#stpaulscathedral — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #stpaulscathedral, aggregated by home.social.
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At Paul’s Cathedral shot from the banks of the Thames on Peter’s Hill
#picoftheday #pictureoftheday #photooftheday #stpauls #stpaulscathedral #london #whenamanistiredoflondonhestiredoflife #mono #monochrome #blackandwhite #blackandwhitephotography
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At Paul’s Cathedral shot from the banks of the Thames on Peter’s Hill
#picoftheday #pictureoftheday #photooftheday #stpauls #stpaulscathedral #london #whenamanistiredoflondonhestiredoflife #mono #monochrome #blackandwhite #blackandwhitephotography
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Message for us all in trying times 💪🏻 📸 Taken from the train #streetphotography #london #stpaulscathedral
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Dome with a View
I stopped halfway across the Millennium Bridge and pointed the camera north, which turned out to be the same thing roughly nine thousand other people were doing that afternoon. I looked behind me and there was another group of tourists with their phones raised taking much the same photo I have here. St. Paul's Cathedral was in the background but I was interested in the people, contrasting the ever-present building with the steady stream of humanity flowing past me. -
Dome with a View
I stopped halfway across the Millennium Bridge and pointed the camera north, which turned out to be the same thing roughly nine thousand other people were doing that afternoon. I looked behind me and there was another group of tourists with their phones raised taking much the same photo I have here. St. Paul's Cathedral was in the background but I was interested in the people, contrasting the ever-present building with the steady stream of humanity flowing past me. -
Dome with a View
I stopped halfway across the Millennium Bridge and pointed the camera north, which turned out to be the same thing roughly nine thousand other people were doing that afternoon. I looked behind me and there was another group of tourists with their phones raised taking much the same photo I have here. St. Paul's Cathedral was in the background but I was interested in the people, contrasting the ever-present building with the steady stream of humanity flowing past me. -
Dome with a View
I stopped halfway across the Millennium Bridge and pointed the camera north, which turned out to be the same thing roughly nine thousand other people were doing that afternoon. I looked behind me and there was another group of tourists with their phones raised taking much the same photo I have here. St. Paul's Cathedral was in the background but I was interested in the people, contrasting the ever-present building with the steady stream of humanity flowing past me. -
Dome with a View
I stopped halfway across the Millennium Bridge and pointed the camera north, which turned out to be the same thing roughly nine thousand other people were doing that afternoon. I looked behind me and there was another group of tourists with their phones raised taking much the same photo I have here. St. Paul's Cathedral was in the background but I was interested in the people, contrasting the ever-present building with the steady stream of humanity flowing past me. -
One of the best views in London day or night for me.
What's yours?#picoftheday #photooftheday #london #stpaulscathedral #millenniumbridge #sightseeing #touristystuff
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Stunning views of St Paul's from the roof terrace at One New Change. It's free too, no need to book or anything, just rock up and jump in the lift up to roof terrace.
#picoftheday #photooftheday #london #dusk #stpaulscathedral #sightseeing #touristystuff
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Rush Past St Paul’s by vasily.shcherbinin
https://tmblr.co/Z7VXvxj6KF4NOi00
#stpauls #stpaulscathedral #london #cityoflondon #cathedral #architecture #landmark #historic #heritage #baroque #england #uk #travel #tourism #cityscape #skyline #street #urban #urbanlife #summer #sunny #bluesky #clouds #redbus #doubledecker #motion #blur #longexposure #classiclondon #explorelondon
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Blackfriars Bridge in London, UK.
(Is this thing on? Used to get a bit of engagement here, but feels like shouting into the void lately.)
#travel #uk #england #london #bridge #ferry #boat #river #riverthames #architecture #victorian #victorianArchitecture #StPaulsCathedral #CityOfLondon #riverBus #clipper
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Blackfriars Bridge in London, UK.
(Is this thing on? Used to get a bit of engagement here, but feels like shouting into the void lately.)
#travel #uk #england #london #bridge #ferry #boat #river #riverthames #architecture #victorian #victorianArchitecture #StPaulsCathedral #CityOfLondon #riverBus #clipper
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Blackfriars Bridge in London, UK.
(Is this thing on? Used to get a bit of engagement here, but feels like shouting into the void lately.)
#travel #uk #england #london #bridge #ferry #boat #river #riverthames #architecture #victorian #victorianArchitecture #StPaulsCathedral #CityOfLondon #riverBus #clipper
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Blackfriars Bridge in London, UK.
(Is this thing on? Used to get a bit of engagement here, but feels like shouting into the void lately.)
#travel #uk #england #london #bridge #ferry #boat #river #riverthames #architecture #victorian #victorianArchitecture #StPaulsCathedral #CityOfLondon #riverBus #clipper
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Blackfriars Bridge in London, UK.
(Is this thing on? Used to get a bit of engagement here, but feels like shouting into the void lately.)
#travel #uk #england #london #bridge #ferry #boat #river #riverthames #architecture #victorian #victorianArchitecture #StPaulsCathedral #CityOfLondon #riverBus #clipper
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For the first time, I served as cantor at our church, and I am still processing it.
We are currently between music directors. Our new director does not arrive until 15 March, which means there was no one to lead the music this morning. We, as a choir, have just been rehearsing with a 90-year-old fill-in organist
pzroviding the accompaniment. I prepared the mass setting and the Litany of Lent, rehearsed as thoroughly as I could, and showed up—nerves and all.I will be honest. Standing at the beginning of the service, leading the music for the whole congregation, was quite frightening. There was one small moment after the Gospel Acclamation where I was supposed to chant a sentence and did not know the chant. I had not been given it. So I made the decision, left that moment out, and kept moving. In performance, the ability to recover and keep going without drawing attention is its own skill, and I think I managed it.
What I did not expect was the response afterwards. Several people approached me to say how much they had enjoyed the liturgy and how easy it had been to follow. More than one person commented that my voice was powerful and filled the space well for someone who has spent years training her voice as a choral scholar and alto, and that hearing the sound carry, that it does what it is supposed to do in a large acoustic, matters. Next week, the soprano scholar will take the cantor role, which gives me a week to breathe.
The other thing sitting heavily on me this week is the ongoing decision about where to complete my Master of Counselling.
The University of New England has an intensive course. The content is well-structured, and the units interest me. However, there are four invigilated exams throughout the degree. Invigilation in this context means someone monitors your physical space via camera, checking that you have no unauthorised materials open nearby. I understand the reasoning behind it. Artificial intelligence has changed the integrity landscape for universities, and they are responding to real pressures.
My concern is with my own history. I have a background of being closely observed and harshly criticised for small mistakes, and that pattern has left its mark. It has taken me months of slow, patient work to reach the point where I can sit an online quiz without freezing. Watched assessment in an invigilated format is a different level of pressure, and I do not yet know whether I can manage it. I have been negotiating accommodations. I offered alternatives, including an online quiz or a Zoom-based oral examination with the unit coordinator. I have been told, gently but clearly, that they are unlikely to be able to accommodate me given the AI integrity requirements. I am still waiting to see how far those conversations can go.
There is also the matter of workload. The course lead suggested I enrol in one unit at a time. I respect that this is standard advice for managing stress. However, I have an AuDHD brain, and one unit is not enough stimulation to function well. Sensory and cognitive understimulation is a real phenomenon for neurodivergent people, and it affects concentration, motivation, and mental health. I also have a clear goal. I want to finish this degree within two years so I can be working in the field within three. One unit per semester does not get me there.
My alternative is Edith Cowan University, where I have already completed two units. The next unit I need is scheduled to run in May. I have applied for a waiver so I can take the digital counselling unit out of sequence. ECU runs units in six-week intensive blocks, which suits the way my brain works. There are no invigilated exams. The pace is faster, but the structure is more manageable for me.
Whether I stay at UNE or return to ECU depends on what the ECU waiver decision looks like and how the accommodations conversation at UNE resolves. I want my degree. That has not changed. What I am still working out is which path actually works for me as I am, not as a hypothetical neurotypical student.
On Wednesday evening, I will be at St Paul's Cathedral in Melbourne to hear the King's Singers, and I cannot quite believe it.[1]
The King's Singers have been setting the standard for a cappella vocal ensemble performance for more than fifty years. They are a six-voice group performing entirely without accompaniment, and their blend, intonation, and dynamic range are considered among the finest in the world. This Melbourne appearance is one night only, on 4 March at 7pm, and it is the only Melbourne date on their current tour.[2][1]
The programme for this tour, called Close Harmony, spans an enormous stylistic range. Beginning with music from their earliest repertoire in the late 1960s, the evening moves through Renaissance sacred music, English folksong, jazz standards, pop classics, and contemporary works. You might hear William Byrd alongside Billy Joel, or a madrigal sit next to a Beach Boys arrangement. The programme also includes a segment called Something Borrowed, where the ensemble selects songs with local resonance and performs them in their signature style as a personal gift to the audience.[3]
One detail about this concert worth mentioning is the ticketing model. Tickets are available on a pay-what-you-can basis, starting at $20 for supported tickets. The organisers have been explicit that everyone is welcome, regardless of budget, and you can select the amount you can afford when booking. That approach, taken with world-class musicians performing in a cathedral, feels genuinely significant. Live classical music at this level is not always accessible to people on student incomes or fixed budgets, and the decision to remove that barrier matters.[1][2]
The venue itself, St Paul's Cathedral, was chosen specifically for its acoustics. For someone who sings in a liturgical choral context, hearing six of the world's finest singers in a cathedral acoustic is going to be something else entirely.[4]
Later in the week, I also have a mentoring session for my volunteer work, as well as for my regular lectures and tutorials. But Wednesday evening is the thing I am quietly anticipating most.
***
#CantorLife #ChurchMusic #LiturgicalMusic #LentSeason #KingsSingers #ClassicalMusic #ACapella #MelbourneConcerts #StPaulsCathedral #MasterOfCounselling #AuDHD #NeurodivergentStudent #PostgraduateLife #OnlineLearning #CounsellingStudent #ECU #UNE #ChristianLiving #ChoralScholar #MusicAndFaith
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For the first time, I served as cantor at our church, and I am still processing it.
We are currently between music directors. Our new director does not arrive until 15 March, which means there was no one to lead the music this morning. We, as a choir, have just been rehearsing with a 90-year-old fill-in organist
pzroviding the accompaniment. I prepared the mass setting and the Litany of Lent, rehearsed as thoroughly as I could, and showed up—nerves and all.I will be honest. Standing at the beginning of the service, leading the music for the whole congregation, was quite frightening. There was one small moment after the Gospel Acclamation where I was supposed to chant a sentence and did not know the chant. I had not been given it. So I made the decision, left that moment out, and kept moving. In performance, the ability to recover and keep going without drawing attention is its own skill, and I think I managed it.
What I did not expect was the response afterwards. Several people approached me to say how much they had enjoyed the liturgy and how easy it had been to follow. More than one person commented that my voice was powerful and filled the space well for someone who has spent years training her voice as a choral scholar and alto, and that hearing the sound carry, that it does what it is supposed to do in a large acoustic, matters. Next week, the soprano scholar will take the cantor role, which gives me a week to breathe.
The other thing sitting heavily on me this week is the ongoing decision about where to complete my Master of Counselling.
The University of New England has an intensive course. The content is well-structured, and the units interest me. However, there are four invigilated exams throughout the degree. Invigilation in this context means someone monitors your physical space via camera, checking that you have no unauthorised materials open nearby. I understand the reasoning behind it. Artificial intelligence has changed the integrity landscape for universities, and they are responding to real pressures.
My concern is with my own history. I have a background of being closely observed and harshly criticised for small mistakes, and that pattern has left its mark. It has taken me months of slow, patient work to reach the point where I can sit an online quiz without freezing. Watched assessment in an invigilated format is a different level of pressure, and I do not yet know whether I can manage it. I have been negotiating accommodations. I offered alternatives, including an online quiz or a Zoom-based oral examination with the unit coordinator. I have been told, gently but clearly, that they are unlikely to be able to accommodate me given the AI integrity requirements. I am still waiting to see how far those conversations can go.
There is also the matter of workload. The course lead suggested I enrol in one unit at a time. I respect that this is standard advice for managing stress. However, I have an AuDHD brain, and one unit is not enough stimulation to function well. Sensory and cognitive understimulation is a real phenomenon for neurodivergent people, and it affects concentration, motivation, and mental health. I also have a clear goal. I want to finish this degree within two years so I can be working in the field within three. One unit per semester does not get me there.
My alternative is Edith Cowan University, where I have already completed two units. The next unit I need is scheduled to run in May. I have applied for a waiver so I can take the digital counselling unit out of sequence. ECU runs units in six-week intensive blocks, which suits the way my brain works. There are no invigilated exams. The pace is faster, but the structure is more manageable for me.
Whether I stay at UNE or return to ECU depends on what the ECU waiver decision looks like and how the accommodations conversation at UNE resolves. I want my degree. That has not changed. What I am still working out is which path actually works for me as I am, not as a hypothetical neurotypical student.
On Wednesday evening, I will be at St Paul's Cathedral in Melbourne to hear the King's Singers, and I cannot quite believe it.[1]
The King's Singers have been setting the standard for a cappella vocal ensemble performance for more than fifty years. They are a six-voice group performing entirely without accompaniment, and their blend, intonation, and dynamic range are considered among the finest in the world. This Melbourne appearance is one night only, on 4 March at 7pm, and it is the only Melbourne date on their current tour.[2][1]
The programme for this tour, called Close Harmony, spans an enormous stylistic range. Beginning with music from their earliest repertoire in the late 1960s, the evening moves through Renaissance sacred music, English folksong, jazz standards, pop classics, and contemporary works. You might hear William Byrd alongside Billy Joel, or a madrigal sit next to a Beach Boys arrangement. The programme also includes a segment called Something Borrowed, where the ensemble selects songs with local resonance and performs them in their signature style as a personal gift to the audience.[3]
One detail about this concert worth mentioning is the ticketing model. Tickets are available on a pay-what-you-can basis, starting at $20 for supported tickets. The organisers have been explicit that everyone is welcome, regardless of budget, and you can select the amount you can afford when booking. That approach, taken with world-class musicians performing in a cathedral, feels genuinely significant. Live classical music at this level is not always accessible to people on student incomes or fixed budgets, and the decision to remove that barrier matters.[1][2]
The venue itself, St Paul's Cathedral, was chosen specifically for its acoustics. For someone who sings in a liturgical choral context, hearing six of the world's finest singers in a cathedral acoustic is going to be something else entirely.[4]
Later in the week, I also have a mentoring session for my volunteer work, as well as for my regular lectures and tutorials. But Wednesday evening is the thing I am quietly anticipating most.
***
#CantorLife #ChurchMusic #LiturgicalMusic #LentSeason #KingsSingers #ClassicalMusic #ACapella #MelbourneConcerts #StPaulsCathedral #MasterOfCounselling #AuDHD #NeurodivergentStudent #PostgraduateLife #OnlineLearning #CounsellingStudent #ECU #UNE #ChristianLiving #ChoralScholar #MusicAndFaith
-
For the first time, I served as cantor at our church, and I am still processing it.
We are currently between music directors. Our new director does not arrive until 15 March, which means there was no one to lead the music this morning. We, as a choir, have just been rehearsing with a 90-year-old fill-in organist
pzroviding the accompaniment. I prepared the mass setting and the Litany of Lent, rehearsed as thoroughly as I could, and showed up—nerves and all.I will be honest. Standing at the beginning of the service, leading the music for the whole congregation, was quite frightening. There was one small moment after the Gospel Acclamation where I was supposed to chant a sentence and did not know the chant. I had not been given it. So I made the decision, left that moment out, and kept moving. In performance, the ability to recover and keep going without drawing attention is its own skill, and I think I managed it.
What I did not expect was the response afterwards. Several people approached me to say how much they had enjoyed the liturgy and how easy it had been to follow. More than one person commented that my voice was powerful and filled the space well for someone who has spent years training her voice as a choral scholar and alto, and that hearing the sound carry, that it does what it is supposed to do in a large acoustic, matters. Next week, the soprano scholar will take the cantor role, which gives me a week to breathe.
The other thing sitting heavily on me this week is the ongoing decision about where to complete my Master of Counselling.
The University of New England has an intensive course. The content is well-structured, and the units interest me. However, there are four invigilated exams throughout the degree. Invigilation in this context means someone monitors your physical space via camera, checking that you have no unauthorised materials open nearby. I understand the reasoning behind it. Artificial intelligence has changed the integrity landscape for universities, and they are responding to real pressures.
My concern is with my own history. I have a background of being closely observed and harshly criticised for small mistakes, and that pattern has left its mark. It has taken me months of slow, patient work to reach the point where I can sit an online quiz without freezing. Watched assessment in an invigilated format is a different level of pressure, and I do not yet know whether I can manage it. I have been negotiating accommodations. I offered alternatives, including an online quiz or a Zoom-based oral examination with the unit coordinator. I have been told, gently but clearly, that they are unlikely to be able to accommodate me given the AI integrity requirements. I am still waiting to see how far those conversations can go.
There is also the matter of workload. The course lead suggested I enrol in one unit at a time. I respect that this is standard advice for managing stress. However, I have an AuDHD brain, and one unit is not enough stimulation to function well. Sensory and cognitive understimulation is a real phenomenon for neurodivergent people, and it affects concentration, motivation, and mental health. I also have a clear goal. I want to finish this degree within two years so I can be working in the field within three. One unit per semester does not get me there.
My alternative is Edith Cowan University, where I have already completed two units. The next unit I need is scheduled to run in May. I have applied for a waiver so I can take the digital counselling unit out of sequence. ECU runs units in six-week intensive blocks, which suits the way my brain works. There are no invigilated exams. The pace is faster, but the structure is more manageable for me.
Whether I stay at UNE or return to ECU depends on what the ECU waiver decision looks like and how the accommodations conversation at UNE resolves. I want my degree. That has not changed. What I am still working out is which path actually works for me as I am, not as a hypothetical neurotypical student.
On Wednesday evening, I will be at St Paul's Cathedral in Melbourne to hear the King's Singers, and I cannot quite believe it.[1]
The King's Singers have been setting the standard for a cappella vocal ensemble performance for more than fifty years. They are a six-voice group performing entirely without accompaniment, and their blend, intonation, and dynamic range are considered among the finest in the world. This Melbourne appearance is one night only, on 4 March at 7pm, and it is the only Melbourne date on their current tour.[2][1]
The programme for this tour, called Close Harmony, spans an enormous stylistic range. Beginning with music from their earliest repertoire in the late 1960s, the evening moves through Renaissance sacred music, English folksong, jazz standards, pop classics, and contemporary works. You might hear William Byrd alongside Billy Joel, or a madrigal sit next to a Beach Boys arrangement. The programme also includes a segment called Something Borrowed, where the ensemble selects songs with local resonance and performs them in their signature style as a personal gift to the audience.[3]
One detail about this concert worth mentioning is the ticketing model. Tickets are available on a pay-what-you-can basis, starting at $20 for supported tickets. The organisers have been explicit that everyone is welcome, regardless of budget, and you can select the amount you can afford when booking. That approach, taken with world-class musicians performing in a cathedral, feels genuinely significant. Live classical music at this level is not always accessible to people on student incomes or fixed budgets, and the decision to remove that barrier matters.[1][2]
The venue itself, St Paul's Cathedral, was chosen specifically for its acoustics. For someone who sings in a liturgical choral context, hearing six of the world's finest singers in a cathedral acoustic is going to be something else entirely.[4]
Later in the week, I also have a mentoring session for my volunteer work, as well as for my regular lectures and tutorials. But Wednesday evening is the thing I am quietly anticipating most.
***
#CantorLife #ChurchMusic #LiturgicalMusic #LentSeason #KingsSingers #ClassicalMusic #ACapella #MelbourneConcerts #StPaulsCathedral #MasterOfCounselling #AuDHD #NeurodivergentStudent #PostgraduateLife #OnlineLearning #CounsellingStudent #ECU #UNE #ChristianLiving #ChoralScholar #MusicAndFaith
-
For the first time, I served as cantor at our church, and I am still processing it.
We are currently between music directors. Our new director does not arrive until 15 March, which means there was no one to lead the music this morning. We, as a choir, have just been rehearsing with a 90-year-old fill-in organist
pzroviding the accompaniment. I prepared the mass setting and the Litany of Lent, rehearsed as thoroughly as I could, and showed up—nerves and all.I will be honest. Standing at the beginning of the service, leading the music for the whole congregation, was quite frightening. There was one small moment after the Gospel Acclamation where I was supposed to chant a sentence and did not know the chant. I had not been given it. So I made the decision, left that moment out, and kept moving. In performance, the ability to recover and keep going without drawing attention is its own skill, and I think I managed it.
What I did not expect was the response afterwards. Several people approached me to say how much they had enjoyed the liturgy and how easy it had been to follow. More than one person commented that my voice was powerful and filled the space well for someone who has spent years training her voice as a choral scholar and alto, and that hearing the sound carry, that it does what it is supposed to do in a large acoustic, matters. Next week, the soprano scholar will take the cantor role, which gives me a week to breathe.
The other thing sitting heavily on me this week is the ongoing decision about where to complete my Master of Counselling.
The University of New England has an intensive course. The content is well-structured, and the units interest me. However, there are four invigilated exams throughout the degree. Invigilation in this context means someone monitors your physical space via camera, checking that you have no unauthorised materials open nearby. I understand the reasoning behind it. Artificial intelligence has changed the integrity landscape for universities, and they are responding to real pressures.
My concern is with my own history. I have a background of being closely observed and harshly criticised for small mistakes, and that pattern has left its mark. It has taken me months of slow, patient work to reach the point where I can sit an online quiz without freezing. Watched assessment in an invigilated format is a different level of pressure, and I do not yet know whether I can manage it. I have been negotiating accommodations. I offered alternatives, including an online quiz or a Zoom-based oral examination with the unit coordinator. I have been told, gently but clearly, that they are unlikely to be able to accommodate me given the AI integrity requirements. I am still waiting to see how far those conversations can go.
There is also the matter of workload. The course lead suggested I enrol in one unit at a time. I respect that this is standard advice for managing stress. However, I have an AuDHD brain, and one unit is not enough stimulation to function well. Sensory and cognitive understimulation is a real phenomenon for neurodivergent people, and it affects concentration, motivation, and mental health. I also have a clear goal. I want to finish this degree within two years so I can be working in the field within three. One unit per semester does not get me there.
My alternative is Edith Cowan University, where I have already completed two units. The next unit I need is scheduled to run in May. I have applied for a waiver so I can take the digital counselling unit out of sequence. ECU runs units in six-week intensive blocks, which suits the way my brain works. There are no invigilated exams. The pace is faster, but the structure is more manageable for me.
Whether I stay at UNE or return to ECU depends on what the ECU waiver decision looks like and how the accommodations conversation at UNE resolves. I want my degree. That has not changed. What I am still working out is which path actually works for me as I am, not as a hypothetical neurotypical student.
On Wednesday evening, I will be at St Paul's Cathedral in Melbourne to hear the King's Singers, and I cannot quite believe it.[1]
The King's Singers have been setting the standard for a cappella vocal ensemble performance for more than fifty years. They are a six-voice group performing entirely without accompaniment, and their blend, intonation, and dynamic range are considered among the finest in the world. This Melbourne appearance is one night only, on 4 March at 7pm, and it is the only Melbourne date on their current tour.[2][1]
The programme for this tour, called Close Harmony, spans an enormous stylistic range. Beginning with music from their earliest repertoire in the late 1960s, the evening moves through Renaissance sacred music, English folksong, jazz standards, pop classics, and contemporary works. You might hear William Byrd alongside Billy Joel, or a madrigal sit next to a Beach Boys arrangement. The programme also includes a segment called Something Borrowed, where the ensemble selects songs with local resonance and performs them in their signature style as a personal gift to the audience.[3]
One detail about this concert worth mentioning is the ticketing model. Tickets are available on a pay-what-you-can basis, starting at $20 for supported tickets. The organisers have been explicit that everyone is welcome, regardless of budget, and you can select the amount you can afford when booking. That approach, taken with world-class musicians performing in a cathedral, feels genuinely significant. Live classical music at this level is not always accessible to people on student incomes or fixed budgets, and the decision to remove that barrier matters.[1][2]
The venue itself, St Paul's Cathedral, was chosen specifically for its acoustics. For someone who sings in a liturgical choral context, hearing six of the world's finest singers in a cathedral acoustic is going to be something else entirely.[4]
Later in the week, I also have a mentoring session for my volunteer work, as well as for my regular lectures and tutorials. But Wednesday evening is the thing I am quietly anticipating most.
***
#CantorLife #ChurchMusic #LiturgicalMusic #LentSeason #KingsSingers #ClassicalMusic #ACapella #MelbourneConcerts #StPaulsCathedral #MasterOfCounselling #AuDHD #NeurodivergentStudent #PostgraduateLife #OnlineLearning #CounsellingStudent #ECU #UNE #ChristianLiving #ChoralScholar #MusicAndFaith
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The poet John Donne outside St Paul's Cathedral, London.
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Door of St Paul's Cathedral, London
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Up by St Paul's again the other day and stuck my phone in a puddle to get this at Queens Head Passage 😂
#london #stpaulscathedral #touristythings #touristystuff #sightseeing #stpauls #blackandwhite #blackandwhitephotography #mono #monochrome #monochromemonday #reflections
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I never tire of this view, especially now that most of the cranes have gone
#london #stpaulscathedral #touristythings #touristyshit #pictureoftheday #picoftheday #photographoftheday #photooftheday #blackandwhite #blackandwhitephotography #mono #monochrome #millenniumbridge #wobblybridge
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At St Paul's Cathedral Melbourne for the installation of The Right Revd Dr Ric Thorpe as Archbishop of Melbourne. This marks a significant moment for Anglicans across Victoria as we welcome our new Archbishop and on Advent Sunday. The installation of an Archbishop is a act of apostolic succession, connecting our local church to the ancient tradition of bishops shepherding God's people. As Archbishop Thorpe takes on this responsibility,I pray for wisdom and grace in his leadership of our diocese and province. Today I witness continuity and renewal in the life of the Church.
#Anglican #ArchbishopThorpe #StPaulsCathedral #Melbourne #AdventSunday #ChurchOfEngland #AnglicansOfMastodon #DioceseMelbourne
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St Paul's Cathedral and Cannon Street, London, 1905 - Postcard
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Ghosts on the Millennium Bridge
The Millennium Bridge has always been a bit of a drama queen – first it wobbled so much they had to shut it down, and now it’s serving up some of the most atmospheric shots in London.
This long exposure captures something almost supernatural about the daily pilgrimage across the Thames, with ghostly figures drifting like spirits between the sleek modernity of Norman Foster’s steel and glass creation and the timeless majesty of Wren’s baroque masterpiece. The blurred pedestrians become streams of human consciousness, each person’s journey reduced to ethereal wisps against the solid certainty of St. Paul’s dome.
The Millennium Bridge earned the nickname “Wobbly Bridge” because it swayed so dramatically when it first opened in 2000 that it had to be closed after just three days. The problem was “synchronous lateral excitation” – when large crowds walked in step, their footfalls created a resonance that made the bridge sway side to side by up to 7 centimetres, causing people to walk in sync to compensate, which only made the wobbling worse.
Apertureƒ/8CameraILCE-7RM5Focal length41mmISO100Shutter speed5s#Architecture #dramaticSky #London #longExposurePhotography #MillenniumBridge #motionBlur #pedestrianBridge #Photo #Photography #StPaulSCathedral #StreetPhotography #Thames #UnitedKingdom #urbanPhotography
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Beautiful Chapel St Paul's Cathedral London England
Step into the sublime grandeur of St. Paul’s Cathedral through this breathtaking photograph by Wayne Moran. The frame is filled with an opulent play of light and architectural splendor: gilded columns usher your gaze upward to the soaring dome, richly ornamented with classical details.
#StPaulsCathedral #Cathedral #London #England #Church #Architecture #photography #travelphotography
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Beautiful Chapel St Paul's Cathedral London England
Step into a sanctuary of sublime serenity within one of the world’s most iconic cathedrals. This image captures the breathtaking beauty of a chapel inside St. Paul’s Cathedral, London — a place where awe-inspiring architecture meets sacred stillness.
#StPaulsCathedral #London #england #church #cathedral #travel #travelPhotography #Landscape #landscapes #art #fineart
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Choir, St Paul's Cathedral, London, c.1920s - Photochrom RP Postcard
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Wellington Memorial, St Paul's Cathedral, London, c.1920s - Photochrom RP Postcard
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West Front, St Paul's Cathedral, London, c.1905-10 - Philco Postcard
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The Dean’s Staircase Geometric Staircase St Paul's Cathedral London England II
Known more formally as the Dean’s Staircase, this spiral staircase was designed by none other than Sir Christopher Wren and provides access to the triforium in St Paul’s Cathedral.
#stairs #StPaulsCathedral #swirl #architecture #fibonaccisequence #fibonacci #london #england #Church #cathedral
#Ayearforart #buyintoArt #fineart #art #FillThatEmptyWall #homedecorideas #homedecor
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The Dean’s Staircase Geometric Staircase St Paul's Cathedral London England
Known more formally as the Dean’s Staircase, this spiral staircase was designed by none other than Sir Christopher Wren.
https://waynemoranphotography.com/blog/the-13-things-you-must-do-in-london-england/
#stairs #StPaulsCathedral #swirl #architecture #fibonaccisequence #fibonacci #london #england #Church #cathedral
#Ayearforart #buyintoArt #fineart #art #FillThatEmptyWall #homedecorideas #homedecor #wallartforsale #wallart #homedecoration
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#GuinessWorldRecord #GWR
#WorldsLargestPlayingCardStructure
#Cardchitecture
#ArnavDaga #Kolkata
15 years old
Spent 41 days
Used 1,43,000 playing cards and no tape or glue
Created 4 iconic buildings from his home city
#WritersBuilding #ShaheedMinar #SaltLakeStadium #StPaulsCathedral
His finished project measured 40 feet in length, 11 feet 4 inches in height and 16 feet 8 inches in width. -
#GuinessWorldRecord #GWR
#WorldsLargestPlayingCardStructure
#Cardchitecture
#ArnavDaga #Kolkata
15 years old
Spent 41 days
Used 1,43,000 playing cards and no tape or glue
Created 4 iconic buildings from his home city
#WritersBuilding #ShaheedMinar #SaltLakeStadium #StPaulsCathedral
His finished project measured 40 feet in length, 11 feet 4 inches in height and 16 feet 8 inches in width. -
Big thanks to my 3/24 #FineArtAmerica client from Bexhill, - United Kingdom for their purchase of a print of "St. Paul's Cathedral And The Millennium Bridge."
See it and all the products it's available on at my website, here: https://lois-bryan.pixels.com/featured/st-pauls-cathedral-and-the-millennium-bridge-lois-bryan.html
#art #giftideas #digitalhandpainting #NotAi #stpaulscathedral #milleniumbridge #London #WCorelPainter #LoisBryan #BuyIntoArt
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Big thanks to my 3/24 #FineArtAmerica client from Bexhill, - United Kingdom for their purchase of a print of "St. Paul's Cathedral And The Millennium Bridge."
See it and all the products it's available on at my website, here: https://lois-bryan.pixels.com/featured/st-pauls-cathedral-and-the-millennium-bridge-lois-bryan.html
#art #giftideas #digitalhandpainting #NotAi #stpaulscathedral #milleniumbridge #London #WCorelPainter #LoisBryan #BuyIntoArt
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Big thanks to my 3/24 #FineArtAmerica client from Bexhill, - United Kingdom for their purchase of a print of "St. Paul's Cathedral And The Millennium Bridge."
See it and all the products it's available on at my website, here: https://lois-bryan.pixels.com/featured/st-pauls-cathedral-and-the-millennium-bridge-lois-bryan.html
#art #giftideas #digitalhandpainting #NotAi #stpaulscathedral #milleniumbridge #London #WCorelPainter #LoisBryan #BuyIntoArt
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Big thanks to my 3/24 #FineArtAmerica client from Bexhill, - United Kingdom for their purchase of a print of "St. Paul's Cathedral And The Millennium Bridge."
See it and all the products it's available on at my website, here: https://lois-bryan.pixels.com/featured/st-pauls-cathedral-and-the-millennium-bridge-lois-bryan.html
#art #giftideas #digitalhandpainting #NotAi #stpaulscathedral #milleniumbridge #London #WCorelPainter #LoisBryan #BuyIntoArt
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Big thanks to my 3/24 #FineArtAmerica client from Bexhill, - United Kingdom for their purchase of a print of "St. Paul's Cathedral And The Millennium Bridge."
See it and all the products it's available on at my website, here: https://lois-bryan.pixels.com/featured/st-pauls-cathedral-and-the-millennium-bridge-lois-bryan.html
#art #giftideas #digitalhandpainting #NotAi #stpaulscathedral #milleniumbridge #London #WCorelPainter #LoisBryan #BuyIntoArt
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I was on t’radio today!
Listen to (a little bit of) me and my lovely colleagues talk about how me make a #bell at the #bellfoundry in the #BBC #Radio4 #documentary “Bells That Still Can Ring”. There’s great interviews with Oliver Caroe at #StPaulsCathedral, the sound engineer behind AC/DC’s #HellsBells and a team of #bellringers.
https://www.bbc.co.uk/programmes/m001fwcz
#radio #bells #bellringing #bellfounding #HeritageCrafts #industrial #IndustrialHistory #acdc #GreatPaul
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After deliberating, this is the plan for today, with a lunch stop along the way. Too ambitious? 🤔
#outwalking #CityofLondon #TateModern #LeadenhallMarket #RoyalExchange #BankofEngland #StPaulsCathedral #RoyalOperaHouse #London1. Tate modern
2. Garden at 120
3. Leadenhall Market
4. Royal exchange, walk through
5. Bank of England museum
6. {St Pauls last entry 4}
7. Royal Opera House for coffee
