Live and recent posts from across the Fediverse tagged #venetianart, aggregated by home.social.
Seven Punchinellos trudge through a downpour, their hunched backs turned to us as ink bleeds into the damp paper. The umbrella’s tilt and the camel’s lowered head suggest resignation rather than shelter.
What does the empty space between the figures reveal about their shared solitude?
#ClevelandMuseumofArt #Tiepolo #VenetianArt
https://clevelandart.org/art/1937.573
The angel’s left wing arcs sharply, its feathers rendered in swift, overlapping strokes. Piazzetta’s study captures the tension between weight and flight—how light might sculpt a body seen from below.
What detail in the drapery’s folds suggests the artist’s concern with distance and visibility?
#ClevelandMuseumofArt #VenetianArt #BaroqueDrawing
https://clevelandart.org/art/1938.388.a
Seven Punchinellos huddle under a sudden downpour, their hunched backs turned to us as ink bleeds into the damp paper. The umbrella’s ribs strain against the weight of rain, suggesting both shelter and futility—what does the lone figure without one carry instead?
#ClevelandMuseumofArt #Tiepolo #VenetianArt
https://clevelandart.org/art/1937.573
The angel’s left wing stretches wide, its feathers rendered in swift, overlapping strokes of charcoal. Piazzetta’s study captures the weight of fabric and flesh suspended mid-air—how might light shift across those deep folds from below?
#ClevelandMuseumofArt #BaroqueDrawing #VenetianArt
https://clevelandart.org/art/1938.388.a
Discover the charm of Giovanni Domenico Tiepolo's "A Spring Shower" at #ClevelandMuseumofArt. What emotions do the aimless movements and the rain convey?
#ArtLovers #VenetianArt #18thCentury
https://clevelandart.org/art/1937.573
Gabriel Bella — an unknown painter
In its art collection, the Fondazione Querini-Stampalia in Venice has more than sixty paintings by the Venetian painter Gabriel Bella.
Those paintings are almost all we know about Gabriel Bella.
He lived in the 1700s. His style was a bit naif, somewhat inspired by the great vedutisti of his time, but where it is possible to point at a direct, tangible inspiration, it is usually from popular prints from the 1600s.
Most of the paintings depict public events, such as state ceremonial of the Republic of Venice, public feasts in the squares, regattas on the canals, and the reception of important foreign dignitaries.
The views are often of open spaces, or large inside spaces, depicted at a wide angle to take in the entire area. Usually, the spaces are very crowded, at times to a point where the painting is almost illegible.
The intent, to the extent we can discern it, seems almost documentary.
#histodons #VenetianArt #Venezia #Venice
Read more here: https://historywalksvenice.com/article/sources-and-publications/gabriel-bella-an-unknown-painter/
Gosh, how I wish I could get up to NYC this very moment to see this in real life!
I've only visited the Frick once, and I'm afraid I cannot recollect seeing this picture. I would be particularly keen to see the actual brushwork on the various fabrics and materials; the image here hints at Titian's mastery here, especially with regard to the fur, but nothing can beat seeing the real thing.
With Titian, as with Poussin, conventional wisdom insists that the late work is the great work; I've sometimes felt that this conventional wisdom implies that the early work is facile. I disagree with that implication, and would tender this portrait as evidence in rebuttal. There is so much that could be said about this picture and also so much to enjoy, not least the picture's affirmation and celebration of masculine beauty.
Thanks so much for posting this!
Giambattista Tiepolo
An Allegory with Venus and Time
1754-58
Oil on canvas, 292 x 190 cm
National Gallery, London
One of my favourite pictures from London's National Gallery. I confess I often hold this picture in my mind's eye as a form of escapism -- an escape from strip malls, bloated SUVs, megachurches with fundamentalist PowerPoints punctuated by bad rock and extempore prayer, cargo pants,
presidential make up, the Hobby Lobby...
#Tiepolo #GiambattistaTiepolo #NtationalGallery #VenetianArt #Painting #LateBaroque #Rococo #Art #Allegory #Venus #Escapism
"Unfaithfulness," Paolo Veronese, c. 1575.
Veronese (1528-1588) was a Venetian Renaissance painter, most famous for his extremely large religious, history, and mythology paintings. Along with Titian and Tintoretto, he's regarded as one of the three great Venetian painters of the time, and his work was eagerly sought by collectors during his lifetime.
This is one of a series of paintings done as "An Allegory of Love." Here we have "Unfaithfulness," sometimes called "Infidelity," the first of the four. Here the lady seems ready to go for the guy in pink...but in the second, "Scorn," it's the bearded man she looks on with contempt as he writhes in agony, and in the third, "Respect," he comes across her nude form again....but in the fourth, "Happy Union," she seems to be hooking up with the pink guy again. It's unclear if they're meant to tell a story, or just be a representation of different amatory experiences, perhaps in opposed pairs..."Scorn" vs. "Respect," and "Unfaithfulness" vs. "Happy Union." It's all up to interpretation.
From the National Gallery, London.
#Art #Mannerism #PaoloVeronese #Infidelity #Love #VenetianArt
Giovanni Domenico Tiepolo’s "A Spring Shower" captures whimsical Punchinellos amid a melancholic scene, dripping with atmosphere through masterful ink washes. How do you interpret the juxtaposition of comedy and tragedy in this evocative depiction? #Art #VenetianArt #CMA
https://clevelandart.org/art/1937.573
Discover the astounding beauty of Piazzetta's "A Flying Angel" drawing, a study for the renowned Glory of Saint Dominic ceiling artwork #ClevelandMuseumofArt.✍️👼 What are your thoughts on the use of Venetian blue paper in this era? #ArtHistory #VenetianArt
https://clevelandart.org/art/1938.388.a