#slipknot — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #slipknot, aggregated by home.social.
-
The last song from #Slipknot is so ass I had to wipe my headphones.
For one moment I thought I mistakenly put #StoneSour on the player, but no.
I'm confused.
a) Should I show my dissapointment and anger over this creatively bankrupt sample?
b) Should I cheer because the band is dead like #A7X and I can finally move on? -
The last song from #Slipknot is so ass I had to wipe my headphones.
For one moment I thought I mistakenly put #StoneSour on the player, but no.
I'm confused.
a) Should I show my dissapointment and anger over this creatively bankrupt sample?
b) Should I cheer because the band is dead like #A7X and I can finally move on? -
The last song from #Slipknot is so ass I had to wipe my headphones.
For one moment I thought I mistakenly put #StoneSour on the player, but no.
I'm confused.
a) Should I show my dissapointment and anger over this creatively bankrupt sample?
b) Should I cheer because the band is dead like #A7X and I can finally move on? -
The last song from #Slipknot is so ass I had to wipe my headphones.
For one moment I thought I mistakenly put #StoneSour on the player, but no.
I'm confused.
a) Should I show my dissapointment and anger over this creatively bankrupt sample?
b) Should I cheer because the band is dead like #A7X and I can finally move on? -
The last song from #Slipknot is so ass I had to wipe my headphones.
For one moment I thought I mistakenly put #StoneSour on the player, but no.
I'm confused.
a) Should I show my dissapointment and anger over this creatively bankrupt sample?
b) Should I cheer because the band is dead like #A7X and I can finally move on? -
https://www.europesays.com/be-fr/248961/ Slipknot surprend avec Arsenal, son premier titre en trois ans #ActualitéRock #Arsenal #BE #BEFr #Belgique #Belgium #CoreyTaylor #DesMoines #Divertissement #Entertainment #METAL #Music #Musique #NouveauSingle #NouveauTitreSlipknot #NouvelAlbumSlipknot #RetourSlipknot #SidWilson #Slipknot #vidéo
-
Por que ‘Arsenal’ não estará presente no novo disco do Slipknot, segundo Jim Root
-
“’Arsenal’ era una canción que podíamos sacar rápidamente mientras trabajamos en el resto del álbum. No es realmente representativa de las otras canciones”, escribió el guitarrista de la banda, además de confirmar que no estará en el próximo álbum.
🐦🔗 https://farside.link/x.com/Nacion_Rock/status/2098417081070809437#m
RT: https://twitter.com/Nacion_Rock/status/2098417081070809437#m -
“’Arsenal’ era una canción que podíamos sacar rápidamente mientras trabajamos en el resto del álbum. No es realmente representativa de las otras canciones”, escribió el guitarrista de la banda, además de confirmar que no estará en el próximo álbum.
🐦🔗 https://farside.link/x.com/Nacion_Rock/status/2098417081070809437#m
RT: https://twitter.com/Nacion_Rock/status/2098417081070809437#m -
Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.
-
Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.
-
Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.
-
Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.
-
Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.
-
«No es representativa del resto de las canciones»: Jim Root aclara que “Arsenal” no representa el sonido del próximo disco de Slipknot ni estará incluida en él | vía #NaciónRock
-
Fuming Mouth – The Ringing Bell Review By Lavender LarcenistAn age-old challenge for critical houses like ours is that, while they simultaneously represent a cohesive vision, each editor should have their own unique voice. As time passes, writers come to AMG and go like so much beef through a meat grinder. All this faffing about to say, we have vastly different opinions, and as senior writers drop bands, new blood comes in to offer a fresh perspective. To this end, our Dear Hollow did not have a glowing opinion of Fuming Mouth’s previous album, Last Day of Sun. For me, it was one of my favorite albums that year and a record I spin frequently to this day. It was a conceptual cavalcade of crushing riffage, emotional asides, and Radiohead-esque interludes all wrapped in the blanket of melancholy that is surviving cancer. Mark Whelan’s epic battle with the dreaded disease inspired their best work, and represented a band at their most powerful, driven, and potent. With their latest, The Ringing Bell, does this inspiration give their latest life? Or are we calling the pallbearers?
If Last Day of Sun was the atmospheric slow-burner, The Ringing Bell is the bludgeoning, neanderthal club. Fuming Mouth’s patented brand of death-infused hardcore in the vein of bands like Gatecreeper, Creeping Death, and Venom Prison is alive and well on their latest record. A more direct analogue to their initial release, The Grand Descent, their latest is efficient, brutal as hell, and full of a downright stupid amount of knuckledraggery. Mark Whelan remains the star of the show with his absurd number of chunky grooves and cragged riffs that fill the record, as well as his Nails-inspired vocals with their trademark frothiness and fuzz. His cleans (while only appearing on a single track this time) remain ethereal, forlorn, and spacious, making the title track an absolute highlight; melding a potent concoction of hardcore death with atmospheric cleans. Jay Weinberg (yes, previously of Slipknot fame) is the newest member, and his style and taste seem much more suited to an act as natural-sounding and raw as Fuming Mouth. His rhythmic drumming, rollicking fills, and snare abuse are more at home within hardcore than the chaotic nu-metal of Slipknot.
For those who felt Last Day of Sun was a letdown, The Ringing Bell will surely please you. There is no shortage of bulldozing riffs, explosive vocals, and blistering drumming. Tracks like “Self-Exhumed”, “Barbian Scourge”, and “Respect Mortality” are sure to topple crowds and maim concertgoers at Fuming Mouth’s next show. Mark Whelen’s divisive clean singing is all but cut from the record, and the album comes in at a slim thirty-four minutes. For many, it will be the antidote to Last Day of Sun. For me, while still a strong record in its own right, I couldn’t help but feel let down by The Ringing Bell. Gone is much of the creativity, replaced by simplified lyrics that feel downright silly at times and a detrimental dedication to destruction. The album bleeds together, and I felt myself hoping and waiting for songs as creative as “The Silence Beyond Life”, “Leaving Euphoria”, and “Postfigurement”. It was a genuine relief when the title track came on and held hints of what made Last Day of Sun so damn affecting to me even to this day.
The Ringing Bell is solid, well played, full of great moments, and genuinely heartfelt in its execution. The production is spot-on with the perfect amount of raw grit and depth, letting the hardcore hit and the death disturb. Kurt Ballou’s mixing is on point as always. Despite these positives, I found the record disappointingly shallow compared to their last album. Song after song follows the same themes of fighting back and positivity in the face of adversity to the point of silliness. I appreciate the message, and it is especially rare in the genre, but it feels childish juxtaposed with the lyricism and emotion of Last Day of Sun.
The Ringing Bell is a tale of two tastes. Those who loved their previous record may find it lacking, especially compared to contemporaries like Gatecreeper’s Dark Superstition or Tribal Gaze’s Inveighing Brilliance. But if you hated Last Day of Sun, The Ringing Bell is here to resurrect your love of Fuming Mouth. Either way, it is a solid record, but whether or not it is truly great depends on your taste for all-out destruction versus the more thoughtful musings of their previous work.
Rating: Good
#2026 #30 #AmericanMetal #CreepingDeath #DeathMetal #FumingMouth #Gatecreeper #Hardcore #Jul26 #Nails #Radiohead #Review #Reviews #Slipknot #TribalGaze #TripleBRecords #VenomPrison
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Triple B Records
Websites: Bandcamp | Official Site
Releases Worldwide: July 17th, 2026 -
Orbit Culture – Death Above Life Review
By Dear Hollow
Orbit Culture is a stellar band, so 2023’s Descent should have been an AOTY contender. An all-killer, no-filler blend of melodeath and thrash with a dark industrial edge sounds like a hodge-podge in the worst ways, but the Swedes have made it their brand with a fluidity that has defined them from the beginning. In this way, the quartet showed their songwriting prowess, with tracks like “Black Mountain” and “The Aisle of Fire” leading the charge in the death/thrash riffage that we’ve all come to know and love. But while the claustrophobic mix provided 2020’s Nija a bloodthirsty darkness, it made Descent impenetrable in its compressed muck – sinking it from formidable to forgettable. It was too much doing too much, with no breathing room to do it. Death Above Life offers a bit of a different feel, although it is undeniably Orbit Culture.
Don’t get me wrong, Death Above Life is claustrophobic and overloud, but its pitch-black overflow feels channeled into a better outlet. At its core a melodeath band with a healthy love for thrash, Orbit Culture has long incorporated a slough of djent and metalcore influences, which Death Above Life utilizes for choppy start-stop riffs and climactic breakdowns – emphasized by Humanity’s Last Breath multi-instrumentalist Buster Odeholm on mixing. While it sounds like a sellout, they provide reprieve for a band amplified to the max with ideas. Alongside this, we get our usual range of thrashy early-Metallica numbers to punishing pitch-black death metal cuts. There is more range in softer ballads and punishing ragers, and it is a production improvement over Descent, but Karlsson’s overloud and often awkward clean vocals are suddenly a nagging issue.
As expected, the traditional thrash vibe is alive and well with Orbit Culture – even the more accessible cuts will rip you a new one. Mastermind vocalist/guitarist Niklas Karlsson continues to shift his Hetfield-inspired cleans more front and center, which adds a bit of gravelly (albeit imperfect) familiarity amid the breakneck riffs. Mostly, it’s easy to overlook, as speedy tempos and intense brutality grace the more traditional verse-chorus formats, in an early Soilwork-esque homage. This portion of Orbit Culture’s sound focuses on the range of emotion, as fury, melancholy, pride, and desperation collide in the mix of chord progressions, vocal varieties, and tasteful synth – highlighting their admiration for film composers Hans Zimmer and Howard Shore. Offer soaring chorus punctuated by djenty start-stop riffs (“Inferna,” “The Tales of War”), while more prominent clean vocals dominate thrashier and more subdued tracks alike (“Into the Waves,” “The Path I Walk”). There’s more metalcore influences as breakdowns add much-needed breathing room (“Inside the Waves,” “Hydra”) and more melodic fretboard wizardry and galloping riffs recall As I Lay Dying’s earlier material (“Nerve,” “The Storm”).1
The deathened intensity that pervades Death Above Life showcases the Orbit Culture’s newly capitalized fury. While many of the heavier tracks do feature clean vocals (“Hydra,” “Neural Collapse”), they are largely an afterthought to the beatdown – and are better for it. Ominous ambient textures and cinematic scope make the brutality all the more intense, with climactic solos and bloodthirsty roars focusing on establishing this misanthropy. The best tracks here are “Bloodhound” and “Death Above Life,” due to their absence of clean vocals and their cutthroat quality amplified by chunky Slipknot-esque rhythms, blazing tempos, and Karlsson’s most vicious performances to date. They put Karlsson’s clean vocals elsewhere to shame, existing as too blaring in the mix and damaging certain tracks with their jarring inclusions, worsened by protracted song-lengths and grating repetition (“Inside the Waves,” “Nerve,” “Neural Collapse,” “The Path I Walk”).
Death Above Life sounds better than Descent, but like any good game of Whack-a-Mole, the stuffy production value is quelled only for Karlsson’s overloud cleans to pop up as an issue, amplified by the album’s fifty-three-minute runtime. The riffs are first-rate, the harsh vocals are vicious, and the songwriting encompasses a range of emotion that reflects Orbit Culture’s respect for film composers – but the increasingly upfront vocal attack wears thin very quickly. It’s a solid release from a band who has earned their reputation as one of extreme metal’s best in a distinct blend of nostalgic thrash and modern melodeath – I just know they could do so much better.
Rating: 2.5/5.0
DR: N/A | Format Reviewed: STREAM
Label: Century Media Records
Websites: orbitculture.bandcamp.com | orbitculture.com | facebook.com/OrbitCulture
Releases Worldwide: October 3rd, 2025#25 #2025 #AsILayDying #CenturyMediaRecords #DeathAboveLife #DeathMetal #HansZimmer #HowardShore #HumanitySLastBreath #Industrial #MelodicDeathMetal #Metallica #Oct25 #OrbitCulture #Review #Reviews #Slipknot #Soilwork #SwedishMetal #ThrashMetal
-
#TheMetalDogArticleList
#BLABBERMOUTH
Ex-SLIPKNOT Drummer JAY WEINBERG Shares Drum-Cam Video Of His Barcelona Performance With BRUCE SPRINGSTEEN#JayWeinberg #BruceSpringsteen #Slipknot #SuicidalTendencies #InfectiousGrooves #MaxWeinberg #EStreetBand #Barcelona #RadioNowhere
-
'Fake #antifascist #lie (psychosocial!)
I #tried to #tell #you, but (psychosocial!)
Your purple #hearts are giving out (psychosocial!)
Can't stop a killing #idea (psychosocial!)
If it's #hunting #season (psychosocial!)
Is this what you want? (Psychosocial!)
I'm not the only one!#slipknot #psychosocial #music #amv #LoveMusicHateFascism #youtube
-
'Fake #antifascist #lie (psychosocial!)
I #tried to #tell you, but (psychosocial!)
#Your purple #hearts are giving out (psychosocial!)
Can't stop a killing #idea (psychosocial!)
If it's #hunting #season (psychosocial!)
Is this what you want? (Psychosocial!)
I'm not the only one!"#slipknot #psychosocial #music #LoveMusicHateFascism #antinazi #GoodNightWhitePride #antifascism
-
#REPOST @darkradiobr with @get__repost__app Uma das tradições dos finais de ano são as listas com os melhores em cada segmento.
Confira as escolhas feitas por @rogeriorocker apresentador do @programa_two_sides
OBS: Para conferir a lista completa, acesse o link da bio.
#darkradiobr #melhoresdoano #lista #underground #deathmetal #metal #metalnacional #thetroopsofdoom #krisiun #blackpantera #slipknot #webradio #saopaulo #repostandroid #repostw10
https://www.instagram.com/p/CnDqOnZNFzp/?igshid=NTU1Mzc3ZGM= -
#REPOST @darkradiobr with @get__repost__app Uma das tradições dos finais de ano são as listas com os melhores em cada segmento.
Confira as escolhas feitas por @rogeriorocker apresentador do @programa_two_sides
OBS: Para conferir a lista completa, acesse o link da bio.
#darkradiobr #melhoresdoano #lista #underground #deathmetal #metal #metalnacional #thetroopsofdoom #krisiun #blackpantera #slipknot #webradio #saopaulo #repostandroid #repostw10
https://www.instagram.com/p/CnDqOnZNFzp/?igshid=NTU1Mzc3ZGM= -
#REPOST @darkradiobr with @get__repost__app Uma das tradições dos finais de ano são as listas com os melhores em cada segmento.
Confira as escolhas feitas por @rogeriorocker apresentador do @programa_two_sides
OBS: Para conferir a lista completa, acesse o link da bio.
#darkradiobr #melhoresdoano #lista #underground #deathmetal #metal #metalnacional #thetroopsofdoom #krisiun #blackpantera #slipknot #webradio #saopaulo #repostandroid #repostw10
https://www.instagram.com/p/CnDqOnZNFzp/?igshid=NTU1Mzc3ZGM=