#mannerism — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #mannerism, aggregated by home.social.
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"Jupiter and Io," Antonio de Correggio, 1520-40.
Correggio (1489-1534) was an Italian High Renaissance painter known for his very sensual and suggestive works, and for prefiguring the Baroque style. Despite his rather louche reputation, he also did a large number of religious works.
This particular work was one of a series of paintings that interpreted various liaisons of the god Jupiter, as taken from Ovid's "Metamorphises," and all were quite sensual and erotic. They were commissioned by Frederico II of Gonzaga, then ruler of Mantua, but were given to the Holy Roman Emperor, possibly under duress.
The image is unabashedly erotic, to the point that later artists would sometimes paint a miniature version in a room to indicate that the owner was a prostitute or other person of loose morals.
Correggio died young; reportedly he was a lonely, introverted man; little is known of his early life or training, and there are no records of a marriage or children. The passionate sensuality of his works hint at quite an inner life, though.
From the Kunsthistorisches Museum, Vienna.
#Art #AntonioDeCorreggio #Mythology #Io #Sensual #Eroticism #Mannerism #WomenInArt
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"Jupiter and Io," Antonio de Correggio, 1520-40.
Correggio (1489-1534) was an Italian High Renaissance painter known for his very sensual and suggestive works, and for prefiguring the Baroque style. Despite his rather louche reputation, he also did a large number of religious works.
This particular work was one of a series of paintings that interpreted various liaisons of the god Jupiter, as taken from Ovid's "Metamorphises," and all were quite sensual and erotic. They were commissioned by Frederico II of Gonzaga, then ruler of Mantua, but were given to the Holy Roman Emperor, possibly under duress.
The image is unabashedly erotic, to the point that later artists would sometimes paint a miniature version in a room to indicate that the owner was a prostitute or other person of loose morals.
Correggio died young; reportedly he was a lonely, introverted man; little is known of his early life or training, and there are no records of a marriage or children. The passionate sensuality of his works hint at quite an inner life, though.
From the Kunsthistorisches Museum, Vienna.
#Art #AntonioDeCorreggio #Mythology #Io #Sensual #Eroticism #Mannerism #WomenInArt
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"Jupiter and Io," Antonio de Correggio, 1520-40.
Correggio (1489-1534) was an Italian High Renaissance painter known for his very sensual and suggestive works, and for prefiguring the Baroque style. Despite his rather louche reputation, he also did a large number of religious works.
This particular work was one of a series of paintings that interpreted various liaisons of the god Jupiter, as taken from Ovid's "Metamorphises," and all were quite sensual and erotic. They were commissioned by Frederico II of Gonzaga, then ruler of Mantua, but were given to the Holy Roman Emperor, possibly under duress.
The image is unabashedly erotic, to the point that later artists would sometimes paint a miniature version in a room to indicate that the owner was a prostitute or other person of loose morals.
Correggio died young; reportedly he was a lonely, introverted man; little is known of his early life or training, and there are no records of a marriage or children. The passionate sensuality of his works hint at quite an inner life, though.
From the Kunsthistorisches Museum, Vienna.
#Art #AntonioDeCorreggio #Mythology #Io #Sensual #Eroticism #Mannerism #WomenInArt
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"Jupiter and Io," Antonio de Correggio, 1520-40.
Correggio (1489-1534) was an Italian High Renaissance painter known for his very sensual and suggestive works, and for prefiguring the Baroque style. Despite his rather louche reputation, he also did a large number of religious works.
This particular work was one of a series of paintings that interpreted various liaisons of the god Jupiter, as taken from Ovid's "Metamorphises," and all were quite sensual and erotic. They were commissioned by Frederico II of Gonzaga, then ruler of Mantua, but were given to the Holy Roman Emperor, possibly under duress.
The image is unabashedly erotic, to the point that later artists would sometimes paint a miniature version in a room to indicate that the owner was a prostitute or other person of loose morals.
Correggio died young; reportedly he was a lonely, introverted man; little is known of his early life or training, and there are no records of a marriage or children. The passionate sensuality of his works hint at quite an inner life, though.
From the Kunsthistorisches Museum, Vienna.
#Art #AntonioDeCorreggio #Mythology #Io #Sensual #Eroticism #Mannerism #WomenInArt
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"Jupiter and Io," Antonio de Correggio, 1520-40.
Correggio (1489-1534) was an Italian High Renaissance painter known for his very sensual and suggestive works, and for prefiguring the Baroque style. Despite his rather louche reputation, he also did a large number of religious works.
This particular work was one of a series of paintings that interpreted various liaisons of the god Jupiter, as taken from Ovid's "Metamorphises," and all were quite sensual and erotic. They were commissioned by Frederico II of Gonzaga, then ruler of Mantua, but were given to the Holy Roman Emperor, possibly under duress.
The image is unabashedly erotic, to the point that later artists would sometimes paint a miniature version in a room to indicate that the owner was a prostitute or other person of loose morals.
Correggio died young; reportedly he was a lonely, introverted man; little is known of his early life or training, and there are no records of a marriage or children. The passionate sensuality of his works hint at quite an inner life, though.
From the Kunsthistorisches Museum, Vienna.
#Art #AntonioDeCorreggio #Mythology #Io #Sensual #Eroticism #Mannerism #WomenInArt
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End wall of the Stanza del Cane, Paolo Veronese (1560 - 1561), https://etidiohnew.blogspot.com/2026/05/end-wall-of-stanza-del-cane-paolo.html
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The Conversion Of St Paul, Parmigianino (1527 - 1528), https://etidiohnew.blogspot.com/2026/05/the-conversion-of-st-paul-parmigianino.html
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Flowers and the world's bounty depicted in arguably Guiseppe Archimboldo's masterpiece - his portrait of Rudolf II, Holy Roman Emperor, as Vertumnus, Roman god of the seasons (1591). Archimboldo's composite portraits are among my favourite works of art. #WyrdWednesday #16thC #mannerism #artsky
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"Portrait of a Young Man," Agnolo Bronzino, 1530s.
Bronzino (1503-72) was one of the greats of the Italian Mannerist style, which featured exaggerated proportions, asymmetrical arrangements, and a sort of unnatural elegance.
His best-known works are his portraits and some of his allegorical or religious works, some of which scholars are still arguing about centuries later; he never made things particularly clear.
This is one of his more naturalistic works. The young man, unidentified, stands with his finger in a book; experts believe it to be a book of poetry. He seems almost annoyed, as if we're interrupting his reading. One of his eyes is out of alignment as well, an interesting little detail.
The painting tells us more about the man's status than anything else; he's obviously wealthy, and perhaps a bit full of himself. But the presence of several masklike faces here and there, including the folds of his clothes, seem to hint that his own demeanor is a mask.
Happy Portrait Monday!
From the Metropolitan Museum of Art, New York.
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"Spring," Giuseppe Arcimboldo, 1563.
Arcimboldo (1527-93) is an Italian Mannerist painter best known for his surreal still lifes that form faces. These are felt today to be mostly novelties meant to amuse, but they're the work that has survived.
Very little of his more conventional work has been found, and most of it is, well, very conventional. Unremarkable, even. He saved all his creative energy for things like this.
Honestly, I'd like to give him credit for being a surrealist before surrealism was a thing. Here we have Spring, a woman made up completely of flowers and leaves, with lips of rose petals. What could be more appropriate?
It seems more suited for Flower Friday than Portrait Monday, but heck, it's a portrait of a season, isn't it?
Happy Portrait Monday!
From the Real Academia de Bellas Artes de San Fernando, Madrid.
#Art #Mannerism #GiuseppeArcimboldo #PortraitMonday #ProtoSurrealism #Spring
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Bacchus by Hendrich Goltzius, c. 1600 (engraving)
#HendrichGoltzius #bacchus #dionysos #dionysus #engraving #art #mannerism -
Bacchus by Hendrich Goltzius, c. 1600 (engraving)
#HendrichGoltzius #bacchus #dionysos #dionysus #engraving #art #mannerism -
Bacchus by Hendrich Goltzius, c. 1600 (engraving)
#HendrichGoltzius #bacchus #dionysos #dionysus #engraving #art #mannerism -
Bacchus by Hendrich Goltzius, c. 1600 (engraving)
#HendrichGoltzius #bacchus #dionysos #dionysus #engraving #art #mannerism -
Crowning with Thorns, Titian (c.1570 - c.1575), https://etidiohnew.blogspot.com/2026/02/crowning-with-thorns-titian-c1570-c1575.html
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Crowning with Thorns, Titian (c.1570 - c.1575), https://etidiohnew.blogspot.com/2026/02/crowning-with-thorns-titian-c1570-c1575.html
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Crowning with Thorns, Titian (c.1570 - c.1575), https://etidiohnew.blogspot.com/2026/02/crowning-with-thorns-titian-c1570-c1575.html
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Crowning with Thorns, Titian (c.1570 - c.1575), https://etidiohnew.blogspot.com/2026/02/crowning-with-thorns-titian-c1570-c1575.html
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Crowning with Thorns, Titian (c.1570 - c.1575), https://etidiohnew.blogspot.com/2026/02/crowning-with-thorns-titian-c1570-c1575.html
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Experience the divine transformation of Apollo in Goltzius' engraving, where exaggerated musculature embodies supernatural strength. The interplay of light and shadow captures Mannerism's essence. How does this dramatic representation resonate with contemporary views of heroism?
#ArtHistory #Mannerism #Apollo #ClevelandArt
https://clevelandart.org/art/1969.48 -
Iustitia, Maerten van Heemskerck (1556), https://etidiohnew.blogspot.com/2026/01/iustitia-maerten-van-heemskerck-1556.html
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Paradise, Tintoretto (c. 1592), https://etidiohnew.blogspot.com/2025/10/paradise-tintoretto-c-1592.html
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"Portrait of a Noblewoman," Lavinia Fontana, 1580.
Fontana (1552-1614) is regarded as the first female career artist in Western Europe, as she relied solely on commissions to support herself and her family. Her husband acted as her agent, and raised their 11 children (!).
At the time this was painted, she was a popular portraitist in her native Bologna, very sought after by noblewomen. Apparently she was beloved by her clients; previous clients would sit and chat while she painted someone else's portrait. Fontana later moved to Rome, upon being patronized by Pope Clement VIII, where she painted more portraits and a series of altarpieces and religious paintings.
It's generally agreed that this particular painting was of a young woman about to be married. She's obviously a product of wealth. Those clothes! Those jewels! She has the pelt of a marten hanging from her belt, itself set with jewels. She looks distracted, and a bit unhappy, but at the time, even wealthy women had few choices in life. Even the small dog begging for attention isn't enough to bring a smile to her face.
Happy Portrait Monday!
From the National Museum of Women in the Arts, Washington, DC.
#Art #LaviniaFontana #Mannerism #Renaissance #WomenArtists #WomenInArt #PortraitMonday
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"Portrait of a Young Man as Saint Sebastian," Agnolo Bronzino, c. 1533.
Agnolo di Cosimo (1503-1572), known as Agnolo Bronzino, or simply "Bronzino," was an Italian Mannerist painter. Mannerism was a style of art that grew from the Renaissance, and was usually marked by asymmetrical arrangements and exaggerated proportions, as well as an unnatural elegance. While High Renaissance art strove for realism, Mannerism strove for the artificial.
Bronzino lived his life in Florence and was a major portraitist, as well as doing religious and allegorical paintings (including the endlessly fascinating "Venus, Cupid, Folly and Time"). Many of his portraits are fairly straightforward affairs, of richly dressed nobles with severe expressions, but he also did a number of "allegorical portraits" where his male (always male) subjects are presented nude or semi-nude as mythical or historical figures. This, along with some of his writings, has led many today to conclude Bronzino was gay.
The identity of the sitter here is unknown, but his state of undress, and his cheeky expression, make one wonder.
From the Museo Nacional Thyssen-Bornemisza, Madrid.
#Art #PortraitMonday #AgnoloBronzino #Mannerism #QueerArt #LGBTQHistory
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Christ driving the Traders from the Temple (El Greco, 1600), https://etidiohnew.blogspot.com/2025/07/christ-driving-traders-from-temple-el.html
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"Tarquin and Lucretia," Tintoretto, 1578-80.
Born Jacopo Robusti, Tintoretto (1518-1594) was a prominent Renaissance painter, whose use of muscular figures, dramatic poses, and unusual perspectives made him an icon of the Mannerist style. He was also known for his speed of painting, his bold brushwork, and the sheer high energy of his process, which led to him being nicknamed "Il Furioso." He's still revered and studied today.
The story of Tarquin and Lucretia is semilegendary....while we think we know some of the folks involved were real, we're unsure of the details. Sextus Tarquinius, a son of the last king of Rome, Lucius Tarquinius Superbus, lusted for Lucretia, a virtuous wife of an official in a nearby town. He threatened to kill her and a slave, put them together, and tell her husband that Tarquin had defended his honor when he caught them together. Lucretia, after some struggle, submitted to his embrace....but then as soon as he left, she sent word to her husband and committed suicide to defend her family's honor. (Yeah, that sounds icky to me too.)
The story was a favorite of many artists, and has been depicted countless times.
From the Art Institute of Chicago.
#Art #Mannerism #Tintoretto #WomenInArt #RomanHistory #IckySubjectMatter
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"Unfaithfulness," Paolo Veronese, c. 1575.
Veronese (1528-1588) was a Venetian Renaissance painter, most famous for his extremely large religious, history, and mythology paintings. Along with Titian and Tintoretto, he's regarded as one of the three great Venetian painters of the time, and his work was eagerly sought by collectors during his lifetime.
This is one of a series of paintings done as "An Allegory of Love." Here we have "Unfaithfulness," sometimes called "Infidelity," the first of the four. Here the lady seems ready to go for the guy in pink...but in the second, "Scorn," it's the bearded man she looks on with contempt as he writhes in agony, and in the third, "Respect," he comes across her nude form again....but in the fourth, "Happy Union," she seems to be hooking up with the pink guy again. It's unclear if they're meant to tell a story, or just be a representation of different amatory experiences, perhaps in opposed pairs..."Scorn" vs. "Respect," and "Unfaithfulness" vs. "Happy Union." It's all up to interpretation.
From the National Gallery, London.
#Art #Mannerism #PaoloVeronese #Infidelity #Love #VenetianArt
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"Unfaithfulness," Paolo Veronese, c. 1575.
Veronese (1528-1588) was a Venetian Renaissance painter, most famous for his extremely large religious, history, and mythology paintings. Along with Titian and Tintoretto, he's regarded as one of the three great Venetian painters of the time, and his work was eagerly sought by collectors during his lifetime.
This is one of a series of paintings done as "An Allegory of Love." Here we have "Unfaithfulness," sometimes called "Infidelity," the first of the four. Here the lady seems ready to go for the guy in pink...but in the second, "Scorn," it's the bearded man she looks on with contempt as he writhes in agony, and in the third, "Respect," he comes across her nude form again....but in the fourth, "Happy Union," she seems to be hooking up with the pink guy again. It's unclear if they're meant to tell a story, or just be a representation of different amatory experiences, perhaps in opposed pairs..."Scorn" vs. "Respect," and "Unfaithfulness" vs. "Happy Union." It's all up to interpretation.
From the National Gallery, London.
#Art #Mannerism #PaoloVeronese #Infidelity #Love #VenetianArt
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"Unfaithfulness," Paolo Veronese, c. 1575.
Veronese (1528-1588) was a Venetian Renaissance painter, most famous for his extremely large religious, history, and mythology paintings. Along with Titian and Tintoretto, he's regarded as one of the three great Venetian painters of the time, and his work was eagerly sought by collectors during his lifetime.
This is one of a series of paintings done as "An Allegory of Love." Here we have "Unfaithfulness," sometimes called "Infidelity," the first of the four. Here the lady seems ready to go for the guy in pink...but in the second, "Scorn," it's the bearded man she looks on with contempt as he writhes in agony, and in the third, "Respect," he comes across her nude form again....but in the fourth, "Happy Union," she seems to be hooking up with the pink guy again. It's unclear if they're meant to tell a story, or just be a representation of different amatory experiences, perhaps in opposed pairs..."Scorn" vs. "Respect," and "Unfaithfulness" vs. "Happy Union." It's all up to interpretation.
From the National Gallery, London.
#Art #Mannerism #PaoloVeronese #Infidelity #Love #VenetianArt
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"Unfaithfulness," Paolo Veronese, c. 1575.
Veronese (1528-1588) was a Venetian Renaissance painter, most famous for his extremely large religious, history, and mythology paintings. Along with Titian and Tintoretto, he's regarded as one of the three great Venetian painters of the time, and his work was eagerly sought by collectors during his lifetime.
This is one of a series of paintings done as "An Allegory of Love." Here we have "Unfaithfulness," sometimes called "Infidelity," the first of the four. Here the lady seems ready to go for the guy in pink...but in the second, "Scorn," it's the bearded man she looks on with contempt as he writhes in agony, and in the third, "Respect," he comes across her nude form again....but in the fourth, "Happy Union," she seems to be hooking up with the pink guy again. It's unclear if they're meant to tell a story, or just be a representation of different amatory experiences, perhaps in opposed pairs..."Scorn" vs. "Respect," and "Unfaithfulness" vs. "Happy Union." It's all up to interpretation.
From the National Gallery, London.
#Art #Mannerism #PaoloVeronese #Infidelity #Love #VenetianArt
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"Unfaithfulness," Paolo Veronese, c. 1575.
Veronese (1528-1588) was a Venetian Renaissance painter, most famous for his extremely large religious, history, and mythology paintings. Along with Titian and Tintoretto, he's regarded as one of the three great Venetian painters of the time, and his work was eagerly sought by collectors during his lifetime.
This is one of a series of paintings done as "An Allegory of Love." Here we have "Unfaithfulness," sometimes called "Infidelity," the first of the four. Here the lady seems ready to go for the guy in pink...but in the second, "Scorn," it's the bearded man she looks on with contempt as he writhes in agony, and in the third, "Respect," he comes across her nude form again....but in the fourth, "Happy Union," she seems to be hooking up with the pink guy again. It's unclear if they're meant to tell a story, or just be a representation of different amatory experiences, perhaps in opposed pairs..."Scorn" vs. "Respect," and "Unfaithfulness" vs. "Happy Union." It's all up to interpretation.
From the National Gallery, London.
#Art #Mannerism #PaoloVeronese #Infidelity #Love #VenetianArt
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Dziś przypada rocznica urodzin Bartholomeusa Sprangera (1546-1611), flamandzkiego malarza późnego manieryzmu. Był nadwornym artystą cesarza Rudolfa II w Pradze, tworząc niezwykle eleganckie i zmysłowe kompozycje mitologiczne. Jego twórczość miała duży wpływ na sztukę Europy Północnej. #Mannerism (fot. Wikipedia)
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Apollo shines as a beacon in Goltzius's striking engraving, where exaggerated musculature embodies divine power. The interplay of clouds and light captures the Mannerist spirit beautifully. How does this piece change your perception of mythological narratives?
#Apollo #Mannerism #ArtHistory
https://clevelandart.org/art/1969.48 -
What habits or mannerisms of yours remind you of your mother or father?
#CriticalQuestions #Quiz #PubQuiz #Habit #Mannerism #Mother #Father #Parent #Children #Kids #StayHome #StaySafe #StayHomeStaySafe
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"Self-Portrait in a Convex Mirror," Parmigianino, 1523-4.
Girolamo Francesco Maria Mazzola, aka Parmigianino (1503-1540) was a pioneer of the Mannerist style, which was a gentle exaggeration and distortion of the more fussy proportions of Renaissance art. Here, we see him doing a self-portrait distorted by a convex mirror
Parmigianino was a monstrously talented artist whose career was disrupted by war and political upheavals, but who did achieve quite a bit of recognition in his own time. He was an inventive painter who also experimented with printmaking and etching, and reportedly was also an alchemist. He died young, only 37, of a fever.
Still, a fascinating portrait, and rather revolutionary for its time. He painted it when he was only 21, and gave it to Pope Clement VII. Apparently it was later passed on to the famous/infamous author, satirist, and early gay-rights pioneer Pietro Aretino. One wonders how Aretino, who was known to dabble in sexual blackmail, convinced the Vatican to give it to him....
From the Kunsthistorisches Museum, Vienna.
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El Greco -- St John the Evangelist
Back in 1976 in an exhibition of Golden Age Spanish painting at London's Royal Academy, the colours, style of representing the human form, and overall design of El Greco's St John the Evangelist made an unforgettable visual impression on me. More than a decade later, I was fortunate enough to see once more St John's distinctive El Greco physiognomy and hands at the Prado.
#Art #Painting #ElGreco #SpanishArt #Counterreformation #Mannerism #Prado #StJohnTheEvangelist
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El Greco -- St John the Evangelist
Back in 1976 in an exhibition of Golden Age Spanish painting at London's Royal Academy, the colours, style of representing the human form, and overall design of El Greco's St John the Evangelist made an unforgettable visual impression on me. More than a decade later, I was fortunate enough to see once more St John's distinctive El Greco physiognomy and hands at the Prado.
#Art #Painting #ElGreco #SpanishArt #Counterreformation #Mannerism #Prado #StJohnTheEvangelist
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El Greco -- St John the Evangelist
Back in 1976 in an exhibition of Golden Age Spanish painting at London's Royal Academy, the colours, style of representing the human form, and overall design of El Greco's St John the Evangelist made an unforgettable visual impression on me. More than a decade later, I was fortunate enough to see once more St John's distinctive El Greco physiognomy and hands at the Prado.
#Art #Painting #ElGreco #SpanishArt #Counterreformation #Mannerism #Prado #StJohnTheEvangelist
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El Greco -- St John the Evangelist
Back in 1976 in an exhibition of Golden Age Spanish painting at London's Royal Academy, the colours, style of representing the human form, and overall design of El Greco's St John the Evangelist made an unforgettable visual impression on me. More than a decade later, I was fortunate enough to see once more St John's distinctive El Greco physiognomy and hands at the Prado.
#Art #Painting #ElGreco #SpanishArt #Counterreformation #Mannerism #Prado #StJohnTheEvangelist
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El Greco - Penitent Magdalene
When many years ago I first visited Budapest's Museum of Fine Arts, I did not know that this El Greco was in their collection.
How surprised and delighted I was to encounter represented in the unmistakable El Greco style Mary Magdalene looking heavenward!#Art #Painting #Counterreformation #ElGreco #MaryMagdalene #Mannerism #Budapest
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El Greco - Penitent Magdalene
When many years ago I first visited Budapest's Museum of Fine Arts, I did not know that this El Greco was in their collection.
How surprised and delighted I was to encounter represented in the unmistakable El Greco style Mary Magdalene looking heavenward!#Art #Painting #Counterreformation #ElGreco #MaryMagdalene #Mannerism #Budapest
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El Greco - Penitent Magdalene
When many years ago I first visited Budapest's Museum of Fine Arts, I did not know that this El Greco was in their collection.
How surprised and delighted I was to encounter represented in the unmistakable El Greco style Mary Magdalene looking heavenward!#Art #Painting #Counterreformation #ElGreco #MaryMagdalene #Mannerism #Budapest
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El Greco - Penitent Magdalene
When many years ago I first visited Budapest's Museum of Fine Arts, I did not know that this El Greco was in their collection.
How surprised and delighted I was to encounter represented in the unmistakable El Greco style Mary Magdalene looking heavenward!#Art #Painting #Counterreformation #ElGreco #MaryMagdalene #Mannerism #Budapest
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El Greco - Penitent Magdalene
When many years ago I first visited Budapest's Museum of Fine Arts, I did not know that this El Greco was in their collection.
How surprised and delighted I was to encounter represented in the unmistakable El Greco style Mary Magdalene looking heavenward!#Art #Painting #Counterreformation #ElGreco #MaryMagdalene #Mannerism #Budapest
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A random artwork from my gallery:
"The Madonna with the Long Neck" — 2018
Due to the religious dogma of the time, Parmigianino was unable to express his full intentions in his version of The Madonna with the Long Neck. I've fixed it for him.
https://johnconway.art/the_madonna_with_the_long_neck
#Art #Dinosaurs #Historical #Jesus #Jurassic #Mannerism #OldMasters #Paintings #Repaints #Sauropods #Theropods #VirginMary
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Get to know some of the most important art movements!
https://youknowwhatblog.com/articles/most-important-art-movements/#painting #art #arthistory #artwork #artist #baroque #impressionism #mannerism #romanesque #renaissance #rococo #surrealism #article #didyouknow #youknowwhat #blog #blogger #generalknowledge
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A rather good bit of early Tintoretto I saw in #Modena. He painted panels for the wedding bedroom ceiling of a rich Venetian in 1641, showing various scenes from Ovid's Metamorphoses. This one is Apollo pursuing Daphne, who is transformed into a laurel to escape him.
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Juno Showering Gifts on Venetia, 1556 #mannerism #paoloveronese https://www.wikiart.org/en/paolo-veronese/juno-showering-gifts-on-venetia-1556
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Juno Showering Gifts on Venetia, 1556 #mannerism #paoloveronese https://www.wikiart.org/en/paolo-veronese/juno-showering-gifts-on-venetia-1556
