#propain — Public Fediverse posts

https://www.cyclingeu.com/857915/tante-e-bike-al-cyclingworld-europe-2026/ TANTE E-BIKE AL CYCLINGWORLD EUROPE 2026 ##FidLock ##germany #ananda #aventon #Bicycling #BicyclingGermany #Biking #BikingGermany #bosch #cilo #Cycling #CyclingGermany #CyclingNeussGermany #Deutschland #EBike #EMTB #EMTBLIFE #focus #Gobao #hepha #Ktmbike #Magura #maxxis #Megamo #merida #nicolai #pinion #propain #riesemuller #Rockbros #schwalbe #Scott #specialized #velduro

DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational. Does No/Más’ boisterous, acerbic approach leave listeners with a tolerance for their hijinks, or will they leave No Peace thinking, ‘no thanks?’

While No Peace manifests many upgrades from their (admittedly good) debut, the biggest win might be that No/Más firmly institutes their identity. The change isn’t drastic, and No Peace is a natural progression from Consume/Deny/Repent, but the sophisticated onslaught supplied on this sophomore sweep oozes with sneering confidence. Following in the footsteps of Nails, No/Más balances grindcore, death metal, and hardcore/crust tendencies with playful intelligence, weaving together Full of Hell’s caustic bite, Napalm Death’s thuggish simplicity, and Jungle Rot’s warped melodicism into a densely packed third of an hour. And if those touchstones aren’t enough, No/Más unleashes Sepultura-informed grooves and a slow leak of Pro-Pain into their secret sauce. Not to fret, though, because despite all the influences, No Peace presents as a unified vision, and one that will rouse languid listeners into a frothing fancy.

No Peace by NO/MÁS

No/Más’ instrumentation on No Peace sets a high bar with energetic performances, snapping necks with whiplash-inducing riffs and a license to thrill. Joe Vasta’s bass bounces and chugs with in-your-face rumbles throughout No Peace (“Abolition,” “Cycle of Sacrifice”), wielding a thick, surly tone that’ll rabbit punch you into head-banging if you’re standing still. Drummer Henry Everitt wallops the skins hard enough to rattle your ear bones, battering with furious fills (“Abolition”) and dropping to half-time backbeats (“No Peace”) as songs demand. It’s not all about the beatdowns, though, as No/Más injects a welcome helping of melody into No Peace. John Letzkus’ guitar slices through the faff to drench the album in a satisfyingly saturated buzz (“Act of Killing,” “Spineless”), though he also takes the reins and dazzles with efficient, arpeggiated leads (“Leech”) that I wish appeared more. Vocalist Roger Rivadeneira rounds out the quartet, shouting, growling, and screeching in a varied attack that demonstrates a willingness to experiment that was largely absent from Consume/Deny/Repent. In total, No/Más fires on all cylinders throughout No Peace, and never gives you a moment to come up for air.

With only twenty-two minutes on tap, No/Más leaves no room for inessential slop. And besides the half-minute intro flush with wall-of-sound static and indistinct yelling, they wildly succeed. As you’d expect from any decent grindy endeavor, no song pushes past its distilled essence, staying just long enough to rip and bludgeon before getting the fuck out of the way for the next track to exact its toll. No song eclipses the three-minute mark, and each exudes a rabid savagery that seethes with conviction. Additionally, No Peace sounds great—sure, the dynamic range scores low, but it’s exactly how this brand of overstimulating ass-kicking should sound. It’s well-mixed, abrasive, and highlights the rhythm section without sacrificing the sparse six-string fortitude. I wish there were a few more songs like “Leech,” partly because No/Más excels with the tunefulness, but also because I think it would address the biggest opportunity with No Peace—the compact composition allows little room for songs to establish unique flavors, leaving them to sometimes blur together. In the end, though, this is only a minor quibble, and there are many great moments to appreciate.

No/Más hasn’t redefined the DNA of deathgrind with No Peace, but they have contributed a worthy addition to its annals. Corrosive, pummeling bangers streamlined with minimal frills sum up to a blistering platter I’ve quite enjoyed. While I haven’t had the pleasure of seeing No/Más live, this crew boasts the hallmarks of a band that whips a crowd into a frenzy and ends with a broken bone or missing tooth. With twelve tracks running so lean, No Peace is helplessly easy to spin again and again. If they keep pumping out tunes this good, I can’t wait for what comes next. No más? No. Más.

Rating: Very Good!
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 13th, 2026

Biohazard – Divided We Fall Review

By Steel Druhm

Biohazard are one of those bands that held my interest and affection, but only for a small window of my life (1992 through 1996). While their mean street NYC tough guy hardcore-meets-metal sound resonated with me as a dumb, loud 21-year-old, by the time I was approaching 26, it all started to feel too “try hard” and adolescent, like something I should move beyond. After that, I would still enjoy the hits from Urban Discipline and State of the World Address on gym playlists, but I rarely went back to the actual albums or sought out their new stuff. When it was announced that Biohazard had reformed the original lineup for a new album, some 13 years since the last release, I had more than a few reservations. The NYC badass schtick is a perishable one with a definite shelf life, and the idea of a bunch of dudes in their 50s shouting about curb stomping me just wasn’t a selling point. Still, the Cro-Mags pulled it off, so maybe these guys could too. I sampled the early singles, and to my surprise, they were quite entertaining. And here I am reviewing Divided We Fall against my better judgment. Can these Brooklyn goons deliver the burly goods all these years later?

The short answer is…yes. Divided We Fall is a shockingly spry, punchy outing with catchy writing and enough testosterone to power 4 Cam Skattebos. It’s basically the album that could have followed Urban Discipline, with a collection of short, angry anthems about staying hard no matter what life throws at you. Opener “Fuck the System” sounds exactly like you’d expect. It’s enough like classic NYHC to conjure memories of Madball, Agnostic Front and crossover acts like Pro-Pain. They keep that rowdy, pissed-off tone going on bruisers like “Forsaken,” and the uber rugged “Eyes on Six,” which is one of their most catchy and entertaining tracks ever. This one stinks of BO and malt liquor, and it will hit you a pipe and dump you in the Gowanus Canal.

Slower cuts like “Death of Me” blend well with the bouncy, classic hardcore urgency of “Words to the Wise” and “The Fight to Be Free,” and at no point does the machismo drop below mega-toxic levels. There are a few missteps though. “S.I.T.F.O.A” is too rap-centric and ends up sounding like a cross between Anthrax’s “I Am the Man” and one of the godawful raps by SNL in-house comedy act The Lonely Island. Closer “Warriors” mostly works and has cool parts, but Evan Seinfeld singing “the warriors” oh so seriously doesn’t really help. Still, 9 out of 11 tracks landing and delivering more or less vintage Bio-sounds is quite a shocker. And the band smartly keeps every song in the 3-minute window so everything motors by in a sweaty fury. The sound is what you’d expect from this kind of band, and production is credited to Jonathan DeMaio. I’ll assume that’s actually Joey DeMaio from Manowar because that’s way too fucking funny.

Both Billy and Evan sound fine vocally. I’ve always preferred Billy’s rough bellowing, and he still sounds like he could beat your ass. On tracks like “Eyes on Six,” he sounds angry, mean, and murderous, and that’s essential for this kind of music to get over. Evan sounds like Evan, not better or worse, and he only irritates me when he tries that rappy-metal bullshit or tries to sing too much. The guitar work from Billy and Bobby Hambel is sharp and recalls the glory days quite clearly. You get a collection of very NYHC-inspired riffs designed to get you pumped up and into the pit leaping over pizza-rats and comatose hobos. The minimal embellishments work well in the songs, and I even hear traces of Prong at times, so that’s a win. This ain’t prog, folks. It’s simple, fugly noise for the mouth breathers and lunkheads, and that works just fine for me since I’m both.

Divided We Fall has no business being as good as it is, and it’s on close to the stuff Biohazard were churning out during their peak. That means you get rough, confrontational meathead metal for those with fatty beef in their brain, and there’s a demographic for that. I can’t say I will be blasting this one way into the future, but I already moved select cuts to the gym playlist for maximum gainz. Maybe I still needed a few good curb stomps. Maybe you do too. If so, Biohazard want to say hello from the gutter.

Rating: 3.0/5.0
DR: NA | Format Reviewed: Fucking STREAM!
Label: BLKIIBLK
Websites: facebook.com/Biohazarddfl | instagram.com/biohazarddfl
Releases Worldwide: October 17th, 2025

#2025 #30 #AgnosticFront #AmericanHardcore #AmericanMetal #Biohazard #BLKIIBLK #CroMags #Crossover #DividedWeFall #Madball #Oct25 #ProPain #Prong #Review #Reviews

Sunday: #TheMisinterpretationofSilenceandItsDisastrousConsequences !!! #TypeONegative ‘s #SlowDeepAndHard released 1991! We in some run down club in nowhere, #PungentStench and #ProPain on stage before iIRC. I like all their records but this album is the real stuff! #metal #music #carnivore

The Misinterpretation of Silen...

New Artist announced for Graspop Metal Meeting 2025: 🔥 Pro-Pain 🔥

🎶 Listen to the current LineUp on YouTube and Spotify: https://fyrefestivals.co
🎟️ Get your Tickets now: https://prf.hn/l/EJnYMdO

#Graspop_Metal_Meeting_2025 #ProPain #fyre_festivals #livemusic #youtube #spotify #music #musicfestivals #playlist #tickets #announcement

#NewBikeDay!
Es ist ein #Propain #Tyee Enduro #Mtb geworden.

Ein paar Sache müssen repariert werden, aber die Basis scheint soweit gut zu sein.
Wunschmodell und dann sogar Carbon statt Alu, wie ursprünglich geplant.

Es sieht alles aus, als hätte es nur auf mich gewartet. Es war 1 Monat inseriert und 1 Person hatte es vor mir anschauen wollen.

:megaphone: DEMNÄCHST!
*Zusammenfassung 02.08. bis 02.09. für München

The O'Reillys And The Paddyhats
02.08.2024 Augsburg / Gaswerk

The Picturebooks
02.08.2024 München / Backstage

Wolfmother
02.08.2024 München / Backstage

Blutgott
03.08.2024 München / Backstage

Chaosbay
03.08.2024 München

Classic Rock Night
03.08.2024 Traunreut

Debauchery
03.08.2024 München / Backstage

Lionheart, Pro-Pain, Havok, Evergreen Terrace, Arrow Minds
04.08.2024 München

Pro-Pain, Havok, Evergreen Terrace, Spiritworld, Arrow Minds
04.08.2024 München / Backstage

The Obsessed
04.08.2024 München

Cancer Bats
06.08.2024 München / Backstage

Hatebreed
06.08.2024 München / Backstage

#APlaceToBuryStrangers #Augsburg #Backstage #Blutgott #CancerBats #Chaosbay #ClassicRockNight #Debauchery #Gaswerk #Hatebreed #Lionheart #Milla #Munchen #ProPain #TheOReillysAndThePaddyhats #TheObsessed #ThePicturebooks #Traunreut #Wolfmother #SteelFeed #SteelFeedSoon

#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 April 2nd, 2024 🤘 TONY FRANKLIN, TROUBLE, LYNYRD SKYNYRD, BAD COMPANY, KISS, WHITE LION
TALENT WE LOST R.I.P. Bernard "Buddy" Rich: 1917 1987 (aged 69) R.I.P. Leon Russell Wilkeson (LYNYRD SKYNYRD): 1952 2001 (aged 49) HEAVY BIRTHDAYS 63rd Bruce Franklin (TROUBLE) - 1961 62nd Anthony James "Tony" ...

https://bravewords.com/news/today-in-metal-history-april-2nd-2024-tony-franklin-trouble-lynyrd-skynyrd-bad-company-kiss-white-lion

#Trouble #LynyrdSkynyrd #BadCompany #KISS #WhiteLion #Testament #ProPain #Susperia #MachineHead

16/x Langsam neigt sich der Thread dem Ende zu...

Am Stand von #kommit, einem Abschleppseil für Kinder(fahrräder) - nicht im Straßenverkehr, sondern beim Mountainbiken - gab es ein paar neue Accessoires zu sehen, wie zB ein Teil, dass das Rucken beim Anfahren abmildert und einen Gurt für Läufer, um das Kind auf dem Rad mit Kommit hinterherziehen zu können.

Und ein #Propain Frechdax

#fahrrad #kinderfahrrad #eurobike

@fedibikes_de @mastobikes_de