#death-grind — Public Fediverse posts

https://m.youtube.com/watch?v=88XbbQqzBYQ

#NowPlaying #AllPigsMustDie #GodIsWar #DieIgnorant #DeathGrind

Wash in the rivers of blood
Justified in your cause
Blind, you see no light
Righteous and just might
Death is your only faith
War is the one religion
Lock to your rotting god
Like a moth to a flame
Born, bred, die, ignorance
Born, bred, die, ignorance

https://m.youtube.com/watch?v=88XbbQqzBYQ

#NowPlaying #AllPigsMustDie #GodIsWar #DieIgnorant #DeathGrind

Wash in the rivers of blood
Justified in your cause
Blind, you see no light
Righteous and just might
Death is your only faith
War is the one religion
Lock to your rotting god
Like a moth to a flame
Born, bred, die, ignorance
Born, bred, die, ignorance

https://m.youtube.com/watch?v=88XbbQqzBYQ

#NowPlaying #AllPigsMustDie #GodIsWar #DieIgnorant #DeathGrind

Wash in the rivers of blood
Justified in your cause
Blind, you see no light
Righteous and just might
Death is your only faith
War is the one religion
Lock to your rotting god
Like a moth to a flame
Born, bred, die, ignorance
Born, bred, die, ignorance

I have one for #GrindayFriday this week. This is one man deathgrind project NAILGUT from Kelowna, British Columbia, and their brief 4 song EP 'Distorted Perceptions of Reality' from 2024. It's nasty, grody, grindy, sludgy stuff with chainsaw guitars and bashing drums. I love it.

https://nailgut.bandcamp.com/album/distorted-perceptions-of-reality

#grind #grindcore #deathgrind #metal #Canada #CanadianMetal @vanessawynn @HailsandAles @wendigo @rtw @guffo

I have one for #GrindayFriday this week. This is one man deathgrind project NAILGUT from Kelowna, British Columbia, and their brief 4 song EP 'Distorted Perceptions of Reality' from 2024. It's nasty, grody, grindy, sludgy stuff with chainsaw guitars and bashing drums. I love it.

https://nailgut.bandcamp.com/album/distorted-perceptions-of-reality

#grind #grindcore #deathgrind #metal #Canada #CanadianMetal @vanessawynn @HailsandAles @wendigo @rtw @guffo

I have one for #GrindayFriday this week. This is one man deathgrind project NAILGUT from Kelowna, British Columbia, and their brief 4 song EP 'Distorted Perceptions of Reality' from 2024. It's nasty, grody, grindy, sludgy stuff with chainsaw guitars and bashing drums. I love it.

https://nailgut.bandcamp.com/album/distorted-perceptions-of-reality

#grind #grindcore #deathgrind #metal #Canada #CanadianMetal @vanessawynn @HailsandAles @wendigo @rtw @guffo

I have one for #GrindayFriday this week. This is one man deathgrind project NAILGUT from Kelowna, British Columbia, and their brief 4 song EP 'Distorted Perceptions of Reality' from 2024. It's nasty, grody, grindy, sludgy stuff with chainsaw guitars and bashing drums. I love it.

https://nailgut.bandcamp.com/album/distorted-perceptions-of-reality

#grind #grindcore #deathgrind #metal #Canada #CanadianMetal @vanessawynn @HailsandAles @wendigo @rtw @guffo

I have one for #GrindayFriday this week. This is one man deathgrind project NAILGUT from Kelowna, British Columbia, and their brief 4 song EP 'Distorted Perceptions of Reality' from 2024. It's nasty, grody, grindy, sludgy stuff with chainsaw guitars and bashing drums. I love it.

https://nailgut.bandcamp.com/album/distorted-perceptions-of-reality

#grind #grindcore #deathgrind #metal #Canada #CanadianMetal @vanessawynn @HailsandAles @wendigo @rtw @guffo

Some serious grind for this #GrindayFriday, this is EP 'Insurgent Ecology' from Philadelphia's ARTIFICIAL SCARCITY. Maybe even some deathgrind going on here.

https://artificialscarcity.bandcamp.com/album/insurgent-ecology

#grind #grindcore #Philadelphia #PhillyBands #PennsylvaniaBands #deathgrind #PhillyMetal @vanessawynn @HailsandAles @wendigo @c0m4 @guffo

Some serious grind for this #GrindayFriday, this is EP 'Insurgent Ecology' from Philadelphia's ARTIFICIAL SCARCITY. Maybe even some deathgrind going on here.

https://artificialscarcity.bandcamp.com/album/insurgent-ecology

#grind #grindcore #Philadelphia #PhillyBands #PennsylvaniaBands #deathgrind #PhillyMetal @vanessawynn @HailsandAles @wendigo @c0m4 @guffo

Some serious grind for this #GrindayFriday, this is EP 'Insurgent Ecology' from Philadelphia's ARTIFICIAL SCARCITY. Maybe even some deathgrind going on here.

https://artificialscarcity.bandcamp.com/album/insurgent-ecology

#grind #grindcore #Philadelphia #PhillyBands #PennsylvaniaBands #deathgrind #PhillyMetal @vanessawynn @HailsandAles @wendigo @c0m4 @guffo

Some serious grind for this #GrindayFriday, this is EP 'Insurgent Ecology' from Philadelphia's ARTIFICIAL SCARCITY. Maybe even some deathgrind going on here.

https://artificialscarcity.bandcamp.com/album/insurgent-ecology

#grind #grindcore #Philadelphia #PhillyBands #PennsylvaniaBands #deathgrind #PhillyMetal @vanessawynn @HailsandAles @wendigo @c0m4 @guffo

Some serious grind for this #GrindayFriday, this is EP 'Insurgent Ecology' from Philadelphia's ARTIFICIAL SCARCITY. Maybe even some deathgrind going on here.

https://artificialscarcity.bandcamp.com/album/insurgent-ecology

#grind #grindcore #Philadelphia #PhillyBands #PennsylvaniaBands #deathgrind #PhillyMetal @vanessawynn @HailsandAles @wendigo @c0m4 @guffo

Für den #MittwochMetalMix werfe ich mal zwei #DeathGrind-Alben in den Ring, die einfach grooven wie Sau ... (beide am vergangenen Freitag rausgekommen)

Zum einen das selbstbetitelte Debut-Album des dänischen Duos **MELTIFICATION**, https://meltification.bandcamp.com/album/st - hier eine etwas ausführlichere Review, https://mystificationzine.com/2026/05/26/meltification-meltification-2026-review/

Und dann Japan's **Pharmacist** mit ihrem neuen Vertebrae After Vertebrae - sind zwar nur 7 Tracks, kommen aber trotzdem auf 37 Minuten: https://pharmacistgore.bandcamp.com/album/vertebrae-after-vertebrae

Für den #MittwochMetalMix werfe ich mal zwei #DeathGrind-Alben in den Ring, die einfach grooven wie Sau ... (beide am vergangenen Freitag rausgekommen)

Zum einen das selbstbetitelte Debut-Album des dänischen Duos **MELTIFICATION**, https://meltification.bandcamp.com/album/st - hier eine etwas ausführlichere Review, https://mystificationzine.com/2026/05/26/meltification-meltification-2026-review/

Und dann Japan's **Pharmacist** mit ihrem neuen Vertebrae After Vertebrae - sind zwar nur 7 Tracks, kommen aber trotzdem auf 37 Minuten: https://pharmacistgore.bandcamp.com/album/vertebrae-after-vertebrae

Für den #MittwochMetalMix werfe ich mal zwei #DeathGrind-Alben in den Ring, die einfach grooven wie Sau ... (beide am vergangenen Freitag rausgekommen)

Zum einen das selbstbetitelte Debut-Album des dänischen Duos **MELTIFICATION**, https://meltification.bandcamp.com/album/st - hier eine etwas ausführlichere Review, https://mystificationzine.com/2026/05/26/meltification-meltification-2026-review/

Und dann Japan's **Pharmacist** mit ihrem neuen Vertebrae After Vertebrae - sind zwar nur 7 Tracks, kommen aber trotzdem auf 37 Minuten: https://pharmacistgore.bandcamp.com/album/vertebrae-after-vertebrae

Für den #MittwochMetalMix werfe ich mal zwei #DeathGrind-Alben in den Ring, die einfach grooven wie Sau ... (beide am vergangenen Freitag rausgekommen)

Zum einen das selbstbetitelte Debut-Album des dänischen Duos **MELTIFICATION**, https://meltification.bandcamp.com/album/st - hier eine etwas ausführlichere Review, https://mystificationzine.com/2026/05/26/meltification-meltification-2026-review/

Und dann Japan's **Pharmacist** mit ihrem neuen Vertebrae After Vertebrae - sind zwar nur 7 Tracks, kommen aber trotzdem auf 37 Minuten: https://pharmacistgore.bandcamp.com/album/vertebrae-after-vertebrae

Fake Dust (Portland) / Durian / Agonesiac

Grays Warehouse, Sunday, June 7 at 06:00 PM EDT

Fake Dust - Portland grind

https://ironlungrecords.bandcamp.com/album/decrepitizing-din-of-the-cerebral-psyopticon-lungs-320

Durian - Philly grind

https://duriangrind.bandcamp.com/album/pecking-order

Agonesiac - Philly grind

https://agonesiac.bandcamp.com/

Show is happening in the courtyard of the Grays Warehouse

Sunday, June 7

6:00 PM sharp

$10-$15 suggested

https://philly.askapunk.net/event/fake-dust-portland-durian-agonesiac

I fucking love #PigDestroyer

https://pigdestroyer.bandcamp.com/album/terrifyer

#grindcore #deathgrind

I fucking love #PigDestroyer

https://pigdestroyer.bandcamp.com/album/terrifyer

#grindcore #deathgrind

I fucking love #PigDestroyer

https://pigdestroyer.bandcamp.com/album/terrifyer

#grindcore #deathgrind

I fucking love #PigDestroyer

https://pigdestroyer.bandcamp.com/album/terrifyer

#grindcore #deathgrind

Look, listen, kneel, pray! Noisy #DeathGrind from Turku, Finland.
**Sewer Altar** debut album Fever Dreams of Vengeance, out tomorrow.

🤘🤘🤘

https://seweraltar.bandcamp.com/album/fever-dreams-of-vengeance

#DeathMetal #Grindcore #PowerViolence

Look, listen, kneel, pray! Noisy #DeathGrind from Turku, Finland.
**Sewer Altar** debut album Fever Dreams of Vengeance, out tomorrow.

🤘🤘🤘

https://seweraltar.bandcamp.com/album/fever-dreams-of-vengeance

#DeathMetal #Grindcore #PowerViolence

Now playing:
BLOOD FREAK - Sleaze Merchants CD. 2003

Cool gory death grind/ from the past

#goregrind #deathgrind #deathmetal #nowplaying #metal

Now playing:
BLOOD FREAK - Sleaze Merchants CD. 2003

Cool gory death grind/ from the past

#goregrind #deathgrind #deathmetal #nowplaying #metal

Now playing:
BLOOD FREAK - Sleaze Merchants CD. 2003

Cool gory death grind/ from the past

#goregrind #deathgrind #deathmetal #nowplaying #metal

Now playing:
BLOOD FREAK - Sleaze Merchants CD. 2003

Cool gory death grind/ from the past

#goregrind #deathgrind #deathmetal #nowplaying #metal

Now playing:
BLOOD FREAK - Sleaze Merchants CD. 2003

Cool gory death grind/ from the past

#goregrind #deathgrind #deathmetal #nowplaying #metal

For #GrindayFriday, Finland's BLISTEROUS just announced a new demo promo tape, and this is one of the tracks: https://youtu.be/v1QbF4vcuic

#grind #deathgrind #grindcore #goregrind #metal #Finland #FinnishGrind #FinnishMetal #Blisterous @vanessawynn @wendigo @HailsandAles @guffo

For #GrindayFriday, Finland's BLISTEROUS just announced a new demo promo tape, and this is one of the tracks: https://youtu.be/v1QbF4vcuic

#grind #deathgrind #grindcore #goregrind #metal #Finland #FinnishGrind #FinnishMetal #Blisterous @vanessawynn @wendigo @HailsandAles @guffo

For #GrindayFriday, Finland's BLISTEROUS just announced a new demo promo tape, and this is one of the tracks: https://youtu.be/v1QbF4vcuic

#grind #deathgrind #grindcore #goregrind #metal #Finland #FinnishGrind #FinnishMetal #Blisterous @vanessawynn @wendigo @HailsandAles @guffo

For #GrindayFriday, Finland's BLISTEROUS just announced a new demo promo tape, and this is one of the tracks: https://youtu.be/v1QbF4vcuic

#grind #deathgrind #grindcore #goregrind #metal #Finland #FinnishGrind #FinnishMetal #Blisterous @vanessawynn @wendigo @HailsandAles @guffo

For #GrindayFriday, Finland's BLISTEROUS just announced a new demo promo tape, and this is one of the tracks: https://youtu.be/v1QbF4vcuic

#grind #deathgrind #grindcore #goregrind #metal #Finland #FinnishGrind #FinnishMetal #Blisterous @vanessawynn @wendigo @HailsandAles @guffo

https://www.europesays.com/at/95980/ Metal in der Ukraine – „wie in einem geschlossenen Ökosystem“ #"Ukraine" #Alarm #AT #Austria #Bomben #Deathgrind #Entertainment #Grindcore #Ignea #Jinjer #Konzerte #Krieg #Lebensgefahr #Metal #MetalSzene #Music #Musik #Österreich #Tsytska #Unterhaltung

When in skilled hands, death and grind go together like all the finest combinations, whether it’s peanut butter and chocolate, beer and pretzels, or good old mac and cheese. The tasty combo applies to the musical inclinations of Illinois wrecking crew Melting Rot, as they unleash their second LP and follow-up to 2021’s Blood Delusions debut. Admittedly unfamiliar before dredging this one up from the promo sump, the trio feature combined underground experience with various lesser-known acts, forming way back in 2017. Citing the likes of Regurgitate and Excruciating Terror as comparisons, and featuring a guest spot from Exhumed legend Matt Harvey, can these unheralded deathgrind loonies make a sizable impact in the ever-crowded realms of the underground?

Following a short sample, right off the bat, Melting Rot lay their gnarled cards on the table, unleashing a rugged, relentless frenzy of old school grind values and groovy, gnashing brutal death, complete with incomprehensible, uber low vox and occasional deeper variations or grindy highs. It’s a tight, violent, take-no-prisoners approach, done and dusted in a mere eighteen minutes. Melting Rot flip between d-beaten bursts and blasts of crusty grind, to thuggish brutal death depravity with raucous energy and tight musical chops. Revelling in the relative uncomplicated nature of their sound, Melting Rot draw influence from the likes of Exhumed, Carcass, and a more straightforward Benighted.

Sporting a robust, extra beefy production job, Infatuation with Premeditation boasts a killer guitar tone, cutting a nasty swathe of distortion and welcome oomph to the ample supply of meaty riffs and piledriving grooves littering the album. At their most potent, Melting Rot dish out gnarly examples of their bruising deathgrind attack. Barnstorming cuts like the viciously grinding, punkish throes and infectious riffs of “Human Pavement Splatter,” crunching grooves and ripping powerplays of “The Surgeon was Comatose,” and thrashing melodicism cutting through the otherwise blunt force savagery of “Aiming for Construction Workers” highlight Infatuation with Premeditation’s stronger writing. Not to be discounted, “Open Casket Vomit Spew” injects Necroticism-esque flair and crunch, while “Morbid Infatuation” adds buzzsawing Swedeath riffs into its punky grind skirmishes. It’s nasty, unsanitized stuff, refreshingly free from modern polish, ensuring the material retains its dirty, rusty edge.

There are no glaring weak links, just a handful of moments where the writing bleeds together slightly, leading to fleeting moments of faceless brutality. Meanwhile, the vocals are a mixed bag. The multi-pronged attack largely defaults to the predominant gurgling lows, while serviceable, they lack variation and are fairly one-dimensional and monotonous in delivery. When occasionally cut with the shattering highs and other lower growl variations, the vocal impact is more effective. Shifting the balance would have worked wonders. Otherwise, Infatuation with Premeditation ticks all the boxes for a rollicking good time for deathgrind fiends. The brevity leaves you wanting more, and while long-term mileage is debatable, overall, Melting Rot swing hard and largely nail the impact. The subtle dynamic shifts between their higher gears are well executed, while the album is fueled by relentless energy and filthy, bludgeoning riffs, packing a mean, headbanging punch.

Melting Rot delivered a punchy, efficient blast of deathgrind goodness on Infatuation with Premeditation, featuring a short, sharp collection of nuggety brawlers falling in the solid to very good bracket and hinting at potential greatness to come if Melting Rot continue to sharpen and hone their songwriting skills. As it stands, Infatuation with Premeditation is a strong 3.0, an entertaining platter and recommended listen for deathgrind enthusiasts who like their deathgrind extra riffy and their grooves bloody and beaten.



Rating:3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Hells Headbangers Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 27th, 2026

When in skilled hands, death and grind go together like all the finest combinations, whether it’s peanut butter and chocolate, beer and pretzels, or good old mac and cheese. The tasty combo applies to the musical inclinations of Illinois wrecking crew Melting Rot, as they unleash their second LP and follow-up to 2021’s Blood Delusions debut. Admittedly unfamiliar before dredging this one up from the promo sump, the trio feature combined underground experience with various lesser-known acts, forming way back in 2017. Citing the likes of Regurgitate and Excruciating Terror as comparisons, and featuring a guest spot from Exhumed legend Matt Harvey, can these unheralded deathgrind loonies make a sizable impact in the ever-crowded realms of the underground?

Following a short sample, right off the bat, Melting Rot lay their gnarled cards on the table, unleashing a rugged, relentless frenzy of old school grind values and groovy, gnashing brutal death, complete with incomprehensible, uber low vox and occasional deeper variations or grindy highs. It’s a tight, violent, take-no-prisoners approach, done and dusted in a mere eighteen minutes. Melting Rot flip between d-beaten bursts and blasts of crusty grind, to thuggish brutal death depravity with raucous energy and tight musical chops. Revelling in the relative uncomplicated nature of their sound, Melting Rot draw influence from the likes of Exhumed, Carcass, and a more straightforward Benighted.

Sporting a robust, extra beefy production job, Infatuation with Premeditation boasts a killer guitar tone, cutting a nasty swathe of distortion and welcome oomph to the ample supply of meaty riffs and piledriving grooves littering the album. At their most potent, Melting Rot dish out gnarly examples of their bruising deathgrind attack. Barnstorming cuts like the viciously grinding, punkish throes and infectious riffs of “Human Pavement Splatter,” crunching grooves and ripping powerplays of “The Surgeon was Comatose,” and thrashing melodicism cutting through the otherwise blunt force savagery of “Aiming for Construction Workers” highlight Infatuation with Premeditation’s stronger writing. Not to be discounted, “Open Casket Vomit Spew” injects Necroticism-esque flair and crunch, while “Morbid Infatuation” adds buzzsawing Swedeath riffs into its punky grind skirmishes. It’s nasty, unsanitized stuff, refreshingly free from modern polish, ensuring the material retains its dirty, rusty edge.

There are no glaring weak links, just a handful of moments where the writing bleeds together slightly, leading to fleeting moments of faceless brutality. Meanwhile, the vocals are a mixed bag. The multi-pronged attack largely defaults to the predominant gurgling lows, while serviceable, they lack variation and are fairly one-dimensional and monotonous in delivery. When occasionally cut with the shattering highs and other lower growl variations, the vocal impact is more effective. Shifting the balance would have worked wonders. Otherwise, Infatuation with Premeditation ticks all the boxes for a rollicking good time for deathgrind fiends. The brevity leaves you wanting more, and while long-term mileage is debatable, overall, Melting Rot swing hard and largely nail the impact. The subtle dynamic shifts between their higher gears are well executed, while the album is fueled by relentless energy and filthy, bludgeoning riffs, packing a mean, headbanging punch.

Melting Rot delivered a punchy, efficient blast of deathgrind goodness on Infatuation with Premeditation, featuring a short, sharp collection of nuggety brawlers falling in the solid to very good bracket and hinting at potential greatness to come if Melting Rot continue to sharpen and hone their songwriting skills. As it stands, Infatuation with Premeditation is a strong 3.0, an entertaining platter and recommended listen for deathgrind enthusiasts who like their deathgrind extra riffy and their grooves bloody and beaten.



Rating:3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Hells Headbangers Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 27th, 2026

When in skilled hands, death and grind go together like all the finest combinations, whether it’s peanut butter and chocolate, beer and pretzels, or good old mac and cheese. The tasty combo applies to the musical inclinations of Illinois wrecking crew Melting Rot, as they unleash their second LP and follow-up to 2021’s Blood Delusions debut. Admittedly unfamiliar before dredging this one up from the promo sump, the trio feature combined underground experience with various lesser-known acts, forming way back in 2017. Citing the likes of Regurgitate and Excruciating Terror as comparisons, and featuring a guest spot from Exhumed legend Matt Harvey, can these unheralded deathgrind loonies make a sizable impact in the ever-crowded realms of the underground?

Following a short sample, right off the bat, Melting Rot lay their gnarled cards on the table, unleashing a rugged, relentless frenzy of old school grind values and groovy, gnashing brutal death, complete with incomprehensible, uber low vox and occasional deeper variations or grindy highs. It’s a tight, violent, take-no-prisoners approach, done and dusted in a mere eighteen minutes. Melting Rot flip between d-beaten bursts and blasts of crusty grind, to thuggish brutal death depravity with raucous energy and tight musical chops. Revelling in the relative uncomplicated nature of their sound, Melting Rot draw influence from the likes of Exhumed, Carcass, and a more straightforward Benighted.

Sporting a robust, extra beefy production job, Infatuation with Premeditation boasts a killer guitar tone, cutting a nasty swathe of distortion and welcome oomph to the ample supply of meaty riffs and piledriving grooves littering the album. At their most potent, Melting Rot dish out gnarly examples of their bruising deathgrind attack. Barnstorming cuts like the viciously grinding, punkish throes and infectious riffs of “Human Pavement Splatter,” crunching grooves and ripping powerplays of “The Surgeon was Comatose,” and thrashing melodicism cutting through the otherwise blunt force savagery of “Aiming for Construction Workers” highlight Infatuation with Premeditation’s stronger writing. Not to be discounted, “Open Casket Vomit Spew” injects Necroticism-esque flair and crunch, while “Morbid Infatuation” adds buzzsawing Swedeath riffs into its punky grind skirmishes. It’s nasty, unsanitized stuff, refreshingly free from modern polish, ensuring the material retains its dirty, rusty edge.

There are no glaring weak links, just a handful of moments where the writing bleeds together slightly, leading to fleeting moments of faceless brutality. Meanwhile, the vocals are a mixed bag. The multi-pronged attack largely defaults to the predominant gurgling lows, while serviceable, they lack variation and are fairly one-dimensional and monotonous in delivery. When occasionally cut with the shattering highs and other lower growl variations, the vocal impact is more effective. Shifting the balance would have worked wonders. Otherwise, Infatuation with Premeditation ticks all the boxes for a rollicking good time for deathgrind fiends. The brevity leaves you wanting more, and while long-term mileage is debatable, overall, Melting Rot swing hard and largely nail the impact. The subtle dynamic shifts between their higher gears are well executed, while the album is fueled by relentless energy and filthy, bludgeoning riffs, packing a mean, headbanging punch.

Melting Rot delivered a punchy, efficient blast of deathgrind goodness on Infatuation with Premeditation, featuring a short, sharp collection of nuggety brawlers falling in the solid to very good bracket and hinting at potential greatness to come if Melting Rot continue to sharpen and hone their songwriting skills. As it stands, Infatuation with Premeditation is a strong 3.0, an entertaining platter and recommended listen for deathgrind enthusiasts who like their deathgrind extra riffy and their grooves bloody and beaten.



Rating:3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Hells Headbangers Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 27th, 2026

When in skilled hands, death and grind go together like all the finest combinations, whether it’s peanut butter and chocolate, beer and pretzels, or good old mac and cheese. The tasty combo applies to the musical inclinations of Illinois wrecking crew Melting Rot, as they unleash their second LP and follow-up to 2021’s Blood Delusions debut. Admittedly unfamiliar before dredging this one up from the promo sump, the trio feature combined underground experience with various lesser-known acts, forming way back in 2017. Citing the likes of Regurgitate and Excruciating Terror as comparisons, and featuring a guest spot from Exhumed legend Matt Harvey, can these unheralded deathgrind loonies make a sizable impact in the ever-crowded realms of the underground?

Following a short sample, right off the bat, Melting Rot lay their gnarled cards on the table, unleashing a rugged, relentless frenzy of old school grind values and groovy, gnashing brutal death, complete with incomprehensible, uber low vox and occasional deeper variations or grindy highs. It’s a tight, violent, take-no-prisoners approach, done and dusted in a mere eighteen minutes. Melting Rot flip between d-beaten bursts and blasts of crusty grind, to thuggish brutal death depravity with raucous energy and tight musical chops. Revelling in the relative uncomplicated nature of their sound, Melting Rot draw influence from the likes of Exhumed, Carcass, and a more straightforward Benighted.

Sporting a robust, extra beefy production job, Infatuation with Premeditation boasts a killer guitar tone, cutting a nasty swathe of distortion and welcome oomph to the ample supply of meaty riffs and piledriving grooves littering the album. At their most potent, Melting Rot dish out gnarly examples of their bruising deathgrind attack. Barnstorming cuts like the viciously grinding, punkish throes and infectious riffs of “Human Pavement Splatter,” crunching grooves and ripping powerplays of “The Surgeon was Comatose,” and thrashing melodicism cutting through the otherwise blunt force savagery of “Aiming for Construction Workers” highlight Infatuation with Premeditation’s stronger writing. Not to be discounted, “Open Casket Vomit Spew” injects Necroticism-esque flair and crunch, while “Morbid Infatuation” adds buzzsawing Swedeath riffs into its punky grind skirmishes. It’s nasty, unsanitized stuff, refreshingly free from modern polish, ensuring the material retains its dirty, rusty edge.

There are no glaring weak links, just a handful of moments where the writing bleeds together slightly, leading to fleeting moments of faceless brutality. Meanwhile, the vocals are a mixed bag. The multi-pronged attack largely defaults to the predominant gurgling lows, while serviceable, they lack variation and are fairly one-dimensional and monotonous in delivery. When occasionally cut with the shattering highs and other lower growl variations, the vocal impact is more effective. Shifting the balance would have worked wonders. Otherwise, Infatuation with Premeditation ticks all the boxes for a rollicking good time for deathgrind fiends. The brevity leaves you wanting more, and while long-term mileage is debatable, overall, Melting Rot swing hard and largely nail the impact. The subtle dynamic shifts between their higher gears are well executed, while the album is fueled by relentless energy and filthy, bludgeoning riffs, packing a mean, headbanging punch.

Melting Rot delivered a punchy, efficient blast of deathgrind goodness on Infatuation with Premeditation, featuring a short, sharp collection of nuggety brawlers falling in the solid to very good bracket and hinting at potential greatness to come if Melting Rot continue to sharpen and hone their songwriting skills. As it stands, Infatuation with Premeditation is a strong 3.0, an entertaining platter and recommended listen for deathgrind enthusiasts who like their deathgrind extra riffy and their grooves bloody and beaten.



Rating:3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Hells Headbangers Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 27th, 2026

When in skilled hands, death and grind go together like all the finest combinations, whether it’s peanut butter and chocolate, beer and pretzels, or good old mac and cheese. The tasty combo applies to the musical inclinations of Illinois wrecking crew Melting Rot, as they unleash their second LP and follow-up to 2021’s Blood Delusions debut. Admittedly unfamiliar before dredging this one up from the promo sump, the trio feature combined underground experience with various lesser-known acts, forming way back in 2017. Citing the likes of Regurgitate and Excruciating Terror as comparisons, and featuring a guest spot from Exhumed legend Matt Harvey, can these unheralded deathgrind loonies make a sizable impact in the ever-crowded realms of the underground?

Following a short sample, right off the bat, Melting Rot lay their gnarled cards on the table, unleashing a rugged, relentless frenzy of old school grind values and groovy, gnashing brutal death, complete with incomprehensible, uber low vox and occasional deeper variations or grindy highs. It’s a tight, violent, take-no-prisoners approach, done and dusted in a mere eighteen minutes. Melting Rot flip between d-beaten bursts and blasts of crusty grind, to thuggish brutal death depravity with raucous energy and tight musical chops. Revelling in the relative uncomplicated nature of their sound, Melting Rot draw influence from the likes of Exhumed, Carcass, and a more straightforward Benighted.

Sporting a robust, extra beefy production job, Infatuation with Premeditation boasts a killer guitar tone, cutting a nasty swathe of distortion and welcome oomph to the ample supply of meaty riffs and piledriving grooves littering the album. At their most potent, Melting Rot dish out gnarly examples of their bruising deathgrind attack. Barnstorming cuts like the viciously grinding, punkish throes and infectious riffs of “Human Pavement Splatter,” crunching grooves and ripping powerplays of “The Surgeon was Comatose,” and thrashing melodicism cutting through the otherwise blunt force savagery of “Aiming for Construction Workers” highlight Infatuation with Premeditation’s stronger writing. Not to be discounted, “Open Casket Vomit Spew” injects Necroticism-esque flair and crunch, while “Morbid Infatuation” adds buzzsawing Swedeath riffs into its punky grind skirmishes. It’s nasty, unsanitized stuff, refreshingly free from modern polish, ensuring the material retains its dirty, rusty edge.

There are no glaring weak links, just a handful of moments where the writing bleeds together slightly, leading to fleeting moments of faceless brutality. Meanwhile, the vocals are a mixed bag. The multi-pronged attack largely defaults to the predominant gurgling lows, while serviceable, they lack variation and are fairly one-dimensional and monotonous in delivery. When occasionally cut with the shattering highs and other lower growl variations, the vocal impact is more effective. Shifting the balance would have worked wonders. Otherwise, Infatuation with Premeditation ticks all the boxes for a rollicking good time for deathgrind fiends. The brevity leaves you wanting more, and while long-term mileage is debatable, overall, Melting Rot swing hard and largely nail the impact. The subtle dynamic shifts between their higher gears are well executed, while the album is fueled by relentless energy and filthy, bludgeoning riffs, packing a mean, headbanging punch.

Melting Rot delivered a punchy, efficient blast of deathgrind goodness on Infatuation with Premeditation, featuring a short, sharp collection of nuggety brawlers falling in the solid to very good bracket and hinting at potential greatness to come if Melting Rot continue to sharpen and hone their songwriting skills. As it stands, Infatuation with Premeditation is a strong 3.0, an entertaining platter and recommended listen for deathgrind enthusiasts who like their deathgrind extra riffy and their grooves bloody and beaten.



Rating:3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Hells Headbangers Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 27th, 2026

#ThursDeath this week is this absolute BANGER of an EP Whittier, California deathgrind freaks CASKET MUSH just put out, 'Evocation of Paranoia'. This fucker grinds and churns and smashes at your skull in the best ways. HUGE contender for me this year. Gonna be listening to this one a lot.

https://casketmush.bandcamp.com/album/evocation-of-paranoia

#metal #DeathMetal #DeathGrind #California #CaliforniaBands #CaliBands #CasketMush #2026Albums #2026Records #Whittier #CaliforniaMetal #CaliforniaGrind @HailsandAles @wendigo @swampgas @rtw @guffo @c0m4 @AlfeeDee @Kitty @umrk @flockofnazguls @nnenov

#ThursDeath this week is this absolute BANGER of an EP Whittier, California deathgrind freaks CASKET MUSH just put out, 'Evocation of Paranoia'. This fucker grinds and churns and smashes at your skull in the best ways. HUGE contender for me this year. Gonna be listening to this one a lot.

https://casketmush.bandcamp.com/album/evocation-of-paranoia

#metal #DeathMetal #DeathGrind #California #CaliforniaBands #CaliBands #CasketMush #2026Albums #2026Records #Whittier #CaliforniaMetal #CaliforniaGrind @HailsandAles @wendigo @swampgas @rtw @guffo @c0m4 @AlfeeDee @Kitty @umrk @flockofnazguls @nnenov

#ThursDeath this week is this absolute BANGER of an EP Whittier, California deathgrind freaks CASKET MUSH just put out, 'Evocation of Paranoia'. This fucker grinds and churns and smashes at your skull in the best ways. HUGE contender for me this year. Gonna be listening to this one a lot.

https://casketmush.bandcamp.com/album/evocation-of-paranoia

#metal #DeathMetal #DeathGrind #California #CaliforniaBands #CaliBands #CasketMush #2026Albums #2026Records #Whittier #CaliforniaMetal #CaliforniaGrind @HailsandAles @wendigo @swampgas @rtw @guffo @c0m4 @AlfeeDee @Kitty @umrk @flockofnazguls @nnenov

#ThursDeath this week is this absolute BANGER of an EP Whittier, California deathgrind freaks CASKET MUSH just put out, 'Evocation of Paranoia'. This fucker grinds and churns and smashes at your skull in the best ways. HUGE contender for me this year. Gonna be listening to this one a lot.

https://casketmush.bandcamp.com/album/evocation-of-paranoia

#metal #DeathMetal #DeathGrind #California #CaliforniaBands #CaliBands #CasketMush #2026Albums #2026Records #Whittier #CaliforniaMetal #CaliforniaGrind @HailsandAles @wendigo @swampgas @rtw @guffo @c0m4 @AlfeeDee @Kitty @umrk @flockofnazguls @nnenov

#ThursDeath this week is this absolute BANGER of an EP Whittier, California deathgrind freaks CASKET MUSH just put out, 'Evocation of Paranoia'. This fucker grinds and churns and smashes at your skull in the best ways. HUGE contender for me this year. Gonna be listening to this one a lot.

https://casketmush.bandcamp.com/album/evocation-of-paranoia

#metal #DeathMetal #DeathGrind #California #CaliforniaBands #CaliBands #CasketMush #2026Albums #2026Records #Whittier #CaliforniaMetal #CaliforniaGrind @HailsandAles @wendigo @swampgas @rtw @guffo @c0m4 @AlfeeDee @Kitty @umrk @flockofnazguls @nnenov

#ThursDeath this week is a twofer. I briefly mentioned Finland's CADAVERIC INCUBATOR last November when they had a split with Hemorrhoid, but I've recently revisited their two full length records (so far), and they are fucking RIDICULOUS.

If you like insane, intense, riffy and downright INCREDIBLE (dynamic!) deathgrind, don't miss these two LPs. Few bands do deathgrind better than this. More folks should talk about these dudes.

'Sermons of the Devouring Dead' from 2017:
https://cadaveric-incubator.bandcamp.com/album/sermons-of-the-devouring-dead

and 'Nightmare Necropolis' from 2021:
https://cadaveric-incubator.bandcamp.com/album/nightmare-necropolis

#metal #DeathMetal #Finland #CadavericIncubator #grind #grindcore #DeathGrind #FinnishMetal #FinnishBands @wendigo @HailsandAles @rtw @guffo @nnenov @Kitty @swampgas @umrk @c0m4 @AlfeeDee @flockofnazguls @pephorror

#ThursDeath this week is a twofer. I briefly mentioned Finland's CADAVERIC INCUBATOR last November when they had a split with Hemorrhoid, but I've recently revisited their two full length records (so far), and they are fucking RIDICULOUS.

If you like insane, intense, riffy and downright INCREDIBLE (dynamic!) deathgrind, don't miss these two LPs. Few bands do deathgrind better than this. More folks should talk about these dudes.

'Sermons of the Devouring Dead' from 2017:
https://cadaveric-incubator.bandcamp.com/album/sermons-of-the-devouring-dead

and 'Nightmare Necropolis' from 2021:
https://cadaveric-incubator.bandcamp.com/album/nightmare-necropolis

#metal #DeathMetal #Finland #CadavericIncubator #grind #grindcore #DeathGrind #FinnishMetal #FinnishBands @wendigo @HailsandAles @rtw @guffo @nnenov @Kitty @swampgas @umrk @c0m4 @AlfeeDee @flockofnazguls @pephorror

#ThursDeath this week is a twofer. I briefly mentioned Finland's CADAVERIC INCUBATOR last November when they had a split with Hemorrhoid, but I've recently revisited their two full length records (so far), and they are fucking RIDICULOUS.

If you like insane, intense, riffy and downright INCREDIBLE (dynamic!) deathgrind, don't miss these two LPs. Few bands do deathgrind better than this. More folks should talk about these dudes.

'Sermons of the Devouring Dead' from 2017:
https://cadaveric-incubator.bandcamp.com/album/sermons-of-the-devouring-dead

and 'Nightmare Necropolis' from 2021:
https://cadaveric-incubator.bandcamp.com/album/nightmare-necropolis

#metal #DeathMetal #Finland #CadavericIncubator #grind #grindcore #DeathGrind #FinnishMetal #FinnishBands @wendigo @HailsandAles @rtw @guffo @nnenov @Kitty @swampgas @umrk @c0m4 @AlfeeDee @flockofnazguls @pephorror

#ThursDeath this week is a twofer. I briefly mentioned Finland's CADAVERIC INCUBATOR last November when they had a split with Hemorrhoid, but I've recently revisited their two full length records (so far), and they are fucking RIDICULOUS.

If you like insane, intense, riffy and downright INCREDIBLE (dynamic!) deathgrind, don't miss these two LPs. Few bands do deathgrind better than this. More folks should talk about these dudes.

'Sermons of the Devouring Dead' from 2017:
https://cadaveric-incubator.bandcamp.com/album/sermons-of-the-devouring-dead

and 'Nightmare Necropolis' from 2021:
https://cadaveric-incubator.bandcamp.com/album/nightmare-necropolis

#metal #DeathMetal #Finland #CadavericIncubator #grind #grindcore #DeathGrind #FinnishMetal #FinnishBands @wendigo @HailsandAles @rtw @guffo @nnenov @Kitty @swampgas @umrk @c0m4 @AlfeeDee @flockofnazguls @pephorror

#ThursDeath this week is a twofer. I briefly mentioned Finland's CADAVERIC INCUBATOR last November when they had a split with Hemorrhoid, but I've recently revisited their two full length records (so far), and they are fucking RIDICULOUS.

If you like insane, intense, riffy and downright INCREDIBLE (dynamic!) deathgrind, don't miss these two LPs. Few bands do deathgrind better than this. More folks should talk about these dudes.

'Sermons of the Devouring Dead' from 2017:
https://cadaveric-incubator.bandcamp.com/album/sermons-of-the-devouring-dead

and 'Nightmare Necropolis' from 2021:
https://cadaveric-incubator.bandcamp.com/album/nightmare-necropolis

#metal #DeathMetal #Finland #CadavericIncubator #grind #grindcore #DeathGrind #FinnishMetal #FinnishBands @wendigo @HailsandAles @rtw @guffo @nnenov @Kitty @swampgas @umrk @c0m4 @AlfeeDee @flockofnazguls @pephorror

https://www.europesays.com/uk/817243/ No/Más – No Peace Review #2026 #35 #AmericanMetal #DeathMetal #Deathgrind #Entertainment #Exhumed #FullOfHell #Grindcore #JungleRot #Mar26 #music #Nails #NapalmDeath #NoPeace #No/Mas #NoMas #OxygenDestroyer #ProPain #RedefiningDarknessRecords #Review #Reviews #Sepultura #UK #UnitedKingdom

DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational. Does No/Más’ boisterous, acerbic approach leave listeners with a tolerance for their hijinks, or will they leave No Peace thinking, ‘no thanks?’

While No Peace manifests many upgrades from their (admittedly good) debut, the biggest win might be that No/Más firmly institutes their identity. The change isn’t drastic, and No Peace is a natural progression from Consume/Deny/Repent, but the sophisticated onslaught supplied on this sophomore sweep oozes with sneering confidence. Following in the footsteps of Nails, No/Más balances grindcore, death metal, and hardcore/crust tendencies with playful intelligence, weaving together Full of Hell’s caustic bite, Napalm Death’s thuggish simplicity, and Jungle Rot’s warped melodicism into a densely packed third of an hour. And if those touchstones aren’t enough, No/Más unleashes Sepultura-informed grooves and a slow leak of Pro-Pain into their secret sauce. Not to fret, though, because despite all the influences, No Peace presents as a unified vision, and one that will rouse languid listeners into a frothing fancy.

No Peace by NO/MÁS

No/Más’ instrumentation on No Peace sets a high bar with energetic performances, snapping necks with whiplash-inducing riffs and a license to thrill. Joe Vasta’s bass bounces and chugs with in-your-face rumbles throughout No Peace (“Abolition,” “Cycle of Sacrifice”), wielding a thick, surly tone that’ll rabbit punch you into head-banging if you’re standing still. Drummer Henry Everitt wallops the skins hard enough to rattle your ear bones, battering with furious fills (“Abolition”) and dropping to half-time backbeats (“No Peace”) as songs demand. It’s not all about the beatdowns, though, as No/Más injects a welcome helping of melody into No Peace. John Letzkus’ guitar slices through the faff to drench the album in a satisfyingly saturated buzz (“Act of Killing,” “Spineless”), though he also takes the reins and dazzles with efficient, arpeggiated leads (“Leech”) that I wish appeared more. Vocalist Roger Rivadeneira rounds out the quartet, shouting, growling, and screeching in a varied attack that demonstrates a willingness to experiment that was largely absent from Consume/Deny/Repent. In total, No/Más fires on all cylinders throughout No Peace, and never gives you a moment to come up for air.

With only twenty-two minutes on tap, No/Más leaves no room for inessential slop. And besides the half-minute intro flush with wall-of-sound static and indistinct yelling, they wildly succeed. As you’d expect from any decent grindy endeavor, no song pushes past its distilled essence, staying just long enough to rip and bludgeon before getting the fuck out of the way for the next track to exact its toll. No song eclipses the three-minute mark, and each exudes a rabid savagery that seethes with conviction. Additionally, No Peace sounds great—sure, the dynamic range scores low, but it’s exactly how this brand of overstimulating ass-kicking should sound. It’s well-mixed, abrasive, and highlights the rhythm section without sacrificing the sparse six-string fortitude. I wish there were a few more songs like “Leech,” partly because No/Más excels with the tunefulness, but also because I think it would address the biggest opportunity with No Peace—the compact composition allows little room for songs to establish unique flavors, leaving them to sometimes blur together. In the end, though, this is only a minor quibble, and there are many great moments to appreciate.

No/Más hasn’t redefined the DNA of deathgrind with No Peace, but they have contributed a worthy addition to its annals. Corrosive, pummeling bangers streamlined with minimal frills sum up to a blistering platter I’ve quite enjoyed. While I haven’t had the pleasure of seeing No/Más live, this crew boasts the hallmarks of a band that whips a crowd into a frenzy and ends with a broken bone or missing tooth. With twelve tracks running so lean, No Peace is helplessly easy to spin again and again. If they keep pumping out tunes this good, I can’t wait for what comes next. No más? No. Más.

Rating: Very Good!
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 13th, 2026

DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational. Does No/Más’ boisterous, acerbic approach leave listeners with a tolerance for their hijinks, or will they leave No Peace thinking, ‘no thanks?’

While No Peace manifests many upgrades from their (admittedly good) debut, the biggest win might be that No/Más firmly institutes their identity. The change isn’t drastic, and No Peace is a natural progression from Consume/Deny/Repent, but the sophisticated onslaught supplied on this sophomore sweep oozes with sneering confidence. Following in the footsteps of Nails, No/Más balances grindcore, death metal, and hardcore/crust tendencies with playful intelligence, weaving together Full of Hell’s caustic bite, Napalm Death’s thuggish simplicity, and Jungle Rot’s warped melodicism into a densely packed third of an hour. And if those touchstones aren’t enough, No/Más unleashes Sepultura-informed grooves and a slow leak of Pro-Pain into their secret sauce. Not to fret, though, because despite all the influences, No Peace presents as a unified vision, and one that will rouse languid listeners into a frothing fancy.

No Peace by NO/MÁS

No/Más’ instrumentation on No Peace sets a high bar with energetic performances, snapping necks with whiplash-inducing riffs and a license to thrill. Joe Vasta’s bass bounces and chugs with in-your-face rumbles throughout No Peace (“Abolition,” “Cycle of Sacrifice”), wielding a thick, surly tone that’ll rabbit punch you into head-banging if you’re standing still. Drummer Henry Everitt wallops the skins hard enough to rattle your ear bones, battering with furious fills (“Abolition”) and dropping to half-time backbeats (“No Peace”) as songs demand. It’s not all about the beatdowns, though, as No/Más injects a welcome helping of melody into No Peace. John Letzkus’ guitar slices through the faff to drench the album in a satisfyingly saturated buzz (“Act of Killing,” “Spineless”), though he also takes the reins and dazzles with efficient, arpeggiated leads (“Leech”) that I wish appeared more. Vocalist Roger Rivadeneira rounds out the quartet, shouting, growling, and screeching in a varied attack that demonstrates a willingness to experiment that was largely absent from Consume/Deny/Repent. In total, No/Más fires on all cylinders throughout No Peace, and never gives you a moment to come up for air.

With only twenty-two minutes on tap, No/Más leaves no room for inessential slop. And besides the half-minute intro flush with wall-of-sound static and indistinct yelling, they wildly succeed. As you’d expect from any decent grindy endeavor, no song pushes past its distilled essence, staying just long enough to rip and bludgeon before getting the fuck out of the way for the next track to exact its toll. No song eclipses the three-minute mark, and each exudes a rabid savagery that seethes with conviction. Additionally, No Peace sounds great—sure, the dynamic range scores low, but it’s exactly how this brand of overstimulating ass-kicking should sound. It’s well-mixed, abrasive, and highlights the rhythm section without sacrificing the sparse six-string fortitude. I wish there were a few more songs like “Leech,” partly because No/Más excels with the tunefulness, but also because I think it would address the biggest opportunity with No Peace—the compact composition allows little room for songs to establish unique flavors, leaving them to sometimes blur together. In the end, though, this is only a minor quibble, and there are many great moments to appreciate.

No/Más hasn’t redefined the DNA of deathgrind with No Peace, but they have contributed a worthy addition to its annals. Corrosive, pummeling bangers streamlined with minimal frills sum up to a blistering platter I’ve quite enjoyed. While I haven’t had the pleasure of seeing No/Más live, this crew boasts the hallmarks of a band that whips a crowd into a frenzy and ends with a broken bone or missing tooth. With twelve tracks running so lean, No Peace is helplessly easy to spin again and again. If they keep pumping out tunes this good, I can’t wait for what comes next. No más? No. Más.

Rating: Very Good!
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 13th, 2026

DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational. Does No/Más’ boisterous, acerbic approach leave listeners with a tolerance for their hijinks, or will they leave No Peace thinking, ‘no thanks?’

While No Peace manifests many upgrades from their (admittedly good) debut, the biggest win might be that No/Más firmly institutes their identity. The change isn’t drastic, and No Peace is a natural progression from Consume/Deny/Repent, but the sophisticated onslaught supplied on this sophomore sweep oozes with sneering confidence. Following in the footsteps of Nails, No/Más balances grindcore, death metal, and hardcore/crust tendencies with playful intelligence, weaving together Full of Hell’s caustic bite, Napalm Death’s thuggish simplicity, and Jungle Rot’s warped melodicism into a densely packed third of an hour. And if those touchstones aren’t enough, No/Más unleashes Sepultura-informed grooves and a slow leak of Pro-Pain into their secret sauce. Not to fret, though, because despite all the influences, No Peace presents as a unified vision, and one that will rouse languid listeners into a frothing fancy.

No Peace by NO/MÁS

No/Más’ instrumentation on No Peace sets a high bar with energetic performances, snapping necks with whiplash-inducing riffs and a license to thrill. Joe Vasta’s bass bounces and chugs with in-your-face rumbles throughout No Peace (“Abolition,” “Cycle of Sacrifice”), wielding a thick, surly tone that’ll rabbit punch you into head-banging if you’re standing still. Drummer Henry Everitt wallops the skins hard enough to rattle your ear bones, battering with furious fills (“Abolition”) and dropping to half-time backbeats (“No Peace”) as songs demand. It’s not all about the beatdowns, though, as No/Más injects a welcome helping of melody into No Peace. John Letzkus’ guitar slices through the faff to drench the album in a satisfyingly saturated buzz (“Act of Killing,” “Spineless”), though he also takes the reins and dazzles with efficient, arpeggiated leads (“Leech”) that I wish appeared more. Vocalist Roger Rivadeneira rounds out the quartet, shouting, growling, and screeching in a varied attack that demonstrates a willingness to experiment that was largely absent from Consume/Deny/Repent. In total, No/Más fires on all cylinders throughout No Peace, and never gives you a moment to come up for air.

With only twenty-two minutes on tap, No/Más leaves no room for inessential slop. And besides the half-minute intro flush with wall-of-sound static and indistinct yelling, they wildly succeed. As you’d expect from any decent grindy endeavor, no song pushes past its distilled essence, staying just long enough to rip and bludgeon before getting the fuck out of the way for the next track to exact its toll. No song eclipses the three-minute mark, and each exudes a rabid savagery that seethes with conviction. Additionally, No Peace sounds great—sure, the dynamic range scores low, but it’s exactly how this brand of overstimulating ass-kicking should sound. It’s well-mixed, abrasive, and highlights the rhythm section without sacrificing the sparse six-string fortitude. I wish there were a few more songs like “Leech,” partly because No/Más excels with the tunefulness, but also because I think it would address the biggest opportunity with No Peace—the compact composition allows little room for songs to establish unique flavors, leaving them to sometimes blur together. In the end, though, this is only a minor quibble, and there are many great moments to appreciate.

No/Más hasn’t redefined the DNA of deathgrind with No Peace, but they have contributed a worthy addition to its annals. Corrosive, pummeling bangers streamlined with minimal frills sum up to a blistering platter I’ve quite enjoyed. While I haven’t had the pleasure of seeing No/Más live, this crew boasts the hallmarks of a band that whips a crowd into a frenzy and ends with a broken bone or missing tooth. With twelve tracks running so lean, No Peace is helplessly easy to spin again and again. If they keep pumping out tunes this good, I can’t wait for what comes next. No más? No. Más.

Rating: Very Good!
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 13th, 2026

DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational. Does No/Más’ boisterous, acerbic approach leave listeners with a tolerance for their hijinks, or will they leave No Peace thinking, ‘no thanks?’

While No Peace manifests many upgrades from their (admittedly good) debut, the biggest win might be that No/Más firmly institutes their identity. The change isn’t drastic, and No Peace is a natural progression from Consume/Deny/Repent, but the sophisticated onslaught supplied on this sophomore sweep oozes with sneering confidence. Following in the footsteps of Nails, No/Más balances grindcore, death metal, and hardcore/crust tendencies with playful intelligence, weaving together Full of Hell’s caustic bite, Napalm Death’s thuggish simplicity, and Jungle Rot’s warped melodicism into a densely packed third of an hour. And if those touchstones aren’t enough, No/Más unleashes Sepultura-informed grooves and a slow leak of Pro-Pain into their secret sauce. Not to fret, though, because despite all the influences, No Peace presents as a unified vision, and one that will rouse languid listeners into a frothing fancy.

No Peace by NO/MÁS

No/Más’ instrumentation on No Peace sets a high bar with energetic performances, snapping necks with whiplash-inducing riffs and a license to thrill. Joe Vasta’s bass bounces and chugs with in-your-face rumbles throughout No Peace (“Abolition,” “Cycle of Sacrifice”), wielding a thick, surly tone that’ll rabbit punch you into head-banging if you’re standing still. Drummer Henry Everitt wallops the skins hard enough to rattle your ear bones, battering with furious fills (“Abolition”) and dropping to half-time backbeats (“No Peace”) as songs demand. It’s not all about the beatdowns, though, as No/Más injects a welcome helping of melody into No Peace. John Letzkus’ guitar slices through the faff to drench the album in a satisfyingly saturated buzz (“Act of Killing,” “Spineless”), though he also takes the reins and dazzles with efficient, arpeggiated leads (“Leech”) that I wish appeared more. Vocalist Roger Rivadeneira rounds out the quartet, shouting, growling, and screeching in a varied attack that demonstrates a willingness to experiment that was largely absent from Consume/Deny/Repent. In total, No/Más fires on all cylinders throughout No Peace, and never gives you a moment to come up for air.

With only twenty-two minutes on tap, No/Más leaves no room for inessential slop. And besides the half-minute intro flush with wall-of-sound static and indistinct yelling, they wildly succeed. As you’d expect from any decent grindy endeavor, no song pushes past its distilled essence, staying just long enough to rip and bludgeon before getting the fuck out of the way for the next track to exact its toll. No song eclipses the three-minute mark, and each exudes a rabid savagery that seethes with conviction. Additionally, No Peace sounds great—sure, the dynamic range scores low, but it’s exactly how this brand of overstimulating ass-kicking should sound. It’s well-mixed, abrasive, and highlights the rhythm section without sacrificing the sparse six-string fortitude. I wish there were a few more songs like “Leech,” partly because No/Más excels with the tunefulness, but also because I think it would address the biggest opportunity with No Peace—the compact composition allows little room for songs to establish unique flavors, leaving them to sometimes blur together. In the end, though, this is only a minor quibble, and there are many great moments to appreciate.

No/Más hasn’t redefined the DNA of deathgrind with No Peace, but they have contributed a worthy addition to its annals. Corrosive, pummeling bangers streamlined with minimal frills sum up to a blistering platter I’ve quite enjoyed. While I haven’t had the pleasure of seeing No/Más live, this crew boasts the hallmarks of a band that whips a crowd into a frenzy and ends with a broken bone or missing tooth. With twelve tracks running so lean, No Peace is helplessly easy to spin again and again. If they keep pumping out tunes this good, I can’t wait for what comes next. No más? No. Más.

Rating: Very Good!
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 13th, 2026

DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational. Does No/Más’ boisterous, acerbic approach leave listeners with a tolerance for their hijinks, or will they leave No Peace thinking, ‘no thanks?’

While No Peace manifests many upgrades from their (admittedly good) debut, the biggest win might be that No/Más firmly institutes their identity. The change isn’t drastic, and No Peace is a natural progression from Consume/Deny/Repent, but the sophisticated onslaught supplied on this sophomore sweep oozes with sneering confidence. Following in the footsteps of Nails, No/Más balances grindcore, death metal, and hardcore/crust tendencies with playful intelligence, weaving together Full of Hell’s caustic bite, Napalm Death’s thuggish simplicity, and Jungle Rot’s warped melodicism into a densely packed third of an hour. And if those touchstones aren’t enough, No/Más unleashes Sepultura-informed grooves and a slow leak of Pro-Pain into their secret sauce. Not to fret, though, because despite all the influences, No Peace presents as a unified vision, and one that will rouse languid listeners into a frothing fancy.

No Peace by NO/MÁS

No/Más’ instrumentation on No Peace sets a high bar with energetic performances, snapping necks with whiplash-inducing riffs and a license to thrill. Joe Vasta’s bass bounces and chugs with in-your-face rumbles throughout No Peace (“Abolition,” “Cycle of Sacrifice”), wielding a thick, surly tone that’ll rabbit punch you into head-banging if you’re standing still. Drummer Henry Everitt wallops the skins hard enough to rattle your ear bones, battering with furious fills (“Abolition”) and dropping to half-time backbeats (“No Peace”) as songs demand. It’s not all about the beatdowns, though, as No/Más injects a welcome helping of melody into No Peace. John Letzkus’ guitar slices through the faff to drench the album in a satisfyingly saturated buzz (“Act of Killing,” “Spineless”), though he also takes the reins and dazzles with efficient, arpeggiated leads (“Leech”) that I wish appeared more. Vocalist Roger Rivadeneira rounds out the quartet, shouting, growling, and screeching in a varied attack that demonstrates a willingness to experiment that was largely absent from Consume/Deny/Repent. In total, No/Más fires on all cylinders throughout No Peace, and never gives you a moment to come up for air.

With only twenty-two minutes on tap, No/Más leaves no room for inessential slop. And besides the half-minute intro flush with wall-of-sound static and indistinct yelling, they wildly succeed. As you’d expect from any decent grindy endeavor, no song pushes past its distilled essence, staying just long enough to rip and bludgeon before getting the fuck out of the way for the next track to exact its toll. No song eclipses the three-minute mark, and each exudes a rabid savagery that seethes with conviction. Additionally, No Peace sounds great—sure, the dynamic range scores low, but it’s exactly how this brand of overstimulating ass-kicking should sound. It’s well-mixed, abrasive, and highlights the rhythm section without sacrificing the sparse six-string fortitude. I wish there were a few more songs like “Leech,” partly because No/Más excels with the tunefulness, but also because I think it would address the biggest opportunity with No Peace—the compact composition allows little room for songs to establish unique flavors, leaving them to sometimes blur together. In the end, though, this is only a minor quibble, and there are many great moments to appreciate.

No/Más hasn’t redefined the DNA of deathgrind with No Peace, but they have contributed a worthy addition to its annals. Corrosive, pummeling bangers streamlined with minimal frills sum up to a blistering platter I’ve quite enjoyed. While I haven’t had the pleasure of seeing No/Más live, this crew boasts the hallmarks of a band that whips a crowd into a frenzy and ends with a broken bone or missing tooth. With twelve tracks running so lean, No Peace is helplessly easy to spin again and again. If they keep pumping out tunes this good, I can’t wait for what comes next. No más? No. Más.

Rating: Very Good!
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 13th, 2026

Atmospheric #DeathGrind from Helsinki, FI.
This is a debut album, although the band members aren't new to the game, they got some two dozen ex & current bands between them.

And they've changed the band logo, from the "unreadable black metal style" that adorned the previous singles, to a decently readable "DGS" in some gothic lettering. So, fingers crossed a lot of David Shankle fans will buy this when it comes out 😆

https://greatdanerecords.bandcamp.com/album/delusional-grasp-of-sanity

Exhumed – Red Asphalt Review

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https://www.newsbeep.com/us/499989/

Exhumed – Red Asphalt Review

Unfortunately, the mighty Relapse stable now floats down the shitty stream for promos. As such, we are slow…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #3.5 #AmericanMetal #Carcass #CastleFreak #DeathMetal #Deathgrind #DeedsofFlesh #DyingFetus #EndReign #Entertainment #Exhumed #GoreMetal #MammothGrinder #RedAsphalt #RelapseRecords #review #reviews
https://www.newsbeep.com/us/499989/

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