#marilynmanson — Public Fediverse posts

La prossima esibizione della controversa rockstar #MarilynManson al #Ferrara Summer Festival accende una diatriba surreale tra il sindaco leghista, la curia e il centrosinistra, dove ogni parte mette la sua canonica dose di clericalismo.
Il sindaco dice che il rocker sarà ospitato dalle suore, poi che queste hanno ricevuto ordini "dall'alto" per non farlo. La curia fa la vittima e critica le intromissioni del sindaco. Il capogruppo Pd in Regione difende il vescovo.👇
https://www.dire.it/23-04-2026/1234021-marilyn-manson-non-sara-piu-ospitato-dalle-suore-lo-stop-arriva-dallalto/

@lcamtuf
@mwichary

I know I'm totally association-blasting and derailing this thread but the details under the nixies have strong vibes of the Marilyn-Manson-themed collages by Joachim Luetke (early #2000s).

#NixieTubes
#JoachimLuetke
#MarilynManson

Text des Liedes “Sweet Dreams” von Marilyn Manson
#MarilynManson #SweetDreams
https://daletra.top/marilyn-manson/liedtexte/sweet-dreams-are-made-of-this.html

Scopri il testo della canzone “Sweet Dreams” di Marilyn Manson
#MarilynManson #SweetDreams
https://daletra.online/marilyn-manson/testi/sweet-dreams-are-made-of-this.html

Text des Liedes “Sweet Dreams” von Marilyn Manson
#MarilynManson #SweetDreams
https://daletra.top/marilyn-manson/liedtexte/sweet-dreams-are-made-of-this.html

Unmother – State Dependent Memory Review

Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019.…
#NewsBeep #News #Music #2026 #3.0 #Ashenspire #AU #Australia #BlackMetal #ChatPile #Entertainment #Feb26 #independent #MarilynManson #Post-Metal #review #Shining #StateDependentMemory #U.K.Metal #Unmother
https://www.newsbeep.com/au/501290/

Unmother – State Dependent Memory Review

Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019.…
#NewsBeep #News #Music #2026 #3.0 #Ashenspire #AU #Australia #BlackMetal #ChatPile #Entertainment #Feb26 #independent #MarilynManson #Post-Metal #review #Shining #StateDependentMemory #U.K.Metal #Unmother
https://www.newsbeep.com/au/501290/

Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?

State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.

My Armor by Unmother

State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.

Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.

Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kb/s mp3
Label: Independent
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?

State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.

My Armor by Unmother

State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.

Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.

Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kb/s mp3
Label: Independent
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?

State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.

My Armor by Unmother

State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.

Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.

Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kb/s mp3
Label: Independent
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?

State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.

My Armor by Unmother

State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.

Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.

Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kb/s mp3
Label: Independent
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019. Their 2021 debut, Lay Down the Sun, garnered significant underground acclaim that, according to the promo kit, established Unmother “as a restless and forward-thinking presence within the scene.” Foregoing the nature-scapes and mythological motifs of other post-black metal outfits, Unmother draws inspiration from the streets and, with their sophomore effort, State Dependent Memory,1 examines “urban isolation, inner dislocation, and moral decline, reflecting a world formed by concrete environments and social erosion.”2 After swapping their first “V” vocalist, Venla,3 for their second, V. (VOAK), Unmother prepares to take the next step on their evolving musical journey. Does State Dependent Memory offer a solution that might save our base, dehumanized society, from itself, or will it amount to so much piss in the wind?

State Dependent Memory crackles with gritty, asphaltic energy, casting Unmother as conscientious agitators, decrying societal urban decay in veins similar to acts like Chat Pile or Ashenspire, even if avoiding any direct auricular comparison. Departing from the rawer, denser claustrophobia of Lay Down the Sun, Unmother sought slightly warmer sonic climes on State Dependent Memory, weaving undulating post-metal textures into its mostly traditional black-metal framework. Sure, plenty of blast beats and tremolos (“My Armor,” “Bear Hug”) remain, courtesy of drummer B. and guitarists Azoso and Declwa (who also handles bass). Still, it’s what Unmother does with the spaces between that adds the most character, which begins with the varied vocal approach of V., who, like Attila Csihar, possesses a wider range of barks, croaks, shouts, and screams than his more one-dimensional predecessor, whose hissier, raw-blackened rasp overpowered much of Lay Down the Sun for me. Without dulling any of the sharp edges that, well, make them edgy, Unmother benefits from their take on “post” as a counterpoint to tradition.

My Armor by Unmother

State Dependent Memory tips the scales of orthodoxy with atmospheres that are as hypnotizing as they are abrasive. Pensive and creepy, the leads that skulk through the shadowed alleys of “Modern Dystopia” are effective and shroud the track with an almost Marilyn Manson-like pall, while Declwa’s bass notes thrum and throb like slow-strobing traffic lights on a dark, misty night. Venla makes a guest appearance here as well; his croaking rasp at this dose ups the fear factor and complements V.’s tortured delivery. Satisfying, too, is the eerie, haunted-jewelry-box melody and desperate howling of V., which make up the slower-paced interlude within the trad-black assault of “Bear Hug,” offering a sprinkling of Shining-like glitter. Ironically, the most black metal track on State Dependent Memory is Unmother’s cover of “Αττική – Βικτώρια” (“Attiki Victoria”) by Greek synthwave outfit ΟΔΟΣ 55, which distills the eight-minute-long original’s main melody down to a viscerally efficient, tremolo-forward beast. It’s poppy, new-wave-esque movements, filled with an almost hopeful melodicism, are set effectively against V.’s pleading screams and shouts.

Angeliki Mourgela’s mix and Roland Rodas’ master capture the essence of Unmother’s talents. With a foggy production that reminded me of Mayhem’s Ordo ad Chao, I enjoyed Lay Down the Sun but had to strain to pick out much of its instrumental intricacy. State Dependent Memory doesn’t suffer the same issue, as each instrument glows brightly in its own space, with B.’s varied drum performance and Declwa’s excellent bass work being the biggest beneficiaries. And while I can’t say Unmother wasted any of State Dependent Memory’s thirty-eight-minute runtime, closing the album with the no-burn instrumental “Magda” was a miss. The track fades in with some reflective, organ-like synths, foreign-spoke voice samples,4 and gently plucked guitar lines bolstered with tension-building but delicately strummed chords, which all continue to build slightly over the next four minutes and twenty seconds only to fade out again. No satisfying payoff, just a segue to silence. Whether this move was intentional or not, the addition of another well-executed track proper could have avoided such a deflating ending.

Acerbically moody, Unmother possesses a maturity that belies their short existence. This quartet of relative unknowns continues to carve their mark into the U.K.’s underground metal scene, and if State Dependent Memory is any indication, they may not be toiling down there for long.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kb/s mp3
Label: Independent
Websites: Bandcamp | Facebook
Releases Worldwide: February 20th, 2026

Marilyn Manson Sexual Assault Case From Former Assistant Brought Back To Life Because Of New California Law
#Legal #News #CAA #EvanRachelWood #GameofThrones #GavinNewsom #MarilynManson #RobZombie

https://deadline.com/2026/01/marilyn-manson-sexual-assault-case-revived-1236697710/

A música "My Monkey" de #MarilynManson deveria ser a mais óbvia escolha para esta #musiquinta sobre #macaco - mas desde quando é que temos e ir pelo óbvio? E assim sendo, escolho em vez disso outra música da banda - podia ser a Organ Grinder (que também refere o 'funny little monkey' que depois tem a sua própria música), mas em vez disso escolho a "Cruci-fiction In Space", da mesma banda mas já do seu quarto album, publicado após o massacre de Columbine - sobre o qual o artista foi indevidamente crucificado. De certa forma, parece-me uma escolha adequada para os dias de hoje...

https://youtu.be/siGW15zMoQw

Yungblud hints at ‘secret recording’ before friend Ozzy Osbourne’s death

Yungblud, who performed at Ozzy Osbourne’s farewell gig just days before his death, says he had “a lot…
#NewsBeep #News #Music #Aerosmith #BlackSabbath #BrianMay #DavidBowie #Documentaries #EltonJohn #Entertainment #FreddieMercury #Funerals #IggyPop #JamesHetfield #JoePerry #LewisCapaldi #MarilynManson #Metallica #O2 #OzzyOsbourne #Queen #StuartPrice #theO2Arena #U2 #UK #UnitedKingdom
https://www.newsbeep.com/uk/57114/

Go to Hell by #SamanthaFish kinda sounds like the beginning to Beautiful People by #MarilynManson.

#metal #blues

https://m.youtube.com/watch?v=tfxDT76qbRA

Go to Hell by #SamanthaFish kinda sounds like the beginning to Beautiful People by #MarilynManson.

#metal #blues

https://m.youtube.com/watch?v=tfxDT76qbRA

Go to Hell by #SamanthaFish kinda sounds like the beginning to Beautiful People by #MarilynManson.

#metal #blues

https://m.youtube.com/watch?v=tfxDT76qbRA

Go to Hell by #SamanthaFish kinda sounds like the beginning to Beautiful People by #MarilynManson.

#metal #blues

https://m.youtube.com/watch?v=tfxDT76qbRA

Go to Hell by #SamanthaFish kinda sounds like the beginning to Beautiful People by #MarilynManson.

#metal #blues

https://m.youtube.com/watch?v=tfxDT76qbRA

New #MarilynManson album wasn't much chop.

"I like your old stuff better than your new stuff" - #Regurgitator

#music #LoveMusicHateFascism #art

𝗦𝗵𝗼𝘄 𝗠𝗮𝗿𝗶𝗹𝘆𝗻 𝗠𝗮𝗻𝘀𝗼𝗻 𝗶𝗻 𝗕𝗿𝗶𝗴𝗵𝘁𝗼𝗻 𝗴𝗲𝗮𝗻𝗻𝘂𝗹𝗲𝗲𝗿𝗱 𝗻𝗮 𝗱𝗿𝘂𝗸 𝗮𝗰𝘁𝗶𝗲𝗴𝗿𝗼𝗲𝗽

Een show van Marilyn Manson in het Engelse Brighton is geannuleerd na druk van actiegroepen en een parlementslid, melden Britse media als The Guardian. De shockrocker zou op 29 oktober een optreden geven in het Brighton Centre.

https://www.rtl.nl/boulevard/artikel/5516046/show-marilyn-manson-brighton-geannuleerd-na-druk-actiegroep

#MarilynManson #Brighton #geannuleerd

Sortie en 2025, la chanson "god is a weapon" du groupe de #rock #fallinginreverse mené par #ronnieradke rejoint par #marilynmanson traite de l'instrumentalisation de la #religion à des fins haineuses : intolérance, rejet de la sexualité, diabolisation de la femme libre et aveuglement des masses qui pensent défendre des idéaux supérieurs.

Le #clip vidéo reprend ici une valeur esthétique et artistique significative dans la promotion de la chanson.

https://www.youtube.com/watch?v=xqJurrQKNdE

Te dijeron que era satánico. Tus tías rezaron por ti. Ahora regresa a México. #MarilynManson #Rock #satánico #Tigrepop #2025

https://tigrepop.tv/marilyn-manson/?utm_source=mastodon&utm_medium=jetpack_social

ADORO IL GENIO - TEST

Così, de botto...

#adoroilgenio #18maggio #test #Spotify #musica #fredbuscaglione #prodigy #theprodigy #marilynmanson #Antoniano #piccolocorodellantoniano

Many ICP---Insane Clown Possee--fans and Korn fans today, but also some other fans, many heavy metal, visiting the store. (A policeman visiting the store reported many passing out and/or going to hospital from heat-related issues.) I worked hard, but it was fun. Not a Silent Sunday, lols. #HeavyMetal #LinkinPark #ICP #Korn #MarilynManson #BadOmens #GreenDay #Shinedown #RobZombie etc... #Rockville

https://www.news-journalonline.com/picture-gallery/entertainment/music/2025/05/18/the-final-day-of-welcome-to-rockville/83712313007/

Queensryche - Revolution Calling
https://song.link/i/715912129

Marilyn Manson - Get Your Gunn
https://song.link/i/1440867446

Corrosion of Conformity - Vote With a Bullet
https://song.link/i/158600791

Dead Kennedys - Kill the Poor
https://song.link/i/269624000

Rage Against the Machine - Sleep Now in the Fire
https://song.link/i/192816780

#ThursdayFiveList #FiveToOne #RageAgainstTheMachine #MarilynManson #DeadKennedys

Ancst
09.05.2025 Berlin / Neue Zukunft

Burning Heads
24.04.2025 Berlin / Wild At Heart

Clamm
25.06.2025 Lärz / Fusion Festival

Damaged Life
18.04.2025 Potsdam / Archiv

Ice Nine Kills
02.12.2025 Berlin / Uber Eats Music Hall

Kodder
25.04.2025 Potsdam / Archiv

Kommando Rostkehlchen
12.04.2025 Berlin / Franken Bar

Marilyn Manson
17.11.2025 Berlin / Max Schmeling Halle

Melodawn
19.04.2025 Potsdam / Archiv

Praetor
08.05.2025 Berlin / Reset

The Hives
21.10.2025 Berlin / Columbiahalle

#Ancst #Archiv #Berlin #BurningHeads #Clamm #Columbiahalle #DamagedLife #FrankenBar #FusionFestival #IceNineKills #Kodder #Komm #Larz #MarilynManson #MaxSchmelingHalle #Melodawn #NeueZukunft #Potsdam #Praetor #Reset #TheHives #UberEatsMusicHall #WildAtHeart #SteelFeed

Marilyn Manson won’t face criminal charges; rumored collaboration with Ronnie Radke draws interest:

#MarilynManson #RonnieRadke #CaseDismissed #News #Updates

https://metalinsider.net/news/marilyn-manson-wont-face-criminal-charges-rumored-collaboration-with-ronnie-radke-draws-interest

Evan Rachel Wood Stands With Survivors After Marilyn Manson Won’t Face Charges: ‘I Am Endlessly Proud of All’ of Them
#Variety #News #EvanRachelWood #MarilynManson

https://variety.com/2025/music/news/evan-rachel-wood-stands-with-survivors-marilyn-manson-1236286177/

Evan Rachel Wood Releases Statement After 4-Year Marilyn Manson Investigation Ends Without Charges: “Endlessly Proud Of All Survivors”
#News #EsmeBianco #EvanRachelWood #MarilynManson

https://deadline.com/2025/01/evan-rachel-wood-marilyn-manson-statement-charges-1236268237/

Evan Rachel Wood Stands With Sexual Assault Survivors After Marilyn Manson Won’t Face Charges: ‘I Am Endlessly Proud of All’ of Them
#Variety #News #EvanRachelWood #MarilynManson

https://variety.com/2025/music/news/evan-rachel-wood-stands-with-sexual-assault-survivors-marilyn-manson-1236286177/

🎨 ■ El fiscal de Los Ángeles desestima los cargos contra Marilyn Manson por agresión sexual ■ La polémica comenzó cuando la actriz Evan Rachel Wood denunció que había sido víctima de "terribles" abusos durante años por parte del músico.
https://www.huffingtonpost.es/life/cultura/el-fiscal-angeles-desestima-cargos-marilyn-manson-agresion-sexualbr.html?int=MASTODON_WORLD

#cultura #justicia #agresionsexual #marilynmanson

𝗠𝗮𝗿𝗶𝗹𝘆𝗻 𝗠𝗮𝗻𝘀𝗼𝗻 𝘄𝗼𝗿𝗱𝘁 𝗻𝗶𝗲𝘁 𝗮𝗮𝗻𝗴𝗲𝗸𝗹𝗮𝗮𝗴𝗱 𝘃𝗼𝗼𝗿 𝗴𝗲𝘄𝗲𝗹𝗱 𝗲𝗻 𝗺𝗶𝘀𝗯𝗿𝘂𝗶𝗸

Marilyn Manson wordt niet strafrechtelijk vervolgd voor beschuldigingen van huiselijk geweld en seksueel misbruik tegen hem. De officier van justitie in Los Angeles maakte vrijdag bekend dat is vastgesteld dat de aanklachten van huiselijk geweld buiten de verjaringstermijn vallen en die om...

https://www.rtl.nl/boulevard/artikel/5491170/marilyn-manson-wordt-niet-aangeklaagd-voor-geweld-en-misbruik

#MarilynManson #aangeklaagd #geweld

Marilyn Manson Won’t Face Sexual Assault Charges As L.A. DA Cites Statute Of Limitations
#Legal #News #EsmeBianco #EvanRachelWood #MarilynManson

https://deadline.com/2025/01/marilyn-manson-sexual-assault-no-charges-1236266801/

Evan Rachel Wood Reveals More Details About What Happened On Marilyn Manson’s ‘Heart-Shaped Glasses’ Music Video
#News #Channel4 #EvanRachelWood #FifthSeason #Lightbox #MarilynManson

https://deadline.com/2025/01/marilyn-manson-evan-rachel-wood-channel-4-doc-heart-shaped-glasses-1236257425/

Hmm...okay, hear me out.
@LoganFive

Logan 5 :: John Mastodon ::
#John5
whaaaa?
https://www.youtube.com/watch?v=Ov6t1yqrx7Y

Heyyy. What's going on here!?
Did you!?? was that!
#twilightzone fur eel, no!?
LOL!
eh, ya gotta be nuts like me to get that association, probably.

** guitar virtuoso, replaced #zimzum #marilynmanson @zombiewarrior

This feeling... I think I'm going to start a band named
**Eloquence Of Dread**.

Taken inspiration from:
• #Satan's Night Out / The #Vampire Lestat / J.D. & Richard Gibbs + #DavidDraiman + #MarilynManson
• The 69 Eyes, particularly "Velvet Touch" (Blessed Be version)
• The Bronx Casket Co. just a bit from their first album
• #ARY (album: Queen Of All Trades)
• Love Spirals Downwards & other Projekt Records #etherealGoth
• #J_Lis / #JessicaLisette + @[email protected]
• #AfterForever, #TheatreOfTragedy

with guest vocals, #violin, #piano, #electricBass, #fretlessBass, #electricGuitar, #SpanishGuitar, #congaDrums. #synth ?

Dark, atmospheric, not too heavy, #rap

Marilyn Manson Drops Defamation Lawsuit Against Evan Rachel Wood, Will Pay Her $327,000 Legal Fees
#Variety #News #EvanRachelWood #MarilynManson

https://variety.com/2024/music/news/marilyn-manson-drops-lawsuit-evan-rachel-wood-legal-fees-1236224025/

#MarilynManson Drops #DefamationSuit Against #EvanRachelWood

The disgraced #musician has agreed to pay Wood's $327,000 in #lawyersfees

https://consequence.net/2024/11/marilyn-manson-evan-rachel-wood-defamation-lawsuit-dropped/

Marilyn Manson To Pay Evan Rachel Wood’s $330K Legal Fees As Faded Shock Rocker Deep Sixes Defamation Suit Against ‘Westworld’ Star
#Legal #News #EvanRachelWood #MarilynManson #Westworld

https://deadline.com/2024/11/marilyn-manson-evan-rachel-wood-lawsuit-payout-1236188162/

Menendez Brothers Case: LA DA Eyes Early Release Of Siblings As Family & Rosie O’Donnell Gather To Demand Leniency
#Legal #News #ABCNews #ErikMenendez #GeorgeGascón #Hulu #KimKardashian #LosAngelesDistrictAttorney #LyleMenendez #MarilynManson #Menudo #MonstersTheLyleandErikMenendezStory #Nightline

https://deadline.com/2024/10/menendez-brothers-case-early-release-possible-1236117830/

Menendez Brothers Case: LA DA Eyes Early Release Of Siblings As Family & Rosie O’Donnell Gather To Demand Leniency
#Legal #News #ABCNews #ErikMenendez #GeorgeGascón #Hulu #KimKardashian #LosAngelesDistrictAttorney #LyleMenendez #MarilynManson #Menudo #MonstersTheLyleandErikMenendezStory #Nightline

https://deadline.com/2024/10/menendez-brothers-case-early-release-possible-1236117830/

Menendez Brothers Case: LA DA Eyes Early Release Of Siblings As Family & Rosie O’Donnell Gather To Demand Leniency
#Legal #News #ABCNews #ErikMenendez #GeorgeGascón #Hulu #KimKardashian #LosAngelesDistrictAttorney #LyleMenendez #MarilynManson #Menudo #MonstersTheLyleandErikMenendezStory #Nightline

https://deadline.com/2024/10/menendez-brothers-case-early-release-possible-1236117830/

Menendez Brothers Case: LA DA Eyes Early Release Of Siblings As Family & Rosie O’Donnell Gather To Demand Leniency
#Legal #News #ABCNews #ErikMenendez #GeorgeGascón #Hulu #KimKardashian #LosAngelesDistrictAttorney #LyleMenendez #MarilynManson #Menudo #MonstersTheLyleandErikMenendezStory #Nightline

https://deadline.com/2024/10/menendez-brothers-case-early-release-possible-1236117830/

Esmé Bianco Rips L.A. DA George Gascón Over Failing To Prosecute Her Sexual Abuse Case Against Marilyn Manson
#Legal #News #EsmeBianco #GeorgeGascon #LALocal #MarilynManson

https://deadline.com/2024/10/marilyn-manson-esme-bianco-rape-case-latest-1236113125/

G-Nitro’s Daily Music Wrap-Up - 10/08/24

I check out a 90s Marilyn Manson album, and revisit another Korean hip hop banger with Eun Ji Won's 3rd album.

Favorite videos include Pablo Torre Finds Out discussing the Prince documentary we'll never see, new music videos from MISAMO and Rhea Raj, and a John park Killing Voice.

https://g-nitro.com/g-nitros-daily-music-wrap-up-10-08-24

#Music #MusicVideo #Video #MusicAlbum #1001Albums #Prince #PabloTorre #PabloTorreFindsOut #RheaRaj #Misamo #JPop #KPop #JohnPark #EunJiWon #HipHop #MarilynManson #Rock

#RIP #RoliMosimann Zwitserse producer van oa #YoungGods #TheThe #NewOrder #CelticFrost #MarilynManson en #FaithNoMore. Hij speelde drums in #Swans en #Wiseblood. Daarom hier bijna 10 minuten Motorslug.

https://www.youtube.com/watch?v=wCYPvERaxZw

#TheMetalDogArticleList
#punknews.org
Cross Dog accuses Marilyn Manson of plagiarism

https://www.punknews.org/article/83645/cross-dog-accuses-marilyn-manson-of-plagiarism

#CrossDog #MarilynManson #Plagiarism #HardFeelings #RaiseTheRedFlag

#TheMetalDogArticleList
#MetalInjection
MARILYN MANSON Files Appeal In His Defamation Case Against EVAN RACHEL WOOD & ILLMA GORE

https://metalinjection.net/news/marilyn-manson-files-appeal-in-his-defamation-case-against-evan-rachel-wood-illma-gore

#MarilynManson #EvanRachelWood #IllmaGore #DefamationCase #BrianWarner #RollingStone #AntiSLAPP #StrategicLawsuitAgainstPublicParticipation