home.social

#agnostic-front — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #agnostic-front, aggregated by home.social.

fetched live
  1. Geil, gerade das Ticket für das Save the Core in Nürnberg im Juli 2026 bestellt. Freu mich jetzt schon auf Strung Out, Walls of Jericho, Biohazard, Agnostic Front und die abgespeckte Version von den Sex Pistols. Prost!

    #punk #savethecore #sexpistols #agnosticfront #strungout

  2. Biohazard – Divided We Fall Review

    By Steel Druhm

    Biohazard are one of those bands that held my interest and affection, but only for a small window of my life (1992 through 1996). While their mean street NYC tough guy hardcore-meets-metal sound resonated with me as a dumb, loud 21-year-old, by the time I was approaching 26, it all started to feel too “try hard” and adolescent, like something I should move beyond. After that, I would still enjoy the hits from Urban Discipline and State of the World Address on gym playlists, but I rarely went back to the actual albums or sought out their new stuff. When it was announced that Biohazard had reformed the original lineup for a new album, some 13 years since the last release, I had more than a few reservations. The NYC badass schtick is a perishable one with a definite shelf life, and the idea of a bunch of dudes in their 50s shouting about curb stomping me just wasn’t a selling point. Still, the Cro-Mags pulled it off, so maybe these guys could too. I sampled the early singles, and to my surprise, they were quite entertaining. And here I am reviewing Divided We Fall against my better judgment. Can these Brooklyn goons deliver the burly goods all these years later?

    The short answer is…yes. Divided We Fall is a shockingly spry, punchy outing with catchy writing and enough testosterone to power 4 Cam Skattebos. It’s basically the album that could have followed Urban Discipline, with a collection of short, angry anthems about staying hard no matter what life throws at you. Opener “Fuck the System” sounds exactly like you’d expect. It’s enough like classic NYHC to conjure memories of Madball, Agnostic Front and crossover acts like Pro-Pain. They keep that rowdy, pissed-off tone going on bruisers like “Forsaken,” and the uber rugged “Eyes on Six,” which is one of their most catchy and entertaining tracks ever. This one stinks of BO and malt liquor, and it will hit you a pipe and dump you in the Gowanus Canal.

    Slower cuts like “Death of Me” blend well with the bouncy, classic hardcore urgency of “Words to the Wise” and “The Fight to Be Free,” and at no point does the machismo drop below mega-toxic levels. There are a few missteps though. “S.I.T.F.O.A” is too rap-centric and ends up sounding like a cross between Anthrax’s “I Am the Man” and one of the godawful raps by SNL in-house comedy act The Lonely Island. Closer “Warriors” mostly works and has cool parts, but Evan Seinfeld singing “the warriors” oh so seriously doesn’t really help. Still, 9 out of 11 tracks landing and delivering more or less vintage Bio-sounds is quite a shocker. And the band smartly keeps every song in the 3-minute window so everything motors by in a sweaty fury. The sound is what you’d expect from this kind of band, and production is credited to Jonathan DeMaio. I’ll assume that’s actually Joey DeMaio from Manowar because that’s way too fucking funny.

    Both Billy and Evan sound fine vocally. I’ve always preferred Billy’s rough bellowing, and he still sounds like he could beat your ass. On tracks like “Eyes on Six,” he sounds angry, mean, and murderous, and that’s essential for this kind of music to get over. Evan sounds like Evan, not better or worse, and he only irritates me when he tries that rappy-metal bullshit or tries to sing too much. The guitar work from Billy and Bobby Hambel is sharp and recalls the glory days quite clearly. You get a collection of very NYHC-inspired riffs designed to get you pumped up and into the pit leaping over pizza-rats and comatose hobos. The minimal embellishments work well in the songs, and I even hear traces of Prong at times, so that’s a win. This ain’t prog, folks. It’s simple, fugly noise for the mouth breathers and lunkheads, and that works just fine for me since I’m both.

    Divided We Fall has no business being as good as it is, and it’s on close to the stuff Biohazard were churning out during their peak. That means you get rough, confrontational meathead metal for those with fatty beef in their brain, and there’s a demographic for that. I can’t say I will be blasting this one way into the future, but I already moved select cuts to the gym playlist for maximum gainz. Maybe I still needed a few good curb stomps. Maybe you do too. If so, Biohazard want to say hello from the gutter.

    Rating: 3.0/5.0
    DR: NA | Format Reviewed: Fucking STREAM!
    Label: BLKIIBLK
    Websites: facebook.com/Biohazarddfl | instagram.com/biohazarddfl
    Releases Worldwide: October 17th, 2025

    #2025 #30 #AgnosticFront #AmericanHardcore #AmericanMetal #Biohazard #BLKIIBLK #CroMags #Crossover #DividedWeFall #Madball #Oct25 #ProPain #Prong #Review #Reviews

  3. Incite – Savage New Times Review

    By Steel Druhm

    Written By: Nameless_n00b_602

    Within metal circles, one does not simply invoke the Cavalera name. Its crest is adorned with more than just the seminal works of Sepultura. There is ambition there that does not sleep. That great name is ever pushing boundaries, creating new sounds. This is no barren wasteland riddled with fire and ash and dust. There is no poisonous fume for inspiration to choke on. Not with 10,000 artists could you accomplish what those brothers have done; it is folly. Thus, it is with great interest—and a little skepticism—that I was assigned Incite’s seventh LP. Fronted by Max Cavalera’s stepson, Richie Cavalera, Savage New Times promises to be the band’s truest-to-self offering yet. Let’s see how deep the roots go.

    For those unfamiliar, Incite majors in groove metal. A familiar southern aggression suffuses Layne Richardson’s axe work and Cavalera’s contentious lyrical delivery. Mid-paced tracks like “Used and Abused” or “Savage New Times” take a cue from Lamb of God or Exhorder, while rager “No Mercy, No Forgiveness” could easily fit on an early DevilDriver record. Bassist EL knows his craft well, building tension and promising violence with well-placed, threatening basslines (“Chucked Off,” “Never Die Once”). The instruments make room in verses for Cavalera’s vocal aggression to brew before crashing together in a choral release, and it is here that drummer Lennon Lopez shines. His energetic drumming steals the spotlight on the choruses of “Used and Abused” and “Chucked Off.” With such strong adherence to the tenets of groove metal, Savage New Times makes it clear that Incite has never missed a class at Pantera’s Vulgar School of Power.

    Incite meets with mixed success when they venture outside their core sound. Richardson shows real prowess on “Used and Abused,” where he evokes both Amon Amarth in the bridge and the spiraling tones of System of a Down in the chorus. “Savage New Times” features leads reminiscent of Cannibal Corpse in the verse and, like “Feel This Shit (I’m Fired Up),” sports a militant burst fire tempo around the midpoint. On the other hand, “Doubts and the Fear” falters with a murky, pseudo-psychedelic bridge and nasally Agnostic Front-tinged vocals. Longest song “Dolores” also struggles. Unlike Phil Anselmo’s softer cleans that match the verses of Pantera’s “This Love,” Cavalera barely dulls his edge for the parallel sections of “Dolores,” creating a sonic disconnect between the instruments and himself. This is exacerbated by a similar divide between the rhythm section and the sprawling, idyllic solo recalling “Hotel California.”

    More generally, Savage New Times suffers from unambitious songwriting. Except for the neoclassical intro of “Chucked Off” and the solo in “Used and Abused,” Richardson’s lead sections feel lethargic and unremarkable. Song structures feature minimal variation and fall into cyclical verse-chorus-verse-chorus patterns. While this isn’t a problem individually, ten songs of it feels repetitive. Additionally, several tracks lack a satisfying conclusion and feel half-baked. “Dolores” ends with a well-performed piano melody, but it feels tacked on after such a strong finish from the band. Similarly, by cutting their outros, “Lies,” “Feel This Shit (I’m Fired Up),” and “No Mercy, No Forgiveness” could have all ended powerfully rather than aimlessly.

    While Savage New Times isn’t a terrible album, because of its deficiencies, I often found myself listening to Incite’s influences rather than Incite themselves. There’s plenty to critique between unmoving songcraft and mixed experimentation, but the final nail in the coffin is the production.1 There’s a slight sibilance and several artifacts throughout Savage New Times. It’s most egregious on “Used and Abused,” ruining one of the record’s best cuts.2 This is the common trend of the album—otherwise good tracks flawed by preventable missteps. I’ve spun this record dozens of times, and I’m sure that with more confidence and a clearer vision, Incite has a good record in them. Savage New Times just isn’t it.

    Rating: 2.0/5.0
    DR: 8 | Format Reviewed: 192 kbps mp3
    Label: Reigning Phoenix Music
    Websites: Bandcamp | Instagram | Facebook
    Releases Worldwide: August 15th, 2025

    #20 #2025 #AgnosticFront #AmericanMetal #AmonMarth #Aug25 #CannibalCorpse #DevilDriver #Exhorder #GrooveMetal #HeavyMetal #Incite #LambOfGod #Pantera #ReigningPhoenixMusic #Review #Reviews #SavageNewTimes #Sepultura #SystemOfADown #ThrashMetal

  4. 42 years ago
    United Blood is the debut EP 7" from New York hardcore band Agnostic Front, released in May 1983 on their own AF Records label

    #punk #punks #punkrock #hardcorepunk #agnosticfront #AF #history #punkrockhistory

  5. Agnostic Front onstage at Sunday's Hardcore Matinee at CBGB, New York City.

    Photo by Leslie Fratkin

    Sidestep->Agnostic Front is one of my absolute favorite bands

    #punk #punks #punkrock #hardcorepunk #hardcore #cbgb #agnosticfront #history #punkrockhistory