition (Original Mix)
2. Hurt (Original Mix)
3. Lava (Original Mix)
4. Anachronism (Original Mix)
5. Ghouls (Original Mix)

Nnamael

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Signal Rec

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Club Furies

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CF Signals: Dark Matter Project – Velocity Shift [Black Hole Transmissions]

London-based producer Shane dB, also operating as Dark Matter Project, steps up the game with the release of Hollow Signal on his Black Hole Transmissions label. This new body of work arrives during a period of high creative momentum, acting as the direct follow-up to Space Time Emotion, which was released earlier in February 2026.

https://clubfuries.com.mx/2026/06/30/cfs-solenoid-simulay-decay-bht008/

The EP kicks off with «Velocity Shift», a heavy-hitting techno track built to drive immediate energy onto the dancefloor. Its lead riff was crafted by chopping an atmospheric sample to enhance its drive, paired with a high-register synth that glides upward in pitch, introduced in brief fragments before unleashing the full sequence.

https://soundcloud.com/clubfuriess/cfs-dmp-velocity-shift-bht009

The track delivers a sound that feels compact yet remarkably weightless, unfolding like a continuous, shimmering cluster of crystals. As it reaches its climax, the arrangement forces these sonic particles into a full collision, triggering a striking, diamond-like burst of light and texture across the mix.

Following this blast, the track seamlessly reclaims its initial pressure and intensity through an eager, rising tempo. As it unfolds, the atmosphere briefly clears to shed the heavy tension, offering a glimpse of light at the end of the psychological tunnel… or so it seems.

Label: Black Hole Transmissions
Artist: Dark Matter Project
Title: Hollow Signal
Catalogue: BHT009
Mixed and Mastered in Berlin, July 2026.

Release Date: August 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Velocity Shift
2. Hollow Signal
3. Event Horizon
4. Entanglement

Dark Matter Project / Black Hole Transmissions

SoundCloud | Instagram | YouTube | Facebook | Bandcamp | hearthis.at

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Dark Matter Project – Velocity Shift [Black Hole Transmissions]

London-based producer Shane dB, also operating as Dark Matter Project, steps up the game with the release of Hollow Signal on his Black Hole Transmissions label. This new body of work arrives during a period of high creative momentum, acting as the direct follow-up to Space Time Emotion, which was released earlier in February 2026.

https://clubfuries.com.mx/2026/06/30/cfs-solenoid-simulay-decay-bht008/

The EP kicks off with «Velocity Shift», a heavy-hitting techno track built to drive immediate energy onto the dancefloor. Its lead riff was crafted by chopping an atmospheric sample to enhance its drive, paired with a high-register synth that glides upward in pitch, introduced in brief fragments before unleashing the full sequence.

https://soundcloud.com/clubfuriess/cfs-dmp-velocity-shift-bht009

The track delivers a sound that feels compact yet remarkably weightless, unfolding like a continuous, shimmering cluster of crystals. As it reaches its climax, the arrangement forces these sonic particles into a full collision, triggering a striking, diamond-like burst of light and texture across the mix.

Following this blast, the track seamlessly reclaims its initial pressure and intensity through an eager, rising tempo. As it unfolds, the atmosphere briefly clears to shed the heavy tension, offering a glimpse of light at the end of the psychological tunnel… or so it seems.

Label: Black Hole Transmissions
Artist: Dark Matter Project
Title: Hollow Signal
Catalogue: BHT009
Mixed and Mastered in Berlin, July 2026.

Release Date: August 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Velocity Shift
2. Hollow Signal
3. Event Horizon
4. Entanglement

Dark Matter Project / Black Hole Transmissions

SoundCloud | Instagram | YouTube | Facebook | Bandcamp | hearthis.at

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Dark Matter Project – Velocity Shift [Black Hole Transmissions]

London-based producer Shane dB, also operating as Dark Matter Project, steps up the game with the release of Hollow Signal on his Black Hole Transmissions label. This new body of work arrives during a period of high creative momentum, acting as the direct follow-up to Space Time Emotion, which was released earlier in February 2026.

https://clubfuries.com.mx/2026/06/30/cfs-solenoid-simulay-decay-bht008/

The EP kicks off with «Velocity Shift», a heavy-hitting techno track built to drive immediate energy onto the dancefloor. Its lead riff was crafted by chopping an atmospheric sample to enhance its drive, paired with a high-register synth that glides upward in pitch, introduced in brief fragments before unleashing the full sequence.

https://soundcloud.com/clubfuriess/cfs-dmp-velocity-shift-bht009

The track delivers a sound that feels compact yet remarkably weightless, unfolding like a continuous, shimmering cluster of crystals. As it reaches its climax, the arrangement forces these sonic particles into a full collision, triggering a striking, diamond-like burst of light and texture across the mix.

Following this blast, the track seamlessly reclaims its initial pressure and intensity through an eager, rising tempo. As it unfolds, the atmosphere briefly clears to shed the heavy tension, offering a glimpse of light at the end of the psychological tunnel… or so it seems.

Label: Black Hole Transmissions
Artist: Dark Matter Project
Title: Hollow Signal
Catalogue: BHT009
Mixed and Mastered in Berlin, July 2026.

Release Date: August 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Velocity Shift
2. Hollow Signal
3. Event Horizon
4. Entanglement

Dark Matter Project / Black Hole Transmissions

SoundCloud | Instagram | YouTube | Facebook | Bandcamp | hearthis.at

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Dark Matter Project – Velocity Shift [Black Hole Transmissions]

London-based producer Shane dB, also operating as Dark Matter Project, steps up the game with the release of Hollow Signal on his Black Hole Transmissions label. This new body of work arrives during a period of high creative momentum, acting as the direct follow-up to Space Time Emotion, which was released earlier in February 2026.

https://clubfuries.com.mx/2026/06/30/cfs-solenoid-simulay-decay-bht008/

The EP kicks off with «Velocity Shift», a heavy-hitting techno track built to drive immediate energy onto the dancefloor. Its lead riff was crafted by chopping an atmospheric sample to enhance its drive, paired with a high-register synth that glides upward in pitch, introduced in brief fragments before unleashing the full sequence.

https://soundcloud.com/clubfuriess/cfs-dmp-velocity-shift-bht009

The track delivers a sound that feels compact yet remarkably weightless, unfolding like a continuous, shimmering cluster of crystals. As it reaches its climax, the arrangement forces these sonic particles into a full collision, triggering a striking, diamond-like burst of light and texture across the mix.

Following this blast, the track seamlessly reclaims its initial pressure and intensity through an eager, rising tempo. As it unfolds, the atmosphere briefly clears to shed the heavy tension, offering a glimpse of light at the end of the psychological tunnel… or so it seems.

Label: Black Hole Transmissions
Artist: Dark Matter Project
Title: Hollow Signal
Catalogue: BHT009
Mixed and Mastered in Berlin, July 2026.

Release Date: August 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Velocity Shift
2. Hollow Signal
3. Event Horizon
4. Entanglement

Dark Matter Project / Black Hole Transmissions

SoundCloud | Instagram | YouTube | Facebook | Bandcamp | hearthis.at

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Dark Matter Project – Velocity Shift [Black Hole Transmissions]

London-based producer Shane dB, also operating as Dark Matter Project, steps up the game with the release of Hollow Signal on his Black Hole Transmissions label. This new body of work arrives during a period of high creative momentum, acting as the direct follow-up to Space Time Emotion, which was released earlier in February 2026.

https://clubfuries.com.mx/2026/06/30/cfs-solenoid-simulay-decay-bht008/

The EP kicks off with «Velocity Shift», a heavy-hitting techno track built to drive immediate energy onto the dancefloor. Its lead riff was crafted by chopping an atmospheric sample to enhance its drive, paired with a high-register synth that glides upward in pitch, introduced in brief fragments before unleashing the full sequence.

https://soundcloud.com/clubfuriess/cfs-dmp-velocity-shift-bht009

The track delivers a sound that feels compact yet remarkably weightless, unfolding like a continuous, shimmering cluster of crystals. As it reaches its climax, the arrangement forces these sonic particles into a full collision, triggering a striking, diamond-like burst of light and texture across the mix.

Following this blast, the track seamlessly reclaims its initial pressure and intensity through an eager, rising tempo. As it unfolds, the atmosphere briefly clears to shed the heavy tension, offering a glimpse of light at the end of the psychological tunnel… or so it seems.

Label: Black Hole Transmissions
Artist: Dark Matter Project
Title: Hollow Signal
Catalogue: BHT009
Mixed and Mastered in Berlin, July 2026.

Release Date: August 21, 2026
Support & Buy: Bandcamp

Tracklist
1. Velocity Shift
2. Hollow Signal
3. Event Horizon
4. Entanglement

Dark Matter Project / Black Hole Transmissions

SoundCloud | Instagram | YouTube | Facebook | Bandcamp | hearthis.at

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Nicko Shuo – Shoulder Injury [Fever Recordings]

Based in Berlin, Germany, Fever Recordings operates under the clear vision of its founder, BFVR, featuring a catalog strictly focused on dancefloor efficiency. The label stands out for delivering techno productions characterized by a driving groove and high-caliber sound design aimed at physical impact and club hypnosis.

https://clubfuries.com.mx/2026/05/25/cfs-nicko-shuo-ys-ci-ls012/

Fever Recordings welcomes Nicko Shuo, who joins the Berlin imprint’s roster with a powerful five-track EP. Following a period of exploring various electronic subgenres, the artist found his true sonic anchor as he stepped into the realm of hypnotic, raw, and sci-fi-infused techno.

https://clubfuries.com.mx/2025/06/07/cfp-rawdecks-permanent-damage-fever-recordings/

Through a meticulous study of a vast production archive and with releases across both digital and vinyl formats, Nicko has forged a distinct sonic signature that he consistently brings to stages and the most demanding podcast series within the global circuit.

https://soundcloud.com/clubfuriess/cfs-nicko-shuo-shoulder-injury-fr045

«Shoulder Injury» hits sharp from the start, unleashing an intensity and enigma akin to precision devices that measure the presence and magnitude of an entity through signal interference. As the track unfolds, it settles into subtle grooves and a steady progressive continuum that hypnotically commands the floor.

Artist: Nicko Shuo
Title: Dirty Souls
Label: Fever Recordings
Genre: Electronic
Style: Techno
Catalogue: FR045
Artwork: BFVR
Mastering: 1010 Audio

Release Date: August 17, 2026
Support & Buy: Bandcamp

Tracklist:
1 – Dirty Souls
2 – Shortened Speech
3 – Shoulder Injury
4 – Simplified Diagram
5 – We Can’t Handle It

Nicko Shuo

SoundCloud | Instagram | Facebook | Beatport | Taplink

Fever Recordings

SoundCloud | Instagram | Facebook | Bandcamp | BFVR

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: JØSHUA – Dreamer [No.Identity Records]

Moving beyond rhythm, embracing posthumanism, and unleashing the next stage of evolution, Bogotá-based label No.Identity Records unveils its latest release. This time, the Colombian platform welcomes Hamburg-based producer JØSHUA, who makes his official debut on the imprint with a body of work defined by its forward-thinking and dynamic edge.

https://clubfuries.com.mx/2026/04/17/cfp-lea-node-conjunction-no-id/

The EP brings together three techno tracks engineered to deliver a singular, immersive experience on the dancefloor. Its sonic architecture relies on minimalist percussion, driving and forceful basslines, and a captivating array of textures that ultimately define the true essence of these highly functional DJ tools.

https://soundcloud.com/clubfuriess/cfs-joshua-dreamer-no-id

A dreamer can be understood as someone who drifts through fantasy without regard for reality. In the track «Dreamer», that very reality kicks off frenetically with fast, continuous sequences that maintain their momentum, accelerating in a subtle yet progressive manner until the real world dissolves into an ethereal realm, guiding us straight into a dream state.

This transition reaches completion through a tribal and ritualistic hypnotism that stretches the tension across the entire frequency spectrum, culminating in a climax where everything freezes in mid-air and silence. The result is striking: an agile, brilliant frenzy—as sharp as it is nuanced—that seamlessly converts reality into the substance of dreams.

Label: No.Identity Records
Artist: JØSHUA
Title: Trinity
Catalogue: NOID10
Mastering: EL MAMU
Artwork: William Gutiérrez

Release Date: August 14, 2026
Support & Buy: Bandcamp

Tracklist
1. Grounded
2. Dreamer
3. Percy

JØSHUA

SoundCloud | Instagram | Offbeat

No.Identity Records

Instagram | SoundCloud | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Valentin Zad & Carara – Modular 001 [Counter Pulse]

Counter Pulse stands as a powerful corrective force against transient trends within the international techno scene. Its unwavering commitment to high-caliber underground sound serves as a vital bridge between authentic artists and an industrial strain of techno that continues to redefine its modern edge.

https://clubfuries.com.mx/2026/04/29/cfp-carara-valentin-zad-natural-resources-trm388/

As one of the most conceptually rigorous imprints on the independent circuit, the label now introduces German producers Valentin Zad and Carara. The duo delivers Modular EP, a three-track collection showcasing the finest moments of their creative synergy—a collaborative effort recently featured on the Portuguese label trau-ma.

https://soundcloud.com/clubfuriess/cfs-valentin-zad-carara-modular-001-cp188

The lead track, «Modular 001», drills through the room with a velvety texture. Relentless, fluid, and razor-sharp, the piece carries raw emotional undertones, transitioning from volcanic energy into a liberating climax that soars straight toward an infinite horizon.

Artist: Valentin Zad & Carara
Title: Modular EP
Label: Counter Pulse
Catalogue: CP188
Mastered by Andreas Florin (Florin Media)

Release Date: August 28, 2026
Support & Buy: Bandcamp

Tracklist:
1. Modular 001
2. Modular 002
3. Modular 003

Carara

SoundCloud | Instagram | Facebook | Beatport

Valentin Zad

SoundCloud | Instagram

Counter Pulse

SoundCloud | Bandcamp | Instagram

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Valentin Zad & Carara – Modular 001 [Counter Pulse]

Counter Pulse stands as a powerful corrective force against transient trends within the international techno scene. Its unwavering commitment to high-caliber underground sound serves as a vital bridge between authentic artists and an industrial strain of techno that continues to redefine its modern edge.

https://clubfuries.com.mx/2026/04/29/cfp-carara-valentin-zad-natural-resources-trm388/

As one of the most conceptually rigorous imprints on the independent circuit, the label now introduces German producers Valentin Zad and Carara. The duo delivers Modular EP, a three-track collection showcasing the finest moments of their creative synergy—a collaborative effort recently featured on the Portuguese label trau-ma.

https://soundcloud.com/clubfuriess/cfs-valentin-zad-carara-modular-001-cp188

The lead track, «Modular 001», drills through the room with a velvety texture. Relentless, fluid, and razor-sharp, the piece carries raw emotional undertones, transitioning from volcanic energy into a liberating climax that soars straight toward an infinite horizon.

Artist: Valentin Zad & Carara
Title: Modular EP
Label: Counter Pulse
Catalogue: CP188
Mastered by Andreas Florin (Florin Media)

Release Date: August 28, 2026
Support & Buy: Bandcamp

Tracklist:
1. Modular 001
2. Modular 002
3. Modular 003

Carara

SoundCloud | Instagram | Facebook | Beatport

Valentin Zad

SoundCloud | Instagram

Counter Pulse

SoundCloud | Bandcamp | Instagram

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Mr. Bouncy Castle – Booty Hazard [Diffuse Reality Records]

We introduce Mr. Bouncy Castle, a Winnipeg-based Canadian producer who has spent most of his time in Antarctica researching the depths of ice caves. He has been living in an improvised igloo built using a bouncy castle as a base beneath a layer of reinforced ice. He enjoys cold, bouncy things…

https://clubfuries.com.mx/2026/07/11/cfs-cat-can-do-avant-drss1477/

For one of his recent releases, he arrives on the Spanish multi-platform Diffuse Reality Records with a collection of tracks titled Voici Monsieur Château Gonflable, featuring four original cuts.

https://soundcloud.com/clubfuriess/cfs-mr-bouncy-castle-booty-hazard-drss1506

«Booty Hazard» emerges from the vast expanses of that icy continent where he has lived for so long, an environment that has undoubtedly shaped his sound to its core. Perpetual, ethereal, expansive, immense. Clocking in at over 20 minutes, this track is the ultimate embodiment of the dynamic between Antarctic ice and the artist’s underlying vision.

The rest is about surrendering to the sheer length of the track and the infinite ice of the frozen continent…

Artist: Mr. Bouncy Castle
Title: Voici Monsieur Château Gonflable
Format: Digital
Label: Diffuse Reality Records
Catalogue: DRSS1506

Release Date: August 17, 2026
Support & Buy: Bandcamp

Tracklist
1. Booty Hazard
2. Boom boom bien
3. Tomato Warning
4. Dansk in the dark

Mr. Bouncy Castle

SoundCloud | Instagram

Diffuse Reality Records

Website | SoundCloud | Instagram | Facebook | Twitter | YouTube | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Mr. Bouncy Castle – Booty Hazard [Diffuse Reality Records]

We introduce Mr. Bouncy Castle, a Winnipeg-based Canadian producer who has spent most of his time in Antarctica researching the depths of ice caves. He has been living in an improvised igloo built using a bouncy castle as a base beneath a layer of reinforced ice. He enjoys cold, bouncy things…

https://clubfuries.com.mx/2026/07/11/cfs-cat-can-do-avant-drss1477/

For one of his recent releases, he arrives on the Spanish multi-platform Diffuse Reality Records with a collection of tracks titled Voici Monsieur Château Gonflable, featuring four original cuts.

https://soundcloud.com/clubfuriess/cfs-mr-bouncy-castle-booty-hazard-drss1506

«Booty Hazard» emerges from the vast expanses of that icy continent where he has lived for so long, an environment that has undoubtedly shaped his sound to its core. Perpetual, ethereal, expansive, immense. Clocking in at over 20 minutes, this track is the ultimate embodiment of the dynamic between Antarctic ice and the artist’s underlying vision.

The rest is about surrendering to the sheer length of the track and the infinite ice of the frozen continent…

Artist: Mr. Bouncy Castle
Title: Voici Monsieur Château Gonflable
Format: Digital
Label: Diffuse Reality Records
Catalogue: DRSS1506

Release Date: August 17, 2026
Support & Buy: Bandcamp

Tracklist
1. Booty Hazard
2. Boom boom bien
3. Tomato Warning
4. Dansk in the dark

Mr. Bouncy Castle

SoundCloud | Instagram

Diffuse Reality Records

Website | SoundCloud | Instagram | Facebook | Twitter | YouTube | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Mr. Bouncy Castle – Booty Hazard [Diffuse Reality Records]

We introduce Mr. Bouncy Castle, a Winnipeg-based Canadian producer who has spent most of his time in Antarctica researching the depths of ice caves. He has been living in an improvised igloo built using a bouncy castle as a base beneath a layer of reinforced ice. He enjoys cold, bouncy things…

https://clubfuries.com.mx/2026/07/11/cfs-cat-can-do-avant-drss1477/

For one of his recent releases, he arrives on the Spanish multi-platform Diffuse Reality Records with a collection of tracks titled Voici Monsieur Château Gonflable, featuring four original cuts.

https://soundcloud.com/clubfuriess/cfs-mr-bouncy-castle-booty-hazard-drss1506

«Booty Hazard» emerges from the vast expanses of that icy continent where he has lived for so long, an environment that has undoubtedly shaped his sound to its core. Perpetual, ethereal, expansive, immense. Clocking in at over 20 minutes, this track is the ultimate embodiment of the dynamic between Antarctic ice and the artist’s underlying vision.

The rest is about surrendering to the sheer length of the track and the infinite ice of the frozen continent…

Artist: Mr. Bouncy Castle
Title: Voici Monsieur Château Gonflable
Format: Digital
Label: Diffuse Reality Records
Catalogue: DRSS1506

Release Date: August 17, 2026
Support & Buy: Bandcamp

Tracklist
1. Booty Hazard
2. Boom boom bien
3. Tomato Warning
4. Dansk in the dark

Mr. Bouncy Castle

SoundCloud | Instagram

Diffuse Reality Records

Website | SoundCloud | Instagram | Facebook | Twitter | YouTube | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Mr. Bouncy Castle – Booty Hazard [Diffuse Reality Records]

We introduce Mr. Bouncy Castle, a Winnipeg-based Canadian producer who has spent most of his time in Antarctica researching the depths of ice caves. He has been living in an improvised igloo built using a bouncy castle as a base beneath a layer of reinforced ice. He enjoys cold, bouncy things…

https://clubfuries.com.mx/2026/07/11/cfs-cat-can-do-avant-drss1477/

For one of his recent releases, he arrives on the Spanish multi-platform Diffuse Reality Records with a collection of tracks titled Voici Monsieur Château Gonflable, featuring four original cuts.

https://soundcloud.com/clubfuriess/cfs-mr-bouncy-castle-booty-hazard-drss1506

«Booty Hazard» emerges from the vast expanses of that icy continent where he has lived for so long, an environment that has undoubtedly shaped his sound to its core. Perpetual, ethereal, expansive, immense. Clocking in at over 20 minutes, this track is the ultimate embodiment of the dynamic between Antarctic ice and the artist’s underlying vision.

The rest is about surrendering to the sheer length of the track and the infinite ice of the frozen continent…

Artist: Mr. Bouncy Castle
Title: Voici Monsieur Château Gonflable
Format: Digital
Label: Diffuse Reality Records
Catalogue: DRSS1506

Release Date: August 17, 2026
Support & Buy: Bandcamp

Tracklist
1. Booty Hazard
2. Boom boom bien
3. Tomato Warning
4. Dansk in the dark

Mr. Bouncy Castle

SoundCloud | Instagram

Diffuse Reality Records

Website | SoundCloud | Instagram | Facebook | Twitter | YouTube | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Mr. Bouncy Castle – Booty Hazard [Diffuse Reality Records]

We introduce Mr. Bouncy Castle, a Winnipeg-based Canadian producer who has spent most of his time in Antarctica researching the depths of ice caves. He has been living in an improvised igloo built using a bouncy castle as a base beneath a layer of reinforced ice. He enjoys cold, bouncy things…

https://clubfuries.com.mx/2026/07/11/cfs-cat-can-do-avant-drss1477/

For one of his recent releases, he arrives on the Spanish multi-platform Diffuse Reality Records with a collection of tracks titled Voici Monsieur Château Gonflable, featuring four original cuts.

https://soundcloud.com/clubfuriess/cfs-mr-bouncy-castle-booty-hazard-drss1506

«Booty Hazard» emerges from the vast expanses of that icy continent where he has lived for so long, an environment that has undoubtedly shaped his sound to its core. Perpetual, ethereal, expansive, immense. Clocking in at over 20 minutes, this track is the ultimate embodiment of the dynamic between Antarctic ice and the artist’s underlying vision.

The rest is about surrendering to the sheer length of the track and the infinite ice of the frozen continent…

Artist: Mr. Bouncy Castle
Title: Voici Monsieur Château Gonflable
Format: Digital
Label: Diffuse Reality Records
Catalogue: DRSS1506

Release Date: August 17, 2026
Support & Buy: Bandcamp

Tracklist
1. Booty Hazard
2. Boom boom bien
3. Tomato Warning
4. Dansk in the dark

Mr. Bouncy Castle

SoundCloud | Instagram

Diffuse Reality Records

Website | SoundCloud | Instagram | Facebook | Twitter | YouTube | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: SHAWN ❅- Spiritual [Anodynic Frequencies]

The third release on the Anodynic Frequencies label comes from a Rome-based DJ and producer whose sound blends deep atmospheres, hypnotic melodies, and contemporary techno influences.

Shawn❅, the moniker of Alessandro Romeo, is an Italian producer, DJ, and composer. His journey into electronic music began at the age of 14, when he also composed his first piano piece. Initially experimenting with production under a different alias, he created tracks bridging ambient and cinematic electronics before discovering techno and stepping into a whole new world.

https://clubfuries.com.mx/2026/02/12/cfp-fog-catcher-twin-ii-afd002/

His sound is defined by dark atmospheres and intense melodic and harmonic arrangements—strongly echoing his musical roots—interwoven with rhythms that sometimes subtly fade, sometimes strike with conviction, but always share a single purpose: to convey raw emotion.

https://soundcloud.com/clubfuriess/cfs-shawn-spiritual-af003

This is Spirit, an EP featuring two original tracks and remixes by Yujinn and Enzo Pietropaolo. The original track «Spiritual» evokes the spirit itself—the psychic, soulful, mental, emotional, inner, ethereal, immaterial, impalpable, and Platonic. Throughout the unfolding soundscape of «Spiritual», this concept morphs into something ethereal and idyllic, driven by a sound design as immaculate as it is flawless.

Moving from the depths to the climax, it places us amid frozen forests and icy tundras, where the cold becomes the absolute sine qua non of existence, and its evolution turns into a perpetual atmosphere.

Produced by: SHAWN ❅
Title: Spirit EP
Mastered by Tomas Gonzalez / Medellín, Colombia
Artwork by Chris Rome
Label: Anodynic Frequencies
Catalogue: AF003

Release Date: August 15th, 2026
Support & Buy: Bandcamp

Tracklist
1. SHAWN ❅ – Meditation
2. SHAWN ❅ – Spiritual 06:35
3. SHAWN ❅ – Meditation (Yujinn Remix)
4. SHAWN ❅ – Spiritual (Enzo Pietropaolo Remix)

SHAWN ❅

SoundCloud | Instagram

Anodynic Frequencies

SoundCloud | Instagram | Facebook | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: K-H1 – Chatka [Illegal Alien Records]

Cult Mexican imprint Illegal Alien Records presents the third volume of its acclaimed summer compilation, Between Lands & Oceans III—a digital annual showcase bringing together twenty exclusive tracks from established figures and emerging talents aligned with uncompromising underground techno philosophy. Championing absolute creative freedom, this release spans from hypnotic grooves to raw energy, striking a seamless balance between physical dancefloor impact and deep mental immersion.

https://clubfuries.com.mx/2026/07/08/cfs-aregone-svara-iar399/

The peak point of sophistication and dynamism within this release reveals itself on Chatka, our exclusive Premiere signed by Berlin-based producer and DJ K-H1 (whose bold output has resonated across strongholds like Berghain, RSO, and Bassiani). The piece deploys a sound originating from mystery and future times, where sonic layers progressively agglomerate in a subtle yet surgically effective manner.

https://soundcloud.com/clubfuriess/cfs-k-h1-chatka-iarblo003

The composition’s architecture warps the club’s temporality by emerging at dusk for the eternalization of sound, infusing the floor with flashes of precise nostalgia and an unreachable drive. Traversing through valleys and mountains, the sonic narrative constructs a complex texture rich in versatility that turns out exceptional, proving why K-H1 stands out as one of current European techno’s most promising voices.

With Between Lands & Oceans III, K-H1 and Illegal Alien Records sign a sharp sonic manifesto: proving that contemporary cult techno reaches its highest peak when rhythmic power pays homage to mystery and conceptual design.

Label: Illegal Alien Records
Artist: 500MA, A.Paul, Alexi Delano, Aphazia, Black Hypnotist, Chich, Colomboi, Ehmarj, Esteban Miranda, Jen Cruz, K-H1, Ket Robinson, Kevin Villa, Marco Ramos, MSDMNR, Perpetual Black Second, Procombo, Ricardo Garduno, Sarf, Sola Contagio, Vanina Buniak, and Xris Vavrzhina.
Title: Between Lands & Oceans III
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IARBLO003
Mastering by The Programnaitor
Artwork design by Rommulo

Release Date: August 28, 2026
Support & Buy: Bandcamp

K-H1

SoundCloud | Instagram | Bandcamp | Linktree

Illegal Alien Records

SoundCloud | Website | Bandcamp | Instagram | Facebook | YouTube | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Bane:9, Milan d’Oullins – 777 [Garage 83-C x La Grande Gudule x Armen Crew]

Following the legacy of Her Tentacles Sip My Mind, L’Ultime Ventouse, Panne Seiche, Bulot Rider, and Octo+, the aquatic territory’s most select collaboration returns with Krab Core. A magnificent various artists compilation, as varied as its title suggests, uniting once again the creative forces of this summer’s triple musical alliance. Between aquatic experiments, sonic drifts, and unhinged crustaceans, the artists plunge into a collective journey through uncharted and delightfully absurd waters. Available as a «pay-what-you-want» release on Bandcamp—alongside a super limited CD edition for dedicated collectors—the compilation features cover art by Billy Dogz.

https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

At Club Furies, we are thrilled to be part of this major release with the exclusive Premiere of 777, a track by French producers Bane:9 and Milan d’Oullins. Rising from the depths of bass music and breakbeat, the piece deploys a mysterious, nostalgic, and electric sound design. Its architecture evokes a landscape submerged in cold shores and black sands, an environment where echoes of the past overlay time to emerge with an energy as subtle as it is potent.

https://soundcloud.com/clubfuriess/cfs-bane9-milan-doullins-garage-83-la-grande-gudule-armen-crew

The track’s narrative articulates through a rhythm and progression as delicate as it is patient. The sonic structure reveals itself as plastic and versatile, masterfully proving that the seams of high intensity can run along parallel rails. With 777, Bane:9, Milan d’Oullins, and this summer alliance sign a flawless sonic manifesto: proving that avant-garde electronic music reaches its apex when percussive complexity embraces cinematic drift and abyssal immersion.

https://clubfuries.com.mx/2026/04/24/cfp-n-trip-amplify-arm009/

Towards the denouement, the composition rejects any complacent resolution or traditional fading closure. The breakbeat drive cuts off abruptly mid-modular friction, leaving residual frequencies and the depth’s echo suspended in mid-air like an unfinished interference in the dark.

KRAB CORE
GARAGE 83-C x LA GRANDE GUDULE x ARMEN CREW
VARIOUS ARTIST

Credits
Mastering: Simon Hamelin @ HDN Mastering
Track 17 Self-mastered
Artwork: Billy Dogz (www.instagram.com/billy_dogz/)

Release Date: August 14, 2026
50 CD’s and Bandcamp Only: armencrewmusic.bandcamp.com

Tracklist
01 – bane:9, Milan d’Oullins – 777 – 5:32
02 – Akam Sector – Desafio de Embolada – 4:37
03 – Azogial – Me You – 5:24
04 – DJ 8.6 – Gudule Gonk – 4:40
05 – Jacques Satre – Lizards Games Stepper – 5:21
06 – DJ LM$ – Bug Me Out – 3:54
07 – Nyttes – Ominous Harvest – 5:54
08 – Oda Fiasco Bravo – Up and Fine – 5:05
09 – alombreducheval – Toto il est Bien – 8:16
10 – Pas de Pâquerette – Ouvrir les Côtés – 2:57
11 – eul Diap – Kulta Kuro – 8:40
12 – Gargantuan Grief & acheve – Pseudo-V – 4:10
13 – Force Rouge – Somewhere Over The Rainbow – 4:18
14 – DJ Padset – Revenge – 4:03
15 – Francis Cheval, Pickle Vick – La Soupe Aux Petits Choux – 3:14
16 – Zwoin – Ta Mère – 4:18
17 – reallyraw – Zehef – 2:38
18 – Lemon schaden x anodyna – Anhedonia – 3:50

Bane:9

SoundCloud | Instagram | Bandcamp | Linktree

Milan d’Oullins

SoundCloud

Garage 83-C

SoundCloud | Bandcamp | Instagram | Facebook

La Grande Gudule

SoundCloud

Armen Crew

SoundCloud | Instagram | Facebook | Bandcamp
Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Bane:9, Milan d’Oullins – 777 [Garage 83-C x La Grande Gudule x Armen Crew]

Following the legacy of Her Tentacles Sip My Mind, L’Ultime Ventouse, Panne Seiche, Bulot Rider, and Octo+, the aquatic territory’s most select collaboration returns with Krab Core. A magnificent various artists compilation, as varied as its title suggests, uniting once again the creative forces of this summer’s triple musical alliance. Between aquatic experiments, sonic drifts, and unhinged crustaceans, the artists plunge into a collective journey through uncharted and delightfully absurd waters. Available as a «pay-what-you-want» release on Bandcamp—alongside a super limited CD edition for dedicated collectors—the compilation features cover art by Billy Dogz.

https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

At Club Furies, we are thrilled to be part of this major release with the exclusive Premiere of 777, a track by French producers Bane:9 and Milan d’Oullins. Rising from the depths of bass music and breakbeat, the piece deploys a mysterious, nostalgic, and electric sound design. Its architecture evokes a landscape submerged in cold shores and black sands, an environment where echoes of the past overlay time to emerge with an energy as subtle as it is potent.

https://soundcloud.com/clubfuriess/cfs-bane9-milan-doullins-garage-83-la-grande-gudule-armen-crew

The track’s narrative articulates through a rhythm and progression as delicate as it is patient. The sonic structure reveals itself as plastic and versatile, masterfully proving that the seams of high intensity can run along parallel rails. With 777, Bane:9, Milan d’Oullins, and this summer alliance sign a flawless sonic manifesto: proving that avant-garde electronic music reaches its apex when percussive complexity embraces cinematic drift and abyssal immersion.

https://clubfuries.com.mx/2026/04/24/cfp-n-trip-amplify-arm009/

Towards the denouement, the composition rejects any complacent resolution or traditional fading closure. The breakbeat drive cuts off abruptly mid-modular friction, leaving residual frequencies and the depth’s echo suspended in mid-air like an unfinished interference in the dark.

KRAB CORE
GARAGE 83-C x LA GRANDE GUDULE x ARMEN CREW
VARIOUS ARTIST

Credits
Mastering: Simon Hamelin @ HDN Mastering
Track 17 Self-mastered
Artwork: Billy Dogz (www.instagram.com/billy_dogz/)

Release Date: August 14, 2026
50 CD’s and Bandcamp Only: armencrewmusic.bandcamp.com

Tracklist
01 – bane:9, Milan d’Oullins – 777 – 5:32
02 – Akam Sector – Desafio de Embolada – 4:37
03 – Azogial – Me You – 5:24
04 – DJ 8.6 – Gudule Gonk – 4:40
05 – Jacques Satre – Lizards Games Stepper – 5:21
06 – DJ LM$ – Bug Me Out – 3:54
07 – Nyttes – Ominous Harvest – 5:54
08 – Oda Fiasco Bravo – Up and Fine – 5:05
09 – alombreducheval – Toto il est Bien – 8:16
10 – Pas de Pâquerette – Ouvrir les Côtés – 2:57
11 – eul Diap – Kulta Kuro – 8:40
12 – Gargantuan Grief & acheve – Pseudo-V – 4:10
13 – Force Rouge – Somewhere Over The Rainbow – 4:18
14 – DJ Padset – Revenge – 4:03
15 – Francis Cheval, Pickle Vick – La Soupe Aux Petits Choux – 3:14
16 – Zwoin – Ta Mère – 4:18
17 – reallyraw – Zehef – 2:38
18 – Lemon schaden x anodyna – Anhedonia – 3:50

Bane:9

SoundCloud | Instagram | Bandcamp | Linktree

Milan d’Oullins

SoundCloud

Garage 83-C

SoundCloud | Bandcamp | Instagram | Facebook

La Grande Gudule

SoundCloud

Armen Crew

SoundCloud | Instagram | Facebook | Bandcamp
Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Bane:9, Milan d’Oullins – 777 [Garage 83-C x La Grande Gudule x Armen Crew]

Following the legacy of Her Tentacles Sip My Mind, L’Ultime Ventouse, Panne Seiche, Bulot Rider, and Octo+, the aquatic territory’s most select collaboration returns with Krab Core. A magnificent various artists compilation, as varied as its title suggests, uniting once again the creative forces of this summer’s triple musical alliance. Between aquatic experiments, sonic drifts, and unhinged crustaceans, the artists plunge into a collective journey through uncharted and delightfully absurd waters. Available as a «pay-what-you-want» release on Bandcamp—alongside a super limited CD edition for dedicated collectors—the compilation features cover art by Billy Dogz.

https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

At Club Furies, we are thrilled to be part of this major release with the exclusive Premiere of 777, a track by French producers Bane:9 and Milan d’Oullins. Rising from the depths of bass music and breakbeat, the piece deploys a mysterious, nostalgic, and electric sound design. Its architecture evokes a landscape submerged in cold shores and black sands, an environment where echoes of the past overlay time to emerge with an energy as subtle as it is potent.

https://soundcloud.com/clubfuriess/cfs-bane9-milan-doullins-garage-83-la-grande-gudule-armen-crew

The track’s narrative articulates through a rhythm and progression as delicate as it is patient. The sonic structure reveals itself as plastic and versatile, masterfully proving that the seams of high intensity can run along parallel rails. With 777, Bane:9, Milan d’Oullins, and this summer alliance sign a flawless sonic manifesto: proving that avant-garde electronic music reaches its apex when percussive complexity embraces cinematic drift and abyssal immersion.

https://clubfuries.com.mx/2026/04/24/cfp-n-trip-amplify-arm009/

Towards the denouement, the composition rejects any complacent resolution or traditional fading closure. The breakbeat drive cuts off abruptly mid-modular friction, leaving residual frequencies and the depth’s echo suspended in mid-air like an unfinished interference in the dark.

KRAB CORE
GARAGE 83-C x LA GRANDE GUDULE x ARMEN CREW
VARIOUS ARTIST

Credits
Mastering: Simon Hamelin @ HDN Mastering
Track 17 Self-mastered
Artwork: Billy Dogz (www.instagram.com/billy_dogz/)

Release Date: August 14, 2026
50 CD’s and Bandcamp Only: armencrewmusic.bandcamp.com

Tracklist
01 – bane:9, Milan d’Oullins – 777 – 5:32
02 – Akam Sector – Desafio de Embolada – 4:37
03 – Azogial – Me You – 5:24
04 – DJ 8.6 – Gudule Gonk – 4:40
05 – Jacques Satre – Lizards Games Stepper – 5:21
06 – DJ LM$ – Bug Me Out – 3:54
07 – Nyttes – Ominous Harvest – 5:54
08 – Oda Fiasco Bravo – Up and Fine – 5:05
09 – alombreducheval – Toto il est Bien – 8:16
10 – Pas de Pâquerette – Ouvrir les Côtés – 2:57
11 – eul Diap – Kulta Kuro – 8:40
12 – Gargantuan Grief & acheve – Pseudo-V – 4:10
13 – Force Rouge – Somewhere Over The Rainbow – 4:18
14 – DJ Padset – Revenge – 4:03
15 – Francis Cheval, Pickle Vick – La Soupe Aux Petits Choux – 3:14
16 – Zwoin – Ta Mère – 4:18
17 – reallyraw – Zehef – 2:38
18 – Lemon schaden x anodyna – Anhedonia – 3:50

Bane:9

SoundCloud | Instagram | Bandcamp | Linktree

Milan d’Oullins

SoundCloud

Garage 83-C

SoundCloud | Bandcamp | Instagram | Facebook

La Grande Gudule

SoundCloud

Armen Crew

SoundCloud | Instagram | Facebook | Bandcamp
Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Bane:9, Milan d’Oullins – 777 [Garage 83-C x La Grande Gudule x Armen Crew]

Following the legacy of Her Tentacles Sip My Mind, L’Ultime Ventouse, Panne Seiche, Bulot Rider, and Octo+, the aquatic territory’s most select collaboration returns with Krab Core. A magnificent various artists compilation, as varied as its title suggests, uniting once again the creative forces of this summer’s triple musical alliance. Between aquatic experiments, sonic drifts, and unhinged crustaceans, the artists plunge into a collective journey through uncharted and delightfully absurd waters. Available as a «pay-what-you-want» release on Bandcamp—alongside a super limited CD edition for dedicated collectors—the compilation features cover art by Billy Dogz.

https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

At Club Furies, we are thrilled to be part of this major release with the exclusive Premiere of 777, a track by French producers Bane:9 and Milan d’Oullins. Rising from the depths of bass music and breakbeat, the piece deploys a mysterious, nostalgic, and electric sound design. Its architecture evokes a landscape submerged in cold shores and black sands, an environment where echoes of the past overlay time to emerge with an energy as subtle as it is potent.

https://soundcloud.com/clubfuriess/cfs-bane9-milan-doullins-garage-83-la-grande-gudule-armen-crew

The track’s narrative articulates through a rhythm and progression as delicate as it is patient. The sonic structure reveals itself as plastic and versatile, masterfully proving that the seams of high intensity can run along parallel rails. With 777, Bane:9, Milan d’Oullins, and this summer alliance sign a flawless sonic manifesto: proving that avant-garde electronic music reaches its apex when percussive complexity embraces cinematic drift and abyssal immersion.

https://clubfuries.com.mx/2026/04/24/cfp-n-trip-amplify-arm009/

Towards the denouement, the composition rejects any complacent resolution or traditional fading closure. The breakbeat drive cuts off abruptly mid-modular friction, leaving residual frequencies and the depth’s echo suspended in mid-air like an unfinished interference in the dark.

KRAB CORE
GARAGE 83-C x LA GRANDE GUDULE x ARMEN CREW
VARIOUS ARTIST

Credits
Mastering: Simon Hamelin @ HDN Mastering
Track 17 Self-mastered
Artwork: Billy Dogz (www.instagram.com/billy_dogz/)

Release Date: August 14, 2026
50 CD’s and Bandcamp Only: armencrewmusic.bandcamp.com

Tracklist
01 – bane:9, Milan d’Oullins – 777 – 5:32
02 – Akam Sector – Desafio de Embolada – 4:37
03 – Azogial – Me You – 5:24
04 – DJ 8.6 – Gudule Gonk – 4:40
05 – Jacques Satre – Lizards Games Stepper – 5:21
06 – DJ LM$ – Bug Me Out – 3:54
07 – Nyttes – Ominous Harvest – 5:54
08 – Oda Fiasco Bravo – Up and Fine – 5:05
09 – alombreducheval – Toto il est Bien – 8:16
10 – Pas de Pâquerette – Ouvrir les Côtés – 2:57
11 – eul Diap – Kulta Kuro – 8:40
12 – Gargantuan Grief & acheve – Pseudo-V – 4:10
13 – Force Rouge – Somewhere Over The Rainbow – 4:18
14 – DJ Padset – Revenge – 4:03
15 – Francis Cheval, Pickle Vick – La Soupe Aux Petits Choux – 3:14
16 – Zwoin – Ta Mère – 4:18
17 – reallyraw – Zehef – 2:38
18 – Lemon schaden x anodyna – Anhedonia – 3:50

Bane:9

SoundCloud | Instagram | Bandcamp | Linktree

Milan d’Oullins

SoundCloud

Garage 83-C

SoundCloud | Bandcamp | Instagram | Facebook

La Grande Gudule

SoundCloud

Armen Crew

SoundCloud | Instagram | Facebook | Bandcamp
Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Bane:9, Milan d’Oullins – 777 [Garage 83-C x La Grande Gudule x Armen Crew]

Following the legacy of Her Tentacles Sip My Mind, L’Ultime Ventouse, Panne Seiche, Bulot Rider, and Octo+, the aquatic territory’s most select collaboration returns with Krab Core. A magnificent various artists compilation, as varied as its title suggests, uniting once again the creative forces of this summer’s triple musical alliance. Between aquatic experiments, sonic drifts, and unhinged crustaceans, the artists plunge into a collective journey through uncharted and delightfully absurd waters. Available as a «pay-what-you-want» release on Bandcamp—alongside a super limited CD edition for dedicated collectors—the compilation features cover art by Billy Dogz.

https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

At Club Furies, we are thrilled to be part of this major release with the exclusive Premiere of 777, a track by French producers Bane:9 and Milan d’Oullins. Rising from the depths of bass music and breakbeat, the piece deploys a mysterious, nostalgic, and electric sound design. Its architecture evokes a landscape submerged in cold shores and black sands, an environment where echoes of the past overlay time to emerge with an energy as subtle as it is potent.

https://soundcloud.com/clubfuriess/cfs-bane9-milan-doullins-garage-83-la-grande-gudule-armen-crew

The track’s narrative articulates through a rhythm and progression as delicate as it is patient. The sonic structure reveals itself as plastic and versatile, masterfully proving that the seams of high intensity can run along parallel rails. With 777, Bane:9, Milan d’Oullins, and this summer alliance sign a flawless sonic manifesto: proving that avant-garde electronic music reaches its apex when percussive complexity embraces cinematic drift and abyssal immersion.

https://clubfuries.com.mx/2026/04/24/cfp-n-trip-amplify-arm009/

Towards the denouement, the composition rejects any complacent resolution or traditional fading closure. The breakbeat drive cuts off abruptly mid-modular friction, leaving residual frequencies and the depth’s echo suspended in mid-air like an unfinished interference in the dark.

KRAB CORE
GARAGE 83-C x LA GRANDE GUDULE x ARMEN CREW
VARIOUS ARTIST

Credits
Mastering: Simon Hamelin @ HDN Mastering
Track 17 Self-mastered
Artwork: Billy Dogz (www.instagram.com/billy_dogz/)

Release Date: August 14, 2026
50 CD’s and Bandcamp Only: armencrewmusic.bandcamp.com

Tracklist
01 – bane:9, Milan d’Oullins – 777 – 5:32
02 – Akam Sector – Desafio de Embolada – 4:37
03 – Azogial – Me You – 5:24
04 – DJ 8.6 – Gudule Gonk – 4:40
05 – Jacques Satre – Lizards Games Stepper – 5:21
06 – DJ LM$ – Bug Me Out – 3:54
07 – Nyttes – Ominous Harvest – 5:54
08 – Oda Fiasco Bravo – Up and Fine – 5:05
09 – alombreducheval – Toto il est Bien – 8:16
10 – Pas de Pâquerette – Ouvrir les Côtés – 2:57
11 – eul Diap – Kulta Kuro – 8:40
12 – Gargantuan Grief & acheve – Pseudo-V – 4:10
13 – Force Rouge – Somewhere Over The Rainbow – 4:18
14 – DJ Padset – Revenge – 4:03
15 – Francis Cheval, Pickle Vick – La Soupe Aux Petits Choux – 3:14
16 – Zwoin – Ta Mère – 4:18
17 – reallyraw – Zehef – 2:38
18 – Lemon schaden x anodyna – Anhedonia – 3:50

Bane:9

SoundCloud | Instagram | Bandcamp | Linktree

Milan d’Oullins

SoundCloud

Garage 83-C

SoundCloud | Bandcamp | Instagram | Facebook

La Grande Gudule

SoundCloud

Armen Crew

SoundCloud | Instagram | Facebook | Bandcamp
Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Tierra de Ovnis & Baby Witch – Si me Gusto [OMERTA]

The convergence of hybrid sonic identities finds fertile ground within the dark electronic landscape to sabotage generic molds. Russian imprint OMERTA returns to our pages with the second various artists compilation in its catalog—an ambitious 22-track collection crafted over six months of international curation. In this release, cyberpunk aesthetics and cult atmospheres intertwine across a massive output championing the strength of the global underground.

Https://clubfuries.com.mx/2026/04/25/cfp-dj-sunshine-sloppy-say-in-uk-omerta/

The vanishing point of this release materializes on our exclusive Premiere: Si Me gusto, a joint effort between veteran Mexican DJ and producer Tierra de Ovnis—known for bridging psychedelia, indie dance, techno, and organic Latin American nuances—and Guadalajara-born project Baby Witch. The piece deploys an immersive sound design driven by a mysterious atmosphere and an incipient rhythm that warps the club’s standard temporality, surgically mutating into accelerated, deeply exciting drives.

https://soundcloud.com/clubfuriess/cfs-tierra-de-ovnis-baby-witch-si-me-gusto-omerta

Far from strident speed or immediate saturation, the track’s narrative sustains a beautiful tension: it remains reticent throughout its entire architecture, carefully managing modular energy with analog rigor over the body in motion. With Si Me gusto, the Mexican acts and OMERTA sign a sharp editorial stance: proving that contemporary underground music reaches its highest peak when rhythmic acceleration coexists with subtlety, mystery, and atmospheric restraint.

Towards the denouement, the composition rejects any complacent resolution or functional fading closure. The drive simply cuts off mid-cyberpunk friction, leaving the residual frequencies and the mysterious aura suspended in mid-air like an unfinished interference in the dark.

Label: OMERTA
Artist: Various Artists
Title: VA — OMERTA Vol. 2
Catalogue:

Release Date: August 8, 2026
Support & Buy: Bandcamp

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

Tracklist
1. Magnum Opus – More Than Just A Sign
2. OKO – Danse Macabre
3. Sasha Paige – Artificial
4. WLDV – Data Burn 05:29
5. Ruksby – All Gonna Die
6. Morze & Krupps – Wild Wild West
7. Gelainheim – Burning Through Youth 04:06
8. Tierra de Ovnis & Baby Witch – Si me Gusto
9. Modeca – Complex Analysis
10. Clouzer – Beyond
11. Prince Terrible – Infierno
12. Lucas Novaes – Tic Tac
13. Lex-Or & GO5 – Juego de Cromos
14. Kenny Campbell – Between the Right and the Righteous
15. Corporate Guest – Denied
16. Díaz Tech – Out of the Dark
17. Jorge Galindo – Necromano
18. Mverto Futura – Nowayout (Systematic Abuse)
19. Jauzas The Shining – Húmedo
20. MANASYt – Lothar Schramm (Live)
21. Tevatea – Urzi
22. Rambal Cochet – Valencia Draft Mode (Ruta Destroy Mix)

Tierra de Ovnis

Website | SoundCloud | Instagram | Threads | Linktree

Baby Witch

SoundCloud | Instagram | Linktree

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Tierra de Ovnis & Baby Witch – Si me Gusto [OMERTA]

The convergence of hybrid sonic identities finds fertile ground within the dark electronic landscape to sabotage generic molds. Russian imprint OMERTA returns to our pages with the second various artists compilation in its catalog—an ambitious 22-track collection crafted over six months of international curation. In this release, cyberpunk aesthetics and cult atmospheres intertwine across a massive output championing the strength of the global underground.

Https://clubfuries.com.mx/2026/04/25/cfp-dj-sunshine-sloppy-say-in-uk-omerta/

The vanishing point of this release materializes on our exclusive Premiere: Si Me gusto, a joint effort between veteran Mexican DJ and producer Tierra de Ovnis—known for bridging psychedelia, indie dance, techno, and organic Latin American nuances—and Guadalajara-born project Baby Witch. The piece deploys an immersive sound design driven by a mysterious atmosphere and an incipient rhythm that warps the club’s standard temporality, surgically mutating into accelerated, deeply exciting drives.

https://soundcloud.com/clubfuriess/cfs-tierra-de-ovnis-baby-witch-si-me-gusto-omerta

Far from strident speed or immediate saturation, the track’s narrative sustains a beautiful tension: it remains reticent throughout its entire architecture, carefully managing modular energy with analog rigor over the body in motion. With Si Me gusto, the Mexican acts and OMERTA sign a sharp editorial stance: proving that contemporary underground music reaches its highest peak when rhythmic acceleration coexists with subtlety, mystery, and atmospheric restraint.

Towards the denouement, the composition rejects any complacent resolution or functional fading closure. The drive simply cuts off mid-cyberpunk friction, leaving the residual frequencies and the mysterious aura suspended in mid-air like an unfinished interference in the dark.

Label: OMERTA
Artist: Various Artists
Title: VA — OMERTA Vol. 2
Catalogue:

Release Date: August 8, 2026
Support & Buy: Bandcamp

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

Tracklist
1. Magnum Opus – More Than Just A Sign
2. OKO – Danse Macabre
3. Sasha Paige – Artificial
4. WLDV – Data Burn 05:29
5. Ruksby – All Gonna Die
6. Morze & Krupps – Wild Wild West
7. Gelainheim – Burning Through Youth 04:06
8. Tierra de Ovnis & Baby Witch – Si me Gusto
9. Modeca – Complex Analysis
10. Clouzer – Beyond
11. Prince Terrible – Infierno
12. Lucas Novaes – Tic Tac
13. Lex-Or & GO5 – Juego de Cromos
14. Kenny Campbell – Between the Right and the Righteous
15. Corporate Guest – Denied
16. Díaz Tech – Out of the Dark
17. Jorge Galindo – Necromano
18. Mverto Futura – Nowayout (Systematic Abuse)
19. Jauzas The Shining – Húmedo
20. MANASYt – Lothar Schramm (Live)
21. Tevatea – Urzi
22. Rambal Cochet – Valencia Draft Mode (Ruta Destroy Mix)

Tierra de Ovnis

Website | SoundCloud | Instagram | Threads | Linktree

Baby Witch

SoundCloud | Instagram | Linktree

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Tierra de Ovnis & Baby Witch – Si me Gusto [OMERTA]

The convergence of hybrid sonic identities finds fertile ground within the dark electronic landscape to sabotage generic molds. Russian imprint OMERTA returns to our pages with the second various artists compilation in its catalog—an ambitious 22-track collection crafted over six months of international curation. In this release, cyberpunk aesthetics and cult atmospheres intertwine across a massive output championing the strength of the global underground.

Https://clubfuries.com.mx/2026/04/25/cfp-dj-sunshine-sloppy-say-in-uk-omerta/

The vanishing point of this release materializes on our exclusive Premiere: Si Me gusto, a joint effort between veteran Mexican DJ and producer Tierra de Ovnis—known for bridging psychedelia, indie dance, techno, and organic Latin American nuances—and Guadalajara-born project Baby Witch. The piece deploys an immersive sound design driven by a mysterious atmosphere and an incipient rhythm that warps the club’s standard temporality, surgically mutating into accelerated, deeply exciting drives.

https://soundcloud.com/clubfuriess/cfs-tierra-de-ovnis-baby-witch-si-me-gusto-omerta

Far from strident speed or immediate saturation, the track’s narrative sustains a beautiful tension: it remains reticent throughout its entire architecture, carefully managing modular energy with analog rigor over the body in motion. With Si Me gusto, the Mexican acts and OMERTA sign a sharp editorial stance: proving that contemporary underground music reaches its highest peak when rhythmic acceleration coexists with subtlety, mystery, and atmospheric restraint.

Towards the denouement, the composition rejects any complacent resolution or functional fading closure. The drive simply cuts off mid-cyberpunk friction, leaving the residual frequencies and the mysterious aura suspended in mid-air like an unfinished interference in the dark.

Label: OMERTA
Artist: Various Artists
Title: VA — OMERTA Vol. 2
Catalogue:

Release Date: August 8, 2026
Support & Buy: Bandcamp

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

Tracklist
1. Magnum Opus – More Than Just A Sign
2. OKO – Danse Macabre
3. Sasha Paige – Artificial
4. WLDV – Data Burn 05:29
5. Ruksby – All Gonna Die
6. Morze & Krupps – Wild Wild West
7. Gelainheim – Burning Through Youth 04:06
8. Tierra de Ovnis & Baby Witch – Si me Gusto
9. Modeca – Complex Analysis
10. Clouzer – Beyond
11. Prince Terrible – Infierno
12. Lucas Novaes – Tic Tac
13. Lex-Or & GO5 – Juego de Cromos
14. Kenny Campbell – Between the Right and the Righteous
15. Corporate Guest – Denied
16. Díaz Tech – Out of the Dark
17. Jorge Galindo – Necromano
18. Mverto Futura – Nowayout (Systematic Abuse)
19. Jauzas The Shining – Húmedo
20. MANASYt – Lothar Schramm (Live)
21. Tevatea – Urzi
22. Rambal Cochet – Valencia Draft Mode (Ruta Destroy Mix)

Tierra de Ovnis

Website | SoundCloud | Instagram | Threads | Linktree

Baby Witch

SoundCloud | Instagram | Linktree

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Tierra de Ovnis & Baby Witch – Si me Gusto [OMERTA]

The convergence of hybrid sonic identities finds fertile ground within the dark electronic landscape to sabotage generic molds. Russian imprint OMERTA returns to our pages with the second various artists compilation in its catalog—an ambitious 22-track collection crafted over six months of international curation. In this release, cyberpunk aesthetics and cult atmospheres intertwine across a massive output championing the strength of the global underground.

Https://clubfuries.com.mx/2026/04/25/cfp-dj-sunshine-sloppy-say-in-uk-omerta/

The vanishing point of this release materializes on our exclusive Premiere: Si Me gusto, a joint effort between veteran Mexican DJ and producer Tierra de Ovnis—known for bridging psychedelia, indie dance, techno, and organic Latin American nuances—and Guadalajara-born project Baby Witch. The piece deploys an immersive sound design driven by a mysterious atmosphere and an incipient rhythm that warps the club’s standard temporality, surgically mutating into accelerated, deeply exciting drives.

https://soundcloud.com/clubfuriess/cfs-tierra-de-ovnis-baby-witch-si-me-gusto-omerta

Far from strident speed or immediate saturation, the track’s narrative sustains a beautiful tension: it remains reticent throughout its entire architecture, carefully managing modular energy with analog rigor over the body in motion. With Si Me gusto, the Mexican acts and OMERTA sign a sharp editorial stance: proving that contemporary underground music reaches its highest peak when rhythmic acceleration coexists with subtlety, mystery, and atmospheric restraint.

Towards the denouement, the composition rejects any complacent resolution or functional fading closure. The drive simply cuts off mid-cyberpunk friction, leaving the residual frequencies and the mysterious aura suspended in mid-air like an unfinished interference in the dark.

Label: OMERTA
Artist: Various Artists
Title: VA — OMERTA Vol. 2
Catalogue:

Release Date: August 8, 2026
Support & Buy: Bandcamp

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

Tracklist
1. Magnum Opus – More Than Just A Sign
2. OKO – Danse Macabre
3. Sasha Paige – Artificial
4. WLDV – Data Burn 05:29
5. Ruksby – All Gonna Die
6. Morze & Krupps – Wild Wild West
7. Gelainheim – Burning Through Youth 04:06
8. Tierra de Ovnis & Baby Witch – Si me Gusto
9. Modeca – Complex Analysis
10. Clouzer – Beyond
11. Prince Terrible – Infierno
12. Lucas Novaes – Tic Tac
13. Lex-Or & GO5 – Juego de Cromos
14. Kenny Campbell – Between the Right and the Righteous
15. Corporate Guest – Denied
16. Díaz Tech – Out of the Dark
17. Jorge Galindo – Necromano
18. Mverto Futura – Nowayout (Systematic Abuse)
19. Jauzas The Shining – Húmedo
20. MANASYt – Lothar Schramm (Live)
21. Tevatea – Urzi
22. Rambal Cochet – Valencia Draft Mode (Ruta Destroy Mix)

Tierra de Ovnis

Website | SoundCloud | Instagram | Threads | Linktree

Baby Witch

SoundCloud | Instagram | Linktree

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Tierra de Ovnis & Baby Witch – Si me Gusto [OMERTA]

The convergence of hybrid sonic identities finds fertile ground within the dark electronic landscape to sabotage generic molds. Russian imprint OMERTA returns to our pages with the second various artists compilation in its catalog—an ambitious 22-track collection crafted over six months of international curation. In this release, cyberpunk aesthetics and cult atmospheres intertwine across a massive output championing the strength of the global underground.

Https://clubfuries.com.mx/2026/04/25/cfp-dj-sunshine-sloppy-say-in-uk-omerta/

The vanishing point of this release materializes on our exclusive Premiere: Si Me gusto, a joint effort between veteran Mexican DJ and producer Tierra de Ovnis—known for bridging psychedelia, indie dance, techno, and organic Latin American nuances—and Guadalajara-born project Baby Witch. The piece deploys an immersive sound design driven by a mysterious atmosphere and an incipient rhythm that warps the club’s standard temporality, surgically mutating into accelerated, deeply exciting drives.

https://soundcloud.com/clubfuriess/cfs-tierra-de-ovnis-baby-witch-si-me-gusto-omerta

Far from strident speed or immediate saturation, the track’s narrative sustains a beautiful tension: it remains reticent throughout its entire architecture, carefully managing modular energy with analog rigor over the body in motion. With Si Me gusto, the Mexican acts and OMERTA sign a sharp editorial stance: proving that contemporary underground music reaches its highest peak when rhythmic acceleration coexists with subtlety, mystery, and atmospheric restraint.

Towards the denouement, the composition rejects any complacent resolution or functional fading closure. The drive simply cuts off mid-cyberpunk friction, leaving the residual frequencies and the mysterious aura suspended in mid-air like an unfinished interference in the dark.

Label: OMERTA
Artist: Various Artists
Title: VA — OMERTA Vol. 2
Catalogue:

Release Date: August 8, 2026
Support & Buy: Bandcamp

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

Tracklist
1. Magnum Opus – More Than Just A Sign
2. OKO – Danse Macabre
3. Sasha Paige – Artificial
4. WLDV – Data Burn 05:29
5. Ruksby – All Gonna Die
6. Morze & Krupps – Wild Wild West
7. Gelainheim – Burning Through Youth 04:06
8. Tierra de Ovnis & Baby Witch – Si me Gusto
9. Modeca – Complex Analysis
10. Clouzer – Beyond
11. Prince Terrible – Infierno
12. Lucas Novaes – Tic Tac
13. Lex-Or & GO5 – Juego de Cromos
14. Kenny Campbell – Between the Right and the Righteous
15. Corporate Guest – Denied
16. Díaz Tech – Out of the Dark
17. Jorge Galindo – Necromano
18. Mverto Futura – Nowayout (Systematic Abuse)
19. Jauzas The Shining – Húmedo
20. MANASYt – Lothar Schramm (Live)
21. Tevatea – Urzi
22. Rambal Cochet – Valencia Draft Mode (Ruta Destroy Mix)

Tierra de Ovnis

Website | SoundCloud | Instagram | Threads | Linktree

Baby Witch

SoundCloud | Instagram | Linktree

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

Club Furies Mix Series: Cintas Furiosas Present Monotone

The deconstruction of the contemporary live act format finds its most subversive fuel within geographic and stylistic hybridization. Monotone—the joint project of Francesco Presotto and Annie Hall, operating between Venice and La Coruña—develops a distinct signature at the exact intersection of drum & bass, jungle, and IDM. Their output pairs high-precision rhythmic architecture with a deeply atmospheric scope, where tension, distortion, and spatial design balance technical rigor with emotional intensity.

Supported since their debut EP, Call Your Friends, by seminal figures such as dBridge, Grant Marshall, Amon Tobin, Laurent Garnier, Modeselektor, Kode9, Venetian Snares, and Objekt, the duo continues refining a high-tension identity now solidifying within the Cintas Furiosas catalog.

https://clubfuries.com.mx/2026/07/16/cfs-monotone-with-u-tentapes/

Our mix series is called Cintas Furiosas — Furious Tapes. The concept draws inspiration from the Baseball Furies, the cult gang from The Warriors, and from Imperator Furiosa, the central figure of Mad Max: Fury Road and Furiosa: A Mad Max Saga. Both references converge around the same idea: intensity, displacement, and energy held in permanent tension. Each edition functions as a tape projecting a different kind of “furious sound” depending on the invited artist, expanding the concept toward new textures, velocities, and emotional states. This time, that fury takes on a particularly fluid and magnetic form through Monotne.

The peak point of physical and narrative immersion in this entry manifests through its subtle, masterfully delivered beginnings, inserting us into cracks of a decoupled reality to forge parallel worlds via the surgical use of glitch and spatial sparks. Once reality is suspended by Monotone‘s rhythmic genius, the producers gracefully introduce new noise and interference into the sound’s drive, leading into pure delirium while evoking sleepless nocturnal cities and deeply rooted modern societal stories.

https://soundcloud.com/clubfuriess/cfmx-cf-present-monotone

The composition’s architecture delivers a rhythmic stabilization refreshed by subtle yet potent electricity. Through percussive breaks that unexpectedly plunge us into the depths of the night and the dancefloor, the piece locks us into an infinite loop crossing streets, cities, countries, planets, and galaxies in a mix as precise as it is flawless. With this contribution to Cintas Furiosas, the project signs a sharp editorial stance against the European electronic scene: proving that cult sound reaches its apex when hardware complexity pays homage to cinematic immersion.

Towards the denouement, the structure rejects any complacent resolution or functional summary. The analog drive cuts off abruptly mid-sonic effervescence, leaving the echo of glitch and interference suspended in mid-air like an unfinished remnant in the dark.

Technical sheet
Artist: Monotone
Series: Cintas Furiosas by Club Furies
Origin: Venice (Italy) and La Coruña (Spain)

Tracklist
1. 96 Back – Venetian Blinds
2. Two Fingers – Deep Freda
3. See Mask – Panic Button
4. Objekt – 35
5. DVA – Mad Hatter
6. Sha Sha Kimbo – Save the World (Machine Girl Rmx)
7. Traxman – Ace Boogie
8. Annie Hall – Atomic 20
9. Dj Sotofett & Kavadi – Kandhan Karunai
10. Karenn – Crush The Mushrooms
11. Vril – Berlin Speed Drive
12. CCL – Plot Twist
13. Introspekt – Physicality (original mix)
14. Fields Of Mist – Biological Lair
15. RVRSRVR – ON MY OWN (unreleased)
16. Maoupa Mazzocchetti – Laura
17. Nasty Habits – Shadow Boxing (The Remix)
18. Dub Phizix – The Clock Ticks
19. Ivy Lab – Baby Grey
20. Dwarde & Tim Reaper – Holding On

Monotone

SoundCloud | Instagram | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Interview | The only question left is when: Catástrofe Club presents Un Futuro Tranquilo by Periphylla

Editorial introduction

For Catastrofe Club, the extinction of the human species is not a threat. It is the resolution.

Josep M. Herrera and David Molina have been building their singular universe from Roca Umbert Fàbrica de les Arts in Granollers for over a decade — an unclassifiable project that moves freely between post-punk, darkwave, electronic and post-rock without the slightest trace of self-consciousness. Their first three albums were, in their own words, the soundtrack of a world without direction, of a society heading straight for the edge. Un Futuro Tranquilo arrives after that trilogy closes, and proposes something stranger: the day after. A future in which humanity has already disappeared, and the rest of living beings can finally breathe.

This is their fourth LP and their first on Periphylla Records. The darkness is still there — but it sounds, and feels, brighter than ever. The messages remain raw, the humour remains peculiar, the vocals remain mostly spoken-word over richly layered electronics. What has changed is the calmness. Catastrofe Club have accepted the catastrophe, and it suits them well. We spoke with them about the end of everything — and why it might be good news.

The interview was conducted and answered in Spanish, and the English translation was produced using DeepL and reviewed by Club Furies

I. The trilogy and the reset

01 Your first three albums formed a trilogy of their own. What did it feel like to close that chapter — and what made you decide that the fourth record had to begin somewhere completely different, on the other side of the catastrophe?

— A: In all cases of bereavement, the first stage is denial, followed by a stage of grief and anguish, and finally the stage of acceptance. It is this last stage that brings healing. Surely the suffering of watching everything around us crumble over the years has ultimately led us, naturally and without premeditation, to this final stage, the one that sets us free. We accept defeat with calm. This leads us to write serenely about human extinction and to emphasise the beauty of a world in which the other species live, at last, in a certain harmony.

02 The press kit describes Un Futuro Tranquilo as «a kind of reset.» What does a reset sound like for Catastrofe Club — what stays, and what had to change?

— A: This fresh start leaves behind the anguish and suffering. The new album transports us to a new world full of relief, where there is nothing but peace. This has given us a breath of fresh air on a personal level throughout the creative process and has also breathed new life into the music itself, which – without losing our essence – has evolved into something more expansive, more ethereal and lighter.

https://clubfuries.com.mx/2026/07/23/cfr-catastrofe-club-un-futuro-tranquilo-py222/

II. The concept — extinction as relief

03 The album sets out an uncomfortably peaceful future in which the human species has already disappeared — and frames that as good news for every other living being on the planet. How seriously do you mean it?

— A: We mean this entirely seriously. There’s no irony in it.

04 You describe yourselves not as visionaries but as chroniclers — of a reality many are still unwilling to face. What does it mean to chronicle something like this through music rather than through journalism, activism, or silence?

— A: We have other small ways of getting involved in activism. But Catástrofe Club is a project that encompasses music, lyrics and visuals too. And it is this project that allows us to portray and capture with greater clarity the decline that we witness every day.

https://soundcloud.com/thebrvtalistxx/premiere-cat-strofe-club-en-el

05 The tracklist moves from «En el futuro» to «El fin de la especie» to «La belleza» to «Nadie.» That arc feels deliberate — almost liturgical. Did the sequence emerge from the concept, or did the concept emerge from the sequence?

— A: The concept emerged from a single song, ‘En el futuro’, which is the opening track on the album. The song depicts a world where humans have already become extinct and where animals and plants are finally able to live in peace and harmony. Once we’d finished the song, we realised straight away that this idea could be developed, expanded upon, and could form the basis of an entire album.

III. The sound

06 On this record you lean further into post-rock and cinematic territory while keeping the post-punk and darkwave energy. What pushed you in that direction — and how does the expanded sonic palette serve the expanded emotional register of the album?

— A: To be honest, there was no intention behind it. The very theme of the album transported us mentally to that world full of peace and harmony. And that led us, song after song, to a more ethereal, more expansive sound than on previous albums. It all happened very naturally and spontaneously. In any case, regardless of styles and nuances, everything we do still sounds like Catástrofe Club.

07 The press kit mentions that your darkness «sounds and feels brighter than ever» on this LP. How do you make darkness sound bright without losing what makes it dark?

— A: We are beings of light; we are drawn more to the light than to the darkness. However, a certain amount of darkness is always lurking, both within us and before our very eyes. Our music reflects exactly that: light and darkness never touch, but they walk hand in hand. Both are authentic, real, walking side by side. Just as in life.

08 Your vocals are mostly spoken-word — raw, direct, laced with humour. On an album about the end of the species, what does humour do that solemnity can’t?

— A: Rather than humour, what we’re really trying to do is show the viewer some affection. To tell them, in a gentle way, that they’re about to disappear and will never be here again. It’s like giving them a warm hug before breaking news that they’re bound to find unsettling. We probably use a certain amount of humour as an emotional entry point, as a necessary anaesthetic before the lethal injection.

https://soundcloud.com/clubfuriess/cfs-catastrofe-club-todo-sigue-py222

IV. Influences and identity

09 The press kit places you between The Cure and Sigur Rós, Idles and Fontaines DC, Astrud and Punsetes, Albert Pla and Faemino y Cansado. That is a genuinely unusual range. How do you hold all of that together without it collapsing into pastiche?

— A: They are simply some of the influences we’ve grown up with. We’d love to have traits of all those monsters. But it’s true that they’ve all left their mark on our personal development, on how we’ve matured since our teenage years. And in some way, that’s inside us, lying dormant, probably shaping some tiny part of our creative process.

V. Periphylla Records and the release

10 Un Futuro Tranquilo is your first release on Periphylla Records. What does that change — if anything — about how the album reaches the world, and what it means to release something this particular through a label?

— A: Our relationship with Periphylla is undoubtedly the story of a happy, chance encounter. We saw in them – and in their parent organisation, Diffuse Reality – a collective very much in tune with our own way of understanding life and creativity. We discovered a team of people who prioritise artistic intent, a love for the community and a passion for creative projects, going beyond traditional norms and clichés. They placed their trust in us by featuring our live performances at several of their events, and we are proud that they are the ones helping us to distribute our work across various countries. Having travelling companions like them is a gift. Whatever time we have left in this world, it is worth sharing it in this way.

https://clubfuries.com.mx/2026/07/15/cfs-catastrofe-club-todo-sigue-py222/

VI. What comes after

11 The album ends with «Nadie.» After you’ve narrated the end of the species — calmly, without trauma — what comes next for Catastrofe Club?

— A: Probably nothing. We won’t be around anymore. We won’t be able to write songs, and there won’t be anyone left to listen to them.

Editorial closing

Un Futuro Tranquilo is an ood about the end of everything that somehow manages not to be depressing. Catastrofe Club have spent a decade chronicling collapse with black humour, raw language and a singular ood universe that belongs to no genre and sounds like no one else. Their fourth LP closes a trilogy and opens something stranger: a world after us, quieter, more beautiful, without trauma. If this is what the apocalypse sounds like, at oodtit has ood music. Out October 7th on Periphylla Records.

Artist: Catástrofe Club
Title: Un futuro tranquilo
Format: Vinyl, 12»/ Digital
Label: Diffuse Reality / Periphylla Series
Catalogue: PY 222

Release Date: July 10, 2026
Support & Buy: Bandcamp

Tracklist
A1. En el futuro
A2. Todo sigue
A3. Casa piedra camino
A4. Satélites
A5. Querido yo
B1. El fin de la especie
B2. Un día mejor
B3. La belleza
B4. En el futuro II
B5. Nadie

Credits
Written and Produced by Catástrofe Club
All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
Josep Maria Herrera (vocals, guitars, programming).
David Molina (bass, programming)

All tracks written and produced by CATASTROFE CLUB.
Recorded at the “Fábrica de Galletas” (CATASTROFE CLUB home studio) in 2025, except for the vocals, which were recorded by Dani Gil at Siete Barbas Estudio (Barcelona) in January 2026.
Mixed and mastered by Dani Gil at Siete Barbas Estudio (BCN) between February and May 2026.

Design and artwork: Raquel Castro and Joan Antoni Martori.

Catástrofe Club

Instagram | Facebook | Bandcamp | Linktree

Periphylla

SoundCloud | Instagram | Facebook | Diffuse Reality Records

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Interview | The only question left is when: Catástrofe Club presents Un Futuro Tranquilo by Periphylla

Editorial introduction

For Catastrofe Club, the extinction of the human species is not a threat. It is the resolution.

Josep M. Herrera and David Molina have been building their singular universe from Roca Umbert Fàbrica de les Arts in Granollers for over a decade — an unclassifiable project that moves freely between post-punk, darkwave, electronic and post-rock without the slightest trace of self-consciousness. Their first three albums were, in their own words, the soundtrack of a world without direction, of a society heading straight for the edge. Un Futuro Tranquilo arrives after that trilogy closes, and proposes something stranger: the day after. A future in which humanity has already disappeared, and the rest of living beings can finally breathe.

This is their fourth LP and their first on Periphylla Records. The darkness is still there — but it sounds, and feels, brighter than ever. The messages remain raw, the humour remains peculiar, the vocals remain mostly spoken-word over richly layered electronics. What has changed is the calmness. Catastrofe Club have accepted the catastrophe, and it suits them well. We spoke with them about the end of everything — and why it might be good news.

The interview was conducted and answered in Spanish, and the English translation was produced using DeepL and reviewed by Club Furies

I. The trilogy and the reset

01 Your first three albums formed a trilogy of their own. What did it feel like to close that chapter — and what made you decide that the fourth record had to begin somewhere completely different, on the other side of the catastrophe?

— A: In all cases of bereavement, the first stage is denial, followed by a stage of grief and anguish, and finally the stage of acceptance. It is this last stage that brings healing. Surely the suffering of watching everything around us crumble over the years has ultimately led us, naturally and without premeditation, to this final stage, the one that sets us free. We accept defeat with calm. This leads us to write serenely about human extinction and to emphasise the beauty of a world in which the other species live, at last, in a certain harmony.

02 The press kit describes Un Futuro Tranquilo as «a kind of reset.» What does a reset sound like for Catastrofe Club — what stays, and what had to change?

— A: This fresh start leaves behind the anguish and suffering. The new album transports us to a new world full of relief, where there is nothing but peace. This has given us a breath of fresh air on a personal level throughout the creative process and has also breathed new life into the music itself, which – without losing our essence – has evolved into something more expansive, more ethereal and lighter.

https://clubfuries.com.mx/2026/07/23/cfr-catastrofe-club-un-futuro-tranquilo-py222/

II. The concept — extinction as relief

03 The album sets out an uncomfortably peaceful future in which the human species has already disappeared — and frames that as good news for every other living being on the planet. How seriously do you mean it?

— A: We mean this entirely seriously. There’s no irony in it.

04 You describe yourselves not as visionaries but as chroniclers — of a reality many are still unwilling to face. What does it mean to chronicle something like this through music rather than through journalism, activism, or silence?

— A: We have other small ways of getting involved in activism. But Catástrofe Club is a project that encompasses music, lyrics and visuals too. And it is this project that allows us to portray and capture with greater clarity the decline that we witness every day.

https://soundcloud.com/thebrvtalistxx/premiere-cat-strofe-club-en-el

05 The tracklist moves from «En el futuro» to «El fin de la especie» to «La belleza» to «Nadie.» That arc feels deliberate — almost liturgical. Did the sequence emerge from the concept, or did the concept emerge from the sequence?

— A: The concept emerged from a single song, ‘En el futuro’, which is the opening track on the album. The song depicts a world where humans have already become extinct and where animals and plants are finally able to live in peace and harmony. Once we’d finished the song, we realised straight away that this idea could be developed, expanded upon, and could form the basis of an entire album.

III. The sound

06 On this record you lean further into post-rock and cinematic territory while keeping the post-punk and darkwave energy. What pushed you in that direction — and how does the expanded sonic palette serve the expanded emotional register of the album?

— A: To be honest, there was no intention behind it. The very theme of the album transported us mentally to that world full of peace and harmony. And that led us, song after song, to a more ethereal, more expansive sound than on previous albums. It all happened very naturally and spontaneously. In any case, regardless of styles and nuances, everything we do still sounds like Catástrofe Club.

07 The press kit mentions that your darkness «sounds and feels brighter than ever» on this LP. How do you make darkness sound bright without losing what makes it dark?

— A: We are beings of light; we are drawn more to the light than to the darkness. However, a certain amount of darkness is always lurking, both within us and before our very eyes. Our music reflects exactly that: light and darkness never touch, but they walk hand in hand. Both are authentic, real, walking side by side. Just as in life.

08 Your vocals are mostly spoken-word — raw, direct, laced with humour. On an album about the end of the species, what does humour do that solemnity can’t?

— A: Rather than humour, what we’re really trying to do is show the viewer some affection. To tell them, in a gentle way, that they’re about to disappear and will never be here again. It’s like giving them a warm hug before breaking news that they’re bound to find unsettling. We probably use a certain amount of humour as an emotional entry point, as a necessary anaesthetic before the lethal injection.

https://soundcloud.com/clubfuriess/cfs-catastrofe-club-todo-sigue-py222

IV. Influences and identity

09 The press kit places you between The Cure and Sigur Rós, Idles and Fontaines DC, Astrud and Punsetes, Albert Pla and Faemino y Cansado. That is a genuinely unusual range. How do you hold all of that together without it collapsing into pastiche?

— A: They are simply some of the influences we’ve grown up with. We’d love to have traits of all those monsters. But it’s true that they’ve all left their mark on our personal development, on how we’ve matured since our teenage years. And in some way, that’s inside us, lying dormant, probably shaping some tiny part of our creative process.

V. Periphylla Records and the release

10 Un Futuro Tranquilo is your first release on Periphylla Records. What does that change — if anything — about how the album reaches the world, and what it means to release something this particular through a label?

— A: Our relationship with Periphylla is undoubtedly the story of a happy, chance encounter. We saw in them – and in their parent organisation, Diffuse Reality – a collective very much in tune with our own way of understanding life and creativity. We discovered a team of people who prioritise artistic intent, a love for the community and a passion for creative projects, going beyond traditional norms and clichés. They placed their trust in us by featuring our live performances at several of their events, and we are proud that they are the ones helping us to distribute our work across various countries. Having travelling companions like them is a gift. Whatever time we have left in this world, it is worth sharing it in this way.

https://clubfuries.com.mx/2026/07/15/cfs-catastrofe-club-todo-sigue-py222/

VI. What comes after

11 The album ends with «Nadie.» After you’ve narrated the end of the species — calmly, without trauma — what comes next for Catastrofe Club?

— A: Probably nothing. We won’t be around anymore. We won’t be able to write songs, and there won’t be anyone left to listen to them.

Editorial closing

Un Futuro Tranquilo is an ood about the end of everything that somehow manages not to be depressing. Catastrofe Club have spent a decade chronicling collapse with black humour, raw language and a singular ood universe that belongs to no genre and sounds like no one else. Their fourth LP closes a trilogy and opens something stranger: a world after us, quieter, more beautiful, without trauma. If this is what the apocalypse sounds like, at oodtit has ood music. Out October 7th on Periphylla Records.

Artist: Catástrofe Club
Title: Un futuro tranquilo
Format: Vinyl, 12»/ Digital
Label: Diffuse Reality / Periphylla Series
Catalogue: PY 222

Release Date: July 10, 2026
Support & Buy: Bandcamp

Tracklist
A1. En el futuro
A2. Todo sigue
A3. Casa piedra camino
A4. Satélites
A5. Querido yo
B1. El fin de la especie
B2. Un día mejor
B3. La belleza
B4. En el futuro II
B5. Nadie

Credits
Written and Produced by Catástrofe Club
All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
Josep Maria Herrera (vocals, guitars, programming).
David Molina (bass, programming)

All tracks written and produced by CATASTROFE CLUB.
Recorded at the “Fábrica de Galletas” (CATASTROFE CLUB home studio) in 2025, except for the vocals, which were recorded by Dani Gil at Siete Barbas Estudio (Barcelona) in January 2026.
Mixed and mastered by Dani Gil at Siete Barbas Estudio (BCN) between February and May 2026.

Design and artwork: Raquel Castro and Joan Antoni Martori.

Catástrofe Club

Instagram | Facebook | Bandcamp | Linktree

Periphylla

SoundCloud | Instagram | Facebook | Diffuse Reality Records

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Interview | The only question left is when: Catástrofe Club presents Un Futuro Tranquilo by Periphylla

Editorial introduction

For Catastrofe Club, the extinction of the human species is not a threat. It is the resolution.

Josep M. Herrera and David Molina have been building their singular universe from Roca Umbert Fàbrica de les Arts in Granollers for over a decade — an unclassifiable project that moves freely between post-punk, darkwave, electronic and post-rock without the slightest trace of self-consciousness. Their first three albums were, in their own words, the soundtrack of a world without direction, of a society heading straight for the edge. Un Futuro Tranquilo arrives after that trilogy closes, and proposes something stranger: the day after. A future in which humanity has already disappeared, and the rest of living beings can finally breathe.

This is their fourth LP and their first on Periphylla Records. The darkness is still there — but it sounds, and feels, brighter than ever. The messages remain raw, the humour remains peculiar, the vocals remain mostly spoken-word over richly layered electronics. What has changed is the calmness. Catastrofe Club have accepted the catastrophe, and it suits them well. We spoke with them about the end of everything — and why it might be good news.

The interview was conducted and answered in Spanish, and the English translation was produced using DeepL and reviewed by Club Furies

I. The trilogy and the reset

01 Your first three albums formed a trilogy of their own. What did it feel like to close that chapter — and what made you decide that the fourth record had to begin somewhere completely different, on the other side of the catastrophe?

— A: In all cases of bereavement, the first stage is denial, followed by a stage of grief and anguish, and finally the stage of acceptance. It is this last stage that brings healing. Surely the suffering of watching everything around us crumble over the years has ultimately led us, naturally and without premeditation, to this final stage, the one that sets us free. We accept defeat with calm. This leads us to write serenely about human extinction and to emphasise the beauty of a world in which the other species live, at last, in a certain harmony.

02 The press kit describes Un Futuro Tranquilo as «a kind of reset.» What does a reset sound like for Catastrofe Club — what stays, and what had to change?

— A: This fresh start leaves behind the anguish and suffering. The new album transports us to a new world full of relief, where there is nothing but peace. This has given us a breath of fresh air on a personal level throughout the creative process and has also breathed new life into the music itself, which – without losing our essence – has evolved into something more expansive, more ethereal and lighter.

https://clubfuries.com.mx/2026/07/23/cfr-catastrofe-club-un-futuro-tranquilo-py222/

II. The concept — extinction as relief

03 The album sets out an uncomfortably peaceful future in which the human species has already disappeared — and frames that as good news for every other living being on the planet. How seriously do you mean it?

— A: We mean this entirely seriously. There’s no irony in it.

04 You describe yourselves not as visionaries but as chroniclers — of a reality many are still unwilling to face. What does it mean to chronicle something like this through music rather than through journalism, activism, or silence?

— A: We have other small ways of getting involved in activism. But Catástrofe Club is a project that encompasses music, lyrics and visuals too. And it is this project that allows us to portray and capture with greater clarity the decline that we witness every day.

https://soundcloud.com/thebrvtalistxx/premiere-cat-strofe-club-en-el

05 The tracklist moves from «En el futuro» to «El fin de la especie» to «La belleza» to «Nadie.» That arc feels deliberate — almost liturgical. Did the sequence emerge from the concept, or did the concept emerge from the sequence?

— A: The concept emerged from a single song, ‘En el futuro’, which is the opening track on the album. The song depicts a world where humans have already become extinct and where animals and plants are finally able to live in peace and harmony. Once we’d finished the song, we realised straight away that this idea could be developed, expanded upon, and could form the basis of an entire album.

III. The sound

06 On this record you lean further into post-rock and cinematic territory while keeping the post-punk and darkwave energy. What pushed you in that direction — and how does the expanded sonic palette serve the expanded emotional register of the album?

— A: To be honest, there was no intention behind it. The very theme of the album transported us mentally to that world full of peace and harmony. And that led us, song after song, to a more ethereal, more expansive sound than on previous albums. It all happened very naturally and spontaneously. In any case, regardless of styles and nuances, everything we do still sounds like Catástrofe Club.

07 The press kit mentions that your darkness «sounds and feels brighter than ever» on this LP. How do you make darkness sound bright without losing what makes it dark?

— A: We are beings of light; we are drawn more to the light than to the darkness. However, a certain amount of darkness is always lurking, both within us and before our very eyes. Our music reflects exactly that: light and darkness never touch, but they walk hand in hand. Both are authentic, real, walking side by side. Just as in life.

08 Your vocals are mostly spoken-word — raw, direct, laced with humour. On an album about the end of the species, what does humour do that solemnity can’t?

— A: Rather than humour, what we’re really trying to do is show the viewer some affection. To tell them, in a gentle way, that they’re about to disappear and will never be here again. It’s like giving them a warm hug before breaking news that they’re bound to find unsettling. We probably use a certain amount of humour as an emotional entry point, as a necessary anaesthetic before the lethal injection.

https://soundcloud.com/clubfuriess/cfs-catastrofe-club-todo-sigue-py222

IV. Influences and identity

09 The press kit places you between The Cure and Sigur Rós, Idles and Fontaines DC, Astrud and Punsetes, Albert Pla and Faemino y Cansado. That is a genuinely unusual range. How do you hold all of that together without it collapsing into pastiche?

— A: They are simply some of the influences we’ve grown up with. We’d love to have traits of all those monsters. But it’s true that they’ve all left their mark on our personal development, on how we’ve matured since our teenage years. And in some way, that’s inside us, lying dormant, probably shaping some tiny part of our creative process.

V. Periphylla Records and the release

10 Un Futuro Tranquilo is your first release on Periphylla Records. What does that change — if anything — about how the album reaches the world, and what it means to release something this particular through a label?

— A: Our relationship with Periphylla is undoubtedly the story of a happy, chance encounter. We saw in them – and in their parent organisation, Diffuse Reality – a collective very much in tune with our own way of understanding life and creativity. We discovered a team of people who prioritise artistic intent, a love for the community and a passion for creative projects, going beyond traditional norms and clichés. They placed their trust in us by featuring our live performances at several of their events, and we are proud that they are the ones helping us to distribute our work across various countries. Having travelling companions like them is a gift. Whatever time we have left in this world, it is worth sharing it in this way.

https://clubfuries.com.mx/2026/07/15/cfs-catastrofe-club-todo-sigue-py222/

VI. What comes after

11 The album ends with «Nadie.» After you’ve narrated the end of the species — calmly, without trauma — what comes next for Catastrofe Club?

— A: Probably nothing. We won’t be around anymore. We won’t be able to write songs, and there won’t be anyone left to listen to them.

Editorial closing

Un Futuro Tranquilo is an ood about the end of everything that somehow manages not to be depressing. Catastrofe Club have spent a decade chronicling collapse with black humour, raw language and a singular ood universe that belongs to no genre and sounds like no one else. Their fourth LP closes a trilogy and opens something stranger: a world after us, quieter, more beautiful, without trauma. If this is what the apocalypse sounds like, at oodtit has ood music. Out October 7th on Periphylla Records.

Artist: Catástrofe Club
Title: Un futuro tranquilo
Format: Vinyl, 12»/ Digital
Label: Diffuse Reality / Periphylla Series
Catalogue: PY 222

Release Date: July 10, 2026
Support & Buy: Bandcamp

Tracklist
A1. En el futuro
A2. Todo sigue
A3. Casa piedra camino
A4. Satélites
A5. Querido yo
B1. El fin de la especie
B2. Un día mejor
B3. La belleza
B4. En el futuro II
B5. Nadie

Credits
Written and Produced by Catástrofe Club
All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
Josep Maria Herrera (vocals, guitars, programming).
David Molina (bass, programming)

All tracks written and produced by CATASTROFE CLUB.
Recorded at the “Fábrica de Galletas” (CATASTROFE CLUB home studio) in 2025, except for the vocals, which were recorded by Dani Gil at Siete Barbas Estudio (Barcelona) in January 2026.
Mixed and mastered by Dani Gil at Siete Barbas Estudio (BCN) between February and May 2026.

Design and artwork: Raquel Castro and Joan Antoni Martori.

Catástrofe Club

Instagram | Facebook | Bandcamp | Linktree

Periphylla

SoundCloud | Instagram | Facebook | Diffuse Reality Records

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Interview | The only question left is when: Catástrofe Club presents Un Futuro Tranquilo by Periphylla

Editorial introduction

For Catastrofe Club, the extinction of the human species is not a threat. It is the resolution.

Josep M. Herrera and David Molina have been building their singular universe from Roca Umbert Fàbrica de les Arts in Granollers for over a decade — an unclassifiable project that moves freely between post-punk, darkwave, electronic and post-rock without the slightest trace of self-consciousness. Their first three albums were, in their own words, the soundtrack of a world without direction, of a society heading straight for the edge. Un Futuro Tranquilo arrives after that trilogy closes, and proposes something stranger: the day after. A future in which humanity has already disappeared, and the rest of living beings can finally breathe.

This is their fourth LP and their first on Periphylla Records. The darkness is still there — but it sounds, and feels, brighter than ever. The messages remain raw, the humour remains peculiar, the vocals remain mostly spoken-word over richly layered electronics. What has changed is the calmness. Catastrofe Club have accepted the catastrophe, and it suits them well. We spoke with them about the end of everything — and why it might be good news.

The interview was conducted and answered in Spanish, and the English translation was produced using DeepL and reviewed by Club Furies

I. The trilogy and the reset

01 Your first three albums formed a trilogy of their own. What did it feel like to close that chapter — and what made you decide that the fourth record had to begin somewhere completely different, on the other side of the catastrophe?

— A: In all cases of bereavement, the first stage is denial, followed by a stage of grief and anguish, and finally the stage of acceptance. It is this last stage that brings healing. Surely the suffering of watching everything around us crumble over the years has ultimately led us, naturally and without premeditation, to this final stage, the one that sets us free. We accept defeat with calm. This leads us to write serenely about human extinction and to emphasise the beauty of a world in which the other species live, at last, in a certain harmony.

02 The press kit describes Un Futuro Tranquilo as «a kind of reset.» What does a reset sound like for Catastrofe Club — what stays, and what had to change?

— A: This fresh start leaves behind the anguish and suffering. The new album transports us to a new world full of relief, where there is nothing but peace. This has given us a breath of fresh air on a personal level throughout the creative process and has also breathed new life into the music itself, which – without losing our essence – has evolved into something more expansive, more ethereal and lighter.

https://clubfuries.com.mx/2026/07/23/cfr-catastrofe-club-un-futuro-tranquilo-py222/

II. The concept — extinction as relief

03 The album sets out an uncomfortably peaceful future in which the human species has already disappeared — and frames that as good news for every other living being on the planet. How seriously do you mean it?

— A: We mean this entirely seriously. There’s no irony in it.

04 You describe yourselves not as visionaries but as chroniclers — of a reality many are still unwilling to face. What does it mean to chronicle something like this through music rather than through journalism, activism, or silence?

— A: We have other small ways of getting involved in activism. But Catástrofe Club is a project that encompasses music, lyrics and visuals too. And it is this project that allows us to portray and capture with greater clarity the decline that we witness every day.

https://soundcloud.com/thebrvtalistxx/premiere-cat-strofe-club-en-el

05 The tracklist moves from «En el futuro» to «El fin de la especie» to «La belleza» to «Nadie.» That arc feels deliberate — almost liturgical. Did the sequence emerge from the concept, or did the concept emerge from the sequence?

— A: The concept emerged from a single song, ‘En el futuro’, which is the opening track on the album. The song depicts a world where humans have already become extinct and where animals and plants are finally able to live in peace and harmony. Once we’d finished the song, we realised straight away that this idea could be developed, expanded upon, and could form the basis of an entire album.

III. The sound

06 On this record you lean further into post-rock and cinematic territory while keeping the post-punk and darkwave energy. What pushed you in that direction — and how does the expanded sonic palette serve the expanded emotional register of the album?

— A: To be honest, there was no intention behind it. The very theme of the album transported us mentally to that world full of peace and harmony. And that led us, song after song, to a more ethereal, more expansive sound than on previous albums. It all happened very naturally and spontaneously. In any case, regardless of styles and nuances, everything we do still sounds like Catástrofe Club.

07 The press kit mentions that your darkness «sounds and feels brighter than ever» on this LP. How do you make darkness sound bright without losing what makes it dark?

— A: We are beings of light; we are drawn more to the light than to the darkness. However, a certain amount of darkness is always lurking, both within us and before our very eyes. Our music reflects exactly that: light and darkness never touch, but they walk hand in hand. Both are authentic, real, walking side by side. Just as in life.

08 Your vocals are mostly spoken-word — raw, direct, laced with humour. On an album about the end of the species, what does humour do that solemnity can’t?

— A: Rather than humour, what we’re really trying to do is show the viewer some affection. To tell them, in a gentle way, that they’re about to disappear and will never be here again. It’s like giving them a warm hug before breaking news that they’re bound to find unsettling. We probably use a certain amount of humour as an emotional entry point, as a necessary anaesthetic before the lethal injection.

https://soundcloud.com/clubfuriess/cfs-catastrofe-club-todo-sigue-py222

IV. Influences and identity

09 The press kit places you between The Cure and Sigur Rós, Idles and Fontaines DC, Astrud and Punsetes, Albert Pla and Faemino y Cansado. That is a genuinely unusual range. How do you hold all of that together without it collapsing into pastiche?

— A: They are simply some of the influences we’ve grown up with. We’d love to have traits of all those monsters. But it’s true that they’ve all left their mark on our personal development, on how we’ve matured since our teenage years. And in some way, that’s inside us, lying dormant, probably shaping some tiny part of our creative process.

V. Periphylla Records and the release

10 Un Futuro Tranquilo is your first release on Periphylla Records. What does that change — if anything — about how the album reaches the world, and what it means to release something this particular through a label?

— A: Our relationship with Periphylla is undoubtedly the story of a happy, chance encounter. We saw in them – and in their parent organisation, Diffuse Reality – a collective very much in tune with our own way of understanding life and creativity. We discovered a team of people who prioritise artistic intent, a love for the community and a passion for creative projects, going beyond traditional norms and clichés. They placed their trust in us by featuring our live performances at several of their events, and we are proud that they are the ones helping us to distribute our work across various countries. Having travelling companions like them is a gift. Whatever time we have left in this world, it is worth sharing it in this way.

https://clubfuries.com.mx/2026/07/15/cfs-catastrofe-club-todo-sigue-py222/

VI. What comes after

11 The album ends with «Nadie.» After you’ve narrated the end of the species — calmly, without trauma — what comes next for Catastrofe Club?

— A: Probably nothing. We won’t be around anymore. We won’t be able to write songs, and there won’t be anyone left to listen to them.

Editorial closing

Un Futuro Tranquilo is an ood about the end of everything that somehow manages not to be depressing. Catastrofe Club have spent a decade chronicling collapse with black humour, raw language and a singular ood universe that belongs to no genre and sounds like no one else. Their fourth LP closes a trilogy and opens something stranger: a world after us, quieter, more beautiful, without trauma. If this is what the apocalypse sounds like, at oodtit has ood music. Out October 7th on Periphylla Records.

Artist: Catástrofe Club
Title: Un futuro tranquilo
Format: Vinyl, 12»/ Digital
Label: Diffuse Reality / Periphylla Series
Catalogue: PY 222

Release Date: July 10, 2026
Support & Buy: Bandcamp

Tracklist
A1. En el futuro
A2. Todo sigue
A3. Casa piedra camino
A4. Satélites
A5. Querido yo
B1. El fin de la especie
B2. Un día mejor
B3. La belleza
B4. En el futuro II
B5. Nadie

Credits
Written and Produced by Catástrofe Club
All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
Josep Maria Herrera (vocals, guitars, programming).
David Molina (bass, programming)

All tracks written and produced by CATASTROFE CLUB.
Recorded at the “Fábrica de Galletas” (CATASTROFE CLUB home studio) in 2025, except for the vocals, which were recorded by Dani Gil at Siete Barbas Estudio (Barcelona) in January 2026.
Mixed and mastered by Dani Gil at Siete Barbas Estudio (BCN) between February and May 2026.

Design and artwork: Raquel Castro and Joan Antoni Martori.

Catástrofe Club

Instagram | Facebook | Bandcamp | Linktree

Periphylla

SoundCloud | Instagram | Facebook | Diffuse Reality Records

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Interview | The only question left is when: Catástrofe Club presents Un Futuro Tranquilo by Periphylla

Editorial introduction

For Catastrofe Club, the extinction of the human species is not a threat. It is the resolution.

Josep M. Herrera and David Molina have been building their singular universe from Roca Umbert Fàbrica de les Arts in Granollers for over a decade — an unclassifiable project that moves freely between post-punk, darkwave, electronic and post-rock without the slightest trace of self-consciousness. Their first three albums were, in their own words, the soundtrack of a world without direction, of a society heading straight for the edge. Un Futuro Tranquilo arrives after that trilogy closes, and proposes something stranger: the day after. A future in which humanity has already disappeared, and the rest of living beings can finally breathe.

This is their fourth LP and their first on Periphylla Records. The darkness is still there — but it sounds, and feels, brighter than ever. The messages remain raw, the humour remains peculiar, the vocals remain mostly spoken-word over richly layered electronics. What has changed is the calmness. Catastrofe Club have accepted the catastrophe, and it suits them well. We spoke with them about the end of everything — and why it might be good news.

The interview was conducted and answered in Spanish, and the English translation was produced using DeepL and reviewed by Club Furies

I. The trilogy and the reset

01 Your first three albums formed a trilogy of their own. What did it feel like to close that chapter — and what made you decide that the fourth record had to begin somewhere completely different, on the other side of the catastrophe?

— A: In all cases of bereavement, the first stage is denial, followed by a stage of grief and anguish, and finally the stage of acceptance. It is this last stage that brings healing. Surely the suffering of watching everything around us crumble over the years has ultimately led us, naturally and without premeditation, to this final stage, the one that sets us free. We accept defeat with calm. This leads us to write serenely about human extinction and to emphasise the beauty of a world in which the other species live, at last, in a certain harmony.

02 The press kit describes Un Futuro Tranquilo as «a kind of reset.» What does a reset sound like for Catastrofe Club — what stays, and what had to change?

— A: This fresh start leaves behind the anguish and suffering. The new album transports us to a new world full of relief, where there is nothing but peace. This has given us a breath of fresh air on a personal level throughout the creative process and has also breathed new life into the music itself, which – without losing our essence – has evolved into something more expansive, more ethereal and lighter.

https://clubfuries.com.mx/2026/07/23/cfr-catastrofe-club-un-futuro-tranquilo-py222/

II. The concept — extinction as relief

03 The album sets out an uncomfortably peaceful future in which the human species has already disappeared — and frames that as good news for every other living being on the planet. How seriously do you mean it?

— A: We mean this entirely seriously. There’s no irony in it.

04 You describe yourselves not as visionaries but as chroniclers — of a reality many are still unwilling to face. What does it mean to chronicle something like this through music rather than through journalism, activism, or silence?

— A: We have other small ways of getting involved in activism. But Catástrofe Club is a project that encompasses music, lyrics and visuals too. And it is this project that allows us to portray and capture with greater clarity the decline that we witness every day.

https://soundcloud.com/thebrvtalistxx/premiere-cat-strofe-club-en-el

05 The tracklist moves from «En el futuro» to «El fin de la especie» to «La belleza» to «Nadie.» That arc feels deliberate — almost liturgical. Did the sequence emerge from the concept, or did the concept emerge from the sequence?

— A: The concept emerged from a single song, ‘En el futuro’, which is the opening track on the album. The song depicts a world where humans have already become extinct and where animals and plants are finally able to live in peace and harmony. Once we’d finished the song, we realised straight away that this idea could be developed, expanded upon, and could form the basis of an entire album.

III. The sound

06 On this record you lean further into post-rock and cinematic territory while keeping the post-punk and darkwave energy. What pushed you in that direction — and how does the expanded sonic palette serve the expanded emotional register of the album?

— A: To be honest, there was no intention behind it. The very theme of the album transported us mentally to that world full of peace and harmony. And that led us, song after song, to a more ethereal, more expansive sound than on previous albums. It all happened very naturally and spontaneously. In any case, regardless of styles and nuances, everything we do still sounds like Catástrofe Club.

07 The press kit mentions that your darkness «sounds and feels brighter than ever» on this LP. How do you make darkness sound bright without losing what makes it dark?

— A: We are beings of light; we are drawn more to the light than to the darkness. However, a certain amount of darkness is always lurking, both within us and before our very eyes. Our music reflects exactly that: light and darkness never touch, but they walk hand in hand. Both are authentic, real, walking side by side. Just as in life.

08 Your vocals are mostly spoken-word — raw, direct, laced with humour. On an album about the end of the species, what does humour do that solemnity can’t?

— A: Rather than humour, what we’re really trying to do is show the viewer some affection. To tell them, in a gentle way, that they’re about to disappear and will never be here again. It’s like giving them a warm hug before breaking news that they’re bound to find unsettling. We probably use a certain amount of humour as an emotional entry point, as a necessary anaesthetic before the lethal injection.

https://soundcloud.com/clubfuriess/cfs-catastrofe-club-todo-sigue-py222

IV. Influences and identity

09 The press kit places you between The Cure and Sigur Rós, Idles and Fontaines DC, Astrud and Punsetes, Albert Pla and Faemino y Cansado. That is a genuinely unusual range. How do you hold all of that together without it collapsing into pastiche?

— A: They are simply some of the influences we’ve grown up with. We’d love to have traits of all those monsters. But it’s true that they’ve all left their mark on our personal development, on how we’ve matured since our teenage years. And in some way, that’s inside us, lying dormant, probably shaping some tiny part of our creative process.

V. Periphylla Records and the release

10 Un Futuro Tranquilo is your first release on Periphylla Records. What does that change — if anything — about how the album reaches the world, and what it means to release something this particular through a label?

— A: Our relationship with Periphylla is undoubtedly the story of a happy, chance encounter. We saw in them – and in their parent organisation, Diffuse Reality – a collective very much in tune with our own way of understanding life and creativity. We discovered a team of people who prioritise artistic intent, a love for the community and a passion for creative projects, going beyond traditional norms and clichés. They placed their trust in us by featuring our live performances at several of their events, and we are proud that they are the ones helping us to distribute our work across various countries. Having travelling companions like them is a gift. Whatever time we have left in this world, it is worth sharing it in this way.

https://clubfuries.com.mx/2026/07/15/cfs-catastrofe-club-todo-sigue-py222/

VI. What comes after

11 The album ends with «Nadie.» After you’ve narrated the end of the species — calmly, without trauma — what comes next for Catastrofe Club?

— A: Probably nothing. We won’t be around anymore. We won’t be able to write songs, and there won’t be anyone left to listen to them.

Editorial closing

Un Futuro Tranquilo is an ood about the end of everything that somehow manages not to be depressing. Catastrofe Club have spent a decade chronicling collapse with black humour, raw language and a singular ood universe that belongs to no genre and sounds like no one else. Their fourth LP closes a trilogy and opens something stranger: a world after us, quieter, more beautiful, without trauma. If this is what the apocalypse sounds like, at oodtit has ood music. Out October 7th on Periphylla Records.

Artist: Catástrofe Club
Title: Un futuro tranquilo
Format: Vinyl, 12»/ Digital
Label: Diffuse Reality / Periphylla Series
Catalogue: PY 222

Release Date: July 10, 2026
Support & Buy: Bandcamp

Tracklist
A1. En el futuro
A2. Todo sigue
A3. Casa piedra camino
A4. Satélites
A5. Querido yo
B1. El fin de la especie
B2. Un día mejor
B3. La belleza
B4. En el futuro II
B5. Nadie

Credits
Written and Produced by Catástrofe Club
All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
Josep Maria Herrera (vocals, guitars, programming).
David Molina (bass, programming)

All tracks written and produced by CATASTROFE CLUB.
Recorded at the “Fábrica de Galletas” (CATASTROFE CLUB home studio) in 2025, except for the vocals, which were recorded by Dani Gil at Siete Barbas Estudio (Barcelona) in January 2026.
Mixed and mastered by Dani Gil at Siete Barbas Estudio (BCN) between February and May 2026.

Design and artwork: Raquel Castro and Joan Antoni Martori.

Catástrofe Club

Instagram | Facebook | Bandcamp | Linktree

Periphylla

SoundCloud | Instagram | Facebook | Diffuse Reality Records

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Horizon Resonances – Strelyali [Nettuno]

Contemporary sound design achieves a political and cathartic dimension when it transmutates the geography of trauma into documentary matter. Through field recordings, Horizon Resonances presents Ludy under the wing of Milan-based Italian imprint Nettuno. The release captures the atmosphere of streets marked by social tensions, weaving four stories reflecting the memory and daily friction of Odessa.

https://clubfuries.com.mx/2026/06/17/cfs-opalo-desire-nettuno/

Our exclusive Premiere, Strelyali, stands as a blunt testament to this premise. The piece unfolds from an overwhelming depth, ruggedness, and heaviness, where cries and claims of difficult definition emerge to shatter the sonic framework. The project’s brilliance lies within its compositional tension: the contemplative placidity of Ambient collides head-on with the hostility of Drone, reaching a relentless synthesis where sound seeks not evasion, but visceral testimony.

https://soundcloud.com/clubfuriess/cfs-horizon-resonances-strelyali-nettuno

Towards the denouement, the composition avoids any complacent resolution or functional fade. The analog drive cuts off abruptly mid-textural friction, leaving the field recordings and distant cries echoing in mid-air like an unfinished interference in the dark. With Ludy, Horizon Resonances and Nettuno sign a harrowing sonic manifesto: they prove that today’s most relevant experimental music is that which converts urban fractures into an impregnable piece of cult art.

Label: Nettuno
Artist: Horizon Resonances
Title: Ludy

Release Date: July 24, 2026
Support & Buy: Bandcamp

Tracklist
1. May
2. Strelyali
3. Ruky
4. Ludy

Credits
Written and produced by Boris Bondarenko, Ukraine.
Mastering and artwork by Nettuno Lab., Milan.

Horizon Resonances

SoundCloud | Instagram | YouTube | Bandcamp | Linktree

Nettuno

SoundCloud | Instagram | Bandcamp | taru

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: J.M.Blex – Don’t Let Me Go [BBop Music]

The evolution of underground house thrives on the consistency of creators who view the dancefloor as a catalyst for the subconscious. J.M.Blex is the moniker of Jaroslav Maděra, a Czech Republic-born artist whose trajectory spans from his early vinyl-spinning days in the early 2000s to his deep dive into digital production with Ableton Live from 2009 onward. After leaving his mark across clubs in his homeland, appearing on influential radio stations, and participating in the eclectic band Černý Ledňáček, the producer now focuses his drive on refining his signature sound, landing on the Manchester-based British imprint BBop Music with his new single, Don’t Let Me Go—delivered alongside its Extended Mix and Radio Edit.

https://clubfuries.com.mx/2026/07/10/cfs-dj-blaque-t-spcial-sound-tech-xpresso-bbm341/

The track’s thesis is built upon a clever structural duality. From the very first bars, the sound reveals itself as sweet and charming, utilizing sophisticated melodic lines that immediately lock in the listener’s attention. However, the piece waives the complacency of daytime radio, quickly transitioning into raw club-oriented environments where the night, dance, and sweat claim total control. It is within this precise transition that the producer achieves a flawless synthesis between harmonic warmth and the physical grit of the floor, providing the release with a spectacular and unique atmosphere.

https://soundcloud.com/clubfuriess/cfs-j-m-blex-dont-let-me-go-bbm342

The architecture of the cut manages its timing with analog-like mastery; the groove becomes persistent and elastic, dragging the body into continuous motion while vocal frequencies hover above a high-octane bassline. With Don’t Let Me Go, J.M.Blex and BBop Music sign a flawless editorial stance against the immediacy of today’s scene: they prove that contemporary house reaches its highest level of sophistication when it is capable of mutating from melodic subtlety to the physical, visceral immersion of midnight.

Towards the denouement, the extended version’s structure avoids standard fading closures; the drive holds its tension and cuts off abruptly, leaving the main frequencies vibrating in mid-air like a residual echo in the dark.

Artist: J.M.Blex
Title: Don’t Let Me Go
Label: BBop Music
Genre: House
Catalogue: BBM342

Release Date: July 24, 2026
Support & Buy: Beatport

Tracklist
1. Don’t Let Me Go (Extended Mix)
2. Don’t Let Me Go (Radio Edit)

J.M.Blex

SoundCloud | Instagram | Threads | Facebook | Linktree

BBop Music

SoundCloud | Facebook | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: J.M.Blex – Don’t Let Me Go [BBop Music]

The evolution of underground house thrives on the consistency of creators who view the dancefloor as a catalyst for the subconscious. J.M.Blex is the moniker of Jaroslav Maděra, a Czech Republic-born artist whose trajectory spans from his early vinyl-spinning days in the early 2000s to his deep dive into digital production with Ableton Live from 2009 onward. After leaving his mark across clubs in his homeland, appearing on influential radio stations, and participating in the eclectic band Černý Ledňáček, the producer now focuses his drive on refining his signature sound, landing on the Manchester-based British imprint BBop Music with his new single, Don’t Let Me Go—delivered alongside its Extended Mix and Radio Edit.

https://clubfuries.com.mx/2026/07/10/cfs-dj-blaque-t-spcial-sound-tech-xpresso-bbm341/

The track’s thesis is built upon a clever structural duality. From the very first bars, the sound reveals itself as sweet and charming, utilizing sophisticated melodic lines that immediately lock in the listener’s attention. However, the piece waives the complacency of daytime radio, quickly transitioning into raw club-oriented environments where the night, dance, and sweat claim total control. It is within this precise transition that the producer achieves a flawless synthesis between harmonic warmth and the physical grit of the floor, providing the release with a spectacular and unique atmosphere.

https://soundcloud.com/clubfuriess/cfs-j-m-blex-dont-let-me-go-bbm342

The architecture of the cut manages its timing with analog-like mastery; the groove becomes persistent and elastic, dragging the body into continuous motion while vocal frequencies hover above a high-octane bassline. With Don’t Let Me Go, J.M.Blex and BBop Music sign a flawless editorial stance against the immediacy of today’s scene: they prove that contemporary house reaches its highest level of sophistication when it is capable of mutating from melodic subtlety to the physical, visceral immersion of midnight.

Towards the denouement, the extended version’s structure avoids standard fading closures; the drive holds its tension and cuts off abruptly, leaving the main frequencies vibrating in mid-air like a residual echo in the dark.

Artist: J.M.Blex
Title: Don’t Let Me Go
Label: BBop Music
Genre: House
Catalogue: BBM342

Release Date: July 24, 2026
Support & Buy: Beatport

Tracklist
1. Don’t Let Me Go (Extended Mix)
2. Don’t Let Me Go (Radio Edit)

J.M.Blex

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BBop Music

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Club Furies

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CF Signals: J.M.Blex – Don’t Let Me Go [BBop Music]

The evolution of underground house thrives on the consistency of creators who view the dancefloor as a catalyst for the subconscious. J.M.Blex is the moniker of Jaroslav Maděra, a Czech Republic-born artist whose trajectory spans from his early vinyl-spinning days in the early 2000s to his deep dive into digital production with Ableton Live from 2009 onward. After leaving his mark across clubs in his homeland, appearing on influential radio stations, and participating in the eclectic band Černý Ledňáček, the producer now focuses his drive on refining his signature sound, landing on the Manchester-based British imprint BBop Music with his new single, Don’t Let Me Go—delivered alongside its Extended Mix and Radio Edit.

https://clubfuries.com.mx/2026/07/10/cfs-dj-blaque-t-spcial-sound-tech-xpresso-bbm341/

The track’s thesis is built upon a clever structural duality. From the very first bars, the sound reveals itself as sweet and charming, utilizing sophisticated melodic lines that immediately lock in the listener’s attention. However, the piece waives the complacency of daytime radio, quickly transitioning into raw club-oriented environments where the night, dance, and sweat claim total control. It is within this precise transition that the producer achieves a flawless synthesis between harmonic warmth and the physical grit of the floor, providing the release with a spectacular and unique atmosphere.

https://soundcloud.com/clubfuriess/cfs-j-m-blex-dont-let-me-go-bbm342

The architecture of the cut manages its timing with analog-like mastery; the groove becomes persistent and elastic, dragging the body into continuous motion while vocal frequencies hover above a high-octane bassline. With Don’t Let Me Go, J.M.Blex and BBop Music sign a flawless editorial stance against the immediacy of today’s scene: they prove that contemporary house reaches its highest level of sophistication when it is capable of mutating from melodic subtlety to the physical, visceral immersion of midnight.

Towards the denouement, the extended version’s structure avoids standard fading closures; the drive holds its tension and cuts off abruptly, leaving the main frequencies vibrating in mid-air like a residual echo in the dark.

Artist: J.M.Blex
Title: Don’t Let Me Go
Label: BBop Music
Genre: House
Catalogue: BBM342

Release Date: July 24, 2026
Support & Buy: Beatport

Tracklist
1. Don’t Let Me Go (Extended Mix)
2. Don’t Let Me Go (Radio Edit)

J.M.Blex

SoundCloud | Instagram | Threads | Facebook | Linktree

BBop Music

SoundCloud | Facebook | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: J.M.Blex – Don’t Let Me Go [BBop Music]

The evolution of underground house thrives on the consistency of creators who view the dancefloor as a catalyst for the subconscious. J.M.Blex is the moniker of Jaroslav Maděra, a Czech Republic-born artist whose trajectory spans from his early vinyl-spinning days in the early 2000s to his deep dive into digital production with Ableton Live from 2009 onward. After leaving his mark across clubs in his homeland, appearing on influential radio stations, and participating in the eclectic band Černý Ledňáček, the producer now focuses his drive on refining his signature sound, landing on the Manchester-based British imprint BBop Music with his new single, Don’t Let Me Go—delivered alongside its Extended Mix and Radio Edit.

https://clubfuries.com.mx/2026/07/10/cfs-dj-blaque-t-spcial-sound-tech-xpresso-bbm341/

The track’s thesis is built upon a clever structural duality. From the very first bars, the sound reveals itself as sweet and charming, utilizing sophisticated melodic lines that immediately lock in the listener’s attention. However, the piece waives the complacency of daytime radio, quickly transitioning into raw club-oriented environments where the night, dance, and sweat claim total control. It is within this precise transition that the producer achieves a flawless synthesis between harmonic warmth and the physical grit of the floor, providing the release with a spectacular and unique atmosphere.

https://soundcloud.com/clubfuriess/cfs-j-m-blex-dont-let-me-go-bbm342

The architecture of the cut manages its timing with analog-like mastery; the groove becomes persistent and elastic, dragging the body into continuous motion while vocal frequencies hover above a high-octane bassline. With Don’t Let Me Go, J.M.Blex and BBop Music sign a flawless editorial stance against the immediacy of today’s scene: they prove that contemporary house reaches its highest level of sophistication when it is capable of mutating from melodic subtlety to the physical, visceral immersion of midnight.

Towards the denouement, the extended version’s structure avoids standard fading closures; the drive holds its tension and cuts off abruptly, leaving the main frequencies vibrating in mid-air like a residual echo in the dark.

Artist: J.M.Blex
Title: Don’t Let Me Go
Label: BBop Music
Genre: House
Catalogue: BBM342

Release Date: July 24, 2026
Support & Buy: Beatport

Tracklist
1. Don’t Let Me Go (Extended Mix)
2. Don’t Let Me Go (Radio Edit)

J.M.Blex

SoundCloud | Instagram | Threads | Facebook | Linktree

BBop Music

SoundCloud | Facebook | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: J.M.Blex – Don’t Let Me Go [BBop Music]

The evolution of underground house thrives on the consistency of creators who view the dancefloor as a catalyst for the subconscious. J.M.Blex is the moniker of Jaroslav Maděra, a Czech Republic-born artist whose trajectory spans from his early vinyl-spinning days in the early 2000s to his deep dive into digital production with Ableton Live from 2009 onward. After leaving his mark across clubs in his homeland, appearing on influential radio stations, and participating in the eclectic band Černý Ledňáček, the producer now focuses his drive on refining his signature sound, landing on the Manchester-based British imprint BBop Music with his new single, Don’t Let Me Go—delivered alongside its Extended Mix and Radio Edit.

https://clubfuries.com.mx/2026/07/10/cfs-dj-blaque-t-spcial-sound-tech-xpresso-bbm341/

The track’s thesis is built upon a clever structural duality. From the very first bars, the sound reveals itself as sweet and charming, utilizing sophisticated melodic lines that immediately lock in the listener’s attention. However, the piece waives the complacency of daytime radio, quickly transitioning into raw club-oriented environments where the night, dance, and sweat claim total control. It is within this precise transition that the producer achieves a flawless synthesis between harmonic warmth and the physical grit of the floor, providing the release with a spectacular and unique atmosphere.

https://soundcloud.com/clubfuriess/cfs-j-m-blex-dont-let-me-go-bbm342

The architecture of the cut manages its timing with analog-like mastery; the groove becomes persistent and elastic, dragging the body into continuous motion while vocal frequencies hover above a high-octane bassline. With Don’t Let Me Go, J.M.Blex and BBop Music sign a flawless editorial stance against the immediacy of today’s scene: they prove that contemporary house reaches its highest level of sophistication when it is capable of mutating from melodic subtlety to the physical, visceral immersion of midnight.

Towards the denouement, the extended version’s structure avoids standard fading closures; the drive holds its tension and cuts off abruptly, leaving the main frequencies vibrating in mid-air like a residual echo in the dark.

Artist: J.M.Blex
Title: Don’t Let Me Go
Label: BBop Music
Genre: House
Catalogue: BBM342

Release Date: July 24, 2026
Support & Buy: Beatport

Tracklist
1. Don’t Let Me Go (Extended Mix)
2. Don’t Let Me Go (Radio Edit)

J.M.Blex

SoundCloud | Instagram | Threads | Facebook | Linktree

BBop Music

SoundCloud | Facebook | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Monotone – With U [tentapes]

The deconstruction of the contemporary club finds a field of absolute subversion within the hybridization of artistic identities. Monotone is the live electronic music project formed by Francesco Presotto and Kimi Recor—artists with extensive backgrounds under their monikers Ex.Hale and DRÆMINGS across imprints like Sonic Groove, Voidance, or Sumerian Records—whose proposal geographically oscillates between Venice and La Coruña. Joining forces, the duo deconstructs common compositional standards to erect a vision characterized by dark textures, atmospheric weight, and a distinctive ability to provoke a feeling of artistic and textural asphyxiation within the listener.

For the sixth release in the tentapes catalog, we welcome Monotone with Fictional Science, an immersive experience composed of four deeply emotional pieces blending field recordings and powerful low-end. The closing point and peak acceleration of this sonic universe concentrates on With U. The cut completes the release’s emotional circle in a definitive fashion, driving a continuous high energy from the start that drifts between the idyllic and the ineffable.

https://soundcloud.com/clubfuriess/cfs-monotone-with-u-tentapes

The track’s architecture manages tension with analog mastery, reaching sonic deltas that dip straight into silence—structural containment voids suspending the room’s breath—before forcefully reclaiming the flight previously undertaken. Altogether, it solidifies as one of the week’s most refined works, where sound design and physical force advance in flawless harmony.

Towards the denouement, the composition avoids complacent solutions; the structure interrupts its rhythmic drive abruptly mid-sonic effervescence, leaving the synths’ echo and emotion floating like an unfinished interference in the dark. With Fictional Science, Monotone and tentapes sign a sharp editorial stance: a manifesto proving that avant-garde live electronic music reaffirms itself when capable of jarring both the body and the psyche.

Label: tentapes
Artist: Monotone
Title: Fictional Science
Catalogue: TNTPS006
W&P Ana Artalejo Moreno & Francesco Presotto
Master Ravi Raisa

Release Date: July 23, 2026
Support & Buy: Bandcamp

Tracklist
1. Deep Forest Dream
2. Endless
3. Fictional Science
4. With U

Monotone

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tentapes

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Club Furies

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