#mermaid — Public Fediverse posts

Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg

Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.

Copenhagen was published in 2024 by Dargaud and is 295 pages long.

The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.

Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.

Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.

The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.

Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.

At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.

Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.

His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.

Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.

Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.

I’m giving Copenhagen an 8/10.

Have you read Copenhagen? What did you think?

As ever, thanks for stopping by and reading my review!

Until next time,

George

© 2026 GLT

Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg

Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.

Copenhagen was published in 2024 by Dargaud and is 295 pages long.

The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.

Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.

Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.

The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.

Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.

At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.

Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.

His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.

Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.

Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.

I’m giving Copenhagen an 8/10.

Have you read Copenhagen? What did you think?

As ever, thanks for stopping by and reading my review!

Until next time,

George

© 2026 GLT

Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg

Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.

Copenhagen was published in 2024 by Dargaud and is 295 pages long.

The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.

Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.

Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.

The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.

Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.

At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.

Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.

His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.

Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.

Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.

I’m giving Copenhagen an 8/10.

Have you read Copenhagen? What did you think?

As ever, thanks for stopping by and reading my review!

Until next time,

George

© 2026 GLT

Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg

Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.

Copenhagen was published in 2024 by Dargaud and is 295 pages long.

The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.

Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.

Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.

The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.

Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.

At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.

Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.

His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.

Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.

Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.

I’m giving Copenhagen an 8/10.

Have you read Copenhagen? What did you think?

As ever, thanks for stopping by and reading my review!

Until next time,

George

© 2026 GLT

Book Review: Copenhagen by Anne-Caroline Pandolfo and Terkel Risbjerg

Hi everyone! I hope you’re all well. Today is Friday, and it’s time for another review. This week, I’m sharing my review of the graphic novel, Copenhagen, by Anne-Caroline Pandolfo and Terkel Risbjerg.

Copenhagen was published in 2024 by Dargaud and is 295 pages long.

The Plot
The story opens with a woman fatigued with her teenage daughter and craving a break. On a whim, she jets off from Paris to Copenhagen for a one-week getaway that turns into something much more unusual. Barely having unpacked, she finds the city in uproar — the body of a mermaid has been discovered, plunging Denmark into shock and disbelief.

Characters
Nana Miller
Nana is the emotional core. Initially defined by fatigue and displacement, she becomes a magnetic guide through the city’sodd rhythms. Her vulnerability — especially being physically distant from her daughter — gives the narrative emotional weight while still allowing her to be curious and resilient.

Thyge Thygesen
Thyge is a contrast to Nana’s initially tentative presence. A quirky radio host with a gentle eccentricity, he embodies Copenhagen’s offbeat charm. His local knowledge and relatability provide humour and steady companionship as the mystery deepens.

The Poodle Club
A colourful ensemble supporting the investigation, the club members add both comedy and community. They aren’t just comic relief but help crystallise the graphic novel’s theme that everyone — no matter how strange — has a place in the story.

Writing Style
Pandolfo’s writing is breezy but observant, anchored in dialogue that is sharp, humorous, and often delightfully odd. She maintains a warm narrative voice, letting humour and curiosity coexist with moments of introspection without ever becoming preachy or sentimental. The pacing is brisk: scenes shift with a blend of comic timing and deliberately understated reflection, giving readers just enough to care about the stakes without bogging them down in overt melodrama.

At its best, the script balances human vulnerability with surreal twists—like a dead mermaid being a national news event—so that the story feels both grounded and subtly magical. Sometimes the subplots threaten to pull attention away from Nana’s emotional thread, but this is a testament to the richness of the world Pandolfo builds rather than a fundamental flaw.

Artwork
Terkel Risbjerg’s art gives Copenhagen its visual soul. His style is expressive and textured, perfectly attuned to both the humour and melancholia of the script. Panels of urban landscapes feel lived-in yet slightly dreamlike, reflecting the story’s blend of realism and whimsy. Risbjerg’s character designs are distinctive, with faces and body language that communicate mood effortlessly.

His layouts are inventive without being showy; quieter moments are rendered with gentle detail, and hectic scenes retain clarity without sacrificing energy. The visual pacing — the rhythm created by the sequence of panels — complements Pandolfo’s writing and pulls the reader through the narrative without confusion.

Colour choices and shading further enhance the mood: muted tones for introspection, brighter accents for revelations and humour. This subtle visual storytelling enriches the text rather than competing with it.

Final Thoughts
Overall, Copenhagen is an engaging graphic novel that turns an unusual premise into an enjoyable blend of adventure, humour, and personal exploration. It doesn’t always go as deep as it could have—but what it does offer, it delivers with flair: likeable characters, witty dialogue, and artwork that vividly brings a city and a cast of eccentric personalities to life. Whether you’re drawn by the mystery or the beat of a woman figuring her life out in an unexpected place, there’s plenty here to reward readers who like their comics with a mix of charm and oddball energy.

I’m giving Copenhagen an 8/10.

Have you read Copenhagen? What did you think?

As ever, thanks for stopping by and reading my review!

Until next time,

George

© 2026 GLT

Mervitya and Makkafish 🩷🤎

(Please don’t comment things like “I miss them”, “Fuck Mappa”, etc).

Mervitya and Makkafish 🩷🤎

(Please don’t comment things like “I miss them”, “Fuck Mappa”, etc).

Mervitya and Makkafish 🩷🤎

(Please don’t comment things like “I miss them”, “Fuck Mappa”, etc).

One of my favorite open source tools, #D2Lang aka #D2 is now under #HackClub! This makes it a fully #FOSS and #nonprofit project. Thank you Alex for making this awesome tool available for everyone in the long run!

View full note:
https://burgeonlab.com/notes/2026/0907-2330

This is post 92 of #100DaysToOffload
https://burgeonlab.com/tags/100daystooffload/

#diagrams #mermaid #mermaidjs

Line9: Because what the world desperately needed was a #diagram #editor that doubles as a mermaid's #diary 📉🐟. Dive deep into this ocean of confusion where #flowcharts meet fairy tales—because why not turn your delivery process into a #mythical saga? 🧜‍♀️📦
https://line9.ai/diagram #Line9 #Mermaid #Saga #HackerNews #ngated

Recently learned of #d2lang and have become an instant convert. 😅 I write a lot of diagrams. While #mermaid has been my go-to, I can say not always is it clear how to set up. But on d2? I barely know it and already have some potent diagrams. That actually look nice. 🫡

https://d2lang.com/

We saw a mermaid at the Canal Festival!!!

https://www.flickr.com/photos/woolamaloo_gazette/55355813085/in/photostream/lightbox/

We pointed her out to some kids near us, she waved to them & their wee faces just lit up in delight.

#Edinburgh #edimbourg #photography #photographie #Mermaid #sirene #PeopleWatching #BlackAndWhitePhotography #EdinburghCanalFestival #UnionCanal #Paddleboard

"Rockstar"
Teableau for 02/21/26

For a dear, dear friend on her birthday. She knows why.

#Tea #Mermaid #Teableau #Teapot #VintageChina #VintageGlass #CarnivalGlass #DepressionGlass #Figurines #Handmade #Quilting #Clay #Rocks #Manatee #AdagioTeas #MetloxPoppytrail #Brooches #GlassArt

(not so little) mermaid at the #Edinburgh Zoo Giant Lanterns show
https://www.flickr.com/photos/woolamaloo_gazette/55029320171/in/photostream/lightbox/

It runs until February

#Edimbourg #EdinburghByNight #NightPhotography #phiotography #photographie #Mermaid #sirene #EdinburghZoo #EdinburghZooGiantLanterns

LUSTY ADVENT!

https://lustycomic.itch.io/lusty-advent

Includes:
- 24 sexy and cute pics
- You can view this like an Advent Calendar and reveal one new pic every day of December up to Christmas <3
- Starring #Lusty, #Lilya, #Swig, #Rongo, #Badru, #AuntyBolga, and more!
- Proudly no AI generated bullshit

#Advent #AdventCalendar #Christmas #elf #witch #mermaid #werewolf #monstergirl #monsters #demongirl #bunnygirl

Rumour has it that the 409th edition of #Paranatellonta has just arrived on a ship! Enjoy!
🧜‍♀️
Our new, extra Paranatellonta feature is approaching but not quite finished yet. Soon…
🧜
#nyhavn #copenhagen #wotan #mermaid #icecream #photography #flashfiction
🧜
https://paranatellonta.tumblr.com/post/793512465922211840/pastel-greeting-when-the-ship-named-wotan-arrives

TIL how to use Mermaid (for flow charts) thanks to @rlcw simply telling me about it in mid-to-late April. Apparently it's available as a M365 Loop Component.

Good stuff. Honestly, it's easier than any manual flow chart solution I've ever used. Don't be intimidated.

#TIL #Mermaid #FlowCharts #M365 #Loop

Mermaid: Generation of diagrams like flowcharts or sequence diagrams from text

https://github.com/mermaid-js/mermaid

#HackerNews #Mermaid #Flowcharts #SequenceDiagrams #TextToDiagram #DiagramGeneration #OpenSource

Mermaid diagram syntax is a low-key very useful skill to have as a software developer.

#mermaid #developer #softwaredevelopment #programming #diagram #mermaidJS #flowcharts #dev #technology #markdown

My first... and last submission for #Mermay2024 XD Done with colored pens. There is no chance to catch the neon yellow in the photo QwQ #XolotberryArt #AlisaJArt #traditionalart #art #drawing #popcolors #mermaid #pink #mermay #mastoart #creativetoots #sketchbook

Sculptor Sue and Pete Hill

The Mud Maid is a living sculpture by Sue and Pete Hill created 1998 at Lost Gardens of Heligan, Pentewan, St.Austell, Cornwall, England. Depending on the season, the mud maid’s ‘hair’ and ‘clothes’ change when the seasonal plants and moss grow over the sculpture.

https://www.youtube.com/watch?v=TlG5SBmeE5s

Comments:

https://twitter.com/StreetArtUtopia/status/1473694441483427846

https://streetartutopia.com/2024/03/08/mud-maid-living-sculpture-by-sue-hill/

#Art #Cornwall #lostGarensOfHeligan #Mermaid #moss #mudMaid #muddMade #Pentewan #peteHill #Sculpture #StAustell #StreetArt #sueHill #UrbanArt

That feeling when you get caught up in analysis paralysis trying to choose a text-to-diagram software. 😞

I'd go w/ #graphviz, but its README claims it's barely maintained, and it doesn't support modern diagram types one might need natively.

I'd go w/ #d2lang, but it produces #SVG w/ hard-coded font sizes and other styles, which makes it annoying to deal with when it comes to SVG in-lining.

I'd go w/ #mermaid, but it requires running #javascript on the page.

I want to make a creature design portfolio with really consistent pieces of work using the the workflow of Hardy Fowler, from Digital Painting Studio. I'm just in time for the last day of #Mermay, so here you go: A mermaid/merfolk inspired by an #Oarfish! I forgot to record the creation process, unfortunately. I'm probably going to focus on creature design the coming weeks, so you can expect more of these kinds of work.
#FantasyArt #CreatureDesign #Mermaid #Merfolk

It's #FairyTaleTuesday and the theme is folklore from Ireland, so I'm sharing my retelling of the myth of Lí Ban, the Irish princess who became a mermaid — and a saint.

It's a strange and very ancient story, with a few surprising similarities to Hans Christian Andersen's fairy tale The Little Mermaid!

Free link: https://medium.com/fairy-tales-myths-legends/the-irish-princess-who-became-a-mermaid-l%C3%AD-ban-of-lough-neagh-9a87ce45090b?sk=bb12d1a06cb601724d28eda408f56abc

#folklore #mermaid #myth #legend #fairytale #ancient #saint #Ireland #ReadForFree

📸 The Little Mermaid statue in Copenhagen, Denmark. Photo by lachrimae72.

Gimme a kiss

#gianttiny #giant #smallwoman #sfwgt #gt #sizedifference #blind #longhair #giantman #myart #DigitalArt #bath #80s #MastoArt #myoc #vaporwave #mermay #mermaid #merman

Enjoying the sea

#gianttiny #giant #smallwoman #sfwgt #gt #sizedifference #blind #longhair #giantman #myart #DigitalArt #bath #80s #MastoArt #myoc #vaporwave #mermay #mermaid #merman