#librarypatrons — Public Fediverse posts

S.F. Public Library’s main ebook provider to shut down – San Francisco Chronicle

Arts & Entertainment

San Francisco Public Library’s main ebook service is suddenly shutting down

By Aidin Vaziri, Staff WriterUpdated Nov 17, 2025 5:50 p.m.

Editor’s note: There is an audio file in the online article, I cannot include here. –DrWeb

San Francisco’s library patrons are about to lose access to one of their most-used ebook platforms — the latest ripple effect of a crisis shaking the library supply industry nationwide.

The San Francisco Public Library announced that Boundless, its largest ebook supplier, will go offline Dec. 8 after its parent company, Baker & Taylor, said it will cease operations at the end of 2025. 

The closure of the nearly 200-year-old distributor has sent libraries across the country scrambling to find new vendors and digital access points for readers.

“Due to the company’s sudden closure, the Boundless platform will end,” the library said in a statement. 

Boundless users will be unable to place new holds after Monday, Nov. 17, and must check out any remaining titles by Nov. 24.

Continue/Read Original Article Here: S.F. Public Library’s main ebook provider to shut down

#200YearOldCompany #bakerTaylor #boundless #ebooks #libraryPatrons #newVendor #platform #providerShutdown #sanFrancisco #sanFranciscoPublicLibrary #uSLibraries

S.F. Public Library’s main ebook provider to shut down – San Francisco Chronicle

Arts & Entertainment

San Francisco Public Library’s main ebook service is suddenly shutting down

By Aidin Vaziri, Staff WriterUpdated Nov 17, 2025 5:50 p.m.

Editor’s note: There is an audio file in the online article, I cannot include here. –DrWeb

San Francisco’s library patrons are about to lose access to one of their most-used ebook platforms — the latest ripple effect of a crisis shaking the library supply industry nationwide.

The San Francisco Public Library announced that Boundless, its largest ebook supplier, will go offline Dec. 8 after its parent company, Baker & Taylor, said it will cease operations at the end of 2025. 

The closure of the nearly 200-year-old distributor has sent libraries across the country scrambling to find new vendors and digital access points for readers.

“Due to the company’s sudden closure, the Boundless platform will end,” the library said in a statement. 

Boundless users will be unable to place new holds after Monday, Nov. 17, and must check out any remaining titles by Nov. 24.

Continue/Read Original Article Here: S.F. Public Library’s main ebook provider to shut down

#200YearOldCompany #bakerTaylor #boundless #ebooks #libraryPatrons #newVendor #platform #providerShutdown #sanFrancisco #sanFranciscoPublicLibrary #uSLibraries

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Us, is another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

The “sanctity” of library property in fiction and the reality of library theft

Since today is Labor Day in the U.S. (elsewhere in the world it is celebrated on May 1), it seems the perfect opportunity to write about library property, theft, and more in fiction. [1] There will be spoilers for the webcomic Glass Case, as well as the animated series Totally Spies!, Too Loud, Kim Possible, Kick Buttowski: Suburban Daredevil, Courage the Cowardly Dog, and Carl Squared, and the anime series Library War. I will connect this to the realities that libraries face.

One of the most pertinent examples of library property and theft is in the webcomic, Glass Case. In this relatively recently-ended webcomic, a girl names Katherine Ashdown welcomes another patron, named Elaine, into the library, but this is all a ploy. Elaine uses her magic to smash a glass case surrounding a book and steals The memoirs of Ashdown. In order to camouflage her escape, she uses a spell to cause Katherine to fall asleep, and she hopes, forget what happened. Later, after waking up, Katherine worries about what her dad would day, she thinks about what Elaine (whose name she doesn’t know yet) would do, and she laments at the exhaustion from being a librarian. Somehow she finds where Elaine is staying, gets the book back, and Elaine makes fun of her, saying that librarians are “so efficient nowadays”. In response, she criticizes Elaine for taking the book and destroying the glass case, but doesn’t report her. The story is later continued with Katherine following Elaine to her destination, using the library in the Clatworthy Mansion (to find specific books), they tease one another, Katherine stops Elaine from burning books so they can stay warm, they hear the backstory of Cedric, the talking umbrella, and find a secret library. [2]

This is not the only media which features library theft. One of the first examples I noted on here were the protagonists of Totally Spies!, who steal the datebook of the now-buff wrestler librarian. On a rewatch of the episode, I noted that it is only implied that one of them (Sam) opens the locked drawer to look at the date book, not to steal it, meaning it it is likely that “the book was returned to the drawer and locked up again”, considering how important learning is to Sam. More predominantly, in the Too Loud episode “Checked Out”, Desiree talks about the iron fist of the librarian and tells Sarah to think about the “sanctity of library property,” with Sarah agreeing to help them. However, the episode shows how libraries can be punitive with wanting to protect their property and implying the interconnection of this with the criminal legal system, embodied by the book jail.

The library’s role as an institution which maintains its property is reinforced by Ms. Hatchet in Kim Possible episode “Overdue”, who takes away Kim’s communicator and makes her put adhesive labels on every book saying “property of MHS library,” labels she can only adhere to the books with her own spit, I believe. Clearly, this is unsanitary, but it is meant as a watch for Ms. Hatchet to maintain control in one way or another. Otherwise, the unnamed librarian in Kick Buttowski: Suburban Daredevil, who first appears in the episode “If Books Could Kill,” declares that “everything in the library belongs to me, including YOU”. Later, in the episode “Shh!,” the librarian declares that the next time he tries to get his book back, she will kill him.

The sadistic librarians portrayed in animation are not only some of the most stereotypical characters, but they are the ones who uphold the role of the library as a place which clings onto its property, no matter the costs. Others that would fall into this category would be the unnamed librarian in the Courage the Cowardly Dog episode “Wrath of the Librarian”, and Miss Dickens in Carl Squared  in “Carl’s Techno-Jinx”. Last but not least, in  Library War, a patron is tackled while stealing a book. There will be a mention of how books are sold by bookstores and how that is different from how libraries deal with books, in my post in early November entitled “A dusty bookstore in ‘Himawari-San’ and why libraries are different from bookstores”.

While the aforementioned examples in Kim Possible, Kick Buttowski: Suburban Daredevil, Courage the Cowardly Dog, and Carl Squared are librarian stereotypes, libraries are serious about property. There are stories of some patrons who have been charged with failing to return library property, while there is policing as to how said property is used,  what patron behavior should be. [3] On a basic level, this is understandable, but it can be discriminatory if such library rules are used unfairly and unevenly.  The ALA has defined assets as what a library “has or owns and considers valuable, including human life, collections, structures, properties, even the good name and operations of the library”, a broad definition. The same document noted the importance of documenting all losses and reporting stolen property. [4] This is interconnected to the idea that patrons should respect library property, as one WikiHow guide states.

Libraries undoubtedly work to ensure library spaces are “free and unrestricted” for people to use and enjoy, but nothing can be stolen, vandalized, or damaged. These library rules are meant to ensure patrons engage in the proscribed behaviors and not those deemed “unacceptable”. Some even threaten prosecution for those who damage library furniture, equipment, property, or materials. [5] Section 99A Code of Massachusetts notes that those who conceal library materials or property and remove these library materials or property,and if this value exceeds $250 dollars, a said person “shall be punished by imprisonment in the state prison for not more than five years, or by a fine of not less than one thousand nor more than twenty-five thousand dollars”. But, if the value is less than $250 dollars, then there is punishment “by imprisonment in jail for not more than one year or by a fine of not less than one hundred nor more than one thousand dollars”. There would be an order to “pay the replacement value of such library materials or property.”

These policies/rules have the goal of having a library for everyone, but some have questioned this, stating they are innocent in charges against them, and ties libraries into the criminal system. There are even those who offer expunging charges for library theft. On the other hand, is the ever-common issue of people stealing books from libraries and selling them to make a profit for themselves. Some scholars argue that theft is a threat for all institutions and something “libraries open to the public experience frequently.” [6] There is even a Wikipedia page entitled “Library theft”, calling it is a “significant” problem.

The amount of stolen material has led some libraries to go to the extreme, even saying that those who steal materials should be jailed. Such a statement is not unusual, as there are often threats to prosecute offenders. In fact, stealing books has even been described as “most selfish of all forms of theft”, with a history that goes back to the Middle Ages when books were rare. A 1982 study even stated that the most common type of vandalism in libraries is “intentional book damage” and book theft was the “most common and consistent problem”, while only “10 percent of the libraries had book detection systems” of those surveyed. While it is clear that libraries can help those who were released from prison “re-enter” society, they serve an “instrumental role” in the criminal system, which is framed as a positive, but undoubtedly interlocks with oppressive systems. [7]

In fact, some libraries have expressed concern against using money from penal fines, which can account for “3% to 70% of annual budgets for public libraries” in Michigan, as excessive fines and the transparency of processes can unfairly burden “those that commit crimes.” Libraries are posed as something to disrupt pipelines to prison, but what if, sometimes, they support those pathways, and push people into prison? After all, libraries, especially in the U.S. South, upheld racial segregation, and denied opportunities for Black people to become librarians, leading to various protests (including sit-ins). Furthermore, on the state-level, where funding is determined by population, libraries in predominantly White, rural areas where prisons are located increase “their share of political representation and federal funding, while impoverished urban communities” where those prisoners live “lose funds and representation.” In terms of libraries themselves, as Erin Feeley stated, when books are seen as “longer fit for use at public libraries”, they are often sent to prisons or jails as “an act of charity”, something which can be deeply problematic. [8]

Arguably, libraries are within structurally racist systems, as implied by some scholars. In response to negative interactions with police, some libraries have even removed their surveillance cameras. On the other hand, there has been a “problem of violence” in public libraries, whether those in the UK from drunken people, youth who are “unruly” and irate patrons, to the direct killing of librarians in the U.S., making security a bigger push from librarians, understandably. Additional scholars have said that offenses like “library theft” becomes to a referendum on whether “legislators care about public libraries”. [9]

In the end, there will likely be more examples of library theft in fiction which I haven’t focused on, seen, and read before, then connect those to the reality of libraries. Until next time.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] I could have posted this on World Intellectual Property Day (April 26), World Book Day (on April 23), or World Radio Day (on Feb. 13),  I already had posts scheduled near those days, so I decided to schedule it for today instead.

[2] Glass Case, Episode 2, “Aries“; Glass Case, Episode 3,  “Circinus“; Glass Case, Episode 4, “Sagitta“; Glass Case,  Episode 5, “Fornax“; Glass Case, Episode 7, “Caelum“; Glass Case, Episode 10, “Mensa“; Glass Case, Episode 15, “Apus“; Glass Case, Episode 16, “Lynx“; Glass Case,  Episode 17, “Lepus“; Glass Case, Episode 19, “Pisces“; Glass Case, Episode 26, “Virgo“; Glass Case, Episode 28, “Capricornus“; Glass Case, Episode 29, “Cancer“; Glass Case, Episode 30, “Aquila“; Glass Case, Episode 31, “Cetus“; Glass Case, Episode 37, “Chamaeleon“; Glass Case,  Episode 38, “Aquarius“; Glass Case, Episode 39, “Corvus“; Glass Case,  Episode 40, “Equuleus“; Glass Case, Episode 41, “Triangulum“; Glass Case, Episode 42, “Microscopium“; Glass Case, Episode 43, “Canes Venatici“; Glass Case, Episode 44, “Grus“.

[3] Stockburger, George. “Lebanon Police charge four with failing to return library property,” ABC27, Mar. 8, 2023; Zulkey, Claire. “Give Them Shelter?,” American Libraries, Jun. 3, 2019; “Policy – Patron Behavior on Library Property,” LillyLibrary, Jun. 22, 2009; “Borrower responsibilities,” Stanford Libraries, accessed Apr. 9, 2023; “Rules of Conduct,” The Seattle Public Library, accessed Apr. 9, 2023; “Services and Policies,” Sarasota County, accessed Apr. 9, 2023; “San Francisco Public Library Commission Policy Manual,” San Francisco Public Library, Sept. 2014; “Guidelines governing the use of Montgomery County Public Libraries,” Montgomery County Public Libraries, May 8, 2020; “Appropriate Library Use Policy,” Boston Public Library, Oct. 3, 2019; “Library,” Sutter County, accessed Apr. 9, 2023; “Conduct on Library Premises,” Library of Congress, accessed Apr. 9, 2023; “Library Policies,” University of the District of Colombia, accessed Apr. 9, 2023; “Staff Use of Library Property Policy,” Arapahoe Libraries, accessed Apr. 9, 2023; “Title 18,” Philadelphia General Assembly, 2023; “§ 42.1-74.1. “Book or other library property” defined,” Code of Virginia, accessed Apr. 9, 2023; “Library Policies,” Woodward Memorial Library, accessed Apr. 9, 2023.

[4] “Library Security Guidelines Document,” LLAMA BES Safety & Security of Library Buildings Committee, Jun. 27, 2010, p. 3, 6, 8, 13, 15; “ACRL/RBMS Guidelines Regarding Security and Theft in Special Collections,” ACRL Board of Directors, American Library Association, Jan. 2019.

[5] “Patron Use of Library Spaces Policy,” Anoka County Library, Apr. 9, 2023; “Library Use & Behavior Guidelines,” Davidson County North Carolina, Apr. 9, 2023; “Patron Behavior on Library Property Policy,” Tinley Park Public Library, Jan. 22, 2020; “Code of Conduct,” NYU Libraries, October 2015; “User Rights and Responsibilities,” UCLA Library, accessed Apr. 9, 2023; “Behavioral Rules,” Franklin County Public Libraries, 2014; “Part 1 – Library Law”. When I say “Some even threaten prosecution” I am referring to UCLA Library. Some scholars have noted that destruction of libraries and archives in wartime does not “receive adequate attention” during prosecutions for war crimes.

[6] “Policies,” Iowa Law Library, accessed Apr. 9, 2023; “A Library for Everyone,” Oak Park Public Library, Oct. 26, 2021; “Behavior Policy,” The Indianapolis Public Library, accessed Apr. 9, 2023; Pelham, Dennis. “‘We’re innocent,’ says woman in library book prosecution,” Daily Telegram, Apr. 4, 2016; “Policies,” DeKalb County Public Library, accessed Apr. 9, 2023; “Library Book Theft Expungement,” Lento Law Firm, accessed Apr. 9, 2023; Seppi, Gregory and Dainan Skeem, “Picking Up the Pieces: Library Processes and the Theft of Rare Materials,” RBM, Vol. 2, No. 2 (2020); Epstein, Kayla. “Archivist and bookseller plead guilty to pilfering $8M in rare texts from Carnegie Library,” Washington Post, Jan. 14, 2020; Pace, Aaron. “Are People Stealing Library Books to Sell Online?,” Medium, Sept. 30, 2020; Zeidberg, David S. “Guidelines regarding thefts in libraries: A draft,” College & Research Libraries, 47, no. 10 (1986).

[7] Weinreb, Arthur. “Alabama library wants borrowers with overdue books jailed,” Digital Journal, Sept. 4, 2016; “Library User Responsibilities,” University of Nebraska-Lincoln, accessed Apr. 9, 2023; Abbott, E.C. “People who steal books,” Canadian Medical Association Journal, 165, No. 12 (2001); Ringrose, Katelyn. “Libraries & Reentry: The Importance of Public Spaces, Technologies, and Community to Formerly Incarcerated Patrons,”ALA Policy Perspectives, no. 7 (Sept. 2020): 2-14; Sweendy, P.C. “Libraries and the Justice System,” EveryLibrary, Medium, Jan. 20, 2021; de la Peña McCook, Kathleen. “Public Libraries and People in Jail,” Digital Commons @ The University of South Florida, 2004.

[8] “Penal Fines – MLA Advocacy Priority Area,” Michigan Library Association, accessed Apr. 9, 2023; Vercelletto, Christina. “Libraries Can Help Disrupt School-to-Prison Pipeline,” School Library Journal, Jan. 9, 2018; Steele, Chris. “Art Exhibit on Black Panther Challenges Library Patrons to Face Violence of Mass Incarceration Violence of Mass Incarceration,” Collaborative Librarianship, 7 no. 4 (2015): 170-171; Thorpe, Rebecca. “Urban Divestment, Rural Decline and the Politics of Mass Incarceration,” The Good Society, 23 No. 1 (2014): 25;

[9] Gibson, Amelia N., Renate L Chancellor, Nicole A Cooke, Sarah Park Dahlen, Shari A Lee, and Yasmeen L Shorish, “Libraries on the frontlines: Neutrality and social justice,” 2017, 1-4; Robinson, Paul H. “Democratizing Criminal Law: Feasibility, Utility, and the Challenge of Social Change,” Northwestern University Law Review , 111, no. 6 (2017): 1578. Also see books such as Libraries in Prisons: A Blending of Institutions by William Coyle, Security and Crime Prevention in Libraries (first published in 1992).

#books #CarlSquared #CourageTheCowardlyDog #femaleLibrarians #GlassCaseWebcomic #HimawariSan #KickButtowski #KimPossible #librarianStereotypes #libraryPatrons #libraryProperty #libraryRules #LibraryWar #MissDickens #MissHatchet #oppression #prison #racism #segregation #theft #TooLoud #TotallySpies #WhitePatrons

Josee, a sea of books, and reading to library patrons

When I began watching Josee, the Tiger and the Fish, a 98-minute romantic comedy film, I had no idea how central libraries, and librarians, would be to the story. I knew already that there was a librarian in the film, but I wasn’t sure how vital her role would be the story. In this post, I’ll relate scenes in the film to other fictional examples and other topics.

More than 30 minutes into the film, Josee (voiced by Kaya Kiyohara), a physically disabled girl who uses a wheelchair, goes to the public library with her caretaker, Tsuneo Suzukawa (voiced by Taishi Nakagawa). She is amazed by the sea of books. She finds some books by Françoise Sagan, an author she likes, and the librarian, Kana Kishimoto (voiced by Lynn), happily asks if she is a fan, with Josee quietly admitting what book she likes. Not long after, Kana also asks if Tsuneo is her boyfriend, causing her to blush, as she is embarrassed, as the librarian sees the romantic sparks between Tsuneo and Josee. They check out the books. Interestingly, the librarian, Kana, is 24, just like Jose’s, and they quickly become friends, waving to one another.

Before moving onto the rest of the film, one aspect that struck me was how personable Kana’s character was. Compared to many of the other librarians I have profiled on here, either those of Asian descent, or those with the common hair bun, she is a good representation of a library worker in Osaka. In some ways, I see a parallel to Isomura, a library curator in Let’s Make a Mug Too!, who is just as helpful to the protagonists. The difference is that she is much more than an information provider, but is atypical, in her character type, because she becomes friends with the protagonist and ventures outside the library, making her an important part of the film.

Even positive depictions of librarians are often stuck inside the library and are never shown outside the walls of the institution. Some exceptions include Kaisa in Hilda, many of the student librarians in anime. Whether you see the film as having “little fresh” when it comes to disability, criticize it for being primarily through the perspective of her caretaker, praise it for its perspective on disability, Kana remains a key part of the film, something which reviewers appear to miss, for the most part, except to note that she doesn’t exist in the manga. [1] However, the review in Anime Feminist, by Zeldaru notes that when Josee goes to the library she has the “opportunity to become part of a fully public community” and she is able to see, for the first time, people coming together “with a similar purpose”, resulting in her befriending Kana, allowing her to “pursue her burgeoning interest in art”!

The fact that Kana is welcoming of Josee indicates the openness of the library to all patrons, including those which are physically disabled. Kana also helps Josee realize her feelings for Tsuneo after Josee said that she didn’t need him. She even encourages Josee to read The Little Mermaid to children in the library, but she is nervous, and kids leave. Although the reading doesn’t go well, Kana encourages her to display her art online and she is nervous and embarrassed by that. She later tells Tsuneo about her reading to the children and how she did it badly. She says she wants to try harder and be an illustrator.

This isn’t all that Kana does in the film. She helps Josee work with Kana to write a love story so as to convince Tsuneo to stay with his dream. Not long after, Josee is reading a story to those in the library, which she wrote to cheer up Tseuno. The story is her personal adaptation of a Little Mermaid, which had references to what happened in her relationship with her caretaker. It is something that gets him out of his funk and he claps at the end,after crying during the story. After everyone claps, and blushes at the praise, and smiles. This gives the caretaker the motivation to begin physical therapy so he can walk again. She watches him day after day as he gets better.

Although some have said that this story is “uncomfortably close” to the story where a disabled person teaches an able-bodied person an “important lesson”, I tend to side with what Anime Feminist says about it, that she is trying to inspire Tsuneo “and those around her,” assembling the community she built, even organizing a picture book reading time for her book with help of Kana. This reveals her “devotion to art and to community” and it is a difference between her first reading at the library as Josee is more “confident in her work and herself and everyone is enraptured, highlighting her growth.” [2]

Later on, Tsuneo asks Kana about Josee but she isn’t at the library and hasn’t seen her. They later reunite in the end and kiss. In a scene during the credits, the librarian tearfully embraces Josee. She appears to help her by teaching her computer skills. It is also shown that the book Josee made is used by the librarian to read to children. As a result, Kana has a more fully rounded characterization than is the case for other characters. As the film’s director, Kotaro Tamura, stated, Kana was added to the film to give character development for Josee:

…I figured out the themes that would be appropriate for a feature-length film…I thought that Josee’s only way to connect with society is through Tsuneo. That’s where Josee in this film starts off at as well. But because she starts to go out more because of Tsuneo, she makes a friend named Kana. Though it’s not a huge leap, she’s able to become a bit more sociable.

However, I would argue that Kana is much more of a character than that, through facilitating reading like the librarians in the Witches Crest Library in Somali and the Forest Spirit but not as directly as Amity Blight in The Owl House, to give two examples. As an aside, Kana’s voice actress, Lynn, is very talented, known for leading roles in Keijo!!!!!!!!, Fuuka, Engage Kiss, and Mobile Suit Gundam: The Witch from Mercury, along with other roles in Märchen Mädchen, Ms. Vampire Who Lives in My Neighborhood, Kandagawa Jet Girls, Manaria Friends, The Aquatope on White Sand, and Oshi no Ko, to name a few.

In the future, I would like to compare this film to the original short story by Tanabe or 2003 Japanese live-action film of the same name, noting how libraries are portrayed. With that, this post comes to a close. Until next time. As always, comments are welcome.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] Osmond, Andrew. “Josee, the Tiger and the Fish fails to make a splash with a rote teen romance,” BFI, Aug. 11, 2021; Clarke, Cath. “Josee, the Tiger and the Fish review – beautiful-looking anime takes a trip to the zoo,” The Guardian, Aug. 12, 2021; Cassidy, Tom. “Josee, the Tiger and the Fish,” Common Sense Media, Jul. 29, 2022; joyousmenma93, “Firechick’s Manga Reviews: Josee, The Tiger, and The Fish,” Livejournal, Sept. 22, 2022.

[2] Zeldaru. “Overcoming Barriers: Mobility limitation; ‘inspirational’ disability; and Josee, the Tiger, and the Fish,” Anime Feminist, Aug. 26, 2022.

#AmityBlight #AnimeFeminist #atypicalLibrarians #disabledPatrons #femaleLibrarians #Hilda #informationProvider #Isomura #JapaneseLibrarians #JoseeTheTigerAndTheFish #Kaisa #LetSMakeAMugToo #LibrariansOfColor #libraryPatrons #MärchenMädchen #MsVampire #reading #SomaliAndTheForestSpirit #students #TheOwlHouse #voiceActors #wheelchairs

Josee, a sea of books, and reading to library patrons

When I began watching Josee, the Tiger and the Fish, a 98-minute romantic comedy film, I had no idea how central libraries, and librarians, would be to the story. I knew already that there was a librarian in the film, but I wasn’t sure how vital her role would be the story. In this post, I’ll relate scenes in the film to other fictional examples and other topics.

More than 30 minutes into the film, Josee (voiced by Kaya Kiyohara), a physically disabled girl who uses a wheelchair, goes to the public library with her caretaker, Tsuneo Suzukawa (voiced by Taishi Nakagawa). She is amazed by the sea of books. She finds some books by Françoise Sagan, an author she likes, and the librarian, Kana Kishimoto (voiced by Lynn), happily asks if she is a fan, with Josee quietly admitting what book she likes. Not long after, Kana also asks if Tsuneo is her boyfriend, causing her to blush, as she is embarrassed, as the librarian sees the romantic sparks between Tsuneo and Josee. They check out the books. Interestingly, the librarian, Kana, is 24, just like Jose’s, and they quickly become friends, waving to one another.

Before moving onto the rest of the film, one aspect that struck me was how personable Kana’s character was. Compared to many of the other librarians I have profiled on here, either those of Asian descent, or those with the common hair bun, she is a good representation of a library worker in Osaka. In some ways, I see a parallel to Isomura, a library curator in Let’s Make a Mug Too!, who is just as helpful to the protagonists. The difference is that she is much more than an information provider, but is atypical, in her character type, because she becomes friends with the protagonist and ventures outside the library, making her an important part of the film.

Even positive depictions of librarians are often stuck inside the library and are never shown outside the walls of the institution. Some exceptions include Kaisa in Hilda, many of the student librarians in anime. Whether you see the film as having “little fresh” when it comes to disability, criticize it for being primarily through the perspective of her caretaker, praise it for its perspective on disability, Kana remains a key part of the film, something which reviewers appear to miss, for the most part, except to note that she doesn’t exist in the manga. [1] However, the review in Anime Feminist, by Zeldaru notes that when Josee goes to the library she has the “opportunity to become part of a fully public community” and she is able to see, for the first time, people coming together “with a similar purpose”, resulting in her befriending Kana, allowing her to “pursue her burgeoning interest in art”!

The fact that Kana is welcoming of Josee indicates the openness of the library to all patrons, including those which are physically disabled. Kana also helps Josee realize her feelings for Tsuneo after Josee said that she didn’t need him. She even encourages Josee to read The Little Mermaid to children in the library, but she is nervous, and kids leave. Although the reading doesn’t go well, Kana encourages her to display her art online and she is nervous and embarrassed by that. She later tells Tsuneo about her reading to the children and how she did it badly. She says she wants to try harder and be an illustrator.

This isn’t all that Kana does in the film. She helps Josee work with Kana to write a love story so as to convince Tsuneo to stay with his dream. Not long after, Josee is reading a story to those in the library, which she wrote to cheer up Tseuno. The story is her personal adaptation of a Little Mermaid, which had references to what happened in her relationship with her caretaker. It is something that gets him out of his funk and he claps at the end,after crying during the story. After everyone claps, and blushes at the praise, and smiles. This gives the caretaker the motivation to begin physical therapy so he can walk again. She watches him day after day as he gets better.

Although some have said that this story is “uncomfortably close” to the story where a disabled person teaches an able-bodied person an “important lesson”, I tend to side with what Anime Feminist says about it, that she is trying to inspire Tsuneo “and those around her,” assembling the community she built, even organizing a picture book reading time for her book with help of Kana. This reveals her “devotion to art and to community” and it is a difference between her first reading at the library as Josee is more “confident in her work and herself and everyone is enraptured, highlighting her growth.” [2]

Later on, Tsuneo asks Kana about Josee but she isn’t at the library and hasn’t seen her. They later reunite in the end and kiss. In a scene during the credits, the librarian tearfully embraces Josee. She appears to help her by teaching her computer skills. It is also shown that the book Josee made is used by the librarian to read to children. As a result, Kana has a more fully rounded characterization than is the case for other characters. As the film’s director, Kotaro Tamura, stated, Kana was added to the film to give character development for Josee:

…I figured out the themes that would be appropriate for a feature-length film…I thought that Josee’s only way to connect with society is through Tsuneo. That’s where Josee in this film starts off at as well. But because she starts to go out more because of Tsuneo, she makes a friend named Kana. Though it’s not a huge leap, she’s able to become a bit more sociable.

However, I would argue that Kana is much more of a character than that, through facilitating reading like the librarians in the Witches Crest Library in Somali and the Forest Spirit but not as directly as Amity Blight in The Owl House, to give two examples. As an aside, Kana’s voice actress, Lynn, is very talented, known for leading roles in Keijo!!!!!!!!, Fuuka, Engage Kiss, and Mobile Suit Gundam: The Witch from Mercury, along with other roles in Märchen Mädchen, Ms. Vampire Who Lives in My Neighborhood, Kandagawa Jet Girls, Manaria Friends, The Aquatope on White Sand, and Oshi no Ko, to name a few.

In the future, I would like to compare this film to the original short story by Tanabe or 2003 Japanese live-action film of the same name, noting how libraries are portrayed. With that, this post comes to a close. Until next time. As always, comments are welcome.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] Osmond, Andrew. “Josee, the Tiger and the Fish fails to make a splash with a rote teen romance,” BFI, Aug. 11, 2021; Clarke, Cath. “Josee, the Tiger and the Fish review – beautiful-looking anime takes a trip to the zoo,” The Guardian, Aug. 12, 2021; Cassidy, Tom. “Josee, the Tiger and the Fish,” Common Sense Media, Jul. 29, 2022; joyousmenma93, “Firechick’s Manga Reviews: Josee, The Tiger, and The Fish,” Livejournal, Sept. 22, 2022.

[2] Zeldaru. “Overcoming Barriers: Mobility limitation; ‘inspirational’ disability; and Josee, the Tiger, and the Fish,” Anime Feminist, Aug. 26, 2022.

#AmityBlight #AnimeFeminist #atypicalLibrarians #disabledPatrons #femaleLibrarians #Hilda #informationProvider #Isomura #JapaneseLibrarians #JoseeTheTigerAndTheFish #Kaisa #LetSMakeAMugToo #LibrariansOfColor #libraryPatrons #MärchenMädchen #MsVampire #reading #SomaliAndTheForestSpirit #students #TheOwlHouse #voiceActors #wheelchairs

Josee, a sea of books, and reading to library patrons

When I began watching Josee, the Tiger and the Fish, a 98-minute romantic comedy film, I had no idea how central libraries, and librarians, would be to the story. I knew already that there was a librarian in the film, but I wasn’t sure how vital her role would be the story. In this post, I’ll relate scenes in the film to other fictional examples and other topics.

More than 30 minutes into the film, Josee (voiced by Kaya Kiyohara), a physically disabled girl who uses a wheelchair, goes to the public library with her caretaker, Tsuneo Suzukawa (voiced by Taishi Nakagawa). She is amazed by the sea of books. She finds some books by Françoise Sagan, an author she likes, and the librarian, Kana Kishimoto (voiced by Lynn), happily asks if she is a fan, with Josee quietly admitting what book she likes. Not long after, Kana also asks if Tsuneo is her boyfriend, causing her to blush, as she is embarrassed, as the librarian sees the romantic sparks between Tsuneo and Josee. They check out the books. Interestingly, the librarian, Kana, is 24, just like Jose’s, and they quickly become friends, waving to one another.

Before moving onto the rest of the film, one aspect that struck me was how personable Kana’s character was. Compared to many of the other librarians I have profiled on here, either those of Asian descent, or those with the common hair bun, she is a good representation of a library worker in Osaka. In some ways, I see a parallel to Isomura, a library curator in Let’s Make a Mug Too!, who is just as helpful to the protagonists. The difference is that she is much more than an information provider, but is atypical, in her character type, because she becomes friends with the protagonist and ventures outside the library, making her an important part of the film.

Even positive depictions of librarians are often stuck inside the library and are never shown outside the walls of the institution. Some exceptions include Kaisa in Hilda, many of the student librarians in anime. Whether you see the film as having “little fresh” when it comes to disability, criticize it for being primarily through the perspective of her caretaker, praise it for its perspective on disability, Kana remains a key part of the film, something which reviewers appear to miss, for the most part, except to note that she doesn’t exist in the manga. [1] However, the review in Anime Feminist, by Zeldaru notes that when Josee goes to the library she has the “opportunity to become part of a fully public community” and she is able to see, for the first time, people coming together “with a similar purpose”, resulting in her befriending Kana, allowing her to “pursue her burgeoning interest in art”!

The fact that Kana is welcoming of Josee indicates the openness of the library to all patrons, including those which are physically disabled. Kana also helps Josee realize her feelings for Tsuneo after Josee said that she didn’t need him. She even encourages Josee to read The Little Mermaid to children in the library, but she is nervous, and kids leave. Although the reading doesn’t go well, Kana encourages her to display her art online and she is nervous and embarrassed by that. She later tells Tsuneo about her reading to the children and how she did it badly. She says she wants to try harder and be an illustrator.

This isn’t all that Kana does in the film. She helps Josee work with Kana to write a love story so as to convince Tsuneo to stay with his dream. Not long after, Josee is reading a story to those in the library, which she wrote to cheer up Tseuno. The story is her personal adaptation of a Little Mermaid, which had references to what happened in her relationship with her caretaker. It is something that gets him out of his funk and he claps at the end,after crying during the story. After everyone claps, and blushes at the praise, and smiles. This gives the caretaker the motivation to begin physical therapy so he can walk again. She watches him day after day as he gets better.

Although some have said that this story is “uncomfortably close” to the story where a disabled person teaches an able-bodied person an “important lesson”, I tend to side with what Anime Feminist says about it, that she is trying to inspire Tsuneo “and those around her,” assembling the community she built, even organizing a picture book reading time for her book with help of Kana. This reveals her “devotion to art and to community” and it is a difference between her first reading at the library as Josee is more “confident in her work and herself and everyone is enraptured, highlighting her growth.” [2]

Later on, Tsuneo asks Kana about Josee but she isn’t at the library and hasn’t seen her. They later reunite in the end and kiss. In a scene during the credits, the librarian tearfully embraces Josee. She appears to help her by teaching her computer skills. It is also shown that the book Josee made is used by the librarian to read to children. As a result, Kana has a more fully rounded characterization than is the case for other characters. As the film’s director, Kotaro Tamura, stated, Kana was added to the film to give character development for Josee:

…I figured out the themes that would be appropriate for a feature-length film…I thought that Josee’s only way to connect with society is through Tsuneo. That’s where Josee in this film starts off at as well. But because she starts to go out more because of Tsuneo, she makes a friend named Kana. Though it’s not a huge leap, she’s able to become a bit more sociable.

However, I would argue that Kana is much more of a character than that, through facilitating reading like the librarians in the Witches Crest Library in Somali and the Forest Spirit but not as directly as Amity Blight in The Owl House, to give two examples. As an aside, Kana’s voice actress, Lynn, is very talented, known for leading roles in Keijo!!!!!!!!, Fuuka, Engage Kiss, and Mobile Suit Gundam: The Witch from Mercury, along with other roles in Märchen Mädchen, Ms. Vampire Who Lives in My Neighborhood, Kandagawa Jet Girls, Manaria Friends, The Aquatope on White Sand, and Oshi no Ko, to name a few.

In the future, I would like to compare this film to the original short story by Tanabe or 2003 Japanese live-action film of the same name, noting how libraries are portrayed. With that, this post comes to a close. Until next time. As always, comments are welcome.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] Osmond, Andrew. “Josee, the Tiger and the Fish fails to make a splash with a rote teen romance,” BFI, Aug. 11, 2021; Clarke, Cath. “Josee, the Tiger and the Fish review – beautiful-looking anime takes a trip to the zoo,” The Guardian, Aug. 12, 2021; Cassidy, Tom. “Josee, the Tiger and the Fish,” Common Sense Media, Jul. 29, 2022; joyousmenma93, “Firechick’s Manga Reviews: Josee, The Tiger, and The Fish,” Livejournal, Sept. 22, 2022.

[2] Zeldaru. “Overcoming Barriers: Mobility limitation; ‘inspirational’ disability; and Josee, the Tiger, and the Fish,” Anime Feminist, Aug. 26, 2022.

#AmityBlight #AnimeFeminist #atypicalLibrarians #disabledPatrons #femaleLibrarians #Hilda #informationProvider #Isomura #JapaneseLibrarians #JoseeTheTigerAndTheFish #Kaisa #LetSMakeAMugToo #LibrariansOfColor #libraryPatrons #MärchenMädchen #MsVampire #reading #SomaliAndTheForestSpirit #students #TheOwlHouse #voiceActors #wheelchairs

Josee, a sea of books, and reading to library patrons

When I began watching Josee, the Tiger and the Fish, a 98-minute romantic comedy film, I had no idea how central libraries, and librarians, would be to the story. I knew already that there was a librarian in the film, but I wasn’t sure how vital her role would be the story. In this post, I’ll relate scenes in the film to other fictional examples and other topics.

More than 30 minutes into the film, Josee (voiced by Kaya Kiyohara), a physically disabled girl who uses a wheelchair, goes to the public library with her caretaker, Tsuneo Suzukawa (voiced by Taishi Nakagawa). She is amazed by the sea of books. She finds some books by Françoise Sagan, an author she likes, and the librarian, Kana Kishimoto (voiced by Lynn), happily asks if she is a fan, with Josee quietly admitting what book she likes. Not long after, Kana also asks if Tsuneo is her boyfriend, causing her to blush, as she is embarrassed, as the librarian sees the romantic sparks between Tsuneo and Josee. They check out the books. Interestingly, the librarian, Kana, is 24, just like Jose’s, and they quickly become friends, waving to one another.

Before moving onto the rest of the film, one aspect that struck me was how personable Kana’s character was. Compared to many of the other librarians I have profiled on here, either those of Asian descent, or those with the common hair bun, she is a good representation of a library worker in Osaka. In some ways, I see a parallel to Isomura, a library curator in Let’s Make a Mug Too!, who is just as helpful to the protagonists. The difference is that she is much more than an information provider, but is atypical, in her character type, because she becomes friends with the protagonist and ventures outside the library, making her an important part of the film.

Even positive depictions of librarians are often stuck inside the library and are never shown outside the walls of the institution. Some exceptions include Kaisa in Hilda, many of the student librarians in anime. Whether you see the film as having “little fresh” when it comes to disability, criticize it for being primarily through the perspective of her caretaker, praise it for its perspective on disability, Kana remains a key part of the film, something which reviewers appear to miss, for the most part, except to note that she doesn’t exist in the manga. [1] However, the review in Anime Feminist, by Zeldaru notes that when Josee goes to the library she has the “opportunity to become part of a fully public community” and she is able to see, for the first time, people coming together “with a similar purpose”, resulting in her befriending Kana, allowing her to “pursue her burgeoning interest in art”!

The fact that Kana is welcoming of Josee indicates the openness of the library to all patrons, including those which are physically disabled. Kana also helps Josee realize her feelings for Tsuneo after Josee said that she didn’t need him. She even encourages Josee to read The Little Mermaid to children in the library, but she is nervous, and kids leave. Although the reading doesn’t go well, Kana encourages her to display her art online and she is nervous and embarrassed by that. She later tells Tsuneo about her reading to the children and how she did it badly. She says she wants to try harder and be an illustrator.

This isn’t all that Kana does in the film. She helps Josee work with Kana to write a love story so as to convince Tsuneo to stay with his dream. Not long after, Josee is reading a story to those in the library, which she wrote to cheer up Tseuno. The story is her personal adaptation of a Little Mermaid, which had references to what happened in her relationship with her caretaker. It is something that gets him out of his funk and he claps at the end,after crying during the story. After everyone claps, and blushes at the praise, and smiles. This gives the caretaker the motivation to begin physical therapy so he can walk again. She watches him day after day as he gets better.

Although some have said that this story is “uncomfortably close” to the story where a disabled person teaches an able-bodied person an “important lesson”, I tend to side with what Anime Feminist says about it, that she is trying to inspire Tsuneo “and those around her,” assembling the community she built, even organizing a picture book reading time for her book with help of Kana. This reveals her “devotion to art and to community” and it is a difference between her first reading at the library as Josee is more “confident in her work and herself and everyone is enraptured, highlighting her growth.” [2]

Later on, Tsuneo asks Kana about Josee but she isn’t at the library and hasn’t seen her. They later reunite in the end and kiss. In a scene during the credits, the librarian tearfully embraces Josee. She appears to help her by teaching her computer skills. It is also shown that the book Josee made is used by the librarian to read to children. As a result, Kana has a more fully rounded characterization than is the case for other characters. As the film’s director, Kotaro Tamura, stated, Kana was added to the film to give character development for Josee:

…I figured out the themes that would be appropriate for a feature-length film…I thought that Josee’s only way to connect with society is through Tsuneo. That’s where Josee in this film starts off at as well. But because she starts to go out more because of Tsuneo, she makes a friend named Kana. Though it’s not a huge leap, she’s able to become a bit more sociable.

However, I would argue that Kana is much more of a character than that, through facilitating reading like the librarians in the Witches Crest Library in Somali and the Forest Spirit but not as directly as Amity Blight in The Owl House, to give two examples. As an aside, Kana’s voice actress, Lynn, is very talented, known for leading roles in Keijo!!!!!!!!, Fuuka, Engage Kiss, and Mobile Suit Gundam: The Witch from Mercury, along with other roles in Märchen Mädchen, Ms. Vampire Who Lives in My Neighborhood, Kandagawa Jet Girls, Manaria Friends, The Aquatope on White Sand, and Oshi no Ko, to name a few.

In the future, I would like to compare this film to the original short story by Tanabe or 2003 Japanese live-action film of the same name, noting how libraries are portrayed. With that, this post comes to a close. Until next time. As always, comments are welcome.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] Osmond, Andrew. “Josee, the Tiger and the Fish fails to make a splash with a rote teen romance,” BFI, Aug. 11, 2021; Clarke, Cath. “Josee, the Tiger and the Fish review – beautiful-looking anime takes a trip to the zoo,” The Guardian, Aug. 12, 2021; Cassidy, Tom. “Josee, the Tiger and the Fish,” Common Sense Media, Jul. 29, 2022; joyousmenma93, “Firechick’s Manga Reviews: Josee, The Tiger, and The Fish,” Livejournal, Sept. 22, 2022.

[2] Zeldaru. “Overcoming Barriers: Mobility limitation; ‘inspirational’ disability; and Josee, the Tiger, and the Fish,” Anime Feminist, Aug. 26, 2022.

#AmityBlight #AnimeFeminist #atypicalLibrarians #disabledPatrons #femaleLibrarians #Hilda #informationProvider #Isomura #JapaneseLibrarians #JoseeTheTigerAndTheFish #Kaisa #LetSMakeAMugToo #LibrariansOfColor #libraryPatrons #MärchenMädchen #MsVampire #reading #SomaliAndTheForestSpirit #students #TheOwlHouse #voiceActors #wheelchairs

Josee, a sea of books, and reading to library patrons

When I began watching Josee, the Tiger and the Fish, a 98-minute romantic comedy film, I had no idea how central libraries, and librarians, would be to the story. I knew already that there was a librarian in the film, but I wasn’t sure how vital her role would be the story. In this post, I’ll relate scenes in the film to other fictional examples and other topics.

More than 30 minutes into the film, Josee (voiced by Kaya Kiyohara), a physically disabled girl who uses a wheelchair, goes to the public library with her caretaker, Tsuneo Suzukawa (voiced by Taishi Nakagawa). She is amazed by the sea of books. She finds some books by Françoise Sagan, an author she likes, and the librarian, Kana Kishimoto (voiced by Lynn), happily asks if she is a fan, with Josee quietly admitting what book she likes. Not long after, Kana also asks if Tsuneo is her boyfriend, causing her to blush, as she is embarrassed, as the librarian sees the romantic sparks between Tsuneo and Josee. They check out the books. Interestingly, the librarian, Kana, is 24, just like Jose’s, and they quickly become friends, waving to one another.

Before moving onto the rest of the film, one aspect that struck me was how personable Kana’s character was. Compared to many of the other librarians I have profiled on here, either those of Asian descent, or those with the common hair bun, she is a good representation of a library worker in Osaka. In some ways, I see a parallel to Isomura, a library curator in Let’s Make a Mug Too!, who is just as helpful to the protagonists. The difference is that she is much more than an information provider, but is atypical, in her character type, because she becomes friends with the protagonist and ventures outside the library, making her an important part of the film.

Even positive depictions of librarians are often stuck inside the library and are never shown outside the walls of the institution. Some exceptions include Kaisa in Hilda, many of the student librarians in anime. Whether you see the film as having “little fresh” when it comes to disability, criticize it for being primarily through the perspective of her caretaker, praise it for its perspective on disability, Kana remains a key part of the film, something which reviewers appear to miss, for the most part, except to note that she doesn’t exist in the manga. [1] However, the review in Anime Feminist, by Zeldaru notes that when Josee goes to the library she has the “opportunity to become part of a fully public community” and she is able to see, for the first time, people coming together “with a similar purpose”, resulting in her befriending Kana, allowing her to “pursue her burgeoning interest in art”!

The fact that Kana is welcoming of Josee indicates the openness of the library to all patrons, including those which are physically disabled. Kana also helps Josee realize her feelings for Tsuneo after Josee said that she didn’t need him. She even encourages Josee to read The Little Mermaid to children in the library, but she is nervous, and kids leave. Although the reading doesn’t go well, Kana encourages her to display her art online and she is nervous and embarrassed by that. She later tells Tsuneo about her reading to the children and how she did it badly. She says she wants to try harder and be an illustrator.

This isn’t all that Kana does in the film. She helps Josee work with Kana to write a love story so as to convince Tsuneo to stay with his dream. Not long after, Josee is reading a story to those in the library, which she wrote to cheer up Tseuno. The story is her personal adaptation of a Little Mermaid, which had references to what happened in her relationship with her caretaker. It is something that gets him out of his funk and he claps at the end,after crying during the story. After everyone claps, and blushes at the praise, and smiles. This gives the caretaker the motivation to begin physical therapy so he can walk again. She watches him day after day as he gets better.

Although some have said that this story is “uncomfortably close” to the story where a disabled person teaches an able-bodied person an “important lesson”, I tend to side with what Anime Feminist says about it, that she is trying to inspire Tsuneo “and those around her,” assembling the community she built, even organizing a picture book reading time for her book with help of Kana. This reveals her “devotion to art and to community” and it is a difference between her first reading at the library as Josee is more “confident in her work and herself and everyone is enraptured, highlighting her growth.” [2]

Later on, Tsuneo asks Kana about Josee but she isn’t at the library and hasn’t seen her. They later reunite in the end and kiss. In a scene during the credits, the librarian tearfully embraces Josee. She appears to help her by teaching her computer skills. It is also shown that the book Josee made is used by the librarian to read to children. As a result, Kana has a more fully rounded characterization than is the case for other characters. As the film’s director, Kotaro Tamura, stated, Kana was added to the film to give character development for Josee:

…I figured out the themes that would be appropriate for a feature-length film…I thought that Josee’s only way to connect with society is through Tsuneo. That’s where Josee in this film starts off at as well. But because she starts to go out more because of Tsuneo, she makes a friend named Kana. Though it’s not a huge leap, she’s able to become a bit more sociable.

However, I would argue that Kana is much more of a character than that, through facilitating reading like the librarians in the Witches Crest Library in Somali and the Forest Spirit but not as directly as Amity Blight in The Owl House, to give two examples. As an aside, Kana’s voice actress, Lynn, is very talented, known for leading roles in Keijo!!!!!!!!, Fuuka, Engage Kiss, and Mobile Suit Gundam: The Witch from Mercury, along with other roles in Märchen Mädchen, Ms. Vampire Who Lives in My Neighborhood, Kandagawa Jet Girls, Manaria Friends, The Aquatope on White Sand, and Oshi no Ko, to name a few.

In the future, I would like to compare this film to the original short story by Tanabe or 2003 Japanese live-action film of the same name, noting how libraries are portrayed. With that, this post comes to a close. Until next time. As always, comments are welcome.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] Osmond, Andrew. “Josee, the Tiger and the Fish fails to make a splash with a rote teen romance,” BFI, Aug. 11, 2021; Clarke, Cath. “Josee, the Tiger and the Fish review – beautiful-looking anime takes a trip to the zoo,” The Guardian, Aug. 12, 2021; Cassidy, Tom. “Josee, the Tiger and the Fish,” Common Sense Media, Jul. 29, 2022; joyousmenma93, “Firechick’s Manga Reviews: Josee, The Tiger, and The Fish,” Livejournal, Sept. 22, 2022.

[2] Zeldaru. “Overcoming Barriers: Mobility limitation; ‘inspirational’ disability; and Josee, the Tiger, and the Fish,” Anime Feminist, Aug. 26, 2022.

#AmityBlight #AnimeFeminist #atypicalLibrarians #disabledPatrons #femaleLibrarians #Hilda #informationProvider #Isomura #JapaneseLibrarians #JoseeTheTigerAndTheFish #Kaisa #LetSMakeAMugToo #LibrariansOfColor #libraryPatrons #MärchenMädchen #MsVampire #reading #SomaliAndTheForestSpirit #students #TheOwlHouse #voiceActors #wheelchairs

Fight for your libraries. Don’t let them take away your library by defunding it out of providing vital services. Don’t let them shackle the library with rules meant to prevent the right people from getting the right book to change their life. Don’t let them close the doors, because you know they will never open again. Fight for the freedom to read and explore new ideas. Fight against censorship and denying people the materials their souls need. If a library closes, it will never open again. You couldn’t create libraries today. You want to loan out books? And people will just willingly give them back? Are you mad? Naïve, perhaps? Once a library closes its doors, it’s over. The book banners have won. Do not let them win. Fight for libraries. Fight for library workers. Fight for patrons. Fight for free people reading freely. #libraries #censorship #librarians #LibraryWorkers #LibraryPatrons #BookBans

Fight for your libraries. Don’t let them take away your library by defunding it out of providing vital services. Don’t let them shackle the library with rules meant to prevent the right people from getting the right book to change their life. Don’t let them close the doors, because you know they will never open again. Fight for the freedom to read and explore new ideas. Fight against censorship and denying people the materials their souls need. If a library closes, it will never open again. You couldn’t create libraries today. You want to loan out books? And people will just willingly give them back? Are you mad? Naïve, perhaps? Once a library closes its doors, it’s over. The book banners have won. Do not let them win. Fight for libraries. Fight for library workers. Fight for patrons. Fight for free people reading freely. #libraries #censorship #librarians #LibraryWorkers #LibraryPatrons #BookBans

Fight for your libraries. Don’t let them take away your library by defunding it out of providing vital services. Don’t let them shackle the library with rules meant to prevent the right people from getting the right book to change their life. Don’t let them close the doors, because you know they will never open again. Fight for the freedom to read and explore new ideas. Fight against censorship and denying people the materials their souls need. If a library closes, it will never open again. You couldn’t create libraries today. You want to loan out books? And people will just willingly give them back? Are you mad? Naïve, perhaps? Once a library closes its doors, it’s over. The book banners have won. Do not let them win. Fight for libraries. Fight for library workers. Fight for patrons. Fight for free people reading freely. #libraries #censorship #librarians #LibraryWorkers #LibraryPatrons #BookBans

Fight for your libraries. Don’t let them take away your library by defunding it out of providing vital services. Don’t let them shackle the library with rules meant to prevent the right people from getting the right book to change their life. Don’t let them close the doors, because you know they will never open again. Fight for the freedom to read and explore new ideas. Fight against censorship and denying people the materials their souls need. If a library closes, it will never open again. You couldn’t create libraries today. You want to loan out books? And people will just willingly give them back? Are you mad? Naïve, perhaps? Once a library closes its doors, it’s over. The book banners have won. Do not let them win. Fight for libraries. Fight for library workers. Fight for patrons. Fight for free people reading freely. #libraries #censorship #librarians #LibraryWorkers #LibraryPatrons #BookBans

Fight for your libraries. Don’t let them take away your library by defunding it out of providing vital services. Don’t let them shackle the library with rules meant to prevent the right people from getting the right book to change their life. Don’t let them close the doors, because you know they will never open again. Fight for the freedom to read and explore new ideas. Fight against censorship and denying people the materials their souls need. If a library closes, it will never open again. You couldn’t create libraries today. You want to loan out books? And people will just willingly give them back? Are you mad? Naïve, perhaps? Once a library closes its doors, it’s over. The book banners have won. Do not let them win. Fight for libraries. Fight for library workers. Fight for patrons. Fight for free people reading freely. #libraries #censorship #librarians #LibraryWorkers #LibraryPatrons #BookBans

Princess Syalis’ sleep quest, spells, and forbidden library knowledge in “Sleepy Princess in the Demon Castle”

I’ve written about sleeping on this blog throughout this past year, whether in regards to Rin Shima in Laid Back-Camp, who sleeps at the information desk when she was in school, one of the few characters who is a librarian which I have seen doing this, while comfortably wearing a hair bun. Another example is the unnamed librarian in We Bare Bears, who lets patrons sleep overnight at the library, perhaps because she saw them working so steadily, so she let them stay there and rest in peace. Otherwise, there’s Shirusu Mochizuki who wakes up a sleeping patron in a weird first-person series, while claiming that naps disturb the other patrons and to not sleep in the library. Rin does the same in another episode, to her friend, Nadeshiko. Even more blatant is Dantalion in As Miss Beelzebub Likes, a part-rabbit librarian of the Pandemonium Library. He remains overly dedicated to his job that he reads but doesn’t eat at times, loving the smell of paper and ink. At the same time, he is very knowledgeable about what is in the library’s stacks, filled with millions of books, and is hundreds of years old, and works alongside over 10 possible library assistants. Others, such as Myne in Ascendance of a Bookworm, may fall asleep during their librarian duties as well, while Yomiko Readman almost sleeps on the huge pile of books she has in her apartment, in R.O.D. the TV.

All of these examples stand against rules in libraries banning sleeping, which can be used against homeless people if they unevenly/unfairly enforced. This all goes out the window when it comes to Sleepy Princess in the Demon Castle, an anime based on an ongoing manga written by Kagiji Kumanomata, which mixes the slice-of-life, fantasy comedy, and adventure genres, into one. In one episode, the protagonist, Princess Syalis (her full name is Aurora Sya Lis Goodereste) travels to the forbidden library in hopes that it will provide what she needs for a good night sleep, as she remains a hostage-in-name-only in the Demon Castle, where her antics make her the defacto castle ruler, in some ways. It differs from other series where the library is shown to be a place of studying, work, and even fun. [1] There will be some summaries of the show’s third episode.

In the episode, entitled “The Princess and Forbidden Knowledge,” of the aforementioned series, Syalis reads a Grimoire, a book which contains fruits of human wisdom, but can cause people to lose their sanity or gain magic knowledge. She believed that if she reads one of these sealed books, she might be able to fall asleep. As a result, she secretly travels to the Demon Castle Underground Library, hoping to find such a book, and makes her way past the guards (Bigwig Penguin and Jester Soldier). At first, her quest is not successful, as she reads many boring, dull Grimoires, which reduce her hit points/health to almost nothing. After this, something miraculous happens, she begins rolling down the stairs, going through a wild process which unlocks all the parts needed to unlock a forbidden magical book, sitting in its own secluded, secret library room. She finds herself in a pile of books and is able to easily to take off the chains around the aforementioned Grimoire, which releases Alazif, the spirit of the Grimoire.

Although Alazif attempts to convince Syalis to destroy all the demons, she refuses. She remains annoyed until she learns about a sleep spell. She wields the power and it so effective that it envelops the entire castle, with no one able to resist the magic, not even the demon king. This backfires as the spell doesn’t work on the spellcaster (her), causing her to be wide awake while everyone else is asleep. She falls asleep on a book in the library, with the book as a pillow of sorts. shocking Alazif. This library has no active librarians, so there’s no one, like the librarians Sanae Dekomori smears as slacking off for “not shelving books,” in  Love, Chunibyo & Other Delusions, for Syalis to criticize. [2]

Later, Syalis gets a book from the library, thanks to Alazif, outlining pressure points that humans have. In the sequence that follows, she asks people around the castle to touch her in a specific place (which they interpret as sexual), but she is only asking them to touch her pressure points. She is able to pull the Demon King into her prison room, and he believes that what she wants is sexual, remembering what he once read in a book. Once it is clear that it was just a way to get her to sleep, he, and the rest of the demons, are embarrassed.

Apart from the fact that the underground library and secret annex do not have libraries, the books are unique in more ways than one. For one, the books have built-in restrictions, as reading them would cause you to die. This is almost like the books in the library collection of the University of Southern Denmark which contained “large concentrations of arsenic on their covers.” Other libraries had volumes, but those books have long been destroyed. Additional researchers uncovered rare book collections and libraries which “often carry volumes that feature poisons on their pages.” [3]

In terms of the restrictions on books, I can’t think of any other examples where they are books which have chains on them apart from those in What If…?, as Jennifer Snoek-Brown describes: “…a few books hang from chains along the ceiling,” calling it “visually intriguing but very impractical.” She also pointed to chained-up books from the restricted section as shown in the film Doctor Strange, part of the never-ending cash cow, Marvel Cinematic Universe, which began in 2008. The latter is a series of films which have been criticized as equivalent of theme park rides, corporation products, despicable, ruining the industry, and is said to mainly cater to White adults. [4]

In addition, I’ve previously written on this blog about the so-called “restricted library” in That Awkward Magic!!, although the latter is a magic archives rather than a magic library. Similarly, the librarian in Hilda, named Kaisa, is a witch, can enter magic passageways and go to the Committee of Three, deep within the library. In the same point I pointed to restricted books in Equestria Girls, and the books only accessible to priests in Ascendance of a Bookworm. Then, in Merlin’s Story, the librarian on staff said that the school’s historical documents were not open to the public. It is further implied that the information inside the PYRAMID Academy library’s Ancient Egypt Room (part of the special collections), as shown in Cleopatra in Space, is restricted, perhaps to only academy professors, not students. At the same time, only certain students, like Callie, who heads the Ancient Egypt club at this intergalactic high school, may have access.

Last but not least, there’s the closed stacks in Riddle Story of Devil, authorized books in Soylent Green, and implied restrictions on a book that Somali (and the Golem) wants to read, in an episode of Somali and the Forest Spirit, as it has information about humans. In that case of that series, the librarian, Praline, is aggressive in her questioning of the patrons, going against guidance about reference interviews. Later, they can’t even use the book to get through the library’s catacombs, as witches get called when the alarm goes off, since Somali and Golem are labeled as “intruders.” After their harrowing escape, they reach their destination, but the witches appear and soon surround them, telling them to surrender, declaring this is a “restricted area.” Such limits on the information being shared are not unique.

This series is unlike any others I’ve seen, in part, because of the arrogance and privilege of Syalis. While this was clear from the subbed version, it came through even more through the dubbed version, with Kira Buckland voicing Syalis. She voiced Umi Sonoda in Love Live! School Idol Project, Beatrice (Hetaro Pearlbaton and Lucas) in Re:Zero, Luculia in Violet Evergarden, Sophia Ascart in My Next Life as a Villainess: All Routes Lead to Doom!, and Makeru Yadano in Komi Can’t Communicate, to name a few. In terms of Syalis, her name probably is not a reference to the Cialis (also known as Tadalafil) medication.

However, the absurdity of this plot says a lot about libraries. For one, it says that this library is not very accessible. How can her information need (to find a book that makes her sleepy) be fulfilled if there are no librarians present? In some ways, Alazif helps her, but she does not appear to have knowledge of the library collections. A librarian would surely have been helpful. On the other hand, Syalis is capable by herself and can easily solve quests to ensure she gets a good night rest, with or without help. In the case of this episode, the librarian, more likely than not, would have been a demon and would have reported her.

In terms of libraries in real-life, some libraries in Wisconsin (Eau Claire) have taken measures against sleeping in libraries, while others have encouraged sleepy storytimes (Dickinson County, Michigan). Others have considered taking measures to stop sleeping outside libraries, or banned it when the library is closed. Additional libraries have installed sleep pods, like ones at McKeldin Library at University of Maryland, College Park, from what I remember. [5] The latter would definitely be something that Syalis would enjoy, for sure.

Although there are no fan fics for the manga, or anime adaptation, which use the “libraries” tag on AO3, there is one mentioning the aforementioned episode and the Demon Cleric. In this fic, the Demon Cleric thinks of sleeping in the library,which is said to have a quiet ambiance. It was further noted that “thousands of books were shelved on either side of the walls. Also, long tables and chairs were placed there for visitors to read books quietly with no noises disturbing them.” It was added that this library, like others, made it feel like the knowledge was seeping through you, and was vast. However, he wanted to avoid other people seeing him sleep there. Ultimately he and Syalis end up sleeping together and they kiss! It would have been interesting to see the anime, or manga, take this direction.

The manga, which is over 20 volumes, had various chapters set in the library. The first of these is the tenth chapter, which was adapted in the aforementioned “The Princess and Forbidden Knowledge” episode. In the chapter, Syalis, finds a forbidden grimoire, which includes “all the fruits of human wisdom,” after she reads books she deems boring. After she meets Alazif, in a secret room of the demon underground library and gets a sleeping spell, which doesn’t work on her. The second is in the 20th chapter, which Syalis goes to the aforementioned secret room, and asks Alazif for advice on sleeping better, and she gets a flower, known as Mangolasia, which induces a deep sleep. Then, in the 27th chapter, Syalis reads the forbidden grimoire, and learns about a mysterious device known as a kotatsu. Then there’s the 40th chapter, when Syalis learns about Valentine’s Day chocolates from Alazif, while she is in the demon underground library. She is told that people should give her chocolates because she is a girl.

That’s all for this post! Next week I’ll be writing about name changes and romance in the public library of Alter Ego. As a relevant reminder, I will be writing about sleeping in libraries in four other blogposts this year, often as secondary topics in posts about libraries as places of knowledge, refuge, studying, reading, and romance. [6]

Hope you all sleep soundly, as soundly as Princess Syalis!

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] I’m referring to the first two episodes of I’m Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness. In the first episode, “Naughty Encounter, the protagonist, Allen Crawford, helps Charlotte Evans (a disgraced noble lady framed for crimes), and tells her that she can do whatever she wants, even spending time reading in the library. He is shown doing his work in the library, which is crossing out huge passages in to-be-published academic literature, which he loves to do. In the second episode, “Naughty Way to Release Stress,” Allen, reviews his progress to make Charlotte do “naughty” things (eat cakes), and tries thinks of ways for her to experience what she hasn’t before. The next morning, Allen wakes up, after doing an all-nighter, and is excited by the list of “naughty” things he has come up with for her.

[2] In the 11th episode of that series, entitled “One-Winged Fallen Angel,” Sanae Dekomori complains that the librarians are slacking off and not shelving books, and says the teacher is being carefree. Yūta Togashi is distracted, as he is thinking about Rikka Takanashi. Later, in talking with Yuta, Sanae admits she was scouted by the drama club, and asks if he regrets what happened to Rikka.

[3] Holck, Jakob Povl and Kaare Lund Rasmussen. “How we discovered three poisonous books in our university library,” The Conversation, Jun. 27, 2018; Zawacki, Alexander J. “How a Library Handles a Rare and Deadly Book of Wallpaper Samples,” Atlas Obscura, Jan. 23, 2018; “These green books are poisonous—and one may be on a shelf near you,” Art Conservation, University of Delaware Art & Sciences, accessed Oct. 19, 2023.

[4] Shevenock, Sarah and Alyssa Meyers, “Is Gen Z Too Cool for Marvel? Just 9% of Marvel Fans Identify as Part of the Generation,” Morning Consult Pro, Dec. 6, 2021; Bell, BreAnna. “Martin Scorsese Compares Marvel Movies to Theme Parks: ‘That’s Not Cinema’,” Variety, Oct. 4, 2019; Scorsese, Marin. “I Said Marvel Movies Aren’t Cinema. Let Me Explain,” New York Times (opinion), Nov. 4, 2019; Dalton, Ben. “Martin Scorsese talks “theme park films”, Netflix trade-off, de-ageing concerns,” Screen Daily, Oct. 13, 2019; Lattanzio, Ryan. “Martin Scorsese Defends Marvel Comments in New York Times Op-Ed: These Films Have No Mystery or Risk,” IndieWire, Nov. 4, 2019; Fleming Jr., Mike. “Turns Out The Most Despicable Thing About Francis Coppola’s Superhero Movie Comments Was The Faulty Translation,” Deadline, Oct. 29, 2019; Lattanzio, Ryan. “Denis Villeneuve Says ‘Cut and Paste’ Marvel Movies Have ‘Turned Us Into Zombies’,” IndieWire, Sept. 16, 2021; Crow, David. “Roland Emmerich: Marvel and Star Wars Are ‘Ruining Our Industry’,” Den of Geek, Feb. 2, 2022; Faughnder, Ryan. “What’s up with the MCU? A new book chronicles Marvel Studios’ reign and stumbles,” LA Times, Oct. 10, 2023.

[5] Loroff, Alex. “Eau Claire library looks to hire full-time security monitor,” WLAX/WEUX, Oct. 19, 2023; “Sleepy Storytimes at the Dickinson County Library,” The Daily News, Oct. 16, 2023; “New Hanover Co. considering changes to stop people from sleeping outside of downtown library,” WCET, Jan. 19, 2023; Cohen, Nancy Eve. “Once a haven for people sleeping outside, after fire, Pittsfield library bans loitering,” New England Public Media, Nov. 28, 2022; Yeung, Lien. “BCIT installs new sleep pods in library,” CBC News, Aug. 2, 2016; O’Connell, Elizabeth. “Sleeping area could come to Main Library,” The Daily Wildcat, Dec. 6, 2016.

[6] They are: “Fictional libraries as places of refuge and knowledge” (May 28, 2024); “The fictional library and the value of studying redux” (Jul. 31, 2024); “The dangers in “my” library?: Box cutters, food consumption, books, and romance, oh my!” (Aug. 21, 2024); and “Are libraries just “for reading”?: Neptune’s declaration and the reality of libraries” (Oct. 29, 2024).

#AlterEgo #arsenic #AsMissBeelzebubLikes #AscendanceOfABookworm #Beatrice #books #booksThatKill #chainedBooks #chocolate #CleopatraInSpace #demons #dubbing #EquestriaGirls #fanFiction #femaleLibrarians #flowers #hitPoints #IMGivingTheDisgracedNobleLadyIRescuedACrashCourseInNaughtiness #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #Kaisa #kissing #LaidBackCamp #libraryPatrons #LoveChunibyoOtherDelusions #LoveLiveSchoolIdolProject #Makuranodanshi #mentalHealth #MerlinSStory #MyNextLifeAsAVillainess #Myne #overwork #pressurePoints #RODTheTV #ReZero #referenceInterviews #restrictions #RiddleStoryOfTheDevil #sexualAttraction #sleeping #SleepyPrincessInTheDemonCastle #SomaliAndTheForestSpirit #SoylentGreen #spirits #studyRoom #studying #subtitles #teachers #ThatAwkwardMagic #VioletEvergarden #vocationalAwe #WeBareBears #WhatIf #YomikoReadman

Following in the footsteps of my previous analyses on this blog, I decided to look at a few episodes involving libraries in Adventure Time, an animated fantasy series that ended in September 2018. This is a show that has the library as a recurring location, which is probably why Claire Ruhlin chose it as having one of the 12 best fictional libraries for Paste magazine.

In the episode “The Real You” (S2ep15), Finn and Jake want to impress Princess Bubblegum, and Finn accepts the offer to make a speech at her science event. Jake suggests they go to the place where “knowledge lives”: the library. This library has books almost stacked like bricks in a warehouse. After clearly being bored in the library, Jake suggests they leave, while Finn wants to continue and “cram” the information in a book about pigs. Hilariously, Jake is reading a book about figs. They both start performing a jig and a dance, and the Turtle Princess, who runs the library (and is basically serving as the sole librarian) kicks them out, before which Finn says they were “enthusiastic about learning” which is an utter lie. This whole scene is not even a minute long and we don’t really see much of the library, but it doesn’t look like a grand place like that depicted in various Revolutionary Girl Utena episodes. Even though this show portrays libraries as a boring place you “learn stuff,” there is one similarity: the libraries in both animations are almost deserted.

Some episodes later, in “Paper Pete” (s3ep22) they visit the library once more, with the whole episode focused just on the library. The episode begins with they both carrying a huge book to a table, which is shown at the beginning of this article. The book is a history of rainicorns, with Jake much more into the book and learning about his “heritage,” since his girlfriend is a rainicorn, than Finn. Annoyed with Jake being focused on the books, he begins walking in the stacks, goes through the books by hand, then yells out “Oh no! Damaged books. Who did this?” The Turtle Princess, apparently the only librarian of this library, tells him to “shush,” another librarian stereotype, while other beings, who are patrons, sit at desks behind her. After being shushed once again, he stumbled upon beings known as the “pagelings“:

They end up being the “secret guardians” of the library’s books. When he tries to introduce them to Jake, they hide from everyone, not wanting to reveal themselves. They fight off a bunch of leeches (I think) called “moldos,” obviously connecting to the fact that books can mold, I guess. He eventually throws them on Jake, where they begin eating his fur, but first tries to get them off by hitting them off with a book. He gives up his shirt if they don’t attack the library books, to which the leader of the “moldos,” Mildwin agrees. After leaving the library at the end of the episode, where we see the library looks like, part of which is submerged into the ground, Jake is annoyed by the actions of Finn but admits he wasn’t doing much with the book anyway. He had read the same paragraph over and over for 11 minutes, thinking he should give up in trying to learn rainicorn history, saying he will just fake it going forward. Not sure what lesson we are supposed to take away from this episode, but it’s a fun adventure inside a library.

In later episodes, the library is mentioned, with other characters adding books to it (“Gotcha!”), it is included in a flashback Finn has in the “King Worm” episodes, and the bedroom of the Turtle Princess at the top of the library is shown in “Princess Monster Wife”. All in all, this is ultimately a very positive view of a library, although it competes with the public library in Steven Universe and the family library in She-Ra in the Princess of Power at minimum. Oh, and, after watching some episodes, I came across another library, in the episode “Betty” (s5ep48), where the Ice King becomes human again, looking in his books to figure out who he is, what he needs to do.

That’s all for this post!

© 2020 Burkely Hermann. All rights reserved.

Editor note: This post was originally published on my History Hermann blog but has been re-edited and fixed before being posted on this blog. Enjoy!

https://popculturelibraries.wordpress.com/2020/08/04/what-time-is-it-library-time/

#AdventureTime #books #eating #femaleLibrarians #librarianStereotypes #libraryPatrons #NonHumanLibrarians #reading #research #reviews #shushing #WhitePatrons

Following in the footsteps of my previous analyses on this blog, I decided to look at a few episodes involving libraries in Adventure Time, an animated fantasy series that ended in September 2018. This is a show that has the library as a recurring location, which is probably why Claire Ruhlin chose it as having one of the 12 best fictional libraries for Paste magazine.

In the episode “The Real You” (S2ep15), Finn and Jake want to impress Princess Bubblegum, and Finn accepts the offer to make a speech at her science event. Jake suggests they go to the place where “knowledge lives”: the library. This library has books almost stacked like bricks in a warehouse. After clearly being bored in the library, Jake suggests they leave, while Finn wants to continue and “cram” the information in a book about pigs. Hilariously, Jake is reading a book about figs. They both start performing a jig and a dance, and the Turtle Princess, who runs the library (and is basically serving as the sole librarian) kicks them out, before which Finn says they were “enthusiastic about learning” which is an utter lie. This whole scene is not even a minute long and we don’t really see much of the library, but it doesn’t look like a grand place like that depicted in various Revolutionary Girl Utena episodes. Even though this show portrays libraries as a boring place you “learn stuff,” there is one similarity: the libraries in both animations are almost deserted.

Some episodes later, in “Paper Pete” (s3ep22) they visit the library once more, with the whole episode focused just on the library. The episode begins with they both carrying a huge book to a table, which is shown at the beginning of this article. The book is a history of rainicorns, with Jake much more into the book and learning about his “heritage,” since his girlfriend is a rainicorn, than Finn. Annoyed with Jake being focused on the books, he begins walking in the stacks, goes through the books by hand, then yells out “Oh no! Damaged books. Who did this?” The Turtle Princess, apparently the only librarian of this library, tells him to “shush,” another librarian stereotype, while other beings, who are patrons, sit at desks behind her. After being shushed once again, he stumbled upon beings known as the “pagelings“:

They end up being the “secret guardians” of the library’s books. When he tries to introduce them to Jake, they hide from everyone, not wanting to reveal themselves. They fight off a bunch of leeches (I think) called “moldos,” obviously connecting to the fact that books can mold, I guess. He eventually throws them on Jake, where they begin eating his fur, but first tries to get them off by hitting them off with a book. He gives up his shirt if they don’t attack the library books, to which the leader of the “moldos,” Mildwin agrees. After leaving the library at the end of the episode, where we see the library looks like, part of which is submerged into the ground, Jake is annoyed by the actions of Finn but admits he wasn’t doing much with the book anyway. He had read the same paragraph over and over for 11 minutes, thinking he should give up in trying to learn rainicorn history, saying he will just fake it going forward. Not sure what lesson we are supposed to take away from this episode, but it’s a fun adventure inside a library.

In later episodes, the library is mentioned, with other characters adding books to it (“Gotcha!”), it is included in a flashback Finn has in the “King Worm” episodes, and the bedroom of the Turtle Princess at the top of the library is shown in “Princess Monster Wife”. All in all, this is ultimately a very positive view of a library, although it competes with the public library in Steven Universe and the family library in She-Ra in the Princess of Power at minimum. Oh, and, after watching some episodes, I came across another library, in the episode “Betty” (s5ep48), where the Ice King becomes human again, looking in his books to figure out who he is, what he needs to do.

That’s all for this post!

© 2020 Burkely Hermann. All rights reserved.

Editor note: This post was originally published on my History Hermann blog but has been re-edited and fixed before being posted on this blog. Enjoy!

https://popculturelibraries.wordpress.com/2020/08/04/what-time-is-it-library-time/

#AdventureTime #books #eating #femaleLibrarians #librarianStereotypes #libraryPatrons #NonHumanLibrarians #reading #research #reviews #shushing #WhitePatrons

Following in the footsteps of my previous analyses on this blog, I decided to look at a few episodes involving libraries in Adventure Time, an animated fantasy series that ended in September 2018. This is a show that has the library as a recurring location, which is probably why Claire Ruhlin chose it as having one of the 12 best fictional libraries for Paste magazine.

In the episode “The Real You” (S2ep15), Finn and Jake want to impress Princess Bubblegum, and Finn accepts the offer to make a speech at her science event. Jake suggests they go to the place where “knowledge lives”: the library. This library has books almost stacked like bricks in a warehouse. After clearly being bored in the library, Jake suggests they leave, while Finn wants to continue and “cram” the information in a book about pigs. Hilariously, Jake is reading a book about figs. They both start performing a jig and a dance, and the Turtle Princess, who runs the library (and is basically serving as the sole librarian) kicks them out, before which Finn says they were “enthusiastic about learning” which is an utter lie. This whole scene is not even a minute long and we don’t really see much of the library, but it doesn’t look like a grand place like that depicted in various Revolutionary Girl Utena episodes. Even though this show portrays libraries as a boring place you “learn stuff,” there is one similarity: the libraries in both animations are almost deserted.

Some episodes later, in “Paper Pete” (s3ep22) they visit the library once more, with the whole episode focused just on the library. The episode begins with they both carrying a huge book to a table, which is shown at the beginning of this article. The book is a history of rainicorns, with Jake much more into the book and learning about his “heritage,” since his girlfriend is a rainicorn, than Finn. Annoyed with Jake being focused on the books, he begins walking in the stacks, goes through the books by hand, then yells out “Oh no! Damaged books. Who did this?” The Turtle Princess, apparently the only librarian of this library, tells him to “shush,” another librarian stereotype, while other beings, who are patrons, sit at desks behind her. After being shushed once again, he stumbled upon beings known as the “pagelings“:

They end up being the “secret guardians” of the library’s books. When he tries to introduce them to Jake, they hide from everyone, not wanting to reveal themselves. They fight off a bunch of leeches (I think) called “moldos,” obviously connecting to the fact that books can mold, I guess. He eventually throws them on Jake, where they begin eating his fur, but first tries to get them off by hitting them off with a book. He gives up his shirt if they don’t attack the library books, to which the leader of the “moldos,” Mildwin agrees. After leaving the library at the end of the episode, where we see the library looks like, part of which is submerged into the ground, Jake is annoyed by the actions of Finn but admits he wasn’t doing much with the book anyway. He had read the same paragraph over and over for 11 minutes, thinking he should give up in trying to learn rainicorn history, saying he will just fake it going forward. Not sure what lesson we are supposed to take away from this episode, but it’s a fun adventure inside a library.

In later episodes, the library is mentioned, with other characters adding books to it (“Gotcha!”), it is included in a flashback Finn has in the “King Worm” episodes, and the bedroom of the Turtle Princess at the top of the library is shown in “Princess Monster Wife”. All in all, this is ultimately a very positive view of a library, although it competes with the public library in Steven Universe and the family library in She-Ra in the Princess of Power at minimum. Oh, and, after watching some episodes, I came across another library, in the episode “Betty” (s5ep48), where the Ice King becomes human again, looking in his books to figure out who he is, what he needs to do.

That’s all for this post!

© 2020 Burkely Hermann. All rights reserved.

Editor note: This post was originally published on my History Hermann blog but has been re-edited and fixed before being posted on this blog. Enjoy!

https://popculturelibraries.wordpress.com/2020/08/04/what-time-is-it-library-time/

#AdventureTime #books #eating #femaleLibrarians #librarianStereotypes #libraryPatrons #NonHumanLibrarians #reading #research #reviews #shushing #WhitePatrons

Following in the footsteps of my previous analyses on this blog, I decided to look at a few episodes involving libraries in Adventure Time, an animated fantasy series that ended in September 2018. This is a show that has the library as a recurring location, which is probably why Claire Ruhlin chose it as having one of the 12 best fictional libraries for Paste magazine.

In the episode “The Real You” (S2ep15), Finn and Jake want to impress Princess Bubblegum, and Finn accepts the offer to make a speech at her science event. Jake suggests they go to the place where “knowledge lives”: the library. This library has books almost stacked like bricks in a warehouse. After clearly being bored in the library, Jake suggests they leave, while Finn wants to continue and “cram” the information in a book about pigs. Hilariously, Jake is reading a book about figs. They both start performing a jig and a dance, and the Turtle Princess, who runs the library (and is basically serving as the sole librarian) kicks them out, before which Finn says they were “enthusiastic about learning” which is an utter lie. This whole scene is not even a minute long and we don’t really see much of the library, but it doesn’t look like a grand place like that depicted in various Revolutionary Girl Utena episodes. Even though this show portrays libraries as a boring place you “learn stuff,” there is one similarity: the libraries in both animations are almost deserted.

Some episodes later, in “Paper Pete” (s3ep22) they visit the library once more, with the whole episode focused just on the library. The episode begins with they both carrying a huge book to a table, which is shown at the beginning of this article. The book is a history of rainicorns, with Jake much more into the book and learning about his “heritage,” since his girlfriend is a rainicorn, than Finn. Annoyed with Jake being focused on the books, he begins walking in the stacks, goes through the books by hand, then yells out “Oh no! Damaged books. Who did this?” The Turtle Princess, apparently the only librarian of this library, tells him to “shush,” another librarian stereotype, while other beings, who are patrons, sit at desks behind her. After being shushed once again, he stumbled upon beings known as the “pagelings“:

They end up being the “secret guardians” of the library’s books. When he tries to introduce them to Jake, they hide from everyone, not wanting to reveal themselves. They fight off a bunch of leeches (I think) called “moldos,” obviously connecting to the fact that books can mold, I guess. He eventually throws them on Jake, where they begin eating his fur, but first tries to get them off by hitting them off with a book. He gives up his shirt if they don’t attack the library books, to which the leader of the “moldos,” Mildwin agrees. After leaving the library at the end of the episode, where we see the library looks like, part of which is submerged into the ground, Jake is annoyed by the actions of Finn but admits he wasn’t doing much with the book anyway. He had read the same paragraph over and over for 11 minutes, thinking he should give up in trying to learn rainicorn history, saying he will just fake it going forward. Not sure what lesson we are supposed to take away from this episode, but it’s a fun adventure inside a library.

In later episodes, the library is mentioned, with other characters adding books to it (“Gotcha!”), it is included in a flashback Finn has in the “King Worm” episodes, and the bedroom of the Turtle Princess at the top of the library is shown in “Princess Monster Wife”. All in all, this is ultimately a very positive view of a library, although it competes with the public library in Steven Universe and the family library in She-Ra in the Princess of Power at minimum. Oh, and, after watching some episodes, I came across another library, in the episode “Betty” (s5ep48), where the Ice King becomes human again, looking in his books to figure out who he is, what he needs to do.

That’s all for this post!

© 2020 Burkely Hermann. All rights reserved.

Editor note: This post was originally published on my History Hermann blog but has been re-edited and fixed before being posted on this blog. Enjoy!

https://popculturelibraries.wordpress.com/2020/08/04/what-time-is-it-library-time/

#AdventureTime #books #eating #femaleLibrarians #librarianStereotypes #libraryPatrons #NonHumanLibrarians #reading #research #reviews #shushing #WhitePatrons

Following in the footsteps of my previous analyses on this blog, I decided to look at a few episodes involving libraries in Adventure Time, an animated fantasy series that ended in September 2018. This is a show that has the library as a recurring location, which is probably why Claire Ruhlin chose it as having one of the 12 best fictional libraries for Paste magazine.

In the episode “The Real You” (S2ep15), Finn and Jake want to impress Princess Bubblegum, and Finn accepts the offer to make a speech at her science event. Jake suggests they go to the place where “knowledge lives”: the library. This library has books almost stacked like bricks in a warehouse. After clearly being bored in the library, Jake suggests they leave, while Finn wants to continue and “cram” the information in a book about pigs. Hilariously, Jake is reading a book about figs. They both start performing a jig and a dance, and the Turtle Princess, who runs the library (and is basically serving as the sole librarian) kicks them out, before which Finn says they were “enthusiastic about learning” which is an utter lie. This whole scene is not even a minute long and we don’t really see much of the library, but it doesn’t look like a grand place like that depicted in various Revolutionary Girl Utena episodes. Even though this show portrays libraries as a boring place you “learn stuff,” there is one similarity: the libraries in both animations are almost deserted.

Some episodes later, in “Paper Pete” (s3ep22) they visit the library once more, with the whole episode focused just on the library. The episode begins with they both carrying a huge book to a table, which is shown at the beginning of this article. The book is a history of rainicorns, with Jake much more into the book and learning about his “heritage,” since his girlfriend is a rainicorn, than Finn. Annoyed with Jake being focused on the books, he begins walking in the stacks, goes through the books by hand, then yells out “Oh no! Damaged books. Who did this?” The Turtle Princess, apparently the only librarian of this library, tells him to “shush,” another librarian stereotype, while other beings, who are patrons, sit at desks behind her. After being shushed once again, he stumbled upon beings known as the “pagelings“:

They end up being the “secret guardians” of the library’s books. When he tries to introduce them to Jake, they hide from everyone, not wanting to reveal themselves. They fight off a bunch of leeches (I think) called “moldos,” obviously connecting to the fact that books can mold, I guess. He eventually throws them on Jake, where they begin eating his fur, but first tries to get them off by hitting them off with a book. He gives up his shirt if they don’t attack the library books, to which the leader of the “moldos,” Mildwin agrees. After leaving the library at the end of the episode, where we see the library looks like, part of which is submerged into the ground, Jake is annoyed by the actions of Finn but admits he wasn’t doing much with the book anyway. He had read the same paragraph over and over for 11 minutes, thinking he should give up in trying to learn rainicorn history, saying he will just fake it going forward. Not sure what lesson we are supposed to take away from this episode, but it’s a fun adventure inside a library.

In later episodes, the library is mentioned, with other characters adding books to it (“Gotcha!”), it is included in a flashback Finn has in the “King Worm” episodes, and the bedroom of the Turtle Princess at the top of the library is shown in “Princess Monster Wife”. All in all, this is ultimately a very positive view of a library, although it competes with the public library in Steven Universe and the family library in She-Ra in the Princess of Power at minimum. Oh, and, after watching some episodes, I came across another library, in the episode “Betty” (s5ep48), where the Ice King becomes human again, looking in his books to figure out who he is, what he needs to do.

That’s all for this post!

© 2020 Burkely Hermann. All rights reserved.

Editor note: This post was originally published on my History Hermann blog but has been re-edited and fixed before being posted on this blog. Enjoy!

https://popculturelibraries.wordpress.com/2020/08/04/what-time-is-it-library-time/

#AdventureTime #books #eating #femaleLibrarians #librarianStereotypes #libraryPatrons #NonHumanLibrarians #reading #research #reviews #shushing #WhitePatrons