home.social

#slipknot — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #slipknot, aggregated by home.social.

  1. “’Arsenal’ era una canción que podíamos sacar rápidamente mientras trabajamos en el resto del álbum. No es realmente representativa de las otras canciones”, escribió el guitarrista de la banda, además de confirmar que no estará en el próximo álbum.

    Nota completa nacionrock.com/no-es-represent

    #slipknot #jimroot

    🐦🔗 farside.link/x.com/Nacion_Rock
    RT: twitter.com/Nacion_Rock/status

  2. “’Arsenal’ era una canción que podíamos sacar rápidamente mientras trabajamos en el resto del álbum. No es realmente representativa de las otras canciones”, escribió el guitarrista de la banda, además de confirmar que no estará en el próximo álbum.

    Nota completa nacionrock.com/no-es-represent

    #slipknot #jimroot

    🐦🔗 farside.link/x.com/Nacion_Rock
    RT: twitter.com/Nacion_Rock/status

  3. Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.

    #metal #music #newReleases

  4. Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.

    #metal #music #newReleases

  5. Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.

    #metal #music #newReleases

  6. Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.

    #metal #music #newReleases

  7. Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.

    #metal #music #newReleases

  8. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  9. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  10. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  11. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  12. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  13. Check out Jordeana Bell’s track review of Slipknot’s “Arsenal” and what this controlled dose of chaos could signal about what comes next.

    Read Here: metalinsider.net/new-music/tra

    #Slipknot #Arsenal #TrackReview

  14. Check out Jordeana Bell’s track review of Slipknot’s “Arsenal” and what this controlled dose of chaos could signal about what comes next.

    Read Here: metalinsider.net/new-music/tra

    #Slipknot #Arsenal #TrackReview

  15. Lightchapter – Where All Hope Begins Review

    By ClarkKent

    Death metal generally dabbles in the dark, the grisly, the violent, and the brutal. With the aid of ’80s-style synths, Lightchapter plays a version with a lighter, more hopeful touch. The aptly-named Where All Hope Begins marks album number two for this quartet out of Denmark. The band’s mission is to merge “despair and hope” and also “pain and joy” through not only their sound but their lyrics. Even on a blog that celebrates the angry and still makes fun of the brief Happy Metal Guy stint, I imagine something that infuses joy and lightness would find a welcoming audience. After all, Countless Skies showed how a band could successfully write an uplifting progressive death metal record, and that one was well-liked around these parts. Do we dare get our hopes up for Lightchapter?

    While synth is a core part of their sound, this ain’t no dungeon synth. Lightchapter strikes a balance between old-school synth rock and more modern melodeath. Following an intro tune, “Leading the Way,” that evokes Stranger Things-style synths, “Where All Hope Begins” sets the album going on its marriage between industrial death metal acts like Orbit Culture and ’80s synth rock stalwarts like Depeche Mode. This isn’t a brutal version of death metal but a much softer approach. Guitars have more reverb than bite, cutting down on the heaviness, and the drums similarly don’t punch with the punishing heft of a Brodequin. The ’80s stuff also helps to soften the sound, with the synths providing a layer that lightens the already light guitar tone. Then there’s those familiar ’80s drum tones—the gated reverb and toms—that’ll warp you back to your carefree days listening to Duran Duran and the like. Lightchapter also features some deathcore breakdowns, though not obnoxiously (“The Unholy Mass,” “Revenge”). This blend of styles finds its most effective execution towards the end of Where All Hope Begins, particularly on the catchy “Little Death.”

    Due to the lack of brutal guitars and thunderous blast beats, Where All Hope Begins turns out to be a rather chill album. This is true despite the harsh growls from Mikkel Ottosen. In fact, his vocals complement the instrumentals well. The combination of Anders Berg’s reverb guitar tone and melodic riffs and Tobias Høst’s restrained drumming makes this a surprisingly relaxing listening experience. It’s true that songs like “What I Have Become” start out fast and heavy, but the heart of the song is soft tones and chill tempos. The softer moments gave me whiffs of Slipknot’s ballads, but also the lighter tunes on Rivers of Nihil’s latest. Lightchapter doesn’t quite hit the soaring emotional highs that Andy Thomas often reached, but that’s all part of their mellow charm. The hopeful tone is a breath of fresh air in the usually dark world of death metal.

    If anything lets Lightchapter down, it’s a lack of hooks. The melodic leads and synths aren’t particularly catchy for most songs, nor are the choruses all that memorable. Some exceptions show how much stronger Where All Hope Begins could have been. “Unholy Mass” features not only a great synth line, but a memorable chorus when Ottosen sings “Father, you have forsaken me.” The final three tracks unleash Lightchapter’s true potential. “Little Death” is the album highlight, utilizing a catchy riff and synth combo that emphasizes Lightchapter’s strengths. The best chorus belongs to “My Own Kind,” which is the only song that comes close to reaching those Andy Thomas-level highs, thanks to the guitar tone. Combine the hooks of the one with the cathartic emotional highs of the other, and these guys could have something great on their hands. The finished product is an enjoyable record that doesn’t quite stick—but it shows how Lightchapter can get to that point next time.

    Unfortunately, Lightchapter is releasing Where All Hope Begins at the end of a hectic release month, and on perhaps the biggest release day, where it’s competing for attention with Amorphis, Mors Principium Est, and Revocation. If you’re feeling a bit overwhelmed and burned out from all of the must-listens this month, a spin or two of Where All Hope Begins could help ground you. Sometimes an album like this that tries something a little different without going off the rails is just what you need to settle your frayed nerves. Lightchapter has crafted an album that shows promise for this young band. If anything, it’ll at least give you some measure of hope.

    Rating: 3.0/5.0
    DR: 10 | Format Reviewed: ~175 kbps VBR mp3
    Label: Self-Released
    Websites: Bandcamp | Facebook | Official Site
    Releases Worldwide: September 26th, 2025

    #2025 #30 #Amorphis #Brodequin #CountlessSkies #DanishMetal #DepecheMode #DuranDuran #ElectroDeathMetal #IndustrialMetal #Lightchapter #MelodicDeathMetal #Metalcore #MorsPrinicipumEst #OrbitCulture #Review #Reviews #Revocation #RiversOfNihil #selfRelea #SelfReleased #Sep25 #Slipknot #SynthMetal #WhereAllHopeBegins

  16. Se você não tem se sentido bem ultimamente, fica aqui a mensagem do Corey Taylor, vocalista do Slipknot e Stone Sour.🤘

    Este é um lembrete de que, mesmo nos dias mais difíceis, sempre existe luz no do túnel. 🎗️❤️‍🩹

    #música #music #StoneSour #reflexão #coreytaylor #rock #rockandroll #metal #show #Slipknot #vida #mensagem #diaadia #cotidiano #SetembroAmarelo #amor #cuidado #vidareal #setembro #saudemental #psicologia #depress #frescura #ansiedade #autoestima

  17. youtu.be/kDXiZ2b2aaI?si=5HebYy

    A good friend of mine told me he's been listening to a lot of #PS1 -era #DrumandBass so I was reminded of #starpowerdrummer's incredible live DnB covers.

    Here's him playing both the Drum and Bass preface AND Joey's massive drum fill intro to #SlipKnot's "Eyeless"

    #DrumCover #Metal #Drums

  18. Otro de los buenos discos cosecha 2023, el segundo álbum solista de Corey Taylor titulado muy originalmente «CMF2».
    A mi me gusta mas Stone Sour que Slipknot, pero creo que me gusta incluso más la faceta solista de Corey Taylor. El espectro por el que se mueve es mucho mas amplio. Tiene cosas que se parecen a Slipknot otras que se parecen a Stone Sour y otras que no se parecen mucho a ninguna de las 2.

    songwhip.com/corey-taylor/cmf2

    #CoreyTaylor #CMF2 #EstrenosMusicales #Slipknot #StoneSour

  19. Inadvertently hurt a kid's feelings this morning already. He asked me if I approved of a certain #Slipknot song, I informed him that the last true Slipknot album was #Iowa and everything else is #StoneSour in masks. He went on to defend himself and I had to walk him back off the edge explaining music taste is subjective and that he can enjoy whatever he likes Although he is clearly incorrect for doing so with that song, that's his opinion and I can act like I respect it even though it's trash.