#cfpremiere — Public Fediverse posts

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Jëan Fixx – Pink Noise [INNFLEXIA]

Jëan Fixx, the musical alias of multidisciplinary artist Félix Fernández, has developed a language that moves across techno, electro, synth-wave, and EBM, shaping an identity where industrial textures and atmospheric depth coexist in constant tension. His trajectory spans labels such as iptamenosdiscos, Deep Different, Ruidodefondo, and Disctrl, alongside airplay across European and Latin American platforms. With INNFLEXIA, he extends his practice into a dedicated space for experimentation and the dissemination of contemporary electronic music.

With HINDSIGHT, his vision takes on a particularly focused form. Across 54 minutes, the album unfolds as an active reading of rave memory, deconstructing and reorganizing the codes that have shaped his trajectory. Techno, electro, EBM, electroclash, and synthpop emerge as layered elements within a narrative where the past remains dynamic—reactivated through a contemporary lens infused with psychedelic nuance and sustained emotional intensity.

The album’s structure feels like a process of accumulation. Acid textures, progressive arrangements, and a distinctive vocal approach create a space where the dancefloor becomes a site of introspection. Energy extends beyond physical drive, shifting toward a dimension where club experience gains symbolic weight. An implicit reflection emerges on rave culture as a space for identity formation, resistance, and emotional expansion.

Within this framework, “Pink Noise” introduces a particularly vivid shift. The track channels the hedonistic, nocturnal energy of early-2000s electroclash, articulated through sharp synth lines and an attitude that balances irony and seduction. References to artists like Tiga, DJ Hell, Miss Kittin, and The Hacker are filtered through a contemporary perspective, avoiding replication in favor of reinterpretation.

https://soundcloud.com/clubfuriess/cfp-jean-fixx-pink-noise-innflexia

Its texture is defined by precision. Synths cut cleanly through the mix, while the groove sustains a steady, instinctive movement. A playful quality runs through the track, unfolding with lightness while retaining depth. Vocals act as another point of friction, adding character and reinforcing a sense of electrified nocturnality.

In this balance between memory and renewal, “Pink Noise” captures one of the album’s most direct gestures. It functions as an entry point into its sonic universe, where form and intent align with clarity. The result lingers—a frequency that remains active even after the track fades.

HINDSIGHT ultimately settles as a reconstruction where the dancefloor becomes a living archive. Nostalgia is set in motion rather than preserved, reorganizing the past through the present and leaving space for further evolution within its own system.

Artist: Jëan Fixx
Label: INNFLEXIA
Title: Hindsight
Catalogue:

Release Date: June 22, 2026
Support & Buy: Bandcamp

Tracklist

Jëan Fixx

SoundCloud | Instagram | Threads | YouTube | Facebook | Bandcamp | Linktree

INNFLEXIA

SoundCloud | Instagram | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Giorgio Brindesi – On My Mind [Behind The Noise]

Behind The Noise, the Mexican electronic music label focused on underground and crossover-oriented sounds, continues strengthening an identity built around openness and sonic exploration. More than simply functioning as a record label, the project operates as a support network for both emerging and established artists interested in developing music with a clear sense of personality, whether through experimental structures or direct dancefloor functionality. Across its catalog, one element remains constant: releases where groove and sonic identity converge without sacrificing freshness or direction.

https://clubfuries.com.mx/2026/05/05/cfp-youthindrvgs-darkness-behind-the-noise/

For one of its latest releases, the label introduces Giorgio Brindesi, presenting “Love and Frequencies”, a project rooted in Indie Dance, Dark Disco, and Italo Disco aesthetics. Within that framework emerges ‘On My Mind’, a double-tracker driven by electric energy, nocturnal propulsion, and a sensual tension sustained from beginning to end. The release unfolds through luminous darkness — wet neon surfaces, reflective textures, and rhythms that gradually acquire a physical dimension of their own.

https://soundcloud.com/clubfuriess/cfs-giorgio-brindesi-on-my-mind-behind-the-noise

The title track immediately establishes its dancefloor-oriented force. Built around 128 BPM in F Major, “On My Mind” combines deep, highly mobile basslines with textures drawing from minimal bass and bass house, while a sharply constructed groove maintains constant momentum throughout the track. Female vocals move through the center of the mix like hypnotic transmissions, carrying emotional tones that fluctuate between desire, chemical euphoria, and psychological tension. Conceptually, the track revolves around substances, altered perception, and the lingering sensory residue left behind after the rave itself — the moment when the body leaves the space while the mind remains trapped inside the pulse.

From the very beginning, the sound feels electric, piercing, and physically overwhelming. Neon darkness slowly floods the atmosphere while purple flashes and metallic frequencies spread across the body like synchronized voltage. The vocals emerge through dense synthetic layers, breathing against the groove with an almost ritualistic intensity. Everything unfolds like a carefully engineered sonic spell: movement takes control immediately, and the body gradually dissolves into a current where rhythm, desire, and perception collapse into the same frequency.

Label: Behind The Noise
Artist: Giorgio Brindesi
Title: On My Mind
Catalogue: 112026BTN

Release Date: May 15, 2026
Support & Buy: Beatport

Tracklist
1. On My Mind 05:33
2. I Wanna Taste It 05:58

Giorgio Brindesi

SoundCloud | Instagram | Facebook | Beatport  

Behind The Noise

SoundCloud | Instagram | Bandcamp | Beatport | YouTube

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: PETRU KSS – Tuplet Puppet (Saytek Remix) [Kolibri Space Shuttle Records]

Kolibri Live Part 6 brings closure to a process shaped through layers, variations, and real-time decisions. At its core is PETRU KSS, Corsican-born, shaping a language where driving techno intertwines with a sustained narrative. His practice rests on rhythmic precision and structural contrast, generating a continuous tension between body and perception. Hardware is not secondary—it organizes gesture, defines time, and shapes how sound breathes.

In this sixth installment, the trajectory reaches a point of condensation. The EP weaves original material and reinterpretations into a unified operational system, with live execution keeping the pulse active. “Liminal Orbit” and “Tuplet Puppet” act as anchors, structuring the flow through contrast and intensity. Club energy remains present throughout, threaded by a narrative that extends beyond function into a deeper sonic continuity.

https://clubfuries.com.mx/2026/03/08/cfr-2026-01-kolibri-petru-kss-lp-01/

The reinterpretations broaden the field while preserving cohesion. SAYTEK brings a Detroit-rooted groove into “Tuplet Puppet,” driven by moving chords and a raw physicality that retains its performative core. Ross Harper amplifies repetition and pressure, pushing the track into a more industrial zone. Meanwhile, Alinep & Mica reshape “Liminal Orbit” through a hypnotic lens, grounded in rough textures and restrained acidity, while Ømen directs the material toward peak-time territory, balancing rhythmic impact with melodic lift.

The closing section shifts the listening state. Beatless versions of “Genesis” and “Landing” suspend the pulse, opening a descent into ambient space. Time stretches, structure dissolves, and sound expands outward. The sensation becomes one of slow movement, as accumulated energy finds release through spatial diffusion. The project’s arc completes itself in this transition, leaving a resonance that lingers beyond rhythm.

https://soundcloud.com/clubfuriess/cfp-petru-kss-saytek-tuplet-puppet-kss-lp01f-d

Within this framework, “Tuplet Puppet (SAYTEK Remix)” holds a distinct presence. The track advances with a firm groove, shaped by fluid chord movement and sustained inertia. Energy rolls forward continuously, guided by a design that avoids rigidity. Layers vibrate, shift, and morph, maintaining a heightened sense of attention.

SAYTEK’s approach is evident throughout. His live, no-postproduction method introduces an organic quality where potential imperfection becomes part of the flow. There is a direct relationship between gesture and outcome, translating action into sound in real time. This dynamic introduces a human dimension within a mechanical structure, balancing precision with immediacy.

In Kolibri Live Part 6, this affinity with PETRU KSS’s vision becomes fully apparent. Techno unfolds as a performative field, where machines extend intention and time is constructed in the moment. The ending does not close—it leaves the system in motion, still resonating.

EP Credits
Artist: PETRU KSS
Remixers: SAYTEK, Alinep and Mica, Ømen, Ross Harper
Title: Kolibri Live Part 6
Mastering: Calyx, Arnaud Le Texier, Wavewalker Studio
Artwork: Baptiste Bianciot
Label: Kolibri Space Shuttle Records
Catalogue: KSS-LP01f-D

Release Date: June 5, 2026
Support & Buy: www.petru.live/kolibri-live-part6

Tracklist
1. Liminal Orbit (Alinep & Mica Remix)
2. Liminal Orbit (Ømen Remix)
3. Tuplet Puppet (SAYTEK Remix)
4. Tuplet Puppet (Ross Harper Remix)
5. Genesis (Beatless)
6. Landing (Beatless)

SAYTEK (LIVE)

SoundCloud | Instagram

PETRU KSS & Kolibri Space Shuttle Records

Website | SoundCloud | Instagram | Bandcamp | Facebook | KSS

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Interview | apaull: «Do you have the gunfactor?» On Furnace Room Recordings

Some albums arrive with a concept so precisely articulated that the music barely needs defending. Gunfactor, apaull’s new record on Furnace Room Recordings, is one of them. Ten tracks navigating the pathways to fame — and infamy — across a sonic palette that moves from techno to synthwave by way of industrial, always with an economy of means that signals someone who knows exactly what they’re doing. The title lettering is by Al Diaz, a past collaborator of Jean-Michel Basquiat. The photographs are by Dave Clarke. We spoke with apaull about the album, its contradictions, and the questions it leaves unanswered.

Club Furies: The title operates simultaneously in two languages with meanings that don’t contradict each other but pull in different directions. Was that tension intentional from the start, or did the linguistic ambiguity emerge during the process and you decided to let it do its work?

apaull: The tension was intentional. The Dutch meaning came first, though. I was having coffee with a Dutch booking agent and she said you need produce good music but also have the “gunfactor”, this intangible ’it factor’ to become successful (and famous). The immediate question is how does one achieve that “it factor”. The theme developed from there. Either you have exceptional talent which leads to fame or you are somehow notorious, which leads to infamy.

https://soundcloud.com/apaull_music/sets/gunfactor-8-tracks

Club Furies: The album draws an implicit distinction between earned fame and inflicted fame. Tracks like «Veilig» or «King Dome» seem to inhabit that grey zone where recognition arrives through circumstances no one would have chosen. How do you construct that difference narratively without collapsing into moral judgment?

apaull: Great question. While I have strong personal views I try to present things agnostically. I create perspectives in my tracks, that sometimes belie my personal views, but are really there to ask the listener what they think. It’s like listening to a painting. What do you hear and what do you think about it?

Club Furies: «Finishing School» summons something from another era that, by your own notes, «might still hold true today.» What strikes you as more unsettling: that those ideas persist, or that we still have to keep saying so?

apaull: “Finishing School” is a tongue in cheek examination of societal structure. In previous eras, roles were more clearly defined than they are today, if not over the top rigid. Today we find ourselves in jello, where structure has been systematically removed. We now live in an open concept society, if not over the top lax. “Finishing School’s” light hearted question is do we need some of that structure back.

Club Furies: The album has very specific geographies: Berlin in January, Detroit, New York implicit in «Veilig.» Do those physical contexts affect the compositional process technically — in the sound, the tempo, the processing — or do they function more as states of mind?

apaull: Both. I absorb where I am and this influences my state of mind and how I write. I write music almost continually and love writing in hotel rooms. For instance, the album track “Fang Mich” (Catch Me) was written and produced in Berlin. It captures the vibes I soaked in from the winter weather, Tresor & Berghain techno forays, a cold and jet lag. I live two hours from Detroit, the birthplace of techno, and go there for Movement each year. Detroit techno is pretty straight ahead but with indelible flashes of house. It is warmer than Berlin techno. The track “Veilig” (Safe) was written about something that happened in New York. I have been there many times and carry the vibe of this ‘infinite city’ with me.

Club Furies: «Cartel» proposes a kind of inverse moral relativism. It’s arguably the album’s most conceptually exposed position. What was the writing process like for that track: did you start from the concept or arrive at it through the music?

apaull: I came accross the vocal sample first and used it as the track’s foundation. I wrote the music around this sample (normally I do it the other way around). I found it interesting that a politician would compare a global body (World Economic Forum) to Columbian drug cartels, the point being that the espoused global organizations are cartels, in there own right. The pandemic made clear that this is the case.

https://open.spotify.com/intl-es/album/2zoMok0136WpNuiulxOrXq

Club Furies: «True Though» suggests that sufficient fame functions as a shield. What’s interesting is that the track doesn’t sound like furious critique — it sounds more like resignation. Is that emotional ambiguity deliberate, or is it what came out?

apaull: My song writing is about providing a perspective, without the proselytizing that fury might evoke. I create these track perspectives to be there subliminally, that is you will only hear them if you listen deeply and far away from the club. “True Though” is about how Canada’s now former prime minister could not remember how many times he had donned ‘black face’, was somehow not cancelled and was still able to ascend this high office. While I’m a firm believer in redemption, I doubt that other politicians would have received this benefit of the doubt.

Club Furies: You close the album with «Altamont Joy,» which ends on «You’re gonna look real crazy, being on the other side of that line.» That line can be read as a warning, a statement of fact, or an irony. Did you want it to be all three at once?

apaull: The sample, in question, was delivered, by the speaker, as an omimous warning. It presents two perspectives, the speaker’s and the other, across some imaginary dotted line into a philosophical ‘no mans land’. The point of the track is that we cannot function with this level of polarization because the ability to discuss and reach consensus is lost.

https://soundcloud.com/apaull_music/gunfactor-demo

Club Furies: Bringing in Al Diaz for the title lettering places the record in a visual conversation with eighties street art and everything that history implies. How did you come to him, and what did you want that choice to communicate?

apaull: I met him through my friend and artist, Jason Maclean, on one of my trips to New York, and was mesmerized by his history and works. I was quite taken by his lettering (assembled from New York Metropolitan Transit Authority posters). For the purposes of creating visual artistic continuity between my releases I thought this lettering would work well.

Club Furies: Every track on the album has a remix. That’s a structural decision, not an accessory one. What interests you about the dialogue between your version and another artist’s reinterpretation? Are there tracks where that tension feels particularly generative?

apaull: I made a decision, early on, to release on my own label because I was new, wanted full control of my music and didn’t think the slog of attracting label interest was a good use of my time. Working with remixers was a good alternative to labels. I work with remixers for two reasons: 1. To have them create more danceable and club friendly versions of a track; and 2. To introduce my music to their audiences. The bonus is that I have been able to work with artists who I respect and admire, and learn from them.

https://clubfuries.com.mx/2026/02/22/cfp-apaull-king-dome-pyrame-frr034/

Club Furies: Your music operates in a space where peak time and after-hours aren’t opposites but continuities. That implies a certain resistance to the kind of specialization the market tends to reward. How do you think about that position in relation to how electronic music circulates today?

apaull: I see my music as art. While notionally it fits into the techno genre, I spend no time trying to get it to fit what is being played in clubs. While I enjoy club music, I see what is produced as being derivitive more than specialization. Clubgoers enjoy this musical continuity and for producers it can be a pathway to success. There is nothing wrong with that. I work diligently to create a sound, that is grounded but unique, and then work even harder to find the right audience. My work with club friendly remixers, as described above, is an invitation to their audience to become part of mine. Over time, what I produce will continue to work its way into clubs and other venues.

Club Furies: Furnace Room Recordings is now thirty-six releases in. What does running your own label mean for a project like yours? Does the autonomy change what you’re willing to sign off on?

apaull: The label means I get to release what I want and build a solid catalog that I control. It is a platform that now allows me to present my music to potential labels, remixers and venues and work to attract their interest. My goal is to write and professionally produce interesting tracks. I only sign off on and release  tracks after my team has given their stamp of approval.

Club Furies: If the album asks «do you have the gunfactor?» — what’s your answer?

apaull: Ultimately, that is for others to decide, but, to save them some time I would say, YES.

https://youtu.be/xuALldIl4Uw

Gunfactor is not a comfortable record, and it doesn’t try to be. It is a work that observes, with clinical detachment, the mechanisms by which the world rewards, ignores, or destroys people — and has the honesty not to offer solutions. In a circuit that often consumes itself in its own effervescence, apaull builds something slower and more durable: a body of work with edges, with conceptual texture, with the kind of coherence that can only come from someone who has been at this long enough not to need to impress anyone.

The question that titles the album stays open. Perhaps that is the only honest answer there is.

Gunfactor is released April 24, 2026 on Furnace Room Recordings (frr036), distributed by Superstition and available on all platforms. Remixes accompany the album as single and EP releases.

As a complement to the Gunfactor release, the inclusion of the Dina Summer Remix, set to be released on May 22, adds a significant layer of contemporary energy to the project. This remix not only reinterprets apaull’s sonic vision but also serves as a strategic bridge for listeners to further explore the creative process detailed in this interview.

artist: apaull
Album: Gunfactor
Release Format: Digital
Cat. No. frr036
Distribution: Superstition, all online platforms

Release Date: April 24, 2026
Pre Order FurnaceRoomRecords.lnk.to/Gunfactor

apaull- writing, producing, mixing
Abe Duque- Executive Producer, mastering

Tracklist
1. Fang Mich 04:07
2. King Dome 05:20
3. Push the Button 06:10
4. Veilig 04:38
5. Finishing School 05:05
6. Gunfactor 05:34
7. Cartel 07:11
8. True Though 05:04
9. Payload 05:32
10. Altamont Joy 07:30

apaull

Website | SoundCloud | Instagram | Facebook | Bandcamp | Linktree

Furnace Room Records

Instagram | Facebook | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Avilynn – Faster Than AI [Systolic]

Avilynn positions herself as a sound artist working across multiple fronts: production, DJing, and curation converge into a practice where sound is treated as a system. Based in Berlin, her approach constructs immersive environments where tension and detail sustain a continuous narrative. Each alias becomes a reconfiguration of language, shifting her center without losing direction.

Her presence within the underground circuit has grown through that logic. Rather than a fixed aesthetic, what emerges is a consistent way of shaping space and experience. Sound operates as a moving architecture, where every element is calibrated to produce an enveloping, time-based perception.

This approach extends beyond the booth. The limited-edition modular cases she designs function as objects that carry her sonic thinking into the physical realm. They are not accessories, but components of the same system, integrating material and auditory dimensions within a practice grounded in applied experimentation.

https://clubfuries.com.mx/2026/04/12/cfp-internal-observer-dillema-systolic/

Within this framework, Archive Series on Systolic appears as a record in motion. The selection gathers previously unreleased tracks produced over recent years, condensing an earlier phase without fixing it as a closed past. The archive becomes active—organizing, connecting, and revealing the lines that shape her evolution.

The release signals a shift toward a new stage centered on hardware, live recording, and a more defined sonic language. These pieces act as traces of a system in transition, retaining relevance through their repositioning in the present. There is a sense of closure, accompanied by a controlled opening toward what follows.

https://soundcloud.com/clubfuriess/cfp-avilynn-faster-than-ai-systolic

Within the collection, “Faster Than AI” stands out with particular clarity. The track translates states associated with contemporary anxiety and uncertainty about the future into a structure that intensifies progressively. Tension builds from an initial pulse, accumulating pressure into a sustained rise toward overflow.

Beyond that peak, the piece moves into a more diffuse zone. Rhythm remains, yet perception shifts: a liminal quality emerges, suspended between what has just unfolded and what has yet to settle. The sound becomes lighter, less defined, carrying a resonance that extends the impact without repeating it.

What remains is not resolution, but persistence. Archive Series settles as a threshold—simultaneously memory and projection, where the archive does not preserve; it reshapes.

Label: Systolic
Title: Archive Series ep
Artist: Avilynn
Catalogue:

Release Date: May 7th, 2026
Support & Buy: Bandcamp

Tracklist
1. Avilynn – Faster Than AI
2. Avilynn – Hash
3. Avilynn – Vortex

Credits
Music: Avilynn
Mastering: Ddroga
Artwork: Adrian Gambin

Avilynn

Website | SoundCloud | Instagram | YouTube

Systolic

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: Carara – Narcotics [Ecstasy State]

Based in London, Ecstasy State has shaped an identity defined by the consistency of its vision. Since 2017, the label has maintained a curatorial approach where techno unfolds across multiple registers without losing coherence, building a catalog that prioritizes intention and meaning over saturation. Music becomes a field of expression where each release carries a clear direction, refined through careful selection and attention to detail.

Within this framework, Carara presents Signals, an EP that operates through its immediate function. Energy is structured with precision, sustaining a constant pressure that runs through each composition. The sonic language is built on analog synth lines, dark tonalities, and a rhythmic architecture that maintains forward motion with control. Every element is placed with purpose, contributing to a tightly organized system.

https://clubfuries.com.mx/2026/04/29/cfp-carara-valentin-zad-natural-resources-trm388/

The internal logic of the release relies on repetition and subtle variation, reshaping the flow without breaking it. Tension accumulates gradually, creating a sense of continuity that envelops the listener. There is a clear discipline in how intensity is handled, avoiding excess while maintaining a strong and persistent presence.

Within this structure, “Narcotics” stands out as one of the EP’s most incisive moments. The track unfolds through sustained frenzy, carrying an internal velocity that runs from beginning to end without losing clarity. Its sound design introduces an unexpected quality: intensity feels polished, almost smooth, like a surface that absorbs impact rather than scattering it. A certain softness emerges in how elements merge, creating an enveloping sensation that contrasts with the force driving it.

https://soundcloud.com/clubfuriess/cfp-carara-narcotics-ecsy070

Layers interlock with precision, each contributing subtle shifts that enrich the overall texture. The progression builds toward moments of concentrated tension, where the body becomes locked into a continuous state of propulsion. Energy redistributes across the structure, reaching elevated peaks before settling again into motion.

Narcotics leaves an imprint that extends beyond its immediate context. Its construction points toward a form of functional timelessness, where the sound remains relevant beyond passing trends. As a whole, Signals reinforces both Carara’s direction and Ecstasy State’s vision: focused techno shaped through precision, consistency, and clarity of intent.

Artist: Carara
Title: Signals
Label: Ecstasy State
Catalogue: ECSY070

Release Date: May 7th, 2026
Support & Buy: ecstasystate.bandcamp.com

Tracklist:
1 – Dark Ambience
2 – Genetics
3 – Narcotics
4 – Planetare Masse
5 – Signals

Carara

SoundCloud | Instagram | Facebook | Beatport

Ecstasy State

SoundCloud | Instagram | Facebook | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Carara, Valentin Zad – Natural Resources [trau-ma]

Some collaborations add. Others multiply. This is the second kind. When two artists with such distinct individual talent decide to work together, the result could go in any direction —and here it goes in exactly the right one. We’re talking about Carara and Valentin Zad, two Germany-based artists whose union for this release doesn’t sound like an experiment or an opportunity: it sounds like something that had to happen.

The label hosting them says everything about the level of the bet. Trau-ma is one of those imprints that exists in the circuit for the right reasons —not for volume of releases but for consistency of judgment and quality of catalog. That Carara and Valentin Zad choose this space to present their collaboration is, in itself, a statement of intent. Two top-tier talents on one of the best labels in the circuit: the equation is as simple as it is powerful.

https://clubfuries.com.mx/2026/04/04/cfp-cat-can-do-carara-our-perception-drss1375/

The result is titled Delusión —a three-track original collection: Delusion, Hidden Pains, and Natural Resources. Few tracks, no filler, all the density concentrated in exactly the right space. This is the kind of EP that doesn’t need length to justify itself —it justifies itself track by track, layer by layer.

https://soundcloud.com/clubfuriess/cfp-carara-valentin-zad-natural-resources-trm388

«Natural Resources» carries a sobriety in its name that the sound confirms from the very first second. Its sounds are constant, precise, and piercing —they don’t run loose, don’t frenzy easily, don’t reach for easy impact. But that contained edge strikes with a certain violence mediated by impeccable sound design that knows exactly how much pressure to apply and when to release.

The track stabilizes at very high notes of intensity, and from there its climax doesn’t explode —it becomes an ethereal valley, interrupted in time and space as if someone had paused the universe for an instant. What follows is the synthesis of multiple determinations converging into a final texture, built on a parallel running through the entire sonic structure and its layers that, somehow, seem to have frozen in time, advancing in an alternate manner —neither forward nor backward, but in a direction only this track knows.

Artist:
Carara, Valentin Zad
Label: trauma
Title: Delusion
Format: Digital

Catalogue:
TRM388

Release Date: May 8th, 2026
Support & Buy: Bandcamp

Tracklist:


1. Delusion
2. Hidden Pains
3. Natural Resources

Carara

SoundCloud | Instagram | Facebook | Beatport

Valentin Zad

SoundCloud | Instagram

trau-ma

SoundCloud | Instagram | YouTube | Facebook | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

SoundCloud | Instagram

OMERTA RECORDS

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: KURIR – Midnight Gardener [Tlaloc Records]

There’s something genuinely comforting about watching one of your favorite labels return to its natural rhythm. Tlaloc Records —rooted deep in Mexico and curated with a steady hand by the accomplished Mexican producer Mogo— is back with the regularity and quality that have made it one of the names we follow with real enthusiasm. This is not a label that publishes for the sake of publishing: every release has a reason, an intention behind it, and that comes through in every track that bears its name.

https://clubfuries.com.mx/2025/05/11/cfp-kurir-stadig-seremonia-by-eabe/

For its most recent release, Tlaloc Records presents Finnish producer KURIR with Machina, a four-track original collection that functions as a double mirror: it reflects both the sound of this Nordic peninsula artist and the kind of curation that defines the Mexican label. That Mogo found in KURIR a kindred voice is no coincidence of genres —it’s an affinity of sensibilities that transcends geography. Finland and Mexico are not the most obvious meeting point for a sonic encounter, and yet here it sounds completely natural.

https://clubfuries.com.mx/2026/04/07/cfp-tesino-glomizer-tlr159/

«Midnight Gardener» is a title that already promises something —and the sound delivers on that promise from the very first bars. The opening is powerful and thick, carrying an energy that seems to want to run at full speed but which the sound design modulates with intelligence, letting it advance only «just enough» —that exact amount that generates tension without exhausting it. Caught in constant bleeps, the track builds a cybernetic cage that doesn’t oppress but contains, promising resistances and revolutions calibrated to its own internal tempo. There is something almost organic in how this metallic structure breathes.

https://soundcloud.com/clubfuriess/cfp-kurir-midnight-gardener-tlr160

The moorings become perennially latent, allowing the rest of the sonic layers to take the foreground —a dual and very well-carried sound that in its final consequences reaches something unexpectedly beautiful: velvety notes amid fleeting electric pulses. That duality between the soft and the electric, between warmth and the coldness of the circuit, is the track’s beating heart. Midnight Gardener is not the garden you expected —it’s one that grows at night, with cable roots and flowers that flicker.

Label: Tlaloc Records
Artist: KURIR
Title: Machina
Catalog: TLR160

Release Date: April 30th, 2026
Support & Buy: Bandcamp

Tracklist
1. Midnight Gardener 06:34
2. Last But Most 07:24
3. Durex 06:41
4. 2 in 10 06:38

KURIR

SoundCloud | Instagram | Facebook | Bandcamp | Linktree

Tlaloc Records

SoundCloud | Instagram | Facebook | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Signals: n-trip – Amplify [Armen Crew]

ntrip² doesn’t start from a fixed place: it builds itself in the in-between space. It doesn’t seek to define itself but to displace —and that, precisely, is its clearest statement of intent. From there, n-trip arrives at Armen Crew with a four-track EP that moves along the edges: electro, techno, and breakbeat in constant tension, without settling into any one of them. This is not indecision —it’s a deliberate stance against the comfort of categories.

https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

Composed on Gadigal land, the release works from a clear idea: movement within ambiguity. Rhythms mutate, textures collide, and tension accumulates at that precise point where structure ceases to be rigid and flow takes control. There is no linearity here, only transitions —and that difference is not a small one. Each track operates as an open system in permanent adjustment, responding to its own unfolding rather than to any preset form. The result is music you can’t fully anticipate, and which for that very reason keeps attention alive from beginning to end.

https://clubfuries.com.mx/2024/04/01/club-furies-premiere-ert-introspection-armen-crew/

The expansion arrives with remixes from Ritmu, Interimm, and Capon, which don’t reinterpret but reconfigure. From a minimalist and cognitive precision to passages that are more melodic and emotionally charged, each version shifts the axis without breaking the continuity of the whole. These aren’t alternative readings of the same material: they are sonic states in transformation, where boundaries dissolve and energy remains in constant motion. An EP that grows beyond itself.

https://soundcloud.com/clubfuriess/cfp-n-trip-amplify-arm009

«Amplify» functions as exactly what its name announces —an amplifier. But it does so from a completely unexpected place: not through volume or raw intensity, but through a patient, sober, and masterfully handled sound design that amplifies from within, almost in silence. Throughout the entire track, electro and techno blur subtly into a connivance so natural it never feels forced —they coexist as if they had always spoken the same language. And when the synthesis arrives, it does so amid cybernetic decouplings in the sonic circuits that don’t close the track but open it toward another dimension —one the ear takes a second to recognize, but the body grasps immediately.

Label: Armen Crew
Artist: n-trip
Title: ntrip² EP
Catalogue: ARM009
Remixes: Ritmu, Interimm, Capon
Genre: Techno, Electronic Breakbeat
Digital Only

Release Date: April 30th, 2026
Support & Buy: Bandcamp

Tracklist
1. Limit
2. Amplify
3. de-esc2b
4. Ionosphere
5. Ionosphere (Ritmu remix)
6. Limit (Interimm Forest remix)
7. Ionosphere (Capon remix)

Credits
Mastering: Simon Hamelin @ HDN Mastering
Ritmu remix > Mastered @ Booker Audio
Artwork & Design : n-trip & Formanoire}

n-trip

Instagram | Linktree

Armen Crew

SoundCloud | Instagram | Facebook | Bandcamp
Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: THISISTHX – IC 4351 [Illegal Alien Records]

THISISTHX does not arrive as a newcomer—he returns with intent and a sharper sense of direction. His second appearance on Illegal Alien Records is not a repetition but a statement of progression, reinforcing a trajectory that has been both consistent and deliberate. From Portugal, his project has taken shape through a clear vision: forward-driven, precise techno with no detours or compromises. The evolution is evident—a defined artistic identity and sustained momentum that places him within a new generation that doesn’t wait for space, but actively builds it.

https://clubfuries.com.mx/2025/09/02/cfp-thisisthx-unknown-balances-cfs10/

His sound operates within a clearly defined field: raw, tense, and stripped of ornamentation. Percussive rhythms push forward with force, supported by a mental layer that maintains constant pressure and an energy that refuses to dissipate. There are no unnecessary peaks here—only control, measured intensity, and a sharp understanding of techno’s essential dynamics. Each track reflects this balance, delivering both physical impact and conceptual clarity.

https://clubfuries.com.mx/2026/04/14/cfp-dj-dextro-sintetico-iarltdt021/

With Point of No Return, a four-track EP, THISISTHX further solidifies this language. These are tracks built for high-impact environments, yet grounded in structural coherence and discipline. Rather than a final destination, the EP acts as a threshold—a decisive step forward that projects his evolution while reinforcing his place within contemporary techno. On Illegal Alien Records, the relationship doesn’t repeat—it deepens. The result is a collection of brutal, hypnotic cuts moving in parallel through unknown territories, somewhere between ancestral deserts and unexplored sonic landscapes.

https://soundcloud.com/clubfuriess/cfp-thisisthx-ic-4351-iar396

IC 4351 unfolds as a smooth yet deeply hypnotic piece. Subtle layers accumulate with effortless fluidity as the rhythm progresses toward what feels like purple-tinted, almost utopian terrains. The climax arrives quickly, yet in a gradual, velvety manner. Beyond that point, the sound dissolves into ethereal atmospheres and suspended time, where body and mind remain motionless, absorbed. This state extends ad infinitum, ultimately taking full control over both psyche and physical response.

Label: Illegal Alien Records
Artist: THISISTHX
Title: Point of No Return
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IAR396
Mastering by The Programnaitor
Artwork Design by Rommulo

Release Date: April 24th, 2026
Support & Buy: Bandcamp

Tracklist
1. Hydra
2. IC 4351
3. Point Of No Return
4. Regor

THISISTHX

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Illegal Alien Records

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Club Furies

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CF Premiere: Sarah Kay – Daughters Of The Drums [KVLTÖ Records]

One of our favorite labels is back in action —and as always, with judgment. KVLTÖ Records proudly welcomes Sarah Kay, a new voice in the catalog arriving from Canada with a proposition that from the very first track makes clear we’re not dealing with a risky bet but with genuine talent and a meticulously designed proposal for the dance floor. Labels we know well rarely get these additions wrong —and this one is no exception.

https://clubfuries.com.mx/2026/02/20/cfp-vauna-first-encounter-kv078/

Her first release within the LTD series is titled Daughters Of The Drums —and the name already carries a declaration: something ancient, feminine, percussive, ritual. The EP achieves what very few debut releases manage: a perfect balance between renewed energy and the pure essence of techno.

There is none of the excess of someone trying to impress on first listen, nor the timidity of someone who hasn’t yet learned to trust their voice. What’s here is a dynamic, texturally rich interpretation with a deep rhythmic identity that doesn’t imitate anything already existing —it has its own way of moving, its own pulse. A new milestone in the LTD series, without question.

https://soundcloud.com/clubfuriess/cfp-sarah-kay-daughters-of-the-drums-kvltd014

The title track opens with tinkling beginnings that dissolve time from the very first seconds, carrying us toward mysterious and unknown coordinates with a slowness that isn’t hesitation but confidence —the confidence of someone who knows exactly where they’re going even if they don’t tell you. Those tinkling sounds multiply and interweave until they create a progressively suggestive and mysterious texture, as if something ancient were taking shape in the present.

The sonic synthesis that emerges from all of this arrives loaded with deliriums of ancient times and eternal curses that don’t weigh but float —integrated into a texture that completes itself perfectly between artistic performance, well-grounded concepts, and deep meaning. A debut that isn’t easily forgotten.

Label: KVLTÖ Records
Catalogue: KVLTD014
Artist: Sarah Kay
Title: Daughters Of The Drums

Release Date: April 25th, 2026
Support & Buy: Bandcamp

Tracklist
1. Fremitus
2. Chant In Reverse
3. Daughters Of The Drums
4. Rise Again

Credits
Written by Sarah Kay
Mastered by Octte
Artwork by 7 Times 7 Design

Sarah Kay

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KVLTÖ Records

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Club Furies

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CF Premiere: DJ Dextro – Sintético [Illegal Alien Records]

Some returns don’t need an announcement—but this one matters. DJ Dextro comes back to Illegal Alien Records with a limited 12” vinyl that not only opens the year, but also marks the beginning of the label’s 19th year. This is no minor gesture: it’s the continuation of a line built on consistency, precision, and global reach, sustained over time without losing focus.

https://clubfuries.com.mx/2024/05/28/club-furies-premiere-dj-dextro-pushing-illegal-alien-records/

With a trajectory that cuts across some of techno’s most solid axes—CLR, Be As One, Mutual Rytm, Planet Rhythm—Dextro has shaped a language of his own where groove leads, intensity hits direct, and identity is non-negotiable. His sound doesn’t wander: it moves forward, applies pressure, and holds its ground. It works on the floor because it is conceived from within it, designed to function without compromise.

https://clubfuries.com.mx/2024/01/28/club-furies-premiere-ricardo-garduno-horn-chaser-illegal-alien-records

The return to Illegal Alien is no coincidence. It takes form in ‘Tantooine’, a four-track EP built under a shared logic: tight rhythms, raw synth lines, and a driving, persistent energy. There is no excess, no distraction—just structure in motion, fully aligned with the vision the label has sustained since the beginning. Each cut reinforces a controlled intensity that unfolds with clarity and purpose.

https://soundcloud.com/clubfuriess/cfp-dj-dextro-sintetico-iarltdt021

There is no nostalgia here—only active continuity. Dextro delivers a concise, functional, and timeless body of work, reaffirming his direction while strengthening a bond that doesn’t fade with time. Straightforward techno, no detours.

“Sintético” operates like a sharpened techno hammer—polished, precise, yet unexpectedly velvety in its execution. Constant, continuous, and progressive, it modulates its sonic layers with care, building toward sonic deltas that never fully resolve. That tension is part of its strength: a delirium held back, always announced but never fully released. Silences stretch and exhaust, guiding the track toward a form of perfect synthesis—a precise texture, raw yet agile, deeply hypnotic in its motion.

Label: Illegal Alien Records / Illegal Alien LTD
Artist: DJ Dextro
Title: Tantooine
Genre: Techno
Format: Vinyl 12′ / Digital WAV/AIFF/MP3
Catalogue: IARLTDT021
Mastering: The Programnator
Artwork Designed: Rommulo

Release Date: April 17th, 2026
Support & Buy: Bandcamp

DJ Dextro ‘Tantooine’ | IARLTDT021

A1. DJ Dextro – Tantooine (Original Mix)
A2. DJ Dextro – Sintético (Original Mix)
B1. DJ Dextro – THX (Original Mix)
B2. DJ Dextro – Transwarp (Original Mix)

Written & Produced by DJ Dextro
Artwork design by Rommulo
Mastering by The Programnator
Vinyl Distribution by Triple Vision
Limited Copies

Illegal Alien Records 2026 | Published by Copyright Control

www.illegalalienrecs.com

DJ Dextro

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Illegal Alien Records

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Club Furies

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CF Premiere: R/D/V – Bad Timing [Prophet Recordings]

Prophet Recordings presents its next release with someone who has been quietly building something solid from Amsterdam: R/D/V, the alias under which Luca Redivo operates —a sound engineer and DJ/producer based in the Netherlands. The artistic name already hints at a way of understanding music —fragmented, in process, never quite finished— and that same quality permeates every production bearing his name. Known for his inclination toward an introspective, energetic, and textural sound, Luca channels his energy into the creation of hypnotic techno and ambient with a coherence that isn’t accidental: it’s the result of years of deep listening and sustained technical work.

https://clubfuries.com.mx/2024/02/15/club-furies-premiere-r-d-v-odd-primitive-state-records/

Because what distinguishes R/D/V from many other producers of his generation isn’t only what he does in the studio as an artist —it’s what he does in the studio as an engineer. Luca works across multiple studios and concert halls, participates in collaborative projects that push the limits of sonic exploration, and that double life between art and technique is, in many ways, the key to his sound. When someone understands sound from the inside —from its physics, from its architecture— what they produce sounds different. More precise. More conscious. More honest.

https://clubfuries.com.mx/2025/12/11/cfp-rostom-scientific-boundaries-prph039/

For his label release, R/D/V presents Bad Timing, a four-track original collection completed by a remix from Booz. An EP that needs no more space than it occupies to say what it has to say —each track serves a precise function within the whole, and the closing remix adds an outside perspective that enriches without deflecting. The internal logic of the work is solid, and you feel it from the very first listen.

https://soundcloud.com/clubfuriess/cfp-rdv-bad-timing-prph041

The title track opens with taciturn, soporific beginnings —and that’s meant as a compliment. There is an almost hypnagogic quality to how it starts: those visual correlates that place us in the depths of night and the psyche, in that threshold between waking and sleep where perception becomes porous.

The sonic layers swirl perfectly around that initial core, and from there begin the torsions and drills that elevate the rhythm and complicate the sound layer by layer, with a patience that knows exactly when to accelerate and when to hold back. The result is the final sonic synthesis —the perfect texture the track had been building from the very beginning, without you realizing you were already inside it.

Label: Prophet Recordings
Artist: R/D/V
Title: Bad Timing
Catalogue: PRPH041
Remixes: Booz
Mastering: Dave Brody
Artwork: Karembeu
Format: Digital

Release Date: April 18th, 2026 on Bandcamp & Formaviva,
Worldwide Release Date: May 8th, 2026
Support & Buy: Bandcamp

Tracklist:
1 – R/D/V – Bad Timing
2 – R/D/V – Rupture
3 – R/D/V – Rupture (Booz Remix)
4 – R/D/V – Vague Intent
5 – R/D/V – Lysis

R/D/V

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Prophet Recordings

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Club Furies

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CF Premiere: Vauna – First Encounter [KVLTÖ Records]

Vauna is a Berlin-based producer and DJ who intertwines hallucinatory soundscapes with primal rhythms. Co-founder of the event series and record label Hyphen Berlin, he has been shaping and refining his distinctive language since 2016, merging purist and rhythmically complex techno arrangements with an introspective sensitivity tailored for the dance floor. His approach balances tension and catharsis, crafting moments of emotional depth without losing physical intensity.

https://clubfuries.com.mx/2025/12/23/cfp-guliver-troy-kv076/

In one of his most recent releases, KVLTÖ Records presents Renewal, a four-track EP that distills that German energy guiding us toward new sonic milestones. Here, transformation is not merely a concept but a lived experience: each track unfolds as a narrative of change, transition, and reconfiguration. It is a meticulously crafted work designed to captivate discerning listeners eager for the ongoing evolution of contemporary techno.

https://soundcloud.com/clubfuriess/cfp-vauna-first-encounter-kv078

“First Encounter” opens with a striking presence. Amid deep waves and uncharted lakes, signals emerge from distant worlds — and are answered. Nascent sounds move between agility and acceleration, yet also calm and restraint. Beneath its rhythmic architecture pulse restless, anxious, and electrifying emotions, foreshadowing the sensory journey that defines the entire EP.

Label: KVLTÖ Records
Catalogue: KV078
Artist: Vauna
Title: Renewal

Release Date: February 28th, 2026
Support & Buy: Bandcamp

Tracklist
01 Change Is Possible
02 Doubt Grows Gently
03 Renewal Here
04 First Encounter

Credits
Created by Vauna
Mastered by Tómas Gonzalez
Artwork by 7 times 7 design

vauna

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KVLTÖ Records

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Club Furies

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CF Premiere: Evan Michael – Paranoia (Maks Légère Remix) [Kontrapunkt]

This is how the curator of Kontrapunkt describes the story behind the new release:

«It’s rare that demos land in my inbox and convince me instantly. That wasn’t the case with Evan Michael’s message. Evan works behind the scenes in New York’s nightlife and sent me a folder full of incredible tracks—each bursting with energy and joy. It was hard to choose, but in the end I went with Paranoia and Vice Versa.»

https://clubfuries.com.mx/2026/01/11/cfp-dommie-gaeta-kontrapunkt/

«Paranoia stands as a perfectly crafted dancefloor anthem, weaving cosmic synth textures with a radiant indie house sensibility. It’s the kind of track that feels destined to become an instant classic—the sort of release a label like Running Back might have wished to sign first. Meanwhile, Vice Versa raises the stakes with even brighter, more exhilarating energy. Its synth line radiates pure, unfiltered joy—almost childlike in its immediacy—lingering in the mind long after leaving the rave at dawn. A subtle layer of dreaminess balances the euphoria, giving the track both lift and depth.»

https://soundcloud.com/clubfuriess/cfp-evan-michael-paranoia-maks-legere-remix-kontrapunkt

We are also pleased to premiere the remix by Maks Légère, who fuses Berlin’s cool restraint with New York’s vibrant warmth. His rework introduces a lush dub texture that recalls the intimate, almost forbidden magic of the dancefloor—like wanting to capture in a photograph something that should only be experienced in the moment. In that oscillation between sophistication and sensuality, a magnetic groove takes shape: deep basslines, elastic rhythms, and an electric atmosphere that makes this remix an absolute sonic delight.

Label: Kontrapunkt
Artist: Evan Michael
Title: Vice Versa EP
Catalogue: Kontrapunkt 09
Style: House
Format: Digital

Release Date: February 24th, 2026
Support & Buy: Bandcamp

Tracklist
1 Evan Michael – Paranoia 05:36
2 Evan Michael – Vice Versa 05:18
3 Evan Michael – Vice Versa (U-T Remix) 05:48
4 Evan Michael – Paranoia (Maks Légère Remix) 03:55

Credits
Mastered by Linas Karolis Krasauskas
Artwork by Stefan Ibrahim
Mixing (Track 5) by Tea White

Evan Michael

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Maks Légère

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Kontrapunkt

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Club Furies

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CF Premiere: Fog Catcher – Twin II [Anodynic Frequencies]

Anodynic Frequencies is a podcast devoted to music expressed through subconscious journeys. Its curatorial approach invites listeners to surrender to the flow, allowing the stories told by its guests to unfold naturally. Genre-fluid by design, the platform navigates between deep techno, rhythmic drumming, and the hypnotic atmospheres of intelligent downtempo and ambient, crafting soundscapes rooted in introspection and sensory drift.

For its latest release, the platform presents Portuguese producer Fog Catcher, who introduces himself through a poetic statement:
“Where shadows dance and rhythms resonate, an enigmatic force emerges—a wanderer of sonic realms seeking to uncover the hidden depths of forgotten rhythms and shadowed soundscapes. Driven by the pulse of dark, deep, and mysterious rhythms, each set is crafted as a ritual, an invocation of the primordial code. As the fog lifts and the rhythms intensify, a guardian arises—a mystical navigator charting a course through ever-evolving sonic landscapes”.

https://soundcloud.com/clubfuriess/cfp-fog-catcher-twin-ii-afd002

This release marks the second editorial step for Anodynic Frequencies, now also operating as a record label. Fog Catcher presents his EP Twins, featuring two original tracks alongside remixes by the winners of the remix contest held late last year. Each remix honors the original material while approaching it from a distinct stylistic perspective, expanding the sonic universe without compromising its core identity.

The original mix Twins II opens with hesitant pulsations that quickly take shape through sharp edges and vortices within the sonic structure. Emotions evolve swiftly from restrained calm to anticipation and contained excitement. As the sonic rails align, the rhythm subtly accelerates, generating sonic deltas that collide and dissolve into a state of serene calm, bordering on silence. From this point, a precise final synthesis emerges, articulating the whole as a unity born from difference.

Artist: Fog Catcher
Title: Twins EP
Label: Anodynic Frequencies
Catalogue: AFD002
Mastered by: Tomas Gonzalez / Medellín, Colombia
Artwork by: Chris Rome

Release Date: February 20th, 2026
Support & Buy: Bandcamp

Tracklist
1. Fog Catcher – Twin I
2. Fog Catcher – Twin I (Barnemax Remix)
3. Fog Catcher – Twin I (John Darque Remix)
4. Fog Catcher – Twin I (Planctophob Remix)
5. Fog Catcher – Twin II
6. Fog Catcher – Twin II (INVERNO Remix)

Fog Catcher

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Anodynic Frequencies

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Club Furies

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Solenoid – Ritual [Black Hole Transmissions]

Black Hole Transmissions is a collaborative digital label formed by the London-based Dark Matter Project and German producer Solenoid. For the label’s upcoming release, Solenoid returns after last year’s Neural Implants, this time delivering an EP of deep, hypnotic techno that further solidifies his sonic identity.

https://clubfuries.com.mx/2026/01/29/cfp-dark-matter-project-acid-pain-bht004/

Vertical Drift traces a path through minimal and hypnotic techno, where relentless rhythms, razor-sharp hi-hats, and enveloping synth layers build a deep, almost meditative atmosphere. Throughout its opening tracks, the EP moves fluidly between trance, sustained tension, and sonic magnetism, carefully setting the conceptual and emotional groundwork for its closing moment.

https://soundcloud.com/clubfuriess/cfp-solenoid-ritual-bht005

The final track, Ritual, stands out with flashes of fast-moving acid synths layered over a strong, driving rhythm. Its opening, marked by shimmering trance-inflected tones, cleverly conceals what is yet to come. Gradually, the sound design unfolds with clarity: acid droplets fall slowly and precisely, transporting the listener to a space where the nostalgic and the utopian coexist. Emotions and sensations become fully saturated, wrapped in a sound that is both beautiful and powerful.

Intensity is handled with restraint, shifting between refreshing momentum and moments of controlled calm. It is a form of strength that knows when to assert itself and when to withdraw, supported by a versatile sonic structure that allows for both tight, focused passages and expansive, immersive stretches. With this release, Solenoid once again demonstrates his command of raw, deep, and hypnotic techno. He never disappoints.

Label: Black Hole Transmissions
Artist: Solenoid
Title: Vertical Drift
Catalogue: BTH005

Release Date: February 20th, 2026
Support & Buy: Bandcamp

Tracklist
1. Vertical Drift
2. Conflicting Ideas
3. Vortex
4. Contact
5. Ritual

CF Premiere: Omicron – Memory Hole

From Perth, Australia, we introduce Omicron, who returns with a new single titled Memory Hole, a release that stands out both for its sonic proposal and for its highly suggestive visual artwork, filled with trippy and introspective elements. The project inhabits a space where memory, perception, and time intersect, with its imagery already hinting at an emotional and mental exploration that directly dialogues with the track itself.

https://soundcloud.com/clubfuriess/cfp-omicron-memory

Sonically, this piece stands as one of our favorites within the Electro spectrum. Power, electricity, and attitude are combined with remarkable precision, embedding halos of nostalgia that do not remain trapped in the past, but instead unfold into temporal projections toward possible futures, built upon previously lived pessimisms. The track develops with clear talent, featuring layered sound design executed with great skill, resulting in a perfectly assembled structure from start to finish.

All of this leads to a sonic synthesis that seamlessly blends every element into a cohesive whole, allowing the track to settle and expand across space and time. Memory Hole is not merely heard—it inhabits the environment, seeps into the atmosphere, and lingers, like a persistent echo that refuses to fade, becoming eternal both in sound and in the sensory experience it creates.

Artist: Omicron
Title: Memory Hole
Label: Self-released

Release Date: January 30th, 2026
Support & Buy: Bandcamp

Omicron

SoundCloud | Instagram | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Omicron – Memory Hole

From Perth, Australia, we introduce Omicron, who returns with a new single titled Memory Hole, a release that stands out both for its sonic proposal and for its highly suggestive visual artwork, filled with trippy and introspective elements. The project inhabits a space where memory, perception, and time intersect, with its imagery already hinting at an emotional and mental exploration that directly dialogues with the track itself.

https://soundcloud.com/clubfuriess/cfp-omicron-memory

Sonically, this piece stands as one of our favorites within the Electro spectrum. Power, electricity, and attitude are combined with remarkable precision, embedding halos of nostalgia that do not remain trapped in the past, but instead unfold into temporal projections toward possible futures, built upon previously lived pessimisms. The track develops with clear talent, featuring layered sound design executed with great skill, resulting in a perfectly assembled structure from start to finish.

All of this leads to a sonic synthesis that seamlessly blends every element into a cohesive whole, allowing the track to settle and expand across space and time. Memory Hole is not merely heard—it inhabits the environment, seeps into the atmosphere, and lingers, like a persistent echo that refuses to fade, becoming eternal both in sound and in the sensory experience it creates.

Artist: Omicron
Title: Memory Hole
Label: Self-released

Release Date: January 30th, 2026
Support & Buy: Bandcamp

Omicron

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Omicron – Memory Hole

From Perth, Australia, we introduce Omicron, who returns with a new single titled Memory Hole, a release that stands out both for its sonic proposal and for its highly suggestive visual artwork, filled with trippy and introspective elements. The project inhabits a space where memory, perception, and time intersect, with its imagery already hinting at an emotional and mental exploration that directly dialogues with the track itself.

https://soundcloud.com/clubfuriess/cfp-omicron-memory

Sonically, this piece stands as one of our favorites within the Electro spectrum. Power, electricity, and attitude are combined with remarkable precision, embedding halos of nostalgia that do not remain trapped in the past, but instead unfold into temporal projections toward possible futures, built upon previously lived pessimisms. The track develops with clear talent, featuring layered sound design executed with great skill, resulting in a perfectly assembled structure from start to finish.

All of this leads to a sonic synthesis that seamlessly blends every element into a cohesive whole, allowing the track to settle and expand across space and time. Memory Hole is not merely heard—it inhabits the environment, seeps into the atmosphere, and lingers, like a persistent echo that refuses to fade, becoming eternal both in sound and in the sensory experience it creates.

Artist: Omicron
Title: Memory Hole
Label: Self-released

Release Date: January 30th, 2026
Support & Buy: Bandcamp

Omicron

SoundCloud | Instagram | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Omicron – Memory Hole

From Perth, Australia, we introduce Omicron, who returns with a new single titled Memory Hole, a release that stands out both for its sonic proposal and for its highly suggestive visual artwork, filled with trippy and introspective elements. The project inhabits a space where memory, perception, and time intersect, with its imagery already hinting at an emotional and mental exploration that directly dialogues with the track itself.

https://soundcloud.com/clubfuriess/cfp-omicron-memory

Sonically, this piece stands as one of our favorites within the Electro spectrum. Power, electricity, and attitude are combined with remarkable precision, embedding halos of nostalgia that do not remain trapped in the past, but instead unfold into temporal projections toward possible futures, built upon previously lived pessimisms. The track develops with clear talent, featuring layered sound design executed with great skill, resulting in a perfectly assembled structure from start to finish.

All of this leads to a sonic synthesis that seamlessly blends every element into a cohesive whole, allowing the track to settle and expand across space and time. Memory Hole is not merely heard—it inhabits the environment, seeps into the atmosphere, and lingers, like a persistent echo that refuses to fade, becoming eternal both in sound and in the sensory experience it creates.

Artist: Omicron
Title: Memory Hole
Label: Self-released

Release Date: January 30th, 2026
Support & Buy: Bandcamp

Omicron

SoundCloud | Instagram | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: Omicron – Memory Hole

From Perth, Australia, we introduce Omicron, who returns with a new single titled Memory Hole, a release that stands out both for its sonic proposal and for its highly suggestive visual artwork, filled with trippy and introspective elements. The project inhabits a space where memory, perception, and time intersect, with its imagery already hinting at an emotional and mental exploration that directly dialogues with the track itself.

https://soundcloud.com/clubfuriess/cfp-omicron-memory

Sonically, this piece stands as one of our favorites within the Electro spectrum. Power, electricity, and attitude are combined with remarkable precision, embedding halos of nostalgia that do not remain trapped in the past, but instead unfold into temporal projections toward possible futures, built upon previously lived pessimisms. The track develops with clear talent, featuring layered sound design executed with great skill, resulting in a perfectly assembled structure from start to finish.

All of this leads to a sonic synthesis that seamlessly blends every element into a cohesive whole, allowing the track to settle and expand across space and time. Memory Hole is not merely heard—it inhabits the environment, seeps into the atmosphere, and lingers, like a persistent echo that refuses to fade, becoming eternal both in sound and in the sensory experience it creates.

Artist: Omicron
Title: Memory Hole
Label: Self-released

Release Date: January 30th, 2026
Support & Buy: Bandcamp

Omicron

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

CF Premiere: 01100110 – Sweaty Chords [FRACTVRE]

Fractvre Records is an Argentine underground techno label founded by Dangelo (Arg), created with the intention of exploring and sharing hypnotic, spatial, and rhythm-driven sounds. This year marks its sixth anniversary, celebrated through a Various Artists release that encapsulates six years of consistent activity, functioning more as a sonic archive than a celebration.

The release offers a journey through the label’s identity: direct, functional, dancefloor-oriented techno, with a strong focus on repetition, tension, and rhythmic architecture. Each track presents a different approach, yet all follow the same logic: music conceived as a tool, stripped of superfluous elements and aesthetic concessions. This release documents the current state of Fractvre Records with a clear and uncompromising statement: “We don’t celebrate. We document.”

Among the artists featured on the compilation is 01100110, a Berlin-based techno DJ and producer. His musical journey—pronounced “Zero Eleven Zero”—began in childhood through piano studies and later evolved into a deep commitment to electronic music production. After moving to Berlin to study, he gained his first DJ experiences in self-managed spaces within the city’s queer and left-wing underground scene. Today, 01100110 has carved out a solid place in Berlin’s club circuit, enriching dancefloors with his distinctive narrative-driven sound.

https://soundcloud.com/clubfuriess/cfp-01100110-sweaty-chords-fractvre

The complexity of his DJ sets is mirrored in his productions, which feature a deep exploration of rhythmic textures, atmospheres, tonal structures, and emotional states. His music has appeared on labels such as ARTS, Planet Rhythm, FLASH, and now FRACTVRE, where he presents Sweaty Chords.

The track delivers a constant intensity, steadily rising yet carefully modulated, capable of locking jaws and triggering powerful psychic introspection. Built on a compact and tightly controlled structure, its layered elements unfold with precision. Echoes governed by silence, restrained climaxes, and burning metallic tones in dry sonic corridors create sustained rhythmic pressure, resulting in a sound that is as physically demanding as it is mentally immersive.

Label: FRACTVRE
Artist: Various Artists
Title: 6 Years VA-LP
Catalogue: FRCTR010

Release Date: February 16th, 2026
Support & Buy: Bandcamp

Tracklist
1. 01100110 — Sweaty Chords
2. Arnaud Le Texier — Konfort
3. Dangelo(Arg) — Critical Fault
4. Stier — Madelom
5. Juan Trujillo — Looking Toward The Light
6. The Ripped — Tribal origin
7. Urquiaga — Sectima
8. Vegim — Lost myself for a while

01100110

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FRACTVRE

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Club Furies

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#01100110 #6YearsVALP #Argentina #Berlin #BuenosAires #CFPremiere #clubFuries #ClubFuriesPremiere #DarkTechno #Electronic #Electronica #FRACTVRE #FRCTR010 #Germany #HypnoticTechno #Premiere #techno #VA #VariousArtists

CF Premiere: Res Non Verba – Cuba 2922 [Teorema by Diffuse Reality Records]

Galgo is a producer and composer from Buenos Aires, Argentina, who works across multiple aliases and genres. Res Non Verba is his project most directly oriented toward the dancefloor and techno. For his latest release, he appears on one of our favorite labels, Teorema, the sister imprint of Diffuse Reality Records—an ideal space for a proposal centered on the body, pulse, and meaningful repetition.

https://clubfuries.com.mx/2025/02/10/cfr-2025-3-deepneue-alkebulan-kino-teo194/

RNV 1 brings together six tracks produced throughout 2025, recorded, composed, and mixed almost entirely with hardware in his studio. The release pushes further into a more instrumental and direct approach than his previous work, moving fluidly between groove, industrial techno, and a strong use of the 808. The result is a physical, no-frills sound, designed to operate through extended layers of intensity.

https://clubfuries.com.mx/2024/08/19/cfp-res-non-verba-epilepsia-phy133/

The core search within RNV points toward trance, deep listening, and the hypnotic state intrinsic to electronic music. This idea also dialogues with jazz—not through form, but through experience: extended time, repetition, improvisation, and the possibility of getting lost in the moment. Subtle nods to artists such as Elvin Jones or Ahmad Jamal emerge, not as explicit quotations, but as rhythmic decisions, melodic gestures, and moments of improvisation or hidden samples.

https://soundcloud.com/clubfuriess/cfp-res-non-verba-cuba-2922-teo241

CUBA 2922 unfolds as a staged journey, with distorted 303 lines and 808 rhythms that mutate until reaching an unexpected beat switch. Surprise and shifts in direction are central to the project: the idea is to catch the listener off guard and to understand music as a space for play and exploration. The track closes with the iconic vocal from Moby’s Feeling So Real, reinforcing the logic of allowing the music to move freely, uninterrupted, within this field of imagination and sonic drift.

This is how the artist himself defines the track. And when a creator can articulate their sonic work in such terms, all that remains is to contemplate it—both through words and through sound. A true feast for the senses, meant to be experienced again and again.

Label: Teorema by Diffuse Reality Records
Artist:
Res Non Verba
Title: RNV1
Format: Digital

Catalogue:
TE0241

Release Date: February 10th, 2026
Support & Buy: Bandcamp

Tracklist
1. CUBA 2922
2. THIS ONE IS CALLED EXTENSIONS
3. PASO 2
4. FAT32
5. IN YOUR WAY
6. RITMO LIBRE

Res Non Verba

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Teorema

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Club Furies

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#303 #808 #Argentina #Barcelona #BuenosAires #CFPremiere #clubFuries #ClubFuriesPremiere #DiffuseRealityRecords #Electronic #Electronica #Groove #industrialTechno #Jazz #Premiere #ResNonVerba #RNV1 #Spain #TE0241 #techno #Teorema #Trance

CF Premiere: loot – Until Dawn [Seremonia by EABE]

With the arrival of the somber winter solstice, Seremonia, the EABE sublabel, offers its third sacrifice: Uhrilahja —Finnish for “ritual offering”— a compilation conceived as a ceremonial act dedicated to the ancient and the essential. Five producers shape this sonic rite: Empath, Joel Kinnunen, Kimik, unknownfunction, and Loot, each contributing their own invocation within a shared ritual gesture.

From Helsinki, Finland, Loot presents Until Dawn, a deeply cinematic piece, shaped by soundscapes that evoke powerful visual imagery—dark, cold, and desolate. Abandoned places, broken hopes, and deadly frost unfold into a narrative of endless nights, where snowfall carries no promise of an end.

https://clubfuries.com.mx/2025/11/25/cfp-mikael-vilja-mighty-rite-seremonia-iv/

The track is rooted in ambient and atmospheric textures, yet layered in a way that guides it toward hypnotic techno, bordering on dub and carrying almost tribal undertones. These layers form clearly defined sonic labyrinths that extend beyond the auditory, producing direct effects on the psyche: emotional mazes that are identifiable, yet complex in their consequences.

https://soundcloud.com/clubfuriess/cfp-loot-until-dawn-seremonia-v

An apparent sonic simplicity conceals a precise and carefully crafted sound design. Until Dawn moves toward daybreak, but does so within a world where dawn never truly arrives—suspended in an eternal state of vigilance and anticipation.

Label: SEREMONIA by EABE
Title: Uhrilahja III
Artist: Various Artists
Catalogue: Seremonia-V
Mastered by ODJ Pirkka
Artwork by ODJ Pirkka

Release Date: January 7th, 2025
Support & Buy: Bandcamp

Tracklist
1. Empath – Pattern Seeker 05:04
2. Joel Kinnunen – Do Not 04:54
3. Kimik – Kumipuku 05:30
4. Unknownfunction – Crimp 05:05
5. Loot – Until Dawn 06:33

loot

SoundCloud | Instagram

S E R E M O N I A by EABE

SoundCloud | Bandcamp | Instagram | Facebook | Twitter | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#Ambient #Atmospheric #CFPremiere #clubFuries #ClubFuriesPremiere #Drone #EABE #Electronic #Electronica #Finland #Helsinki #Hypnotic #Premiere #Seremonia #techno #Uhrilahja #UhrilahjaIII #VA #VariousArtists

CF Premiere: loot – Until Dawn [Seremonia by EABE]

With the arrival of the somber winter solstice, Seremonia, the EABE sublabel, offers its third sacrifice: Uhrilahja —Finnish for “ritual offering”— a compilation conceived as a ceremonial act dedicated to the ancient and the essential. Five producers shape this sonic rite: Empath, Joel Kinnunen, Kimik, unknownfunction, and Loot, each contributing their own invocation within a shared ritual gesture.

From Helsinki, Finland, Loot presents Until Dawn, a deeply cinematic piece, shaped by soundscapes that evoke powerful visual imagery—dark, cold, and desolate. Abandoned places, broken hopes, and deadly frost unfold into a narrative of endless nights, where snowfall carries no promise of an end.

https://clubfuries.com.mx/2025/11/25/cfp-mikael-vilja-mighty-rite-seremonia-iv/

The track is rooted in ambient and atmospheric textures, yet layered in a way that guides it toward hypnotic techno, bordering on dub and carrying almost tribal undertones. These layers form clearly defined sonic labyrinths that extend beyond the auditory, producing direct effects on the psyche: emotional mazes that are identifiable, yet complex in their consequences.

https://soundcloud.com/clubfuriess/cfp-loot-until-dawn-seremonia-v

An apparent sonic simplicity conceals a precise and carefully crafted sound design. Until Dawn moves toward daybreak, but does so within a world where dawn never truly arrives—suspended in an eternal state of vigilance and anticipation.

Label: SEREMONIA by EABE
Title: Uhrilahja III
Artist: Various Artists
Catalogue: Seremonia-V
Mastered by ODJ Pirkka
Artwork by ODJ Pirkka

Release Date: January 7th, 2025
Support & Buy: Bandcamp

Tracklist
1. Empath – Pattern Seeker 05:04
2. Joel Kinnunen – Do Not 04:54
3. Kimik – Kumipuku 05:30
4. Unknownfunction – Crimp 05:05
5. Loot – Until Dawn 06:33

loot

SoundCloud | Instagram

S E R E M O N I A by EABE

SoundCloud | Bandcamp | Instagram | Facebook | Twitter | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#Ambient #Atmospheric #CFPremiere #clubFuries #ClubFuriesPremiere #Drone #EABE #Electronic #Electronica #Finland #Helsinki #Hypnotic #Premiere #Seremonia #techno #Uhrilahja #UhrilahjaIII #VA #VariousArtists

CF Premiere: loot – Until Dawn [Seremonia by EABE]

With the arrival of the somber winter solstice, Seremonia, the EABE sublabel, offers its third sacrifice: Uhrilahja —Finnish for “ritual offering”— a compilation conceived as a ceremonial act dedicated to the ancient and the essential. Five producers shape this sonic rite: Empath, Joel Kinnunen, Kimik, unknownfunction, and Loot, each contributing their own invocation within a shared ritual gesture.

From Helsinki, Finland, Loot presents Until Dawn, a deeply cinematic piece, shaped by soundscapes that evoke powerful visual imagery—dark, cold, and desolate. Abandoned places, broken hopes, and deadly frost unfold into a narrative of endless nights, where snowfall carries no promise of an end.

https://clubfuries.com.mx/2025/11/25/cfp-mikael-vilja-mighty-rite-seremonia-iv/

The track is rooted in ambient and atmospheric textures, yet layered in a way that guides it toward hypnotic techno, bordering on dub and carrying almost tribal undertones. These layers form clearly defined sonic labyrinths that extend beyond the auditory, producing direct effects on the psyche: emotional mazes that are identifiable, yet complex in their consequences.

https://soundcloud.com/clubfuriess/cfp-loot-until-dawn-seremonia-v

An apparent sonic simplicity conceals a precise and carefully crafted sound design. Until Dawn moves toward daybreak, but does so within a world where dawn never truly arrives—suspended in an eternal state of vigilance and anticipation.

Label: SEREMONIA by EABE
Title: Uhrilahja III
Artist: Various Artists
Catalogue: Seremonia-V
Mastered by ODJ Pirkka
Artwork by ODJ Pirkka

Release Date: January 7th, 2025
Support & Buy: Bandcamp

Tracklist
1. Empath – Pattern Seeker 05:04
2. Joel Kinnunen – Do Not 04:54
3. Kimik – Kumipuku 05:30
4. Unknownfunction – Crimp 05:05
5. Loot – Until Dawn 06:33

loot

SoundCloud | Instagram

S E R E M O N I A by EABE

SoundCloud | Bandcamp | Instagram | Facebook | Twitter | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#Ambient #Atmospheric #CFPremiere #clubFuries #ClubFuriesPremiere #Drone #EABE #Electronic #Electronica #Finland #Helsinki #Hypnotic #Premiere #Seremonia #techno #Uhrilahja #UhrilahjaIII #VA #VariousArtists