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1000 results for “attila”

  1. A number of well-known individuals have their tombs lost, including Attila the Hun, Khufu, Leonardo da Vinci, Vlad Dracula, Cleopatra, Mark Antony, and Alexander the Great. #losttombs #historicalmysteries youtu.be/CoPpqqEqXj0?si=UkoboZ

  2. anonleaks.net/2021/optinfoil/p
    Der Hoster von Attila Hildmann #prosite wurde damit wohl final zerstört. Um Colo kümmert sich die Firma #speedbone - selber GF, selber Zustand. Hat noch jemand Racks im AK? Schnell raus da...
    #CCC #freifunk
    peeringdb.com/fac/155

  3. Lange genug rumgeschlampt, Chapeau, #GStA #Berlin

    "Der #Verschwoerungsideologe #AttilaHildmann wird nicht von der Türkei an Deutschland ausgeliefert. Dies sei der Berliner #Generalstaatsanwaltschaft vom Bundesamt der Justiz mitgeteilt worden, sagte ein Sprecher der Behörde. Die türkische Botschaft hat demnach Deutschland mitgeteilt, dass #Hildmann die türkische #Staatsbuergerschaft besitze und deswegen nicht ausgeliefert werde."
    #xp
    zeit.de/gesellschaft/zeitgesch

  4. Lange genug rumgeschlampt, Chapeau, #GStA #Berlin

    "Der #Verschwoerungsideologe #AttilaHildmann wird nicht von der Türkei an Deutschland ausgeliefert. Dies sei der Berliner #Generalstaatsanwaltschaft vom Bundesamt der Justiz mitgeteilt worden, sagte ein Sprecher der Behörde. Die türkische Botschaft hat demnach Deutschland mitgeteilt, dass #Hildmann die türkische #Staatsbuergerschaft besitze und deswegen nicht ausgeliefert werde."
    #xp
    zeit.de/gesellschaft/zeitgesch

  5. Lange genug rumgeschlampt, Chapeau, #GStA #Berlin

    "Der #Verschwoerungsideologe #AttilaHildmann wird nicht von der Türkei an Deutschland ausgeliefert. Dies sei der Berliner #Generalstaatsanwaltschaft vom Bundesamt der Justiz mitgeteilt worden, sagte ein Sprecher der Behörde. Die türkische Botschaft hat demnach Deutschland mitgeteilt, dass #Hildmann die türkische #Staatsbuergerschaft besitze und deswegen nicht ausgeliefert werde."
    #xp
    zeit.de/gesellschaft/zeitgesch

  6. Lange genug rumgeschlampt, Chapeau, #GStA #Berlin

    "Der #Verschwoerungsideologe #AttilaHildmann wird nicht von der Türkei an Deutschland ausgeliefert. Dies sei der Berliner #Generalstaatsanwaltschaft vom Bundesamt der Justiz mitgeteilt worden, sagte ein Sprecher der Behörde. Die türkische Botschaft hat demnach Deutschland mitgeteilt, dass #Hildmann die türkische #Staatsbuergerschaft besitze und deswegen nicht ausgeliefert werde."
    #xp
    zeit.de/gesellschaft/zeitgesch

  7. Ich hatte neulich Geburtstag.
    Nun hab ich das Geschenk meiner Mutter (Verschwörungsaffine) geöffnet. Darin uA ein Buch von Attila Hildmann. 🤮
    Und schon bin ich wieder mal überfordert, wie ich reagieren soll, ohne gleich Streit heraufzubeschwören.

    Was würdet ihr tun?

    (Und warum zur Hölle muss ich da immer und immer wieder durch?!)

    #followerpower #Verschwöung #AttilaHildmann #Geburtstag #konfrontation

  8. Finde das Musikvideo „Killuminati“ von Felix Blume krass völkisch, verschwörungsmythologisch & auch vollgestopft mit Antisemitismus a la T. Knechtel. Ralf Fischer benennt es als „Judenhass in Reimform“. 👇

    Aber eben nicht in der ZEIT, sondern bisher alleine in der „Jüdischen Allgemeine“. Mich nervt das betretene Schweigen auch der Kultur- und Medienszene dazu.

    Habe gegenüber Attila Hildmann, Xavier Naidoo, Hoss & Hopf nicht geschwiegen & werde auch „Kollegah“ in geeigneter Form widersprechen. (Wir tragen auch den gleichen Nachnamen, sind aber m.W. nicht verwandt.)

    Was denkst Du dazu? Welche Aspekte sollte ich zuerst aufklären?

    #Killuminati #Kollegah #FelixBlume #Blume #Rap #Musik #Antisemitismus #Rassismus #Sexismus #Musikvideo #Deutschland #Israel #USA #Verschwörungsmythen #Judenhass #Knechtel #Medien juedische-allgemeine.de/meinun

  9. Finde das Musikvideo „Killuminati“ von Felix Blume krass völkisch, verschwörungsmythologisch & auch vollgestopft mit Antisemitismus a la T. Knechtel. Ralf Fischer benennt es als „Judenhass in Reimform“. 👇

    Aber eben nicht in der ZEIT, sondern bisher alleine in der „Jüdischen Allgemeine“. Mich nervt das betretene Schweigen auch der Kultur- und Medienszene dazu.

    Habe gegenüber Attila Hildmann, Xavier Naidoo, Hoss & Hopf nicht geschwiegen & werde auch „Kollegah“ in geeigneter Form widersprechen. (Wir tragen auch den gleichen Nachnamen, sind aber m.W. nicht verwandt.)

    Was denkst Du dazu? Welche Aspekte sollte ich zuerst aufklären?

    #Killuminati #Kollegah #FelixBlume #Blume #Rap #Musik #Antisemitismus #Rassismus #Sexismus #Musikvideo #Deutschland #Israel #USA #Verschwörungsmythen #Judenhass #Knechtel #Medien juedische-allgemeine.de/meinun

  10. Finde das Musikvideo „Killuminati“ von Felix Blume krass völkisch, verschwörungsmythologisch & auch vollgestopft mit Antisemitismus a la T. Knechtel. Ralf Fischer benennt es als „Judenhass in Reimform“. 👇

    Aber eben nicht in der ZEIT, sondern bisher alleine in der „Jüdischen Allgemeine“. Mich nervt das betretene Schweigen auch der Kultur- und Medienszene dazu.

    Habe gegenüber Attila Hildmann, Xavier Naidoo, Hoss & Hopf nicht geschwiegen & werde auch „Kollegah“ in geeigneter Form widersprechen. (Wir tragen auch den gleichen Nachnamen, sind aber m.W. nicht verwandt.)

    Was denkst Du dazu? Welche Aspekte sollte ich zuerst aufklären?

    #Killuminati #Kollegah #FelixBlume #Blume #Rap #Musik #Antisemitismus #Rassismus #Sexismus #Musikvideo #Deutschland #Israel #USA #Verschwörungsmythen #Judenhass #Knechtel #Medien juedische-allgemeine.de/meinun

  11. Finde das Musikvideo „Killuminati“ von Felix Blume krass völkisch, verschwörungsmythologisch & auch vollgestopft mit Antisemitismus a la T. Knechtel. Ralf Fischer benennt es als „Judenhass in Reimform“. 👇

    Aber eben nicht in der ZEIT, sondern bisher alleine in der „Jüdischen Allgemeine“. Mich nervt das betretene Schweigen auch der Kultur- und Medienszene dazu.

    Habe gegenüber Attila Hildmann, Xavier Naidoo, Hoss & Hopf nicht geschwiegen & werde auch „Kollegah“ in geeigneter Form widersprechen. (Wir tragen auch den gleichen Nachnamen, sind aber m.W. nicht verwandt.)

    Was denkst Du dazu? Welche Aspekte sollte ich zuerst aufklären?

    #Killuminati #Kollegah #FelixBlume #Blume #Rap #Musik #Antisemitismus #Rassismus #Sexismus #Musikvideo #Deutschland #Israel #USA #Verschwörungsmythen #Judenhass #Knechtel #Medien juedische-allgemeine.de/meinun

  12. Finde das Musikvideo „Killuminati“ von Felix Blume krass völkisch, verschwörungsmythologisch & auch vollgestopft mit Antisemitismus a la T. Knechtel. Ralf Fischer benennt es als „Judenhass in Reimform“. 👇

    Aber eben nicht in der ZEIT, sondern bisher alleine in der „Jüdischen Allgemeine“. Mich nervt das betretene Schweigen auch der Kultur- und Medienszene dazu.

    Habe gegenüber Attila Hildmann, Xavier Naidoo, Hoss & Hopf nicht geschwiegen & werde auch „Kollegah“ in geeigneter Form widersprechen. (Wir tragen auch den gleichen Nachnamen, sind aber m.W. nicht verwandt.)

    Was denkst Du dazu? Welche Aspekte sollte ich zuerst aufklären?

    #Killuminati #Kollegah #FelixBlume #Blume #Rap #Musik #Antisemitismus #Rassismus #Sexismus #Musikvideo #Deutschland #Israel #USA #Verschwörungsmythen #Judenhass #Knechtel #Medien juedische-allgemeine.de/meinun

  13. Unmother – State Dependent Memory Review By Tyme

    Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?

    State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.

    My Armor by Unmother

    State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.


    Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.

    Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.

    Rating: 3.0/5.0
    DR: 9 | Format Reviewed: 320kb/s mp3
    Label: Independent
    Websites: Bandcamp | Facebook
    Releases Worldwide: February 20th, 2026

    #2026 #30 #Ashenspire #BlackMetal #ChatPile #Feb26 #Independent #MarilynManson #PostMetal #Review #Shining #StateDependentMemory #UKMetal #Unmother
  14. Unmother – State Dependent Memory Review By Tyme

    Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?

    State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.

    My Armor by Unmother

    State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.


    Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.

    Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.

    Rating: 3.0/5.0
    DR: 9 | Format Reviewed: 320kb/s mp3
    Label: Independent
    Websites: Bandcamp | Facebook
    Releases Worldwide: February 20th, 2026

    #2026 #30 #Ashenspire #BlackMetal #ChatPile #Feb26 #Independent #MarilynManson #PostMetal #Review #Shining #StateDependentMemory #UKMetal #Unmother
  15. Unmother – State Dependent Memory Review By Tyme

    Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?

    State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.

    My Armor by Unmother

    State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.


    Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.

    Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.

    Rating: 3.0/5.0
    DR: 9 | Format Reviewed: 320kb/s mp3
    Label: Independent
    Websites: Bandcamp | Facebook
    Releases Worldwide: February 20th, 2026

    #2026 #30 #Ashenspire #BlackMetal #ChatPile #Feb26 #Independent #MarilynManson #PostMetal #Review #Shining #StateDependentMemory #UKMetal #Unmother
  16. Unmother – State Dependent Memory Review By Tyme

    Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?

    State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.

    My Armor by Unmother

    State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.


    Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.

    Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.

    Rating: 3.0/5.0
    DR: 9 | Format Reviewed: 320kb/s mp3
    Label: Independent
    Websites: Bandcamp | Facebook
    Releases Worldwide: February 20th, 2026

    #2026 #30 #Ashenspire #BlackMetal #ChatPile #Feb26 #Independent #MarilynManson #PostMetal #Review #Shining #StateDependentMemory #UKMetal #Unmother
  17. Dan Jones hat ein Buch geschrieben, das man schon immer einmal lesen wollte: einen kompakten und fundierten Überblick über die Geschichte des Mittelalters. Eine Rezension

    Rund elf Jahrhunderte rechnet man dem Mittelalter zu. Dan Jones erzählt seine Geschichte neu: fundiert und unterhaltsam. Eine Rezension (Rezension zu Mächte und Throne von Dan Jones)#Geschichte #Mittelalter #Luther #Migration #Architektur #Venedig #Attila #DschingisKhan #EleonorevonAquitanien #Entdeckung #Epoche #Frühalter #Hochmittelalter #Spätmittelalter #Kirche #Kolumbus #Kreuzfahrer #Kreuzzüge #Mönche #Päpste #Papst #Pest #Mohammed #Rechtsgeschichte #Seuche #Kultur
    »Mächte und Throne«: Der Heilige im Pökelfass

  18. CW: nachdenkseiten

    Weil hier noch kürzlich Leute überrascht waren, was man denn gegen die #nachdenkseiten haben könnte:

    twitter.com/pm_cheung/status/1

    Sie "vereinigen" sich mit u.a. #KenJebsen #RüdigerHoffmann #AttilaHildmann #XavierNaidoo #staatenlos der #QAnon-Bewegung und weiterem Schmutz, der sonst so in diesem Fahrwasser bewegt.

    Selbst wenn sie nicht selbst aufrufen sollten: Diese Kreise zählen sie zu sich 💁

  19. Wie werden biografische #Geschichten von #Studierenden zum #Hochschulalltag in #Podcasts hörbar?

    Kommt im #Live-Podcast am offenen Mikro mit Attila Kornel-Markula und Hubert Hill von der Uni Vechta in den Austausch.

    Mehr Infos zum Programm und zur Anmeldung: uni-vechta.de/jfmh24/

    #JFMH #JFMH24

  20. Those #Amphifa Frogs and inflatable Poutry terrorists are terrorizing America! Those dangerous insurrectional never-trumpers want to destroy everything on their go: where Attila the Hun Toad trod, fascist crass never regrows! Look the insanity in the frogs eyes! Deranged insurrectionnist frogs!

    RE: https://bsky.app/profile/did:plc:bbp2b224lro3bfnzcqwwnkfo/post/3m3hnzfgfyk2w

  21. #LGBTQ #Turkish #Wikipedia deletion alert

    Bu LGBTQ ile ilgili #Türkçe Vikipedi makalesini silinmekten kurtarabilir misiniz?

    Hangi Seks (tr)

    * Hangi Seks, Attilâ İlhan'ın deneme kitabı. Erkek/kadın ve Kadın/erkek olmak üzere iki bölümden oluşan kitap, başta lik olmak üzere dünyadaki ve Türkiye'deki cinsel eğilimleri irdelemektedir
    tr.wikipedia.org/wiki/Hangi_Se

    #Deneme #2000lerde #Türkiye #Attilâ

  22. OCCII Amsterdam
    Thursday, June 30, 2022
    Doors open: 20:00
    Showtime: 20:30
    Damage: €8

    #ATTILA THE STOCKBROKER (UK) + TRESPASSERS W (Cor Gout & Lukas Simonis)
    #music #live #amsterdam #concert
    occii.org/events/attila-w/

  23. (10/19) ... Psdt de la république/Archevêque Makarios #religion -> guerre civile junte athénienne pour unification entre l’île et l’archipel grec -> Réaction Turquie : opération “Attila” phrase signal “Ayse peut partir en vacances.” : Turquie envahie Chypre avec bombes au napalm/parachutistes/débarquement militaire sur plage Kyrenia commandement lieutenant-général Nurettin Ersin = civils assassinés viols soldats capturés ...

    #year1975 #anthropocene #climat #climate #climatechange #climatecrisis

  24. 🚀🍏 The article pitches a "revolutionary" data #structure that's basically a #deque with a fancy hat. Because what we really need in 2023 is yet another way to shuffle numbers around, right? 🙄💡
    github.com/attilatorda/Shift-T #revolutionarydata #innovation #techhumor #shufflingnumbers #HackerNews #ngated