DC #Comics Solicits ‘DC Finest: The #Warlord: This Savage World’ Softcover Release http://dlvr.it/TVr7qn
#warlord — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #warlord, aggregated by home.social.
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CW: This post may contain mature content.
Ancient warlord Hitler ponders the enigma machine in a serene lunar landscape.
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Warlord taking back old sprues. And giving new sprues in exchange!
"We now recycle used sprues in the UK! - A sprue is a wonderful thing. When brand new, it’s packed with potential, just waiting to be turned into a new unit. Once it’s been picked clean, and any spare parts moved into the bits box, it can still serve a purpose – whether chopped up into scenery material, or melted into ‘sprue goo’ – but we all know just how quickly ‘dead’ sprues can pile up."
https://warlord-community.warlordgames.com/bring-out-yer-dead-sprues/
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Ein neues Festival feiert Premiere: Am Samstag, 18. Juli, steigt erstmals das METAL LAKE in Bremervörde. Als Headliner konnten die Veranstalter:innen WARLORD, RAGE und VICTORY gewinnen. Die Running Order wurde jetzt bekannt gegeben. #metallake #warlord #rage #victory
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WARLORD To Perform Entire Deliver Us Album Live On European Tour, Launching This Month
Legendary US metal band, Warlord, are heading out for a run of shows at the end of this…
#Europe #EU #European #popularposts #Warlord
https://www.europesays.com/europe/42525/ -
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Oha, das #RockHard wirft #Warlord vom Billing, weil Mark Zonder u.a. den Tod von Renée Good zu sehr abgefeiert hat (natürlich hat er inzwischen alle Posts gelöscht).
Mol kieken, wie sich das #Muskelrock dazu verhält. 🍿
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German Rock Hard Festival un-invited US Epic Metal legends Warlord because their drummer posted unhinged pro-Trump alt-right crap. What a great and bold move from the festival!
But of course, there is backlash, and oh boy dozens of US musicians took the side of the band. Crazy how such an incident uncovers the underlying rightwing and conservative mindset of the Epic Metal scene. Needs some deeper analysis. #EpicMetal #metal #RockHardFestival #rhf2026 #warlord -
btw am I the only one who sees that #Trump isn't acting like a president (even an evil one) of a Nation, but like a global #Warlord
- not interested in elections & a higher ideal of statehood
- loyalty tests (scanning phones) for those who enter his home-zone (USA)
- using his militia (US army, navy & air force) for extortion without restraint
- trying to undermine a system of collective security & (global) rules
- flexible, short termed alliances
- personal gains as a guiding principle
⚠️
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Oh no! 😱 She's breaking up with Neelix!
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Kes isn't herself right now. 😂
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[8]: RICH AMIRI AFTERPARTY [2 STAGES] @ Marmorbar - 08 Feb feat. bod [包家巷], 1000bodies, Warlord®
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https://www.europesays.com/es/370278/ Novedades del EP de SEPULTURA. Vídeo de John Corabi. WARLORD en formato digital. #Entertainment #Entretenimiento #ES #España #JohnCorabi #Music #Música #sepultura #Spain #WARLORD
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Onslaught announce spring North American tour with Warlord:
#Onslaught #Warlord #TourAlert
Link: https://metalinsider.net/touring/onslaught-announce-spring-north-american-tour-with-warlord
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"I am the Warlord, and I speak for the trees"
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CW: #uspol,
Ich nehme an, dass in diesem Moment die #Sockenpuppenfabrik angeworfen wird und bereits Fake News in der Mache sind, die die Invasion in #Venezuela rechtfertigen und den #Warlord im Weißen Haus als weißen Ritter darstellen, der die Menschen dort von irgendwas furchtbarem erlöst.
Irgendwas mit Adenochrom oder sonstigen schwurbligen Geschichten wird schon rausschauen, die #MAGA-Crowd wirds schon fressen, die GOP ist sowieso in Geisellhaft, da muss man sich nicht anstrengen.
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Sacred Leather – Keep the Fire Burning Review
By Steel Druhm
I’ve never been to Indiana, so I’m not acquainted with how they do things. After listening to Sacred Leather’s sophomore outing, Keep the Fire Burning, I’m definitely left wondering if time moves differently there, though. That’s because this is one of the most retro, throwback-y pure metal things I’ve heard in some time, with a sound so hopelessly locked between 1983-1986, that I feel my back hair receding as my olde denim jacket grows new Venom and Motörhead patches. When I call this style “dated,” what I really mean is carbon-dated.1 Now, don’t take this as a criticism, as those years were some of the very best for classic heavy metal, and Sacred Leather do their damnedest to harvest the finest elements from a time when things were simple, pure, and still very based in hard-rock. As this album unspools, you’ll be whisked away to an age when Jag Panzer, Savage Grace, and Warlord ruled with a collective iron fist, and being labeled a poser was akin to a death sentence. Could you withstand the cred rigors of such a draconian time? Steel Druhm did once and would gladly do so again!
After a tasteful instrumental intro, Sacred Leather tan your worthless hide from point Ape to point ChimpanZee on “Spitfire at Night,” powered by the uber-period guitar work of J.J. Highway and Cvon Owens. It’s vintage metal with a speed injection, and it reminds me of long-forgotten German quasi-thrashers Vendetta mixed with Agent Steel. That’s 100% undiluted Steel bait, and the chum is thick and saucy here. Riffs churn and race, over-the-top solos stamp fat exclamation points, and frontman Dee Wrathchild screams and wails like a banshee on banshee meths. It’s a recipe for rowdy, high-energy shenanigans, and in the steady hands of Sacred Leather, this volatile brew sizzles and pops. “Phantom Highway (Hell is Comin’ Down)” delivers more lusty worship of excess. It’s a slick blend of NWoBHM and the most sturdy of mid-80s US metal, and it reminds me of Sumerlands. “Fallen Angel” channels the early days of Jag Panzer with big arena-ready guitars dueling with wanton vocals locked in overdrive as every ounce of meatheaded drama is wrung from the music. Sure, Mr. Wrathchild lets his voice get away from him at times, but that’s freaking metal, folks.
Song after song hits like a runaway freight train from 1985, and at no point will you want to step off the tracks. “Tear Out My Heart” feels like the bastard love child of Warlord and Savage Grace, with stunning guitars framing the kind of massive vocal drama that only 80s metal can provide. If you were looking for a burly, hard-as-nails breakup song for written for men who don’t cry, this is it. The title track channels the badass anthemic might of the criminally underappreciated Cities, and the band proudly honor their oath to keep the flame of the 80s burning bright. Just as you regain your senses, the big epic closer “Mistress of the Sun” arrives to make you love it or feel the wrath of Wrathchild. This is the same kind of larger-than-life metal tune as Krokus’ immortal “Screaming in the Night,” walking the line between anthem and power ballad and damn if it doesn’t tickle all the same nerve endings. There are no bad tracks, with each activating a major nostalgia bomb. So, what, if any, drawbacks will you encounter amid this most retro metal marination session? There are bits of bloat here and there, like on “Tear Out My Heart,” but not to the point where the songs are seriously undermined. In fact, at a tight 40 minutes, this thing feels like a fast-moving mission statement on how to properly worship the 80s, with a production about as trve to the time as one could hope for.
This is the kind of metal album that exudes guitar magic, and Highway and Owens spare no expense in decorating each song with the trappings of yesteryear. I hear many classic 80s albums referenced in their playing, and they really know the era they pay homage to. The riffs are energetic, beefy, and vibrant, and the harmonies and solos rock hard. Over the top of this solid foundation, Dee Wrathchild channels his inner metal god. Blessed with a broad range, he lets it all hang out, exploring his upper register freely and sometimes in ill-advised ways. He does seem to slip out of tune here and there when going all in, but I don’t especially care. Most of what he delivers is solid and commanding, checking all the boxes of 80s overkill and melodrama.
I love it when I blunder into some December release expecting little but getting my ass handed to me on a gleaming chrome platter. Sacred Leather bring the classic metal thunder, and if you love the sounds of the 80s, you should await the lightning strike. As winter moves ever closer, you too should Keep the Fire Burning. Any other choice would smack of flagrant poserism, and that would mean a visit from the Metal Inquisition. Be true to your olde school.
Rating: 3.5/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: King Volume Records / Wise Blood Records
Websites: facebook.com/leathersacredleather | instagram.com/sacred_leather
Releases Worldwide: December 12th, 2015#2025 #35 #AgentSteel #AmericanMetal #Cities #Dec25 #HeavyMetal #JagPanzer #KeepTheFireBurning #Review #Reviews #SacredLeather #SavageGrace #SpeedMetal #Sumerlands #Vendetta #Warlord
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Jeffrey Epstein Was a Warlord. We Have to Talk About It.
https://www.thenation.com/article/society/jeffrey-epstein-israel-foreign-policy-elite/The prospect of chaos and war excited Jeffrey Epstein. The late New York financier and child abuser kept a keen eye on news about foreign conflicts that could be exploited for commercial gain. On February 21, 2014, Epstein sent an e-mail to Ehud Barak, the former Israeli prime minister, with whom he would partner the following year as investors in a security tech firm Reporty Homeland Security (later renamed Carbyne). Epstein wrote, “with civil unrest exploding in ukraine syria, somolia [sic], libya, and the desperation of those in power, isn’t this perfect for you.” Barak tried to tamp down his friend’s enthusiasm, noting, “You’re right [in] a way. But not simple to transform it into a cash flow.”This exchange, which was reported by Drop Site News, gets at the heart of one of the more hidden aspects of the Epstein scandal. Epstein’s name is inextricably linked with sexual predation, as it should be. But it should just as readily be linked to global militarism and authoritarianism. Epstein trafficked not just in the bodies of the children he abused but also in social connections that could bring elites together. He well understood that the “desperation of those in power” could make them eager to buy what he was selling: connections with other powerful figures and security systems to clamp down on dissent.The Epstein scandal has once again exploded thanks to the release this week by House Democrats of an immense cache of e-mails between Epstein and many of his famous associates. As my Nation colleagues Chris Lehmann and Joan Walsh have written, these e-mails are politically damaging to Donald Trump, adding yet more evidence that the president was close friends with Epstein for many years, aware of Epstein’s predations, and possibly a participant in some of Epstein’s crimes.Trump richly deserves whatever reputational harm and possible legal retribution may come to him as a result of his ties to Epstein. But, at its heart, this has always been a scandal about the ruling class as a whole, not one individual or political party.The Epstein e-mails document his ties to a wide swath of the US and global elite in ways that transcend partisan lines. Among those Epstein was on easy terms with were former treasury secretary Larry Summers (who held high office under both Bill Clinton and Barack Obama) as well as Trump adviser Steve Bannon and right-wing billionaire Peter Thiel. Even Noam Chomsky wrote glowingly of his “highly valued friend.”
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What flipped fickle President #Drumpf's heart away from #Moscow towards finally aiding aggrieved ally, that Jewish kid from #Kyiv?
Insiders say the vaunted #Alaska "peace summit" went sour within minutes when #Putin ignored Donnie's desperate ego and instead lectured the notoriously short attention span US Prez-inaire on mad #medieval princes such as Rurik of Novgorod and 17th century Jew killing Cossack #warlord Bohdan Khmelnytsky.
Within many meandering minutes, the tables had turned as dull witted would be warlord #Donnie from Queens realized he would only get the cowering capitulation and cooperation his dealmaking desires from the ex TV comedian running #Ukraine, and not the ex #KGB boorish badboy bully in power enthralled with matching heights of his heathen historical heroes ...
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At We Print Miniatures, we’re combining our love of tabletop with a mission to support schools across the UK. #warhammercommunity #SEND #miniatures #Autism #ADHD #Dyslexia #School #DungeonMaster #miniaturepainting #DND #Fantasy #Warhammer #LOTR #Cyberpunk #mantic #warlord #necromunda
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Shekhar Kapur Unveils AI-Powered Sci-Fi Series ‘Warlord,’ Releases First Teaser (EXCLUSIVE)
#Variety #Asia #Global #News #AI #ShekharKapur #Warlordhttps://variety.com/2025/tv/news/shekhar-kapur-ai-sci-fi-series-warlord-1236471881/
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By Dolphin Whisperer
In the eyes of a legacy creator, novelty and personal excitement drive the continued pursuit of the release. Mark Zonder, esteemed drummer of Warlord and formerly of Fates Warning, lives by this mantra, using A-Z as an outlet for his frenetic rhythmic focus surrounded by the performances of trusted partners. While mic-mate Ray Alder (Fates Warning, ex-Redemption) and thick-string-slinger Philip Bynoe (Warlord, Steve Vai) have returned to the fold for this follow-up, A2Z², to 2022’s self-titled debut, much of the cast looks to earn their stripes here. Slick-licked guitarists Nick van Dyke (Redemption) and Simone Mularoni (DGM, ex-Sunstorm)1 lean less ’80s but as fierce as ever in riffcraft and thicker assault. And keys maestro Jimmy Waldo (Alcatrazz, Warlord) partners in breezy build and shimmering accent to keep A2Z² rooted in whimsical wail. No need to teach old dogs new tricks when they’ve got barbs built into their every bite.
In an extension of A-Z’s mission of looking to write a diverse array of heavy metal cuts, A2Z² doubles down on the depths of tone throughout. The guitar duo of Van Dyke and Mularoni shifts from burly chords and knotty fills (“Fire Away,” “I Am Numb”) to slippery Steve Vai-leaning histrionics (“Nothing Is Over,” “Now I Walk Away”) to chiming melodic builds (“A Wordless Prison,” “This Chaotic Symphony”) on the turn of a blaring amp. And Alder, in turn, embodies through his chiseled-by-age gruff croon an expressive range from schmaltzy, forlorn ballad (“Wordless Prison” is a classic fit for this mode) to fist-raising, powerhouse crowd-movers, with the opening trio of tracks scorching hot in his lyrical fury. Of course, the cherry on top will always be Zonder’s progressive and playful Peart-indebted2 percussion, with capricious chatter laced in e-tom boings, hi-hat stutters, and tilted-frame shuffles that always move the music forward.
Despite this constant momentum within each track, A2Z² has a tricky flow between its aggressive and contemplative moments that presents as a barrier to easy full attachment. A-Z sticks to a formula—the classic verse-chorus ABABCB rock platform imbued with sick solos and hooks that reach for the stickiness of an act like Toto. And likewise, in this heavy stride, Alder finds a power and grit on aggressive numbers that matches so well the beefier guitar presence and pulsing rhythms (“Fire Away,” “Running in Place,” “I Am Numb”). But A2Z², being an experience built on the power of individual songs, runs into a momentum issue trudging through three slower songs, either ballads or mid-paced thumps, smack dab in the middle of the album (“A Wordless Prison,” “Reaching Out,” “The Remedy”). The professional ensemble of A-Z ensures that these songs are still good, of course—I never press skip. But the back half does feel hidden while trying to digest this run on early listens.
Alas, A-Z’s ability to pepper simple structures with colorful sonic texture and virtuosic aplomb continues to be a treat to harmony-seeking ears. Once you do hit side B, lush vocal layers against prog/power giddy-up (“I Am Numb”), dancing cello builds (“This Chaotic Symphony”), and slow burn-to-stewed solo extravagance (“Now I Walk Away”) land hit after hit on an audience looking for accidental displays of public karaoke and air shredding. A2Z² has no issue cranking the heat, starting from the get-go with scorching heavy metal and escalating in progressive play to the very end. And even at its weakest moments, both Alder and Zonder can use their talents in hot honey verse and tap-happy navigation, respectively, to fill a lull with a couple standout moments (“Wordless Prison,” “Reaching Out”).
Oftentimes, with this many Iron Chef cooks in the kitchen, an act of the collective talent that A-Z possesses can flounder out in noodle-forward instrumentation and gutless yet pretty refrain. However, A2Z² solidifies that when legacy artists form under a mission to create bold songs in an elevated, tangible package, great things can happen. A-Z isn’t revolutionary—nor do I think Zonder and co. are aiming for that kind of stamp on the heavy metal community. But A2Z², steeped in targeted chorus, searing leads, and stimulating percussive strut, remains a modern pleasure in its tried, true, and tricky demeanor.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320kbps mp3
Label: Metal Blade | Bandcamp
Websites: a-zband.com | facebook.com/AthruZBand
Release Worldwide: June 6th, 2025#2025 #35 #AZ #A2Z_ #Alcatrazz #DGM #FatesWarning #HeavyMetal #InternationalMetal #Jun25 #MetalBlade #ProgressiveRock #Redemption #Review #Reviews #Rush #SteveVai #Toto #Warlord
