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#mariananderson — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #mariananderson, aggregated by home.social.

  1. On April 9th, 1939: American contralto #MarianAnderson sings before 75,000 at the Lincoln Memorial in Washington, D.C; appearance organized after Anderson was denied permission to sing to an integrated audience in Constitution Hall.

  2. On the 8th of April 1993: #MarianAnderson, American contralto and celebrated #singer (My Lord, What a Morning), died of #congestiveheartfailure at 96.
    #RIP

  3. "He's Got the Whole World in His Hands" is a traditional African-American #spiritual, first published in 1927. It became an international #pop hit in 1957–58 in a recording by British singer #LaurieLondon, which is one of the #bestsellingGospelSongsOfAllTime. The song has also been recorded by many other singers and choirs, including #MahaliaJackson, #MarianAnderson, #JudyGarland and #NinaSimone and in Germany by Conny Froboess.
    youtube.com/watch?v=kO7b_b2EVkw

  4. 
And finally, “The N*gro Speaks of Rivers” (youtu.be/kiCqOzabU6A?si=MC1K7Y) performed by the greatest coloratura contralto Marian Anderson. This 1941 composition is based on the poem “The N*gro Speaks of Rivers” by Margaret Bonds’ muse, co-conspirator and close friend Langston Hughes, who she met in the late 1930s after she graduated from college where she fell in love with his writing.
    #SymSat #MargaretBonds #LangstonHughes #BlackHistoryMonth #MarianAnderson

  5. 
And finally, “The N*gro Speaks of Rivers” (youtu.be/kiCqOzabU6A?si=MC1K7Y) performed by the greatest coloratura contralto Marian Anderson. This 1941 composition is based on the poem “The N*gro Speaks of Rivers” by Margaret Bonds’ muse, co-conspirator and close friend Langston Hughes, who she met in the late 1930s after she graduated from college where she fell in love with his writing.
    #SymSat #MargaretBonds #LangstonHughes #BlackHistoryMonth #MarianAnderson

  6. 
And finally, “The N*gro Speaks of Rivers” (youtu.be/kiCqOzabU6A?si=MC1K7Y) performed by the greatest coloratura contralto Marian Anderson. This 1941 composition is based on the poem “The N*gro Speaks of Rivers” by Margaret Bonds’ muse, co-conspirator and close friend Langston Hughes, who she met in the late 1930s after she graduated from college where she fell in love with his writing.
    #SymSat #MargaretBonds #LangstonHughes #BlackHistoryMonth #MarianAnderson

  7. 
And finally, “The N*gro Speaks of Rivers” (youtu.be/kiCqOzabU6A?si=MC1K7Y) performed by the greatest coloratura contralto Marian Anderson. This 1941 composition is based on the poem “The N*gro Speaks of Rivers” by Margaret Bonds’ muse, co-conspirator and close friend Langston Hughes, who she met in the late 1930s after she graduated from college where she fell in love with his writing.
    #SymSat #MargaretBonds #LangstonHughes #BlackHistoryMonth #MarianAnderson

  8. 
And finally, “The N*gro Speaks of Rivers” (youtu.be/kiCqOzabU6A?si=MC1K7Y) performed by the greatest coloratura contralto Marian Anderson. This 1941 composition is based on the poem “The N*gro Speaks of Rivers” by Margaret Bonds’ muse, co-conspirator and close friend Langston Hughes, who she met in the late 1930s after she graduated from college where she fell in love with his writing.
    #SymSat #MargaretBonds #LangstonHughes #BlackHistoryMonth #MarianAnderson

  9. Marian Anderson (February 27, 1897 – April 8, 1993) is considered to be the greatest coloratura contralto of the 20th century. She was the first Black American to sing at the Met Opera, Washington D.C.’s Constitution Hall. And later was awarded the first Presidential Medal of Freedom in 1963, the Congressional Gold Medal in 1977, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.
    #SymSat #MarianAnderson #BlackHistoryMonth

  10. On Jan 7, 1955: #MarianAnderson is the first African American to perform with the New York Metropolitan Opera, singing the role of Ulrica in #GiuseppeVerdi's "Un ballo in maschera".

  11. "Erbarme dich, mein Gott, um meiner Zaehren willen."

    "Have mercy on me, my God, for my tears' sake."

    Marian Anderson (1897-1993), singing JS Bach's "Erbarme dich mein Gott" in 1939 in front of the Lincoln Memorial, perhaps the best ever performance of this most painful and most loving of all of Bach's arias, and also the most political of them all.

    Anderson was black, and she was prevented from performing at Constitution Hall. Eleanor Roosevelt helped letting her perform at the Lincoln Memorial. (From Wikipedia.)

    What a voice.

    This song is Bach's deepest plea for mercy, of all his songs, and the warmth of Marian Anderson's voice makes us experience it fully. So fiitting to see the connection to Black Liberation.

    youtu.be/_E7zjNiz2ZI

    #MarianAnderson #Bach #ErbameDichMeinGott #liberation #thestruggleneverendsbutGodandalltheanglesareonourside

  12. Enough sopranos! Here’s Contralto Marian Anderson with Bach’s “Erbarme dich, mein Gott” AKA “Have Mercy, My God” (youtu.be/_E7zjNiz2ZI?si=By2yR8)
    #RetroView #BlackHistoryMonth #MarianAnderson

  13. "No matter how big a nation is, it is no stronger than its weakest people, and as long as you keep a person down, some part of you has to be down there to hold him down, so it means you cannot soar as you might otherwise." — #MarianAnderson #BlackHistory

  14. "Marian Anderson," Laura Wheeler Waring, 1944.

    Waring (1887-1948) came from an educated Black family (her father was a Presbyterian minister) and studied at the Pennsylvania Academy of Fine Arts. She was the first Black woman to win the Cresson Memorial Scholarship which enabled her to travel to Paris. There she was able to exhibit her work and win awards and acclaim.

    She returned to the US and became involved in the Harlem Renaissance, and was commissioned to do a series of portraits of prominent Black Americans, like this one.

    Marian Anderson (1897-1993) was a legendary contralto. She's famous for being banned from performing at DAR Constitution Hall in 1939; Eleanor Roosevelt helped arrange for Anderson to give an open-air concert at Lincoln Memorial on Easter Sunday instead, which was heard by millions of radio listeners. Anderson was the first Black woman to perform with the Metropolitan Opera, and became an icon of the Civil Rights movement. She was also the first-ever winner of the Presidential Medal of Freedom in 1963.

    So, go look up Waring's paintings, and listen to Anderson's music! Two great legacies to investigate!

    From the National Portrait Gallery, Washington, DC.

    #Art #BlackArtists #WomenArtists #BlackWomenArtists #HarlemRenaissance #CivilRights #MarianAnderson #LauraWheelerWaring

  15. Marian Anderson (February 27, 1897 – April 8, 1993) was an American contralto. During her long career, she fought to be able to perform for non-segregated audiences and was the first Black woman to perform with the Met Opera.
    #RetroView #MarianAnderson #BlackHistoryMonth

  16. 69 years ago, Marian Anderson becomes the 1st African American to perform with the New York Metropolitan Opera, singing the role of Ulrica in Giuseppe Verdi's "Un ballo in maschera"
    #MarianAnderson