#lynyrdskynyrd — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #lynyrdskynyrd, aggregated by home.social.
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
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🎵 Lynyrd Skynyrd - Free Bird▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
G-Nitro’s Daily Music Wrap-Up – 4/29/26
I check out a classic Lynyrd Skynyrd album.
Favorite Videos include Amber Mark Live from VEVO Studios, Lim Jeong Hee on Killing Voice, and more!
https://g-nitro.com/g-nitros-daily-music-wrap-up-4-29-26
#Music #1001Albums #LynyrdSkynyrd #Ambermark #VevoStudios #LimJeongHee #KillingVoice
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Sweet home Alabama
Where the skies are so blue
#lynyrdskynyrd #arecordeveryday -
Sweet home Alabama
Where the skies are so blue
#lynyrdskynyrd #arecordeveryday -
Sweet home Alabama
Where the skies are so blue
#lynyrdskynyrd #arecordeveryday -
Sweet home Alabama
Where the skies are so blue
#lynyrdskynyrd #arecordeveryday -
Sweet home Alabama
Where the skies are so blue
#lynyrdskynyrd #arecordeveryday -
Voir les paroles de la chanson “Free Bird” de Lynyrd Skynyrd
#LynyrdSkynyrd #FreeBird
https://daletra.art/lynyrd-skynyrd/paroles/free-bird.html -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Lynyrd Skynyrd - Free Bird▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Lynyrd Skynyrd - Sweet Home Alabama▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Lynyrd Skynyrd - Free Bird▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
@YouTube New amazing rock song reaction video down below!!!
https://youtu.be/JNWVYh2WrJ0?si=r5mVe1xQJtcxHCu1
#YouTube #songreaction #musicreaction #lynyrdskynyrd #freebird #codypandajones #codypandajonesyt
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New amazing rock song reaction video down below!!!
https://youtu.be/JNWVYh2WrJ0?si=r5mVe1xQJtcxHCu1
#YouTube #songreaction #musicreaction #lynyrdskynyrd #freebird #codypandajones #codypandajonesyt
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Paroles de la chanson “Free Bird” de Lynyrd Skynyrd
#LynyrdSkynyrd #FreeBird
https://daletra.art/lynyrd-skynyrd/paroles/free-bird.html -
"Free Bird", also spelled as one word "Freebird", is a song by American rock band #LynyrdSkynyrd, written by guitarist #AllenCollins and lead singer #RonnieVanZant. The song was released on their 1973 debut studio album. Released as a #single in November 1974, "Free Bird" debuted on the US #Billboard #Hot100 on November 23 at No. 87 and became the band's second #Top40 hit in early 1975, peaking at No. 19 on January 25. A live version of the song.
https://www.youtube.com/watch?v=MQNRKX8GwPo -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Nuthin’ Fancy
Their third studio album and produced by Al Kooper -- Lynyrd Skynyrd release Nuthin' Fancy on March 24, 1975. It's their first Top 10 album and their first record with new drummer Artimus Pyle. In late May, guitarist Ed King left the band in the middle of their "Torture Tour". #lynyrdskynyrd #nothinfancy #70smusic #70srock #rock #rockmusic #southernrock #countryrock #music #musicsky #musiciansky #outlawcountry #ronnievanzant
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Becoming a dad has been a life changing (ongoing) event, this #ThursdayFiveList we share songs about #fatherhood
Little Man #TomWaits
https://youtu.be/6sGd8CBeV94Simple Man #LynyrdSkynyrd
https://youtu.be/8eNoms9wsGcThe Walk #SawyerBrown
https://youtu.be/fES8X7vjE_M#SturgillSimpson wrote the album "A sailors guide to earth" as an guide for his son.
https://www.youtube.com/watch?v=LBEAyFHlSAo&list=OLAK5uy_k3p-XxvOyvpO2WddAs4wDiw_W3ydWjnXUFather & Son #FlightOfTheConchords
https://youtu.be/i8iK1rhfYpI -
Confira a letra da música “Free Bird” de Lynyrd Skynyrd
#LynyrdSkynyrd #FreeBird
https://daletra.com.br/lynyrd-skynyrd/letra/free-bird.html -
NEW MASHUP VIDEO!
https://www.youtube.com/watch?v=cm-fpk4aYtE"There are many here among us
Who feel that life is but a joke"
But you and I, we've been through that
And this is not our fate
So let us stop talking falsely now
The hour's getting late, hey
Angel of darkness is upon you
Stuck a needle in your arm
So take another toke, have a blow for your nose
One more drink, fool, would drown you#MashupMonday #music #video #mashup #classicrock #rock #LynyrdSkynyrd #JimiHendrix
Do remember, I am open to some mashup requests! So, if you've got an idea, lemme know!
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"Simple Man" is a song by American rock band #LynyrdSkynyrd, released on their debut studio album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd) (1973). The song is one of Lynyrd Skynyrd's most popular. Since the song became available for digital download, it has become Lynyrd Skynyrd's third best-selling digital song after "#SweetHomeAlabama" and "#FreeBird." It has sold 1,333,000 copies in the U.S. as of November 2013.
https://www.youtube.com/watch?v=6GxWmSVv-cY -
"Simple Man" is a song by American rock band #LynyrdSkynyrd, released on their debut studio album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd) (1973). The song is one of Lynyrd Skynyrd's most popular. Since the song became available for digital download, it has become Lynyrd Skynyrd's third best-selling digital song after "#SweetHomeAlabama" and "#FreeBird." It has sold 1,333,000 copies in the U.S. as of November 2013.
https://www.youtube.com/watch?v=6GxWmSVv-cY -
"Simple Man" is a song by American rock band #LynyrdSkynyrd, released on their debut studio album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd) (1973). The song is one of Lynyrd Skynyrd's most popular. Since the song became available for digital download, it has become Lynyrd Skynyrd's third best-selling digital song after "#SweetHomeAlabama" and "#FreeBird." It has sold 1,333,000 copies in the U.S. as of November 2013.
https://www.youtube.com/watch?v=6GxWmSVv-cY -
"Simple Man" is a song by American rock band #LynyrdSkynyrd, released on their debut studio album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd) (1973). The song is one of Lynyrd Skynyrd's most popular. Since the song became available for digital download, it has become Lynyrd Skynyrd's third best-selling digital song after "#SweetHomeAlabama" and "#FreeBird." It has sold 1,333,000 copies in the U.S. as of November 2013.
https://www.youtube.com/watch?v=6GxWmSVv-cY -
"Simple Man" is a song by American rock band #LynyrdSkynyrd, released on their debut studio album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd) (1973). The song is one of Lynyrd Skynyrd's most popular. Since the song became available for digital download, it has become Lynyrd Skynyrd's third best-selling digital song after "#SweetHomeAlabama" and "#FreeBird." It has sold 1,333,000 copies in the U.S. as of November 2013.
https://www.youtube.com/watch?v=6GxWmSVv-cY -
Button’s #1
Welcome to the Shit show. {Recent Posts} Subscribe: Sideshowhost: – Sideshowhost offers Services which can include Computer Repair, Computer Rebuilds, & Computer Networking. Contact the Admin/s about the Service you need assisted with, and as well the Services changes with the seasons. Be sure to ask about the daily specials! To have full access, of everything on the Blog/Site. You got to sign up & become a member. Certain Content on the Blog/Site is Copyright Material Credited & owned […]https://sideshowhost.wordpress.com/2026/01/31/band-buttons-1/
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Button’s #1
Welcome to the Shit show. {Recent Posts} Subscribe: Sideshowhost: – Sideshowhost offers Services which can include Computer Repair, Computer Rebuilds, & Computer Networking. Contact the Admin/s about the Service you need assisted with, and as well the Services changes with the seasons. Be sure to ask about the daily specials! To have full access, of everything on the Blog/Site. You got to sign up & become a member. Certain Content on the Blog/Site is Copyright Material Credited & owned […]https://sideshowhost.wordpress.com/2026/01/31/band-buttons-1/
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The Hondo Rodeo Fest Returns to Phoenix in November 2026, Expands to New Orleans https://www.rawchili.com/mlb/547139/ #Arizona #ArizonaDiamondbacks #ArizonaDiamondbacks #BaileyZimmerman #Baseball #CaesarsSuperdome #ChaseField #CodyJohnson #CountryMusic #creed #Diamondbacks #HondoRodeoFest #JasonAldean #JonPardi #KidRock #LiveMusic #LynyrdSkynyrd #MLB #NewOrleans #Nickelback #OldDominion #Phoenix #RileyGreen #rodeo
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The Hondo Rodeo Fest Returns to Phoenix in November 2026, Expands to New Orleans https://www.rawchili.com/mlb/547139/ #Arizona #ArizonaDiamondbacks #ArizonaDiamondbacks #BaileyZimmerman #Baseball #CaesarsSuperdome #ChaseField #CodyJohnson #CountryMusic #creed #Diamondbacks #HondoRodeoFest #JasonAldean #JonPardi #KidRock #LiveMusic #LynyrdSkynyrd #MLB #NewOrleans #Nickelback #OldDominion #Phoenix #RileyGreen #rodeo
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Confira a letra da música “Free Bird” de Lynyrd Skynyrd
#LynyrdSkynyrd #FreeBird
https://daletra.com.br/lynyrd-skynyrd/letra/free-bird.html -
RVZ
Take your time – don’t live too fast. Troubles will come, and they will pass. b. January 15, 1948 Listen to my Lynyrd Skynyrd playlist on Amazon Music ... #ronnievanzant #birthday #lynyrdskynyrd #70srock #classicrock #southernrock #outlawcountry #rock #rockmusic #music #musicsky #musiciansky
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"Free Bird", also spelled as one word "Freebird", is a song by American rock band #LynyrdSkynyrd, written by guitarist #AllenCollins and lead singer #RonnieVanZant. The song was released on their 1973 debut studio album. Released as a #single in November 1974, "Free Bird" debuted on the US #Billboard #Hot100 on November 23 at No. 87 and became the band's second #Top40 hit in early 1975, peaking at No. 19 on January 25. A live version of the song.
https://www.youtube.com/watch?v=MQNRKX8GwPo -
https://www.europesays.com/uk/665581/ How many notes are in the ‘Free Bird’ guitar solo? #Entertainment #FreeBird #LynyrdSkynyrd #music #NewYear'sEve #UK #UnitedKingdom
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Who's going to bite the bullet & do a graduate thesis on the dynamic between Ronnie & Neil? I got powderfingers.
:blobcatthink:#music #NeilYoung #DBT #RonnieVanZant #Southern #Canadian #LynyrdSkynyrd #TVAC #ArtFED #ResINT
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Veja a letra da música “Free Bird” de Lynyrd Skynyrd
#LynyrdSkynyrd #FreeBird
https://daletra.com.br/lynyrd-skynyrd/letra/free-bird.html -
"Free Bird", also spelled as one word "Freebird", is a song by American rock band #LynyrdSkynyrd, written by guitarist #AllenCollins and lead singer #RonnieVanZant. The song was released on their 1973 debut studio album. Released as a #single in November 1974, "Free Bird" debuted on the US #Billboard #Hot100 on November 23 at No. 87 and became the band's second #Top40 hit in early 1975, peaking at No. 19 on January 25. A live version of the song.
https://www.youtube.com/watch?v=uI-oASa5Rww -
Rodney Mullen nostalgia
This Rodney Mullen video is one of the oldest I can remember. The Sweet Home Alabama song, the surroundings, the skateboarding, it never fails to put me in a blissful mood.
https://piefed.social/c/skateboarding/p/1539899/rodney-mullen-nostalgia
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Veja a letra da música “Free Bird” de Lynyrd Skynyrd
#LynyrdSkynyrd #FreeBird
https://daletra.com.br/lynyrd-skynyrd/letra/free-bird.html -
Collector Wins Fraud Lawsuit Against Photographer Who Sold Him Someone Else’s Photos https://petapixel.com/2025/12/03/collector-wins-fraud-lawsuit-against-photographer-who-sold-him-someone-elses-photos/ #musicphotographer #musicphotography #lynyrdskynyrd #lawsuit #News #Law
