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#brucespringsteen — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #brucespringsteen, aggregated by home.social.

  1. #WolfMaahn war in den 1980ern so etwas wie die deutsche Version von #BruceSpringsteen und #JohnMellencamp.

    Der Mann ist ebenfalls heute noch musikalisch aktiv, und das in verschiedenen Genres.

    youtube.com/watch?v=M1WL3lSNZ3M

    #Deutschrock #Rocknroll

  2. #WolfMaahn war in den 1980ern so etwas wie die deutsche Version von #BruceSpringsteen und #JohnMellencamp.

    Der Mann ist ebenfalls heute noch musikalisch aktiv, und das in verschiedenen Genres.

    youtube.com/watch?v=M1WL3lSNZ3M

    #Deutschrock #Rocknroll

  3. #WolfMaahn war in den 1980ern so etwas wie die deutsche Version von #BruceSpringsteen und #JohnMellencamp.

    Der Mann ist ebenfalls heute noch musikalisch aktiv, und das in verschiedenen Genres.

    youtube.com/watch?v=M1WL3lSNZ3M

    #Deutschrock #Rocknroll

  4. #WolfMaahn war in den 1980ern so etwas wie die deutsche Version von #BruceSpringsteen und #JohnMellencamp.

    Der Mann ist ebenfalls heute noch musikalisch aktiv, und das in verschiedenen Genres.

    youtube.com/watch?v=M1WL3lSNZ3M

    #Deutschrock #Rocknroll

  5. #WolfMaahn war in den 1980ern so etwas wie die deutsche Version von #BruceSpringsteen und #JohnMellencamp.

    Der Mann ist ebenfalls heute noch musikalisch aktiv, und das in verschiedenen Genres.

    youtube.com/watch?v=M1WL3lSNZ3M

    #Deutschrock #Rocknroll

  6. Have soul, will share. (Or a deep dive into the philosophy of nothing)

    Daily writing prompt Do you believe in soulmates? Why or why not? View all responses

    I don’t know if I believe in soulmates or not. I’d like to believe soulmates are real, but I’ve never met one. Although, in fairness, I’ve never really put myself out there to meet a soulmate. I’d like to think that’s the reason because the only other reason would be that maybe I don’t have a soul. Yikes!

    A lot of marriages end in divorce. Most, I believe, within the first 10 years, with still a significant number after 25 years of marriage. So if soulmates are really a thing, why do a lot of marriages end in divorce? And why after such a long time? Boredom? I don’t think a soulmate would ever be someone a person would get bored with. Trust? Wouldn’t trust be a given in a soulmate? Infidelity? Why would a soulmate cheat? A soulmate is destiny, and I don’t believe the pain of divorce, the curse of boredom, the violation of distrust, the trauma of infidelity is our destiny as humans. Maybe, if soulmates do exist, people are just plain bad at recognizing them. But even with that, wouldn’t a soulmate be someone you’d recognize on a level that transcends visual recognition?

    A bunch of questions and I have no idea about any of them.

    I guess the existence of soulmates isn’t important to me because a soulmate doesn’t interest me as much as true friendship does.

    “Now we went walking in the rain talking about the pain from the world we hid. Now there ain’t nobody, nowhere nohow gonna ever understand me the way you did” – Bruce Springsteen, Bobby Jean

    I think if soulmates exist they exist within a friendship, a platonic connection, and not as a romantic concept.

    The only way to deal with unanswerable questions is through loud music and whatever it is you call dance.

    https://www.youtube.com/watch?v=hO9fXnps-O4&list=RDhO9fXnps-O4&start_radio=1

    #boredom #BruceSpringsteen #Connection #dailyprompt #dailyprompt2783 #Dance #Destiny #Friendship #Infidelity #Life #LoudMusic #Love #Marriage #Music #Platonic #relationships #Soul #Soulive #Soulmate #Trust
  7. RE: flipboard.com/@pitchfork/news-

    Love this cover of "A Rainy Night in Soho". That line "you're the measure of my dreams" puts a lump in my throat & breaks my heart 💔 🇮🇪 🍀 Can't wait to hear the other covers!

    “His soul was filled with the transgressive and ecstatic properties of the saints,” said Springsteen. “I don’t know who’ll be listening to my music in 100 years, but I know they’ll be listening to Shane’s.”

    #Music #ShaneMacGowan #ARainyNightInSoho #BruceSpringsteen #Rock #Ireland #TomWaits #StPatricksDay

  8. No interwebs …

    January 16, 1973 ~ Bruce performs at Villanova University, Philadelphia, to an audience of 25 people. His concert had not been advertised due to a strike by Villanova's school newspaper The Villanovan. #brucespringsteen #theboss #70srock #villanova #rock #rockmusic #musicsky #musiciansky #music

    robinbannks.com/2026/01/16/no-

  9. Geese – Getting Killed [Things You Might Have Missed 2025]

    By Dear Hollow

    When a non-metal album is this good, the Great Ape mandates that we write about it – it’s unclear if it’s for posterity or humiliation. But when you have a band called Geese, the latter seems more likely. New York City fowl collective owe just as much of their attack to Bruce Springsteen and Television as to Swans and The Velvet Underground, as its drawling and honkin’ blend of roots rock, noise rock, blues, country, funk, and post-punk is a clusterfuck that feels distinctly like something a band called Geese would make. Mastermind Cameron Winter’s warbling drawls, Emily Green’s smooth bluesy plucking and jagged shutters, Dominic Digesu’s groovy bass undercurrent, and Max Bassin’s rock-solid drumming collide – all in the service of the sonic incarnation of the uncanny. Geese offers another slab of rock’s fringe movements that builds upon critically acclaimed predecessor 4D Country. Like its cover, Getting Killed is both angelic and violent, smooth and jagged – and undeniably American.

    While its openers serve to showcase Geese’s two extreme sides in explosively screamy noise rock (“Trinidad”1) and bluesy pop-country (“Cobra”), the uncanniness of Getting Killed is much more nuanced. Beneath each guitar riff and yearning melody, just as much with its more jagged movements, is a dedication to deterioration. Most tracks begin with a solid funk groove or a predictable chord progression, an undercurrent of dissolution growing over the course of its three-to-six minutes. Unlike the improvised randomness so many artists claim as a reflection of group chemistry, Geese’s movements feel calculated to the minutest detail in the service of a parodied and uncanny version of rock music, such as maddeningly repetitive riffs (“Husbands,” “Islands of Man,” “100 Horses”), repetitive cliche lyrics drawled with irony and apathy (“Cobra,” “Half Real”), and splattered movements guided by heart and hate (“Trinidad,” “Getting Killed”).

    The blend of tones that exist here is noteworthy, as the sunny country, groovy punk, and jagged noise movements feel anachronistic on paper yet somehow feel exactly what Geese ought to be doing. Noisier tracks move seamlessly into the more melodic and vice versa (the brooding “100 Horses” to the ethereal “Half Real”; the smooth ballad “Au Pays du Cocaine” to the chaotic and arrhythmic “Bow Down” and explosive “Taxes”), highlighting the intentionality behind the curtain of Getting Killed. Winter’s vocals are initially jarringly loud and off-kilter, but just as the twinkling quality that emerges from asynchronous guitar/piano noodles (“Getting Killed,” “Islands of Man”) or the brass emerges in short bursts like gusts of wind (“Trinidad,” “Husbands”), the drawling baritone stumbles upon vocal lines that get seared into the mind, catchy and seamless in their delivery – although initially feared lazy (“Cobra,” “Half Real,” “Long Island City Here I Come”). Geese, while embodying much more than just noise rock, nonetheless captures lightning in the bottle with its layers of intensity giving way to an uncanny catchiness.

    Geese’s more intense moments recall the noise rock/post-punk misanthropy of White Suns or the quirky squonks of Black Midi, but its uncanny country twang recalls the clouded and colloquial conversations of Mark Z. Danielewski’s book Tom’s Crossing: yes, it’s a western, but a caricature of it with a bleak heart beating at its core. Geese embodies rock’s most extreme peripheries in a breed of music that is as alienating as it is catchy, unique and on-brand for a band whose caliber of sound feels uncanny, otherworldly, and delightfully apeshit. Sure, it ain’t metal, but Geese offers some of the most intriguing music of the year regardless.

    Tracks to Check Out: “Trinidad,” “Cobra,” “Getting Killed,” “100 Horses,” “Long Island City Here I Come”2

    #2025 #AmericanMetal #BlackMidi #Blues #bruceSpringsteen #Country #FunkMetal #Geese #GettingKilled #JPEGMAFIA #NoiseRock #NonMetal #PartisanRecords #postPunk #Rock #Swans #Television #TheVelvetUnderground #ThingsYouMightHaveMissed2025 #WhiteSuns

  10. #Springsteen - #DeliverMeFromNowhere ist immer nur dann spannend, wenn sich das Geschehen auf die irre Produktion des Albums #Nebraska konzentriert. Es wäre besser gewesen, den künstlerischen Prozess hinter diesem rohen, authentischen Werk mehr in dessen kreativen Geiste auch als roher gedachten #Film zu inszenieren.

    #Podcast #DieLetzteFilmkritik: dieletzte.website/filmkritik/2

    #Review #Filmkritik #Kritik #Rezension #Filme #Kino #BruceSpringsteen #TheBoss #ScottCooper #JeremyAllenWhite #Biopic

  11. #ImOnFire #JeremyAllenWhite #DeliverMeFromNowhere #BruceSpringsteen #NewMusic #soundtrack
    Jeremy Allen White's version of I'm on Fire from the new biopic film 'Deliver Me From Nowhere' 😲

    I'm On Fire
    Provided to YouTube by ColumbiaI'm On Fire · Jeremy Allen WhiteSpringsteen:Deliver Me From Nowhere (Original Motion Picture Soundtrack)℗ 2025 20th Century St...
    youtu.be/DMkhE_oR_P0?si=0CL6SK

  12. I wrote this after reading Deliver Me from Nowhere — about how Springsteen leaned on his art and his people to survive the hardest moments.

    Here’s the chorus from my song inspired by that story.

    🎧 Full track out now — link in bio
    #Springsteen
    #TheBoss
    #DeliverMeFromNowhere
    #Nebraska
    #BruceSpringsteen

    youtube.com/shorts/rPJgqFbgDdY

  13. #giveaway Singer/songwriter Jason Didner is giving away a handwritten lyric sheet to his new song "Deliver Me from Nowhere," inspired by the true story of Bruce Springsteen when he made his album "Nebraska."

    Random drawing October 17 at 9 AM Eastern-US. There haven't been many entries, so your chances to win are very good.

    ✍️ Enter at jasondidner.com/giveaway

    #BruceSpringsteen #DeliverMeFromNowhere

  14. Springsteen: Deliver Me From Nowhere | NYFF Performance – YouTube

    Sep 29, 2025

    Springsteen: Deliver Me From Nowhere | NYFF Performance

    After the NYFF Spotlight Gala screening of SPRINGSTEEN: DELIVER ME FROM NOWHERE, attendees were treated to a surprise performance by Springsteen himself.

    The film chronicles the making of Bruce Springsteen’s 1982 “Nebraska” album. Recorded on a four-track recorder in Springsteen’s New Jersey bedroom, the album marked a pivotal time in his life and is considered one of his most enduring works—a raw, haunted acoustic record populated by lost souls searching for a reason to believe.

    “Springsteen: Deliver Me from Nowhere” releases exclusively in theaters in IMAX, Dolby Cinema and premium screens everywhere October 24, 2025.   Get tickets now: fandango.com/SpringsteenDeliverMeFromNowhere

    Continue/Read Original Article Here: Springsteen: Deliver Me From Nowhere | NYFF Performance – YouTube

    #2025 #BruceSpringsteen #DeliverMeFromNowhere #Film #Films #Libraries #Library #LibraryOfCongress #Movie #Movies #Songs #Springsteen #UnitedStates #YouTube

  15. A song about Jon Landau, Bruce Springsteen and the saving power of friendship. Warren Zanes' book "Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska", tells the story about a low point in Bruce's emotional life.

    In 1982, Jon Landau, Bruce's friend, mentor and manager, picked up on the pain and despair in the stories Bruce was telling in his new batch of songs.

    I wrote this song from Jon's perspective.

    #BruceSpringsteen
    #DeliverMeFromNowhere

    youtu.be/lgYH1raZkWU

  16. Deliver Me From Nowhere : Jeremy Allen White incarne Bruce Springsteen dans un biopic intense (VIDEO)

    À quelques semaines de sa sortie, le film Deliver Me From Nowhere se dévoile avec une nouvelle bande-annonce captivante. Ce biopic retrace la création de l’album culte Nebraska de Bruce Springsteen et met en lumière ses doutes et sa créativité, incarnés par Jeremy Allen White. Les fans pourront découvrir le long-métrage en salles le 22 octobre 2025 en France.

    Un regard inédit sur la genèse de Nebraska

    Une bande-annonce qui plonge au cœur de l’intimité du Boss

    La nouvelle bande-annonce de Deliver Me From Nowhere, dévoilée le 15 septembre 2025, offre une plongée dans la période où Bruce Springsteen écrivait et enregistrait Nebraska, en 1982. Le trailer met en avant le musicien et son manager historique, Jon Landau, tout en laissant entrevoir les tensions et les questionnements qui ont marqué la création de ce disque intimiste. Le morceau Atlantic City, issu de l’album original, accompagne les images, renforçant l’immersion dans l’univers musical de Springsteen.

    Publicités

    Jeremy Allen White : une incarnation troublante

    Jeremy Allen White, révélé par les séries Shameless et The Bear, prête ses traits au « Boss ». L’acteur parvient à reproduire avec finesse les gestes et l’intensité de Springsteen, offrant une interprétation à la fois vulnérable et captivante. Les spectateurs peuvent observer l’artiste en pleine session d’enregistrement, confronté à ses propres doutes et aux pressions du label, une tension qui structure tout le récit.

    Une reconstitution fidèle de l’époque et du processus créatif

    Des images mêlant authenticité et reconstitution

    Le film alterne scènes reconstituées et archives originales, dévoilant Springsteen jeune, seul avec sa guitare dans sa chambre du New Jersey. Cette dualité permet de saisir le contraste entre la célébrité ultérieure et l’intimité de la création. Le spectateur est témoin de la naissance de ballades sombres et acoustiques, loin des productions orchestrales de la E Street Band, donnant à Nebraska sa force singulière.

    Publicités

    L’accompagnement d’une distribution solide

    Aux côtés de White, Jeremy Strong incarne Jon Landau, tandis que Paul Walter Hauser joue le technicien guitare, Stephen Graham le père torturé, et Odessa Young la muse inspiratrice. Gaby Hoffmann, Marc Maron et David Krumholtz complètent la distribution, contribuant à une immersion totale dans le New Jersey des années 80 et dans le processus créatif de Springsteen.

    La voix du Boss et la dimension documentaire

    Un récit enrichi par Bruce Springsteen

    Le film bénéficie de l’apport de Springsteen lui-même, qui partage ses souvenirs et ses réflexions sur la période Nebraska. Il évoque les attentes liées au succès de The River et ses ambitions personnelles : « J’avais la peau en jeu, j’avais quelque chose à prouver », confie-t-il dans le trailer. Ces interventions donnent au film une authenticité rare, mêlant biopic et témoignage direct.

    Publicités

    Une exploration nuancée du processus créatif

    Réalisé par Scott Cooper, le film s’appuie sur le livre de Warren Zanes, Deliver Me From Nowhere: The Making of Bruce Springsteen’s Nebraska. Il met en lumière les défis d’un jeune Springsteen face aux pressions commerciales, tout en offrant une lecture intime de son art. Les moments d’enregistrement, la tension avec le label et les influences musicales de sa jeunesse sont présentés avec précision, illustrant l’effort et la vulnérabilité derrière chaque chanson.

    Un biopic qui fait déjà parler

    Réactions critiques et anticipation

    Présenté en première au Festival de Telluride en septembre 2025, Deliver Me From Nowhere a suscité des avis partagés. La performance de Jeremy Allen White et les interventions de Springsteen sont saluées pour leur authenticité, tandis que certains critiques relèvent un rythme parfois inégal. Néanmoins, la reconstitution minutieuse des années 80 et l’atmosphère intime de l’album sont unanimement reconnues.

    Publicités

    Une sortie imminente qui excite les fans

    Distribué par 20th Century Studios, le film sortira aux États-Unis le 24 octobre 2025 et en France le 22 octobre. Cette sortie est attendue avec impatience par les amateurs de rock et les fans du Boss, offrant une occasion unique de découvrir l’envers du décor d’un album légendaire. La bande-annonce promet déjà une expérience immersive et émotionnelle, centrée sur l’homme derrière les mythes.

    Deliver Me From Nowhere promet une immersion profonde dans la création de Nebraska, un album emblématique de Bruce Springsteen. La performance intense de Jeremy Allen White et la présence du Boss lui-même enrichissent le film d’une authenticité rare. Les spectateurs pourront découvrir cette plongée intime dans l’œuvre et la vie de l’artiste dès le 22 octobre 2025 en France.

    https://youtu.be/OuRX3n2LTlc

    #20thCenturyStudios #BandeAnnonce #biographieMusicale #biopicMusical #BruceSpringsteen #Cinéma #DeliverMeFromNowhere #Film2025 #JeremyAllenWhite #JonLandau #Nebraska #rockAméricain #ScottCooper

  17. In 1981, on the cusp of megastardom and the brink of a nervous breakdown, 32-year-old Bruce Springsteen returns to New Jersey and watches Terrence Malick's "Badlands" on TV. It compels him to write "Nebraska," his 1982 album. The new movie, "Deliver Me from Nowhere" tells the story of that period. @IndieWire delivers its verdict: A mediocre movie full of tedious biopic tropes, with a remarkable central performance by Jeremy Allen White.

    flip.it/0P6oA6

    #Movies #Cinema #Film #Entertainment #Music #BruceSpringsteen #DeliverMeFromNowhere

  18. "Born in the U.S.A." is a song written and performed by American singer-songwriter #BruceSpringsteen and released in 1984 on the album #BornInTheUSA One of Springsteen's best-known #singles, it was ranked 275th on #RollingStone's list of "#The500GreatestSongsOfAllTime", and in 2001, the #RIAA's #SongsOfTheCentury placed the song 59th (out of 365), remaining a favorite in classic rock. The song addresses the economic hardships of #VietnamVeterans upon their return home.
    youtu.be/MUx5Vu2XRqA