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111 results for “jeremydmiller”
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Wolverine Does More to Simplify Server Side Code https://jeremydmiller.com/2025/10/28/wolverine-does-more-to-simplify-server-side-code/
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Wolverine Does More to Simplify Server Side Code https://jeremydmiller.com/2025/10/28/wolverine-does-more-to-simplify-server-side-code/
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Wolverine Does More to Simplify Server Side Code https://jeremydmiller.com/2025/10/28/wolverine-does-more-to-simplify-server-side-code/
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Working on a sample project for colleagues on #marten using #SpecFlow and #Testcontainers to build fast integration tests with a real database and it's been surprisingly fast and really fun.
CC @jeremydmiller -- let me know if there's any benefit you could get out of that and I can tweak to help the project.
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Sneak Peek at the SignalR Integration in Wolverine 5.0 | by Jeremy D. Miller.
https://jeremydmiller.com/2025/09/05/sneak-peek-at-the-signalr-integration-in-wolverine-5-0/
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Wolverine’s New PostgreSQL Messaging Transport.
#dotnet #postgresql #wolverine #critterstack
https://jeremydmiller.com/2024/04/21/wolverines-new-postgresql-messaging-transport/ -
@oskardudycz @jchannon Here's some feedback though.Tell @jeremydmiller to tone down the Football references, Europeans don't get them :P
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I threw out the possibility in Discord to discontinue our PLv8 (JavaScript in the database) extension for Marten, and then realized that we hadn't published Nugets for that in over a year and nobody has complained.
Guessing maybe that's okay then to drop:)
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New personal goal of never trying to get sucked into doing any kind of DevOps work on a Friday every again. I am not enjoying any part of this.
Some of those techs where I'm sure it's no issue if you use it everyday, but it's nasty if you just dip your toes into it once in awhile
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27th Birthday of #XMPP (formerly named #Jabber)! It is the date of #JeremieMiller announcement on #Slashdot! #OpenStandard #InstantMessaging #RealTimeText #CommunicationProtocol #IETF #InternetEngineeringTaskForce
https://slashdot.org/story/99/01/04/1621211/open-real-time-messaging-system -
Few days ago, it was the 26th Birthday of #Jabber/#XMPP! It is the date of #JeremieMiller announcement on #Slashdot! #OpenStandard #InstantMessaging #RealTimeText #CommunicationProtocol #IETF #InternetEngineeringTaskForce https://slashdot.org/story/99/01/04/1621211/open-real-time-messaging-system
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Happy 25th Birthday #Jabber / #XMPP! It is the date of #JeremieMiller announcement on #Slashdot! #OpenStandard #InstantMessaging #RealTimeText #CommunicationProtocol #IETF #InternetEngineeringTaskForce https://slashdot.org/story/99/01/04/1621211/open-real-time-messaging-system
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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Making textures with the #0coast #Strega and #0ctrl by #MakeNoise
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Since #Twitter is circling the drain and soon requiring monthly payments to use their API, I did one more live Twitter feed sonification. This time with #moog Mavis through #makenoise Strega. Additional sounds come from the 0coast. #semimodular #twitterapi #eurorack #electronicmusic
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Here's a snippet from my piece "Music for Botany" for caxixí and maracas. Enjoy! #MastoMusic #maracas #percussion #processmusic
Watch the full video: https://youtu.be/k1ysNzIPJdY
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☄️☄️Using the streaming API in #mastodon to sonify events using #vcvrack. ☄️☄️
#surgext #surgevst #datasonification #electronicmusic #eurorack
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#MusicMonday More from my Spectrabau. Just a natural technological evolution from an ancient musical bow to an electroacoustic blend.
I’m exploring spectral freezes, tonality diamond, and physical modeling with this improvisation. Off screen is my #PureData patch that does all the fun real-time audio processing.
#berimbau #gringo #electroacoustic #afrobrazilianinstrument #brazil🇧🇷 #music #musiclover #percussion
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I like to call this my Spectrabau, or sometimes my Electrobau. I’m exploring spectral freezes, tonality diamond, and physical modeling with this improvisation. Off screen is my #PureData patch that does all the fun real-time audio processing.
#berimbau #gringo #electroacoustic #afrobrazilianinstrument #brazil🇧🇷 #music
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Of course, @[email protected] captured all the scenes of an electric atmosphere and great game last night as #FCCincy topped Columbus 1-0 in their #HellisReal first-round playoff series opener. Check out a full photo gallery here: https://queencitypress.net/2025/10/28/pla…
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Of course, @[email protected] captured all the scenes of an electric atmosphere and great game last night as #FCCincy topped Columbus 1-0 in their #HellisReal first-round playoff series opener. Check out a full photo gallery here: https://queencitypress.net/2025/10/28/pla…
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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This Saturday I’m performing on the #ATLBeltLine at the McDonough tunnel at 3pm! Some guest musicians will be performing with me including a percussion quartet and ASO clarinetist Ted Gurch. Join us and bring your cell phones…some pieces are audience participation!
#percussion #graphicscores #mobilephones #atlantabeltlineart #artontheatlantabeltline #atlanta -
What are you watching tonight?
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1988 ABC Wednesday Growing Pains - Head of the Class
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#GrowingPains #HeadOfTheClass #JeremyMiller #ABC #TVshow #Television #Retro #Vintage #HowardHesseman #DanSchneider #TonyODell -
https://youtube.com/shorts/BB7PO-I_9O4?feature=shared
There are two sound layers here: one is the #berimbau being processed by the computer in real-time; the second is Mastodon posts being sonified in real-time. All happening through #vcvrack.
#computermusic #electroacoustic #eurorack #music #electronicmusic #brazilianmusic #newmusic #experimentalmusic