#slipknot — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #slipknot, aggregated by home.social.
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https://www.europesays.com/be-fr/248961/ Slipknot surprend avec Arsenal, son premier titre en trois ans #ActualitéRock #Arsenal #BE #BEFr #Belgique #Belgium #CoreyTaylor #DesMoines #Divertissement #Entertainment #METAL #Music #Musique #NouveauSingle #NouveauTitreSlipknot #NouvelAlbumSlipknot #RetourSlipknot #SidWilson #Slipknot #vidéo
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“’Arsenal’ era una canción que podíamos sacar rápidamente mientras trabajamos en el resto del álbum. No es realmente representativa de las otras canciones”, escribió el guitarrista de la banda, además de confirmar que no estará en el próximo álbum.
🐦🔗 https://farside.link/x.com/Nacion_Rock/status/2098417081070809437#m
RT: https://twitter.com/Nacion_Rock/status/2098417081070809437#m -
Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.
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Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.
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Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.
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Puh, ich komm auf "Arsenal" von #Slipknot auch nicht klar. Kritik mMn angebracht.
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https://www.europesays.com/ch-fr/301985/ Slipknot surprend avec Arsenal, son premier titre en trois ans #ActualitéRock #Arsenal #CoreyTaylor #DesMoines #Divertissement #Entertainment #Metal #Music #Musique #NouveauSingle #NouveauTitreSlipknot #NouvelAlbumSlipknot #RetourSlipknot #SidWilson #Slipknot #Suisse #video
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https://www.europesays.com/ch-fr/300441/ SLIPKNOT dévoile le clip vidéo de la nouvelle chanson « Arsenal » #Divertissement #Entertainment #Music #Musique #Slipknot #Suisse
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https://www.europesays.com/be-fr/246409/ SLIPKNOT dévoile le clip vidéo de la nouvelle chanson « Arsenal » #BE #BEFr #Belgique #Belgium #Divertissement #Entertainment #Music #Musique #Slipknot
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Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
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Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
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Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
-
Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
-
Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
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Check out Jordeana Bell’s track review of Slipknot’s “Arsenal” and what this controlled dose of chaos could signal about what comes next.
Read Here: https://metalinsider.net/new-music/track-review-slipknot-arsenal
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Check out Jordeana Bell’s track review of Slipknot’s “Arsenal” and what this controlled dose of chaos could signal about what comes next.
Read Here: https://metalinsider.net/new-music/track-review-slipknot-arsenal
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https://www.europesays.com/ie/681068/ Slipknot Release ‘Arsenal,’ First Song Since Firing Sid Wilson #Éire #Entertainment #IE #Ireland #Music #Slipknot
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Slipknot estrena su nuevo single y video «Arsenal» | vía #HyperMusicaCL
https://hypermusica.cl/slipknot-estrena-su-nuevo-single-y-video-arsenal/
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https://www.europesays.com/at/368775/ Jay Weinberg ist seit dem Rauswurf bei Slipknot in Therapie #AT #Austria #Entertainment #Entlassung #Hilfe #Hüftoperation #JayWeinberg #Music #Musik #Österreich #Rauswurf #slipknot #Therapie #Trennung #Unterhaltung
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https://www.europesays.com/at/341476/ Jay Weinberg durfte keine Nebenprojekte machen #AT #Austria #EloyCasagrande #Entertainment #JayWeinberg #Music #Musik #Nebenprojekte #Österreich #slipknot #Unterhaltung #Verbot #Vertrag
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https://www.europesays.com/es/717002/ Jay Weinberg (ex-Suicidal Tendencies) sugiere que le impedían colaborar con otros artistas durante su etapa en Slipknot: “Una parte de mi yo creativo se estaba apagando” #Entertainment #Entretenimiento #ES #España #ExSuicidalTendencies #JayWeinberg #MR2022 #Music #Música #Slipknot #Spain
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Jay Weinberg revela proibição que Slipknot impunha e o chateava
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Slipknot and Sid Wilson Part Ways After Nearly 30 Years
Slipknot has apparently booted turntablist Sid Wilson from the band. “Effective immediately, Slipknot will no longer be associated…
#NewsBeep #News #Music #Entertainment #JayWeinberg #RollingStone #SidWilson #Slipknot #UK #UnitedKingdom
https://www.newsbeep.com/uk/738599/ -
Sid Wilson (DJ), #9 of the band Slipknot, has been officially kicked out of the band, according to TMZ. I can hardly believe it.
I’m aware of past tensions within the band, but I never would have thought that Sid would ever leave the band. An official statement from the band as well as from Sid himself is still pending.
As a longtime fan of the band and of Sid, aka DJ Starscream, I am deeply shocked and saddened by this news. I hope that the parties have parted ways amicably and that both sides are happy with the decision.
#sid #sidwilson #slipknot #number9 #dj #djstarscream #band #music #metal #metalcore #band #news #tmz
https://www.tmz.com/2026/07/31/sid-wilson-kicked-out-of-slipknot/
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At #MetalSchool today, we are studying Slipknot's debut album.
Thank you to @Kitty and @HailsandAles for encouraging / reminding me to give it a crack.
There's a lot going on there, but you have to keep nine chaps busy, I suppose.
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Jay Weinberg has no regrets about his time with Slipknot
Jay Weinberg further discussed his time in Slipknot during an appearance on Suicide Silence guitarist Chris Garza’s The…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #hardcore #JayWeinberg #Lambgoat #Metal #Slipknot
https://www.newsbeep.com/us/607173/ -
Jay Weinberg has no regrets about his time with Slipknot
Jay Weinberg further discussed his time in Slipknot during an appearance on Suicide Silence guitarist Chris Garza’s The…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #hardcore #JayWeinberg #Lambgoat #Metal #Slipknot
https://www.newsbeep.com/us/607173/ -
https://www.europesays.com/at/117227/ Jay Weinberg bereut seine Zeit bei Slipknot nicht #AT #Austria #Drummer #Entertainment #JayWeinberg #Music #Musik #Österreich #Reue #Schlagzeuger #slipknot #Unterhaltung #Zeit
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https://www.europesays.com/fi/220130/ Jay Weinberg avautuu Slipknot-potkuistaan – KaaosZine #Entertainment #FI #Finland #Finnish #JayWeinberg #Music #Musiikki #slipknot #Suomi #viihde
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https://www.europesays.com/at/100838/ Jay Weinberg kapiert Rauswurf immer noch nicht #AT #Austria #Drummer #EloyCasagrande #Entertainment #JayWeinberg #Music #Musik #Österreich #Rauswurf #Schlagzeuger #slipknot #Trennung #Unterhaltung
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https://www.europesays.com/at/98993/ Jay Weinberg über Slipknot-Rauswurf: „Wurde zum Sündenbock“ #AgainstMe #AT #Austria #BruceSpringsteen #EStreetBand #Entertainment #JayWeinberg #Music #Musik #Österreich #slipknot #Unterhaltung
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Against I – Anti Life Review By Andy-War-HallAgainst I are neither a one-sided I Against I nor a Rastafarian Against Me!, but a Swedish blackened death metal trio of vocalist Fredrik Keith Croona (Cynical Existence, ex-Menschdefekt), guitarist Mathias Back, and drummer Anders Ström. Founded in 2022, Against I have been busy preaching disillusionment towards man’s better angels across two LPs and and two EPs. Into their third year, Against I are back with their third full-length album Anti Life, an anthem for everyone bitter against the world, religion and, probably, their parents. This kind of intense workload in such a short time could mean a variety of things. It could mean Against I are an exceptionally driven bunch. It could also mean they’re on a fast track to burning out on Anti Life. What could it be?
I won’t faff about: Anti Life embodies the worst qualities of both black and death metal. Across nearly an hour of music, Against I slop out grooveless grooves (“Darkness Within,” “Where We Lay to Rest”) and flat tremolos (“In Death’s Grip,” “Descend”) at an unhurried mid-pace under tepid rasps and admittedly hefty gutturals (“Empire of Bones”). Against I occasionally crack out a slick drum groove (“Sacrifice,” “Empire of Bones”) but mostly stick to punky d-beats (“Built to Destroy”) or double-kick plods (“Symphony for the End”). Anti Life is heavy on gain, light on bass, and borderline bereft of dynamics or variety. Faux choirs and synths play chords to enforce its blackened aesthetics. Rinse and repeat, and you’ve got Anti Life in a nutshell. With such a limited toolbox stretched out over such a long runtime, Against I shaped a blackened death album with none of the majesty or atmosphere of black metal’s greatest hits nor the depraved brutality of death’s best.
Anti Life is made worse by simply clueless songwriting. Against I stick to an overly limited scope regarding song structure, with almost every track ambling between segments with little urgency or patience to let passages evolve. Nearly every chorus is just a two-to-four-bar phrase repeated twice, usually exactly the same way each time. Despite the rigid formatting, these songs feel haphazard. “Darkness Within” has one of the most aimless riffs I’ve ever heard, dicking around a handful of low notes without an apparent goal, while “In Death’s Grip” features completely random pitch-shifted vocal blips, and “All Hope Is Gone” opens and closes with electronics tacked on with little regard to the song in between.1 And then there’s the lyricism, unfortunately apparent due to Anti Life’s discernible rasps. Amidst the incessant wave of banal metal, the constant diatribes of surface-level social commentary (“Throne of Tyranny,” “War Never Ends”), tiresome nihilism (“Anti Life,” “Symphony for the End”) and premium edgelord lines like “In the land of rape and honey, only the stupid survive” (“Tempel of Greed”)2 turn Anti Life from a rough listen to a near insufferable one.
But worse than Against I having lots of bad ideas, Anti Life just doesn’t have much of anything at all. So little happens across so much time that recalling any particular moment from Anti Life is laborious. It’s telling when “Throne of Tyranny”‘s milquetoast melodeath riffing or “Greed”‘s3 guitar harmonics in its bridge—standard features in most any generic metal album—are standout highlights on Anti Life. Just constant knuckle-dragging chugs and spiceless tremolo riffs. There aren’t even any guitar solos. Or anything solos. Nothing to break up the monotonous patterns Against I are totally hellbent on maintaining. Typically, musicians strip back their sound to highlight certain aspects of their sound, but Against I don’t have anything to highlight on Anti Life. This is the most frustrating thing to write about: not the disaster album that swings and misses horrendously but doesn’t swing at all.
I don’t think Against I are inept—an inept group wouldn’t have gotten this far—but Anti Life is just terrible. Against I are spared from the dreaded AMG Unlistenable/0.5 Hall of Shame by the virtue that Anti Life at least executes the basic mechanics of metal music proficiently, if not exceptionally. This is a joyless, deeply tedious listen, and fans of both death and black metal can find anything on Anti Life on any number of other, better records in far more interesting iterations. I’m glad Against I released Anti Life close to the start of spring because this record’s uninspired negativity has got me seeking out fresh air and sunshine out of pure spite against it. I’m anti-this.
Rating: Embarrassing
#10 #2026 #AgainstI #AgainstMe #AntiLife #BlackenedDeathMetal #CynicalExistence #IAgainstI #Mar26 #Menschdefekt #Review #Reviews #Slipknot #SwedishMetal #TwistedFleshRecordings
DR: 3 | Format Reviewed: 320 kbps MP3
Label: Twisted Flesh Recordings
Website: facebook.com/againstIband
Releases Worldwide: March 13th, 2026 -
The references to Slipknot influences on the new Orbit Culture album remind me that the whole Slipknot /Korn / Linkin Park era passed me by entirely, and I don't think I've listened to any of them, not that I'm aware of at any rate.
I'll have to do something about that I think.
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Lightchapter – Where All Hope Begins Review
By ClarkKent
Death metal generally dabbles in the dark, the grisly, the violent, and the brutal. With the aid of ’80s-style synths, Lightchapter plays a version with a lighter, more hopeful touch. The aptly-named Where All Hope Begins marks album number two for this quartet out of Denmark. The band’s mission is to merge “despair and hope” and also “pain and joy” through not only their sound but their lyrics. Even on a blog that celebrates the angry and still makes fun of the brief Happy Metal Guy stint, I imagine something that infuses joy and lightness would find a welcoming audience. After all, Countless Skies showed how a band could successfully write an uplifting progressive death metal record, and that one was well-liked around these parts. Do we dare get our hopes up for Lightchapter?
While synth is a core part of their sound, this ain’t no dungeon synth. Lightchapter strikes a balance between old-school synth rock and more modern melodeath. Following an intro tune, “Leading the Way,” that evokes Stranger Things-style synths, “Where All Hope Begins” sets the album going on its marriage between industrial death metal acts like Orbit Culture and ’80s synth rock stalwarts like Depeche Mode. This isn’t a brutal version of death metal but a much softer approach. Guitars have more reverb than bite, cutting down on the heaviness, and the drums similarly don’t punch with the punishing heft of a Brodequin. The ’80s stuff also helps to soften the sound, with the synths providing a layer that lightens the already light guitar tone. Then there’s those familiar ’80s drum tones—the gated reverb and toms—that’ll warp you back to your carefree days listening to Duran Duran and the like. Lightchapter also features some deathcore breakdowns, though not obnoxiously (“The Unholy Mass,” “Revenge”). This blend of styles finds its most effective execution towards the end of Where All Hope Begins, particularly on the catchy “Little Death.”
Due to the lack of brutal guitars and thunderous blast beats, Where All Hope Begins turns out to be a rather chill album. This is true despite the harsh growls from Mikkel Ottosen. In fact, his vocals complement the instrumentals well. The combination of Anders Berg’s reverb guitar tone and melodic riffs and Tobias Høst’s restrained drumming makes this a surprisingly relaxing listening experience. It’s true that songs like “What I Have Become” start out fast and heavy, but the heart of the song is soft tones and chill tempos. The softer moments gave me whiffs of Slipknot’s ballads, but also the lighter tunes on Rivers of Nihil’s latest. Lightchapter doesn’t quite hit the soaring emotional highs that Andy Thomas often reached, but that’s all part of their mellow charm. The hopeful tone is a breath of fresh air in the usually dark world of death metal.
If anything lets Lightchapter down, it’s a lack of hooks. The melodic leads and synths aren’t particularly catchy for most songs, nor are the choruses all that memorable. Some exceptions show how much stronger Where All Hope Begins could have been. “Unholy Mass” features not only a great synth line, but a memorable chorus when Ottosen sings “Father, you have forsaken me.” The final three tracks unleash Lightchapter’s true potential. “Little Death” is the album highlight, utilizing a catchy riff and synth combo that emphasizes Lightchapter’s strengths. The best chorus belongs to “My Own Kind,” which is the only song that comes close to reaching those Andy Thomas-level highs, thanks to the guitar tone. Combine the hooks of the one with the cathartic emotional highs of the other, and these guys could have something great on their hands. The finished product is an enjoyable record that doesn’t quite stick—but it shows how Lightchapter can get to that point next time.
Unfortunately, Lightchapter is releasing Where All Hope Begins at the end of a hectic release month, and on perhaps the biggest release day, where it’s competing for attention with Amorphis, Mors Principium Est, and Revocation. If you’re feeling a bit overwhelmed and burned out from all of the must-listens this month, a spin or two of Where All Hope Begins could help ground you. Sometimes an album like this that tries something a little different without going off the rails is just what you need to settle your frayed nerves. Lightchapter has crafted an album that shows promise for this young band. If anything, it’ll at least give you some measure of hope.
Rating: 3.0/5.0
DR: 10 | Format Reviewed: ~175 kbps VBR mp3
Label: Self-Released
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: September 26th, 2025#2025 #30 #Amorphis #Brodequin #CountlessSkies #DanishMetal #DepecheMode #DuranDuran #ElectroDeathMetal #IndustrialMetal #Lightchapter #MelodicDeathMetal #Metalcore #MorsPrinicipumEst #OrbitCulture #Review #Reviews #Revocation #RiversOfNihil #selfRelea #SelfReleased #Sep25 #Slipknot #SynthMetal #WhereAllHopeBegins
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Today In Metal History 🤘 June 29th, 2024🤘 DOKKEN, DEEP PURPLE, GREAT WHITE, VOIVOD, BATHORY, RUSH#Dokken #DeepPurple #GreatWhite #Voivod #Bathory #Rush #JohnLawton #UriahHeep #LucifersFriend #PinkFloyd #MotleyCrue #Slipknot #AliceInChains #Styx #Mastodon #ThyArtIsMurder #BulletForMyValentine #Converge #CrystalViper #DeathRequisite #FatesWarning #NightVerses #Nonexist #Stormwitch #Thou #Cavalera #CryptSermon #Wormed #Phantom
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#BraveWords
Today In Metal History 🤘 June 29th, 2024🤘 DOKKEN, DEEP PURPLE, GREAT WHITE, VOIVOD, BATHORY, RUSH#Dokken #DeepPurple #GreatWhite #Voivod #Bathory #Rush #JohnLawton #UriahHeep #LucifersFriend #PinkFloyd #MotleyCrue #Slipknot #AliceInChains #Styx #Mastodon #ThyArtIsMurder #BulletForMyValentine #Converge #CrystalViper #DeathRequisite #FatesWarning #NightVerses #Nonexist #Stormwitch #Thou #Cavalera #CryptSermon #Wormed #Phantom
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#MetalSucks
YouSuck: These Five Nu-Metal Bands Were Voted the Best by MetalSucks Readers
Here's who you chose.#nuMetal #PollResults #Korn #SystemOfADown #Slipknot #Deftones #LinkinPark
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#NowPlaying
#DunkleIsNowPlaying 🎶The Heretic Anthem
by Slipknot -
#TheMetalDogArticleList
#louder10 classic metal songs we can't believe don't get played live
Iron Maiden's only number 1 single, an AC/DC classic and title-tracks aplenty - we're amazed these songs haven't been played morehttps://www.loudersound.com/features/10-classic-metal-songs-we-cant-believe-dont-get-played-live
#IronMaiden
#Slipknot
#mastodon
#CaveIn
#BlackSabbath #TypeONegative
#metallica
#ACDC
#OzzyOsbourne
#RobZombie