#pelagic-records — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #pelagic-records, aggregated by home.social.
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#nowplaying Meejah, HIRAKI - Interwoven
Checking out what #PelagicRecords have put out recently.
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Dobre wspomnienia z koncertu #NYOS i Fińskiego Nowego roku na @adapulawska! ❄
Utwór Track "Get Ready" pochodzi z albumu "Growl" na #PelagicRecords.
Kamera i edycja: Alex Byk
Kamera: Aliaksandr Valodzin#live #koncert #warszawa #concert #music #muzyka #postrock #noiserock #band
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#NYOS (FIN) ✕ @adapulawska • #Warszawa, 17.01.2026
#postrock #noiserock #pelagicrecords #music #muzyka #finland
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Już w sobotę 📣 NYOS (FIN) • Magic Moments ✕ @adapulawska • 17.01 ✦ Fiński Nowy Rok
Info https://last.fm/event/4982726
Urywek utworu #NYOS • Lo4 z albumu Growl (2025, #PelagicRecords)
Plakat @bikini_rockbottom
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Recensie: Gösta Berlings Saga – Forever Now (EN) ★★★★½
https://writteninmusic.com/albumrecensie/gosta-berlings-saga-forever-now-en/ -
Recensie: Gösta Berlings Saga – Forever Now ★★★★½
https://writteninmusic.com/albumrecensie/gosta-berlings-saga-forever-now/ -
Nowy album #NYOS „Growl” (wyd. #PelagicRecords) jest bardziej ambitny pod względem pejzaży dźwiękowych i kompozycji 🎶 https://nyos.bandcamp.com/album/growl
#MetalHammer: “Wyrafinowany, złożony, a jednocześnie rozbrajająco prosty – NYOS tworzy sztukę, którą trzeba zarówno zrozumieć, jak i odczuć”.
#Bandcamp: “NYOS zestawia dysonansowy post-rock z wyrafinowanym jazz-fusion, zapewniając nieprzewidywalne i wciągające wrażenia słuchowe”.
Zapraszamy sprawdzić to na żywo 17.01 📣 https://hyperfollow.com/nyos17012026
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Psychonaut – World Maker Review
By Kenstrosity
Over the course of the last five years and change, my estimation of Belgian three-piece Psychonaut has only increased. Where I unfortunately missed out on Violate Consensus Reality for review duties, I didn’t let it slip outside of my listening rotation—certainly not after such an impressive debut, Unfold the God Man. I underrated that outing, citing bloat as the main drawback. Little did I consider that Psychonaut’s music often needs much more time than we’re given as our standard reviewing window to fully bloom. The psychedelic proggy post-metal purveyors boast a thoughtful and deeply layered songwriting approach that can’t be captured by a casual spin or three. Hence why I asked for World Maker, the trio’s third opus, early.
This proved to be a wise choice, as World Maker once again showcases the kind of writing that expands with a seemingly infinite upper limit over the course of time and attention. Less immediate than Violate Consensus Reality and less intimidating than Unfold the God Man, World Maker plucks the ripest fruit from each endeavor to formulate a rich and tantalizing concoction worthy of peddling alongside household names like The Ocean, Pink Floyd, and even Tool. World Maker is in some ways more intense (“Endless Currents”), and in others more relaxed (“…Everything Else is Just the Weather”), and all-around more psychedelic than what I’ve heard from Psychonaut before. Yet, it wholly retains Psychonaut’s uncanny knack for organic, almost primal rhythms, fluid transitions, and captivating phrases that achieves comparable success with or without vocals (“Origins”).
What sets World Maker apart from either of its predecessors is refinement in songwriting. Their base formula remains intact, but the methods with which Psychonaut compose and perform these latest arrangements ooze sophistication and finesse. Epic tracks like “And You Came with Searing Light” and “Stargazer,” in particular, showcase some of Psychonaut’s strongest and most satisfying writing to date. Exploring a wide gamut of textures, tones and tempos, these long-form journeys balance the power of the riff utilized on “You Are the Sky…” and “Endless Erosion” with the introspective post-metal lightness illuminated on “…Everything Else is Just the Weather” and “All in Time.” Generous and varied application of this strategy album-wide affords Psychonaut’s impeccably detailed compositions ample room for natural transformations between the monstrous and the gentle. This, in turn, allows World Maker to feel alive, to grow and evolve with every passing minute, and each subsequent spin.
As such, World Maker takes time and commitment to fully appreciate. It moves with such grace that its hour-long 1 runtime shrinks dramatically before me; that much became evident almost immediately. At the same time, it’s a dense and complex work that unfolds across multiple dimensions more rapidly than any one explorer can keep step. Perhaps this is a reflection of the circumstances surrounding its creation. With guitarist/vocalist Stefan de Graef’s entry into new fatherhood to devastating news of his father’s and bassist/vocalist Thomas Michiels’ father’s advanced cancer diagnoses, a newfound focus on the here and now illuminates the emotional shades that help define and color World Maker’s deeply affecting compositions. Trading off bright glimmers of hope with the looming shadow of grief, and simultaneously carrying the weight of everything that falls between, informs every moment of World Maker. This makes it a much more personal record than its predecessors. Moreover, Psychonaut curated an inviting, vulnerable space so that I might join in their joys and their sorrows through this work, creating a special kind of intimacy that is a privilege to share.
Even for those who lack the context in their own lives yet to fully identify with the stories and messages explored here, World Maker will likely have a substantial impact. It is a record that demands not just your full attention, but also your recurring presence. A single spin, or even three, is wholly insufficient to chart in totality what Psychonaut attempts to communicate here. These are songs meant to somehow, in some way, encapsulate the breadth of life and all of the lessons it teaches, the pains it inflicts, and the exhilaration it inspires. In my opinion, Psychonaut achieved a difficult, delicate balance within that astounding spectrum. All you need to see it for yourself is an open heart and a little time.
Rating: Great!
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Pelagic Records
Websites: psychonautband.bandcamp.com | facebook.com/psychonautband
Releases Worldwide: October 24th, 2025#2025 #40 #BelgianMetal #Oct25 #PelagicRecords #PinkFloyd #PostMetal #ProgressiveMetal #PsychedelicMetal #Psychonaut #Review #Reviews #TheOcean #Tool #WorldMaker
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LIZZARD #pelagicrecords
#artrock #progressiverockhttps://lizzardband.bandcamp.com/
Le trio aux accents groovy de Mastodon et aux refrains accrocheurs sauce Baroness est d'ores et déjà en tournée sur cette fin d'année !
- 14 décembre ⚠️ cherche date !
- 13 décembre ⚠️ cherche date !
- 12 décembre @ Le Pont de Singe, Arras
- 11 decembre @ Dropkick bar, Orléans
- 24 Aout Pelagic Fest w/ Psychonaut, Hypno5e... -
Blessings – Blodsträngen Review
By Owlswald
Originating from the same vibrant scene that has spawned acts ranging from At the Gates to Ace of Base, Gothenburg experimental noise quartet Blessings have been forging their own path within the borders of Sweden’s olde harbor city for thirteen years. Comprised of long-standing veterans of the Swedish scene, Blessings have been worshipping at the altar of turmoil since its 2012 debut, Bittervaten came out waving a Black Flag of loud, Unsanely harsh, in-your-face noise rock. Subsequent years of relentless touring and creative experimentation culminated in the follow-up, Biskopskniven1 which leaned more heavily into rhythmic anchoring, trance-inducing moods, and riffing. With Blodsträngen,2 Blessings is poised to take listeners on an intense, genre-bending journey, venturing into increasingly experimental and unconventional sonic territory.
Blodsträngen blends the grit of punk, the expansiveness of post-rock, and hardcore’s raw aggression into an intensely juxtaposed sound that is dark, abrasive, and dramatic. Guitarist Johan G Winther lays down chunky Mastodon-style motifs (“Copper + Dirt,” “Raised on Graves”), shoegaze melodies (“No Good Things,” “Strings of Red”) and bursts of dissonant chords (“Clean”). Mattias Rasmusson’s booming rock grooves drive moments of Old Man Gloom-like explosiveness, while Erik Skytt’s percussive accents and expressive modular tones—featuring everything from organs, cowbells, and woodblocks to a xylophone—strategically guide listeners through Blodsträngen. Fredrik Karlsson’s powerful voice commands excellent projection, especially during Blodsträngen’s darker verses, alternating between spoken-sung punk vocals reminiscent of The Jesus Lizard or early Killing Joke (“No Good Things,” “Clean”) and throaty, abrasive howls (“Allt Vi Kan Ge Är Upp,” “Strings of Red”). Overall, Blodsträngen sounds massive and confrontational, the instrumentation hitting well above its weight, piercing a bright master that belies its DR score.
Blodsträngen is best experienced as an immersive, uninterrupted ride. Its seven tracks flow seamlessly, shifting moods and textures while progressively intensifying. The record immediately kicks off with its strongest material, showcasing Blessings’ dynamic songwriting and unique sound. “Raised on Graves” quickly establishes its edgy, ominous feel, creating foreboding through Winther’s haunting notes, Karlsson’s growling bass, and Skytt’s tribal accents. Eschewing a predictable crescendo, it cleverly loops back to another verse before diving headfirst into full-blown punk with an insistent tambourine. An isolated cowbell punctuates the track, serving as a stark prelude to “Strings of Red,” which explodes into a hardcore frenzy after spells of tense breaths. Skytt’s suspenseful synth leads and Winther’s aggressive riffing drive the song, which serves as a definitive statement of Blessings’ ability to produce hard-hitting material with intriguing textural elements, despite its meandering finish. Rounding out the album’s robust first third is the ambitious and lengthy “Clean,” one of Blodsträngen’s longest tracks. Highlighted by what might be one of the gnarliest bass tones I’ve heard in ages, Karlsson’s hefty bass line and somber vocal delivery channels a Filter-esque vibe before a devastating breakdown tears through the mix. The song works beautifully once it gains momentum, though its dragging intro and overlong build partially weigh it down.
Blodsträngen starts with incredible momentum and promise, making Blessings’ subsequent struggles to maintain its energy all the more disappointing. While “Allt Vi Kan Ge Är Upp” injects much-needed vigor back into Blodsträngen with its dominant rhythms and exhilarating crescendo, “No Good Things” marks a noticeable dip in energy. The track lacks the compositional ambition of the album’s earlier material, consequently feeling plain as it relies too much on Skytt’s quirky samples and Karlsson’s vocals. “Copper + Dirt” is a short burst of aggressive, riff-driven material that abruptly ends after less than two minutes, a confusing result that feels wholly out of place. Finally, the terrific, harmonized melodies from Winther and Skytt within the first half of “Through Veils of Glass and Silica” suffer, unfortunately, from its excessive length and meandering post-rock sections, which leave Blodsträngen ending on a drawn-out note.
Blessings is a good band, but Blodsträngen is a front-loaded album that left me wishing these Swedes had maintained their peak energy for the entire forty-one minutes. When they’re firing on all cylinders, Blessings crafts unique, powerful, and atmospherically heavy music. Their future success hinges on maintaining their intensity and sharpening their songwriting, steering clear of unnecessary repetition or padding. A great album is potentially waiting in the wings, and Blessings certainly has the talent to deliver. The question is, will they?
Rating: Mixed
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Pelagic Records
Websites: blessingsgbg.bandcamp.com | facebook.com/Blessingsgbg
Releases Worldwide: August 1st, 2025#25 #2025 #Aug25 #BlackFlag #Blessings #Blodsträngen #ExperimentalMetal #Filter #KillingJoke #Mastodon #Noise #NoiseRock #OldManGloom #PelagicRecords #PostRock #postPunk #Review #Reviews #SwedishMetal #TheJesusLizard #Unsane
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#MusicMonday! Törzs - "Otthon"
https://www.youtube.com/watch?v=w3DyKpfbfpg
So beautiful. Just the right amout of space for every note to shine. 🙂
All my Monday picks in one convenient playlist:
https://open.spotify.com/playlist/0QM8g9O3FgZdaWeJPPMFrp -
BRUIT ≤ – The Age of Ephemerality
(Post-Rock, Experimental, Modern Classical / Pelagic Records)Wahnsinn, was BRUIT≤ da rausgehauen haben. Es ist kein typisches Pelagic Records – Album, da gefühlt alle anderen VÖs eher in die brachialere Ecke gehen. Nichts desto trotz ist „The Age Of Ephemerality“ eine Perle für jeden Post-Rock – Fan.
Review von @oranje1986:
https://vinyl-keks.eu/bruit≤-the-age-of-ephemerality/#BRUIT≤ #Instrumental #Modern #Classical #PelagicRecords #PostRock #TheAgeofEphemeralitytoulouse
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#MusicMonday! SOM - "Chemicals"
https://www.youtube.com/watch?v=wRWoFkQtMdU
Still undecided if I really dig this or not, but I *have* listened to this track quite a bit this week, so there's that, I guess... I'll simply blame the chemicals! 😝
All my Monday picks in one convenient playlist:
https://open.spotify.com/playlist/0QM8g9O3FgZdaWeJPPMFrp -
#nowplaying Disruption by Hanry
https://hanry.bandcamp.com/album/disruption
Some more #instrumental #postrock from #PelagicRecords. I like this one quite a bit.
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French post-rock outfit HANRY unveils "Ether", marking new partnership with Pelagic Records. Preview of upcoming Disruption EP (Jan 2025). Listen: https://go.stereobar.net/mxjnx3
#BestNewMusic2024 #Week48 #PostRock #HANRY #PelagicRecords -
Glassing // #Glassing //
Circle Down
[album From the Other Side of the Mirror, 2024]//via // #BrutalPandaRecords #PelagicRecords //
#brandunbrand #bandcamp #music #Glassing #FromTheOtherSideOfTheMirror #CircleDown #CoryBrim #DustinCoffman #ScottOsment
link bandcamp: https://glassing.bandcamp.com/track/circle-down-2
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Glassing // #Glassing //
Ritualist
[album From the Other Side of the Mirror, 2024]//via // #BrutalPandaRecords #PelagicRecords //
#brandunbrand #bandcamp #music #Glassing #FromTheOtherSideOfTheMirror #Ritualist #CoryBrim #DustinCoffman #ScottOsment
link bandcamp: https://glassing.bandcamp.com/track/ritualist-2
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𝗦𝘃𝗺𝗲𝗿𝗸𝗶 serdecznie zapraszają na spektakularny #koncert post/noise rock duetu z Finlandii #NYOS!
Zespół powraca z szóstym pełnometrażowym wydawnictwem z #PelagicRecords (Cult of Luna, God is an Astranaut, Envy, Rosetta, Mono). Łącząc noise punkowe zapętlenie 𝗕𝗮𝘁𝘁𝗹𝗲𝘀 i 𝗧𝗼𝗿𝘁𝗼𝗶𝘀𝗲 z mocną ścianą dźwięku przypominającą 𝗥𝘂𝘀𝘀𝗶𝗮𝗻 𝗖𝗶𝗿𝗰𝗹𝗲𝘀, NYOS w dalszym ciągu kontrastuje swoją wyjątkową złożoność kompozycyjną z improwizacjami na żywo.
Wydarzenie 🎶 https://squ.at/r/9o25
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NYOS - Follow the Hawk Moth
#music #rocknroll #noiserock #instrumental #NYOS #pelagicrecords
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LOVE SEX MACHINE - Drone syndrome
#music #metal #heavymetal #sludgemetal #lovesexmachine #pelagicrecords
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HEROD - The Icon (Official Video)
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SHRVL - Response (Official Video)
