#zztop — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #zztop, aggregated by home.social.
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Rio Grande Mud
That Little 'ol Band From Texas released their second album on April 4, 1972. It's most notably known as the album that solidified their sound and their writing process, documenting experiences on the road in their notebooks. #zztop #riograndemud #70srock #rockmusic #music #musicsky #musiciansky #bluesrock #countryrock #texasblues #billygibbons #frankbeard #dustyhill
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Rio Grande Mud
That Little 'ol Band From Texas released their second album on April 4, 1972. It's most notably known as the album that solidified their sound and their writing process, documenting experiences on the road in their notebooks. #zztop #riograndemud #70srock #rockmusic #music #musicsky #musiciansky #bluesrock #countryrock #texasblues #billygibbons #frankbeard #dustyhill
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Rio Grande Mud
That Little 'ol Band From Texas released their second album on April 4, 1972. It's most notably known as the album that solidified their sound and their writing process, documenting experiences on the road in their notebooks. #zztop #riograndemud #70srock #rockmusic #music #musicsky #musiciansky #bluesrock #countryrock #texasblues #billygibbons #frankbeard #dustyhill
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Rio Grande Mud
That Little 'ol Band From Texas released their second album on April 4, 1972. It's most notably known as the album that solidified their sound and their writing process, documenting experiences on the road in their notebooks. #zztop #riograndemud #70srock #rockmusic #music #musicsky #musiciansky #bluesrock #countryrock #texasblues #billygibbons #frankbeard #dustyhill
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Rio Grande Mud
That Little 'ol Band From Texas released their second album on April 4, 1972. It's most notably known as the album that solidified their sound and their writing process, documenting experiences on the road in their notebooks. #zztop #riograndemud #70srock #rockmusic #music #musicsky #musiciansky #bluesrock #countryrock #texasblues #billygibbons #frankbeard #dustyhill
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Auf dem #FriedbergOpenAir am 3. Juli:
Die US-Legenden ZZ Top kommen für eines ihrer wenigen Deutschland-Open-Air-Konzerte auf die #Seewiese in #Friedberg, ein Termin, der wegen der begrenzten Anzahl ihrer Europa-Shows besondere Aufmerksamkeit erhält.
Der Auftritt ist keine nostalgische Rückschau, sondern eine aktuelle Live-Show. Für viele Besucher dürfte es eine der wenigen Gelegenheiten sein, #ZZTop auf einer Open-Air-Bühne in Deutschland zu erleben.
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#music #musics #zztop 🎶🎶 #goodvibes
Gimme All Your Lovin. 1983 -
"La Grange" is a song by the American rock group #ZZTop, from their 1973 album #TresHombres. One of ZZ Top's most successful songs, It was later released as a single in January 1974, Although Some Source indicate January 19, 1973 Or April 1, 1974 as The Original Released Date It Was received extensive radio play, rising to No. 41 on the #Billboard Hot 100 in June 1974. The song’s title and lyrics refer to a #brothel on the outskirts of #LaGrange, #FayetteCounty.
https://www.youtube.com/watch?v=fnwZeLdLPdQ -
Stevie Ray Vaughan’s opinion on ZZ Top and Billy Gibbons
https://rockandrollgarage.com/stevie-ray-vaughans-opinion-on-zz-top-and-billy-gibbons/
#stevierayvaughan #srv #zztop #billygibbons #frankbeard #blues #dustyhill
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¿Te imaginas a ZZ Top sin sus míticas barbas? En los años 80, la banda rechazó una oferta de un millón de dólares por miembro ...
#zztop #billygibbons #rock #classicrock #rockhistory #musicnews #rocklegends #barbas #imagenrock #rockandroll #80srock #rockculture -
Warcoe – Upon Tall Thrones Review
Certain decades and locations have a unique and instantly recognizable sound, like 90s hip hop, Florida death metal,…
#NewsBeep #News #Music #2.5 #2025 #AU #Australia #BlackSabbath #CreedenceClearwaterRevival #DoomMetal #Entertainment #ItalianMetal #Kadaver #Monolord #MorbidAndMiserableRecords #OzzyOsbourne #review #reviews #RippleMusic #Sep25 #TheSword #UponTallThrones #Warcoe #Windhand #WraithKnight #ZZTop
https://www.newsbeep.com/au/177792/ -
Warcoe – Upon Tall Thrones Review
Certain decades and locations have a unique and instantly recognizable sound, like 90s hip hop, Florida death metal,…
#NewsBeep #News #Music #2.5 #2025 #BlackSabbath #CA #Canada #CreedenceClearwaterRevival #DoomMetal #Entertainment #ItalianMetal #Kadaver #Monolord #MorbidAndMiserableRecords #OzzyOsbourne #review #reviews #RippleMusic #Sep25 #TheSword #UponTallThrones #Warcoe #Windhand #WraithKnight #ZZTop
https://www.newsbeep.com/ca/177900/ -
Warcoe – Upon Tall Thrones Review
By Spicie Forrest
Certain decades and locations have a unique and instantly recognizable sound, like 90s hip hop, Florida death metal, 70s rock, etc. But such subgenres—at least for metal—are no longer regionally or temporally exclusive. There are American bands that play Swedeath and 2010s bands that play 80s thrash. In this postmodern era, iconic sounds of time and place are constantly worshipped, reimagined, and repurposed by new bands for a contemporary global audience. Warcoe is one such band. When I first heard the vintage doomsters, I thought them from the 70s or 80s, but they formed in Pesaro, Italy in 2021. Impressed with their retro style, I laid claim to their third full-length, Upon Tall Thrones, and spent some time reveling in the sounds of yesteryear.
From the first notes of opener “Octagon,” it’s clear Warcoe grew up on Black Sabbath and their progeny. Carlo’s bass is warm and velvety, while Stefano’s devious guitar tone compliments his Ozzy-esque vocals well. More than mere worshippers, Warcoe augments their classic sound with stoner rock and metal. “The Wanderer” and “Brown Witch” summon Monolord with mammothian riffage, while leaner, more energetic tracks like “I’ve Sat upon Tall Thrones (but I’ll Never Learn)” and “Spheres” strike a balance between Windhand, The Sword or Kadaver. Beyond doom and stoner metal, Warcoe also incorporates more classic styles. Stefano’s lead guitar never fails to impress, his hooks and solos recalling your dad’s favorite cuts from CCR or ZZ Top. As a whole, Upon Tall Thrones presents a nostalgic, vintage sound dressed in modern clothes.
While Upon Tall Thrones initially sounded great in the background, its faults appeared when I began paying closer attention. I love the timbre of Stefano’s voice, and it fits Warcoe’s style, but his delivery is fairly monotone. Stefano’s minimal range holds several good moments back from greatness (“I’ve Sat…,” “Dark into Light”). This may be a stylistic choice, but it grows tiresome around the midpoint. The production on Upon Tall Thrones is a much bigger issue. I’m not sure what happened between drummer Francesco sitting down to record and me downloading the files, but the drums skip and stutter quite a bit. It’s mostly confined to the cymbals, and it’s more noticeable on the back half, but I heard at least one instance on every track except drumless acoustic interlude “Gather in the Woods.” That track has its own problems, though, as static popping accompanies every. single. note. It’s maddening, I can’t unhear it, and it ruins an otherwise great acoustic break.
Faults aside, I still hear ambition and potential on Upon Tall Thrones. But for the tail end of “Deepest Grave,” there’s no bloat here. Warcoe is dynamic. Rarely does a riff overstay its welcome or a song miss its best endpoint. Even with two instrumental tracks smack dab in the middle of the album (“Gather in the Woods” and “Flame in Your Hand”), the energy doesn’t falter, and my attention doesn’t wander. Warcoe even manages a little successful experimentation. Blackened tremolos hover above the proceedings on “Dark into Light,” and the 16-bit, Wraith Knighted solo of “Flame in Your Hand” sends me hurtling down memory lane to play Final Fantasy IV. It’s Warcoe’s willingness to explore beyond their influences that makes me think they’re chasing something special here.
I try not to quote promo material, but in the case of Warcoe’s Upon Tall Thrones, “groovy doom from the abyss” and “vintage darkness with sharp and heavy riffs” work pretty well. Unfortunately, what excels in a casual environment falls short under closer scrutiny. My criticisms of Upon Tall Thrones aren’t apocalyptic, but they are consistent and pervasive, bringing the entire album down. This resulted in a lower score than I wanted, but I have hope for the future. Warcoe shows promise. If Stefano can expand his range and the band can both secure cleaner production and hone their unique sound, whatever succeeds Upon Tall Thrones has the potential for excellence.
Rating: 2.5/5.0
DR: 8 | Format Reviewed: FLAC
Label: Ripple Music | Morbid And Miserable Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: September 26th, 2025#25 #2025 #BlackSabbath #CreedenceClearwaterRevival #DoomMetal #ItalianMetal #Kadaver #Monolord #MorbidAndMiserableRecords #OzzyOsbourne #Review #Reviews #RippleMusic #Sep25 #TheSword #UponTallThrones #Warcoe #Windhand #WraithKnight #ZZTop
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Warcoe – Upon Tall Thrones Review
By Spicie Forrest
Certain decades and locations have a unique and instantly recognizable sound, like 90s hip hop, Florida death metal, 70s rock, etc. But such subgenres—at least for metal—are no longer regionally or temporally exclusive. There are American bands that play Swedeath and 2010s bands that play 80s thrash. In this postmodern era, iconic sounds of time and place are constantly worshipped, reimagined, and repurposed by new bands for a contemporary global audience. Warcoe is one such band. When I first heard the vintage doomsters, I thought them from the 70s or 80s, but they formed in Pesaro, Italy in 2021. Impressed with their retro style, I laid claim to their third full-length, Upon Tall Thrones, and spent some time reveling in the sounds of yesteryear.
From the first notes of opener “Octagon,” it’s clear Warcoe grew up on Black Sabbath and their progeny. Carlo’s bass is warm and velvety, while Stefano’s devious guitar tone compliments his Ozzy-esque vocals well. More than mere worshippers, Warcoe augments their classic sound with stoner rock and metal. “The Wanderer” and “Brown Witch” summon Monolord with mammothian riffage, while leaner, more energetic tracks like “I’ve Sat upon Tall Thrones (but I’ll Never Learn)” and “Spheres” strike a balance between Windhand, The Sword or Kadaver. Beyond doom and stoner metal, Warcoe also incorporates more classic styles. Stefano’s lead guitar never fails to impress, his hooks and solos recalling your dad’s favorite cuts from CCR or ZZ Top. As a whole, Upon Tall Thrones presents a nostalgic, vintage sound dressed in modern clothes.
While Upon Tall Thrones initially sounded great in the background, its faults appeared when I began paying closer attention. I love the timbre of Stefano’s voice, and it fits Warcoe’s style, but his delivery is fairly monotone. Stefano’s minimal range holds several good moments back from greatness (“I’ve Sat…,” “Dark into Light”). This may be a stylistic choice, but it grows tiresome around the midpoint. The production on Upon Tall Thrones is a much bigger issue. I’m not sure what happened between drummer Francesco sitting down to record and me downloading the files, but the drums skip and stutter quite a bit. It’s mostly confined to the cymbals, and it’s more noticeable on the back half, but I heard at least one instance on every track except drumless acoustic interlude “Gather in the Woods.” That track has its own problems, though, as static popping accompanies every. single. note. It’s maddening, I can’t unhear it, and it ruins an otherwise great acoustic break.
Faults aside, I still hear ambition and potential on Upon Tall Thrones. But for the tail end of “Deepest Grave,” there’s no bloat here. Warcoe is dynamic. Rarely does a riff overstay its welcome or a song miss its best endpoint. Even with two instrumental tracks smack dab in the middle of the album (“Gather in the Woods” and “Flame in Your Hand”), the energy doesn’t falter, and my attention doesn’t wander. Warcoe even manages a little successful experimentation. Blackened tremolos hover above the proceedings on “Dark into Light,” and the 16-bit, Wraith Knighted solo of “Flame in Your Hand” sends me hurtling down memory lane to play Final Fantasy IV. It’s Warcoe’s willingness to explore beyond their influences that makes me think they’re chasing something special here.
I try not to quote promo material, but in the case of Warcoe’s Upon Tall Thrones, “groovy doom from the abyss” and “vintage darkness with sharp and heavy riffs” work pretty well. Unfortunately, what excels in a casual environment falls short under closer scrutiny. My criticisms of Upon Tall Thrones aren’t apocalyptic, but they are consistent and pervasive, bringing the entire album down. This resulted in a lower score than I wanted, but I have hope for the future. Warcoe shows promise. If Stefano can expand his range and the band can both secure cleaner production and hone their unique sound, whatever succeeds Upon Tall Thrones has the potential for excellence.
Rating: 2.5/5.0
DR: 8 | Format Reviewed: FLAC
Label: Ripple Music | Morbid And Miserable Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: September 26th, 2025#25 #2025 #BlackSabbath #CreedenceClearwaterRevival #DoomMetal #ItalianMetal #Kadaver #Monolord #MorbidAndMiserableRecords #OzzyOsbourne #Review #Reviews #RippleMusic #Sep25 #TheSword #UponTallThrones #Warcoe #Windhand #WraithKnight #ZZTop
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Warcoe – Upon Tall Thrones Review
By Spicie Forrest
Certain decades and locations have a unique and instantly recognizable sound, like 90s hip hop, Florida death metal, 70s rock, etc. But such subgenres—at least for metal—are no longer regionally or temporally exclusive. There are American bands that play Swedeath and 2010s bands that play 80s thrash. In this postmodern era, iconic sounds of time and place are constantly worshipped, reimagined, and repurposed by new bands for a contemporary global audience. Warcoe is one such band. When I first heard the vintage doomsters, I thought them from the 70s or 80s, but they formed in Pesaro, Italy in 2021. Impressed with their retro style, I laid claim to their third full-length, Upon Tall Thrones, and spent some time reveling in the sounds of yesteryear.
From the first notes of opener “Octagon,” it’s clear Warcoe grew up on Black Sabbath and their progeny. Carlo’s bass is warm and velvety, while Stefano’s devious guitar tone compliments his Ozzy-esque vocals well. More than mere worshippers, Warcoe augments their classic sound with stoner rock and metal. “The Wanderer” and “Brown Witch” summon Monolord with mammothian riffage, while leaner, more energetic tracks like “I’ve Sat upon Tall Thrones (but I’ll Never Learn)” and “Spheres” strike a balance between Windhand, The Sword or Kadaver. Beyond doom and stoner metal, Warcoe also incorporates more classic styles. Stefano’s lead guitar never fails to impress, his hooks and solos recalling your dad’s favorite cuts from CCR or ZZ Top. As a whole, Upon Tall Thrones presents a nostalgic, vintage sound dressed in modern clothes.
While Upon Tall Thrones initially sounded great in the background, its faults appeared when I began paying closer attention. I love the timbre of Stefano’s voice, and it fits Warcoe’s style, but his delivery is fairly monotone. Stefano’s minimal range holds several good moments back from greatness (“I’ve Sat…,” “Dark into Light”). This may be a stylistic choice, but it grows tiresome around the midpoint. The production on Upon Tall Thrones is a much bigger issue. I’m not sure what happened between drummer Francesco sitting down to record and me downloading the files, but the drums skip and stutter quite a bit. It’s mostly confined to the cymbals, and it’s more noticeable on the back half, but I heard at least one instance on every track except drumless acoustic interlude “Gather in the Woods.” That track has its own problems, though, as static popping accompanies every. single. note. It’s maddening, I can’t unhear it, and it ruins an otherwise great acoustic break.
Faults aside, I still hear ambition and potential on Upon Tall Thrones. But for the tail end of “Deepest Grave,” there’s no bloat here. Warcoe is dynamic. Rarely does a riff overstay its welcome or a song miss its best endpoint. Even with two instrumental tracks smack dab in the middle of the album (“Gather in the Woods” and “Flame in Your Hand”), the energy doesn’t falter, and my attention doesn’t wander. Warcoe even manages a little successful experimentation. Blackened tremolos hover above the proceedings on “Dark into Light,” and the 16-bit, Wraith Knighted solo of “Flame in Your Hand” sends me hurtling down memory lane to play Final Fantasy IV. It’s Warcoe’s willingness to explore beyond their influences that makes me think they’re chasing something special here.
I try not to quote promo material, but in the case of Warcoe’s Upon Tall Thrones, “groovy doom from the abyss” and “vintage darkness with sharp and heavy riffs” work pretty well. Unfortunately, what excels in a casual environment falls short under closer scrutiny. My criticisms of Upon Tall Thrones aren’t apocalyptic, but they are consistent and pervasive, bringing the entire album down. This resulted in a lower score than I wanted, but I have hope for the future. Warcoe shows promise. If Stefano can expand his range and the band can both secure cleaner production and hone their unique sound, whatever succeeds Upon Tall Thrones has the potential for excellence.
Rating: 2.5/5.0
DR: 8 | Format Reviewed: FLAC
Label: Ripple Music | Morbid And Miserable Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: September 26th, 2025#25 #2025 #BlackSabbath #CreedenceClearwaterRevival #DoomMetal #ItalianMetal #Kadaver #Monolord #MorbidAndMiserableRecords #OzzyOsbourne #Review #Reviews #RippleMusic #Sep25 #TheSword #UponTallThrones #Warcoe #Windhand #WraithKnight #ZZTop
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Warcoe – Upon Tall Thrones Review
By Spicie Forrest
Certain decades and locations have a unique and instantly recognizable sound, like 90s hip hop, Florida death metal, 70s rock, etc. But such subgenres—at least for metal—are no longer regionally or temporally exclusive. There are American bands that play Swedeath and 2010s bands that play 80s thrash. In this postmodern era, iconic sounds of time and place are constantly worshipped, reimagined, and repurposed by new bands for a contemporary global audience. Warcoe is one such band. When I first heard the vintage doomsters, I thought them from the 70s or 80s, but they formed in Pesaro, Italy in 2021. Impressed with their retro style, I laid claim to their third full-length, Upon Tall Thrones, and spent some time reveling in the sounds of yesteryear.
From the first notes of opener “Octagon,” it’s clear Warcoe grew up on Black Sabbath and their progeny. Carlo’s bass is warm and velvety, while Stefano’s devious guitar tone compliments his Ozzy-esque vocals well. More than mere worshippers, Warcoe augments their classic sound with stoner rock and metal. “The Wanderer” and “Brown Witch” summon Monolord with mammothian riffage, while leaner, more energetic tracks like “I’ve Sat upon Tall Thrones (but I’ll Never Learn)” and “Spheres” strike a balance between Windhand, The Sword or Kadaver. Beyond doom and stoner metal, Warcoe also incorporates more classic styles. Stefano’s lead guitar never fails to impress, his hooks and solos recalling your dad’s favorite cuts from CCR or ZZ Top. As a whole, Upon Tall Thrones presents a nostalgic, vintage sound dressed in modern clothes.
While Upon Tall Thrones initially sounded great in the background, its faults appeared when I began paying closer attention. I love the timbre of Stefano’s voice, and it fits Warcoe’s style, but his delivery is fairly monotone. Stefano’s minimal range holds several good moments back from greatness (“I’ve Sat…,” “Dark into Light”). This may be a stylistic choice, but it grows tiresome around the midpoint. The production on Upon Tall Thrones is a much bigger issue. I’m not sure what happened between drummer Francesco sitting down to record and me downloading the files, but the drums skip and stutter quite a bit. It’s mostly confined to the cymbals, and it’s more noticeable on the back half, but I heard at least one instance on every track except drumless acoustic interlude “Gather in the Woods.” That track has its own problems, though, as static popping accompanies every. single. note. It’s maddening, I can’t unhear it, and it ruins an otherwise great acoustic break.
Faults aside, I still hear ambition and potential on Upon Tall Thrones. But for the tail end of “Deepest Grave,” there’s no bloat here. Warcoe is dynamic. Rarely does a riff overstay its welcome or a song miss its best endpoint. Even with two instrumental tracks smack dab in the middle of the album (“Gather in the Woods” and “Flame in Your Hand”), the energy doesn’t falter, and my attention doesn’t wander. Warcoe even manages a little successful experimentation. Blackened tremolos hover above the proceedings on “Dark into Light,” and the 16-bit, Wraith Knighted solo of “Flame in Your Hand” sends me hurtling down memory lane to play Final Fantasy IV. It’s Warcoe’s willingness to explore beyond their influences that makes me think they’re chasing something special here.
I try not to quote promo material, but in the case of Warcoe’s Upon Tall Thrones, “groovy doom from the abyss” and “vintage darkness with sharp and heavy riffs” work pretty well. Unfortunately, what excels in a casual environment falls short under closer scrutiny. My criticisms of Upon Tall Thrones aren’t apocalyptic, but they are consistent and pervasive, bringing the entire album down. This resulted in a lower score than I wanted, but I have hope for the future. Warcoe shows promise. If Stefano can expand his range and the band can both secure cleaner production and hone their unique sound, whatever succeeds Upon Tall Thrones has the potential for excellence.
Rating: 2.5/5.0
DR: 8 | Format Reviewed: FLAC
Label: Ripple Music | Morbid And Miserable Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: September 26th, 2025#25 #2025 #BlackSabbath #CreedenceClearwaterRevival #DoomMetal #ItalianMetal #Kadaver #Monolord #MorbidAndMiserableRecords #OzzyOsbourne #Review #Reviews #RippleMusic #Sep25 #TheSword #UponTallThrones #Warcoe #Windhand #WraithKnight #ZZTop
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Warcoe – Upon Tall Thrones Review
By Spicie Forrest
Certain decades and locations have a unique and instantly recognizable sound, like 90s hip hop, Florida death metal, 70s rock, etc. But such subgenres—at least for metal—are no longer regionally or temporally exclusive. There are American bands that play Swedeath and 2010s bands that play 80s thrash. In this postmodern era, iconic sounds of time and place are constantly worshipped, reimagined, and repurposed by new bands for a contemporary global audience. Warcoe is one such band. When I first heard the vintage doomsters, I thought them from the 70s or 80s, but they formed in Pesaro, Italy in 2021. Impressed with their retro style, I laid claim to their third full-length, Upon Tall Thrones, and spent some time reveling in the sounds of yesteryear.
From the first notes of opener “Octagon,” it’s clear Warcoe grew up on Black Sabbath and their progeny. Carlo’s bass is warm and velvety, while Stefano’s devious guitar tone compliments his Ozzy-esque vocals well. More than mere worshippers, Warcoe augments their classic sound with stoner rock and metal. “The Wanderer” and “Brown Witch” summon Monolord with mammothian riffage, while leaner, more energetic tracks like “I’ve Sat upon Tall Thrones (but I’ll Never Learn)” and “Spheres” strike a balance between Windhand, The Sword or Kadaver. Beyond doom and stoner metal, Warcoe also incorporates more classic styles. Stefano’s lead guitar never fails to impress, his hooks and solos recalling your dad’s favorite cuts from CCR or ZZ Top. As a whole, Upon Tall Thrones presents a nostalgic, vintage sound dressed in modern clothes.
While Upon Tall Thrones initially sounded great in the background, its faults appeared when I began paying closer attention. I love the timbre of Stefano’s voice, and it fits Warcoe’s style, but his delivery is fairly monotone. Stefano’s minimal range holds several good moments back from greatness (“I’ve Sat…,” “Dark into Light”). This may be a stylistic choice, but it grows tiresome around the midpoint. The production on Upon Tall Thrones is a much bigger issue. I’m not sure what happened between drummer Francesco sitting down to record and me downloading the files, but the drums skip and stutter quite a bit. It’s mostly confined to the cymbals, and it’s more noticeable on the back half, but I heard at least one instance on every track except drumless acoustic interlude “Gather in the Woods.” That track has its own problems, though, as static popping accompanies every. single. note. It’s maddening, I can’t unhear it, and it ruins an otherwise great acoustic break.
Faults aside, I still hear ambition and potential on Upon Tall Thrones. But for the tail end of “Deepest Grave,” there’s no bloat here. Warcoe is dynamic. Rarely does a riff overstay its welcome or a song miss its best endpoint. Even with two instrumental tracks smack dab in the middle of the album (“Gather in the Woods” and “Flame in Your Hand”), the energy doesn’t falter, and my attention doesn’t wander. Warcoe even manages a little successful experimentation. Blackened tremolos hover above the proceedings on “Dark into Light,” and the 16-bit, Wraith Knighted solo of “Flame in Your Hand” sends me hurtling down memory lane to play Final Fantasy IV. It’s Warcoe’s willingness to explore beyond their influences that makes me think they’re chasing something special here.
I try not to quote promo material, but in the case of Warcoe’s Upon Tall Thrones, “groovy doom from the abyss” and “vintage darkness with sharp and heavy riffs” work pretty well. Unfortunately, what excels in a casual environment falls short under closer scrutiny. My criticisms of Upon Tall Thrones aren’t apocalyptic, but they are consistent and pervasive, bringing the entire album down. This resulted in a lower score than I wanted, but I have hope for the future. Warcoe shows promise. If Stefano can expand his range and the band can both secure cleaner production and hone their unique sound, whatever succeeds Upon Tall Thrones has the potential for excellence.
Rating: 2.5/5.0
DR: 8 | Format Reviewed: FLAC
Label: Ripple Music | Morbid And Miserable Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: September 26th, 2025#25 #2025 #BlackSabbath #CreedenceClearwaterRevival #DoomMetal #ItalianMetal #Kadaver #Monolord #MorbidAndMiserableRecords #OzzyOsbourne #Review #Reviews #RippleMusic #Sep25 #TheSword #UponTallThrones #Warcoe #Windhand #WraithKnight #ZZTop
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"La Grange" is a song by the American rock group #ZZTop, from their 1973 album #TresHombres. One of ZZ Top's most successful songs, it was released as a single in 1973 and received extensive radio play, rising to No. 41 on the #Billboard Hot 100 in June 1974. The song’s title and lyrics refer to a #brothel on the outskirts of #LaGrange, #FayetteCounty, Texas (later called the "#ChickenRanch"). The brothel is also the subject of the #Broadway play.
https://www.youtube.com/watch?v=Gg9cNGHl-bg -
Finally came all the way back from the past with this Rock& Roll Hall of Fame inductee highlights List by year! )
#classOf25 #Outkast #Soundgarden (so fresh and so black hole son; OR black hole so fresh and so clean clean) {did both} no phish though : ( https://www.webisjericho.com/rock-roll-hall-of-fame-reveals-class-of-2025/
#classOf24 #OzzyOsbourne #ATCQ (AwardTrain (collab of A Tribe Called Quest's award tour and crazy train?)
#classOf23 #RATM #BernieTaupin(Rage against the machine: Tiny Dancer Won't Do What They Tell Her)(Rally 'Round Your Family, with a ... "This Song's For You")*
#classOf22 #DollyParton #Eminem (workin' 9 to 8mile)
#classOf21 #JayZ #FooFighters (Numb Everlong)(Kyle's version is: it's a hard knock monkey wrench) did Kyle's version
(\/toot next - file saved on linux and warpinAtored to android)
#classOf20 #NIN #NotoriousBIG NineInchNailsChristopherWallace ("your words they hypnotize me"
or "sometimes words hypnotize me"HypnOser (nin mentions hypnotize in closer)
#classOf19 #Radiohead #TheCure(Ok FriYayTor "Smitter, lappier, more reductive")
#classOf18 #BonJovi #TheCars(OhHo it'sLivin (combo of oh ho its Magic { https://youtu.be/E0Kv6vxZwL8 } and Livin on a Prayer)
#classOf17 #PearlJam #2Pac(Given2Eyez)
#classOf16 #NWA #SteveMiller(JokeDaPolice?FukDaJoker : nope) (FukDaMorrice nope Luck da Morrice)
#classOf15 #JoanJett #GreenDay(Welcome to Reputation)
#classOf14 #Nirvana #Kiss(i was made for smells like teen spiritX)(smells were made for lovin u babay)
#classOf13 #Rush
#classOf12 #BeastieBoys #RHCP
#classOf11 #AliceCooper
#classOf10 #Abba
#classOf09 #RunDMC
#classOf08 #Madonna (Mama filled tha Breach)
#classOf07 #REM (fusing my decision)
--2025 begins^
#classOf06 #SexPistols
#classOf05 #U2
#classOf04 #ZZTop
#classOf03 #ACDC
#classOf02 #Ramones
#classOf01 #Queen
#classOf00 #EarthWindAndFire
#classOf99 #BillyJoel (? suggested Vienna but what i came up with sounds nothing like it, then made #EastWest)
#classOf98 #TheMommasAndThePoppas
#classOf97 #Jackson5
#classOf96 #PinkFloyd
#classOf95 #NeilYoung
#classOf94 #BobMarley
#classOf93 #TheDoors
#classOf92 #JimiHendrix
#classOf91 #TinaTurner
#classOf90 #LouisArmstrong
#classOf89 #StevieWonder
#classOf88 #Beatles
#classOf87 #BBKing
#classOf86 #ChuckBerry@music #music #weeklyBeats #song #sketch #bonkWave #musodon #Artiphon #Orba #inspiredBy #rrhof #classOf25 #Outkast #Soundgarden
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🔊 #NowPlaying on BBCRadio2's #TheRockShow with #JohnnieWalker
ZZ Top:
🎵 Tube Snake Boogie (Live)https://open.spotify.com/track/5SgSMB8pz1lolVOTtFCtIX
https://rockpopclassics.bandcamp.com/track/zz-top-tube-snake-boogie-ext-intro-remix
#Bandcamp -
#TheMetalDogArticleList
#Loudwire
Lamb of God's Mark Morton Names 'God Tier' ZZ Top Guitar Song + 'Wildly Underrated' '80s Guitarists
See his picks.#LAMBOFGOD #MARKMORTON #ZZTOP #GODTIER #80SGUITARISTS #WILDLYUNDERRATED #GUITARSONG
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Yeah…Imma need to cut back on the #prog in 2023 #ProgRock #music #Instafest #AppleMusic #Replay22
Band tags:
#ABWH
#Rush #JonAnderson #RoineStolt #FlowerKings #BillySherwood
#MaxRichter #DepecheMode #Orgy #TreyGunn #TheChurch
#StickMen #EnvyOfNone #LiquidTensionExperiment
#SteveHowe
#Yes #UK #ChrisSquire
#VanHalen #TonyLevin #CocteauTwins #RainTreeCrow
#INXS #BrianEno #DavidCross #Röysopp
#SteveHackett
#GeddyLee #Genesis #KingCrimson
#Zero7 #PorcupineTree #ELP #ZZtop
#XTC #Egg #FatboySlim
