#elenaferrante — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #elenaferrante, aggregated by home.social.
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https://www.europesays.com/ch-fr/101674/ L’actrice Maggie Gyllenhaal, présidente du jury de la Mostra de Venise 2026 #Celebrities #Celebrity #Divertissement #ElenaFerrante #Entertainment #MostraDeVenise #People #Suisse
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https://www.europesays.com/hu/73478/ Index – Tudomány – Ezért nem tudtuk eddig, kicsoda Banksy #anonimitás #Banksy #CeFemina #CeNapi #ElenaFerrante #Entertainment #HU #Hungarian #Hungary #Magyar #Magyarország #Művészet #Szórakozás #Tudomány
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https://www.europesays.com/es/459737/ Desenmascaran a Banksy. Pero, ¿qué tan valioso es el anonimato en el mundo del arte? #arte #ArteUrbano #ArteYDiseño #Arts #ArtsAndDesign #banksy #Design #Diseño #ElenaFerrante #Entertainment #Entretenimiento #ES #España #HeyReilly #J.K.Rowling #jerkface #murales #Spain
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An artist’s decision to remain anonymous should be respected. Creativity is one of the last great human mysteries. The work must be allowed to speak for itself. #Art #Freedom #Liberty #Banksy #ElenaFerrante
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“An artist’s decision to remain anonymous should be respected. Creativity is one of the last great human mysteries. The work must be allowed to speak for itself.”
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An artist’s decision to remain anonymous should be respected. Creativity is one of the last great human mysteries. The work must be allowed to speak for itself. #Art #Freedom #Liberty #Banksy #ElenaFerrante
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“An artist’s decision to remain anonymous should be respected. Creativity is one of the last great human mysteries. The work must be allowed to speak for itself.”
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“An artist’s decision to remain anonymous should be respected. Creativity is one of the last great human mysteries. The work must be allowed to speak for itself.”
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Warum zum Fick kann man Leute nicht einfach in Ruhe kreativ und anonym schaffen lassen, wenn sie nicht gerade Nazis sind?
Wenn jemand hinter dem eigenen Werk zurücktreten möchte und das unmissverständlich äußert, warum müssen irgendwelche Arschgeigen dann immer wieder zum Halali blasen?
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Warum zum Fick kann man Leute nicht einfach in Ruhe kreativ und anonym schaffen lassen, wenn sie nicht gerade Nazis sind?
Wenn jemand hinter dem eigenen Werk zurücktreten möchte und das unmissverständlich äußert, warum müssen irgendwelche Arschgeigen dann immer wieder zum Halali blasen?
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Warum zum Fick kann man Leute nicht einfach in Ruhe kreativ und anonym schaffen lassen, wenn sie nicht gerade Nazis sind?
Wenn jemand hinter dem eigenen Werk zurücktreten möchte und das unmissverständlich äußert, warum müssen irgendwelche Arschgeigen dann immer wieder zum Halali blasen?
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Warum zum Fick kann man Leute nicht einfach in Ruhe kreativ und anonym schaffen lassen, wenn sie nicht gerade Nazis sind?
Wenn jemand hinter dem eigenen Werk zurücktreten möchte und das unmissverständlich äußert, warum müssen irgendwelche Arschgeigen dann immer wieder zum Halali blasen?
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Warum zum Fick kann man Leute nicht einfach in Ruhe kreativ und anonym schaffen lassen, wenn sie nicht gerade Nazis sind?
Wenn jemand hinter dem eigenen Werk zurücktreten möchte und das unmissverständlich äußert, warum müssen irgendwelche Arschgeigen dann immer wieder zum Halali blasen?
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[Rencontre] Parlez-nous de... La page est un miroir. Sur l’œuvre d’Elena Ferrante
📅 04 mars | 17h30 – 19h30
📍 La ParenthèseÀ l’occasion de la parution de "La page est un miroir. Sur l’œuvre d’Elena Ferrante" chez CNRS Éditions, l’autrice Ilaria Moretti (IHRIM) propose une traversée critique de l’œuvre de Ferrante, animée par Marie Fabre (Triangle @ENSdeLyon )
Les œuvres d’Elena Ferrante connaissent un succès littéraire mondial exceptionnel : traduites en 45 langues, elles ont déjà conquis plus de 15 millions de lecteurs. Comment expliquer un tel rayonnement ? Cette rencontre propose d’explorer les raisons de cet engouement autour d’une œuvre portée par une auteure qui a fait le choix de l’anonymat depuis plus de trente ans, et d’interroger les liens entre succès commercial, forme littéraire et réception critique.#ParlezNousDe #RencontreBDL #littérature #ElenaFerrante #LittératureContemporaine #Écriture #CritiqueLittéraire #Lecture
➡️ http://urlr.me/3d5jnA -
Sometimes I think I'm turning into Lenuccia Greco. #elenaferrante #mybrilliantfriend
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Sometimes I think I'm turning into Lenuccia Greco. #elenaferrante #mybrilliantfriend
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Sometimes I think I'm turning into Lenuccia Greco. #elenaferrante #mybrilliantfriend
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Sometimes I think I'm turning into Lenuccia Greco. #elenaferrante #mybrilliantfriend
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‘It’s another form of imperialism’: how anglophone literature lost its universal appeal https://www.theguardian.com/books/2025/aug/08/its-another-form-of-imperialism-how-anglophone-literature-lost-its-universal-appeal #Fictionintranslation #JonathanFranzen #ElenaFerrante #RobertoBolaño #AnnieErnaux #Culture #HanKang #Books
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‘It’s another form of imperialism’: how anglophone literature lost its universal appeal https://www.theguardian.com/books/2025/aug/08/its-another-form-of-imperialism-how-anglophone-literature-lost-its-universal-appeal #Fictionintranslation #JonathanFranzen #ElenaFerrante #RobertoBolaño #AnnieErnaux #Culture #HanKang #Books
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‘It’s another form of imperialism’: how anglophone literature lost its universal appeal https://www.theguardian.com/books/2025/aug/08/its-another-form-of-imperialism-how-anglophone-literature-lost-its-universal-appeal #Fictionintranslation #JonathanFranzen #ElenaFerrante #RobertoBolaño #AnnieErnaux #Culture #HanKang #Books
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‘It’s another form of imperialism’: how anglophone literature lost its universal appeal https://www.theguardian.com/books/2025/aug/08/its-another-form-of-imperialism-how-anglophone-literature-lost-its-universal-appeal #Fictionintranslation #JonathanFranzen #ElenaFerrante #RobertoBolaño #AnnieErnaux #Culture #HanKang #Books
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‘It’s another form of imperialism’: how anglophone literature lost its universal appeal https://www.theguardian.com/books/2025/aug/08/its-another-form-of-imperialism-how-anglophone-literature-lost-its-universal-appeal #Fictionintranslation #JonathanFranzen #ElenaFerrante #RobertoBolaño #AnnieErnaux #Culture #HanKang #Books
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La #citazionedelgiorno è da #lamicageniale di #elenaferrante
#FrasiBelle #Aforismi #CitazioniLetterarie
#Lettura
#FrasiDelGiorno #Libri #FrasiDiAutori
#AmantiDeiLibri #ClassiciDellaLetteratura
#ScrittoriFamosi #leggere #letturatime #amoleggere #leggerechepassione #citazionilibri #citazioni #pensierieparole #citazionifamose #libro #unolibri #unolibro #estate -
#EstoyLeyendo #LaAmigaEstupenda, de #ElenaFerrante (trad. de Celia Filipetto, Barcelona, Debolsillo / Penguin Random House Grupo Editorial, 2025). #Literatura #LiteraturaItaliana #Narrativa #NarrativaItaliana #LecturasdeVerano #LeoyComparto #Libros #LeerMola #LeerEsVivir #LeerEsVivirMás #MeGustaLeer #LibrosEnEspañol #SomosLibros #SomosLetras #SoyLoQueLeo #instalibros #instabooks #books #leer #lectura #bookstagram #bookstagrammer #bookstagramespaña #bookstagramespañol #libroadicto #bookaddict #bookaholic
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#EstoyLeyendo #LaAmigaEstupenda, de #ElenaFerrante (trad. de Celia Filipetto, Barcelona, Debolsillo / Penguin Random House Grupo Editorial, 2025). #Literatura #LiteraturaItaliana #Narrativa #NarrativaItaliana #LecturasdeVerano #LeoyComparto #Libros #LeerMola #LeerEsVivir #LeerEsVivirMás #MeGustaLeer #LibrosEnEspañol #SomosLibros #SomosLetras #SoyLoQueLeo #instalibros #instabooks #books #leer #lectura #bookstagram #bookstagrammer #bookstagramespaña #bookstagramespañol #libroadicto #bookaddict #bookaholic
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#EstoyLeyendo #LaAmigaEstupenda, de #ElenaFerrante (trad. de Celia Filipetto, Barcelona, Debolsillo / Penguin Random House Grupo Editorial, 2025). #Literatura #LiteraturaItaliana #Narrativa #NarrativaItaliana #LecturasdeVerano #LeoyComparto #Libros #LeerMola #LeerEsVivir #LeerEsVivirMás #MeGustaLeer #LibrosEnEspañol #SomosLibros #SomosLetras #SoyLoQueLeo #instalibros #instabooks #books #leer #lectura #bookstagram #bookstagrammer #bookstagramespaña #bookstagramespañol #libroadicto #bookaddict #bookaholic
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#EstoyLeyendo #LaAmigaEstupenda, de #ElenaFerrante (trad. de Celia Filipetto, Barcelona, Debolsillo / Penguin Random House Grupo Editorial, 2025). #Literatura #LiteraturaItaliana #Narrativa #NarrativaItaliana #LecturasdeVerano #LeoyComparto #Libros #LeerMola #LeerEsVivir #LeerEsVivirMás #MeGustaLeer #LibrosEnEspañol #SomosLibros #SomosLetras #SoyLoQueLeo #instalibros #instabooks #books #leer #lectura #bookstagram #bookstagrammer #bookstagramespaña #bookstagramespañol #libroadicto #bookaddict #bookaholic
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https://www.europesays.com/uk/220680/ Immerse yourself in these location-based novels – The Irish Times #Books #ElenaFerrante #Entertainment #HervéLeTellier #OrhanPamuk #UK #UnitedKingdom
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https://www.europesays.com/uk/189401/ How book of the century was turned into ‘criminally underrated’ Apple | Books | Entertainment #AppleTV #AppleTVAdaptation #Books #Books(section) #ElenaFerrante #Entertainment #FemaleFriendship. #MyBrilliantFriend #now #UK #UnitedKingdom
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🧵 3/3
A final discovery in my browsing of the TLS was the suggestion by Tim Parks that the much loved Neapolitan author known as Elena Ferrante might in fact be a man:
>>...in 2016, after the revelation that Ferrante's publisher had paid large sums of money to the translator Anita Raja, many people supposed, despite Raja's denials, that she was Ferrante, .... However, academic research has suggested a different story. Analysing an electronic corpus of 150 novels by forty contemporary Italian writers (including seven by Ferrante), a study in 2017 at Neuchatel University applied six "authorship attribution models"--essentially the comparison of stylistic attributes--in an attempt to solve the mystery. All six models turned up one writer, and one only, as consistently aligned with Ferrante: Domenico Starnone, Raja's husband. Born in Naples in 1943, he grew up in the city in the periods so intensely evoked in Ferrante's fiction. Raja was also born in Naples, but in 1953, and left at the age of three. Other corpus linguistics studies (for example by the distinguished linguist Michele Cortelazzo at Padua University) have produced the same result.
That there were similarities between Ferrante's fiction and Starnone's was already widely acknowledged....<<
https://link.gale.com/apps/doc/A839229805/AONE?u=txshrpub100020&sid=bookmark-AONE&xid=24b49f5b
I haven't read any Elena Ferrante, but I wonder if some admirers of the novels will be upset by this suggestion. Part of me thinks such a discovery should not make any difference to a reading of the novels, but another part of me thinks that just as our evaluation of a supposedly baroque musical piece might change if we discovered it had been composed in the 20th century, so readers might be similarly entitled to change their evaluation of the Neapolitan novels on learning of the author's identity. I'm not sure though...
Sorry, by the way, if this is all old news to Elena Ferrante readers.
#Books #Literature #ItalianLiterature #ElenaFerrante #DomenicoStarnone #TimParks
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🧵 3/3
A final discovery in my browsing of the TLS was the suggestion by Tim Parks that the much loved Neapolitan author known as Elena Ferrante might in fact be a man:
>>...in 2016, after the revelation that Ferrante's publisher had paid large sums of money to the translator Anita Raja, many people supposed, despite Raja's denials, that she was Ferrante, .... However, academic research has suggested a different story. Analysing an electronic corpus of 150 novels by forty contemporary Italian writers (including seven by Ferrante), a study in 2017 at Neuchatel University applied six "authorship attribution models"--essentially the comparison of stylistic attributes--in an attempt to solve the mystery. All six models turned up one writer, and one only, as consistently aligned with Ferrante: Domenico Starnone, Raja's husband. Born in Naples in 1943, he grew up in the city in the periods so intensely evoked in Ferrante's fiction. Raja was also born in Naples, but in 1953, and left at the age of three. Other corpus linguistics studies (for example by the distinguished linguist Michele Cortelazzo at Padua University) have produced the same result.
That there were similarities between Ferrante's fiction and Starnone's was already widely acknowledged....<<
https://link.gale.com/apps/doc/A839229805/AONE?u=txshrpub100020&sid=bookmark-AONE&xid=24b49f5b
I haven't read any Elena Ferrante, but I wonder if some admirers of the novels will be upset by this suggestion. Part of me thinks such a discovery should not make any difference to a reading of the novels, but another part of me thinks that just as our evaluation of a supposedly baroque musical piece might change if we discovered it had been composed in the 20th century, so readers might be similarly entitled to change their evaluation of the Neapolitan novels on learning of the author's identity. I'm not sure though...
Sorry, by the way, if this is all old news to Elena Ferrante readers.
#Books #Literature #ItalianLiterature #ElenaFerrante #DomenicoStarnone #TimParks
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🧵 3/3
A final discovery in my browsing of the TLS was the suggestion by Tim Parks that the much loved Neapolitan author known as Elena Ferrante might in fact be a man:
>>...in 2016, after the revelation that Ferrante's publisher had paid large sums of money to the translator Anita Raja, many people supposed, despite Raja's denials, that she was Ferrante, .... However, academic research has suggested a different story. Analysing an electronic corpus of 150 novels by forty contemporary Italian writers (including seven by Ferrante), a study in 2017 at Neuchatel University applied six "authorship attribution models"--essentially the comparison of stylistic attributes--in an attempt to solve the mystery. All six models turned up one writer, and one only, as consistently aligned with Ferrante: Domenico Starnone, Raja's husband. Born in Naples in 1943, he grew up in the city in the periods so intensely evoked in Ferrante's fiction. Raja was also born in Naples, but in 1953, and left at the age of three. Other corpus linguistics studies (for example by the distinguished linguist Michele Cortelazzo at Padua University) have produced the same result.
That there were similarities between Ferrante's fiction and Starnone's was already widely acknowledged....<<
https://link.gale.com/apps/doc/A839229805/AONE?u=txshrpub100020&sid=bookmark-AONE&xid=24b49f5b
I haven't read any Elena Ferrante, but I wonder if some admirers of the novels will be upset by this suggestion. Part of me thinks such a discovery should not make any difference to a reading of the novels, but another part of me thinks that just as our evaluation of a supposedly baroque musical piece might change if we discovered it had been composed in the 20th century, so readers might be similarly entitled to change their evaluation of the Neapolitan novels on learning of the author's identity. I'm not sure though...
Sorry, by the way, if this is all old news to Elena Ferrante readers.
#Books #Literature #ItalianLiterature #ElenaFerrante #DomenicoStarnone #TimParks
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🧵 3/3
A final discovery in my browsing of the TLS was the suggestion by Tim Parks that the much loved Neapolitan author known as Elena Ferrante might in fact be a man:
>>...in 2016, after the revelation that Ferrante's publisher had paid large sums of money to the translator Anita Raja, many people supposed, despite Raja's denials, that she was Ferrante, .... However, academic research has suggested a different story. Analysing an electronic corpus of 150 novels by forty contemporary Italian writers (including seven by Ferrante), a study in 2017 at Neuchatel University applied six "authorship attribution models"--essentially the comparison of stylistic attributes--in an attempt to solve the mystery. All six models turned up one writer, and one only, as consistently aligned with Ferrante: Domenico Starnone, Raja's husband. Born in Naples in 1943, he grew up in the city in the periods so intensely evoked in Ferrante's fiction. Raja was also born in Naples, but in 1953, and left at the age of three. Other corpus linguistics studies (for example by the distinguished linguist Michele Cortelazzo at Padua University) have produced the same result.
That there were similarities between Ferrante's fiction and Starnone's was already widely acknowledged....<<
https://link.gale.com/apps/doc/A839229805/AONE?u=txshrpub100020&sid=bookmark-AONE&xid=24b49f5b
I haven't read any Elena Ferrante, but I wonder if some admirers of the novels will be upset by this suggestion. Part of me thinks such a discovery should not make any difference to a reading of the novels, but another part of me thinks that just as our evaluation of a supposedly baroque musical piece might change if we discovered it had been composed in the 20th century, so readers might be similarly entitled to change their evaluation of the Neapolitan novels on learning of the author's identity. I'm not sure though...
Sorry, by the way, if this is all old news to Elena Ferrante readers.
#Books #Literature #ItalianLiterature #ElenaFerrante #DomenicoStarnone #TimParks
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🧵 3/3
A final discovery in my browsing of the TLS was the suggestion by Tim Parks that the much loved Neapolitan author known as Elena Ferrante might in fact be a man:
>>...in 2016, after the revelation that Ferrante's publisher had paid large sums of money to the translator Anita Raja, many people supposed, despite Raja's denials, that she was Ferrante, .... However, academic research has suggested a different story. Analysing an electronic corpus of 150 novels by forty contemporary Italian writers (including seven by Ferrante), a study in 2017 at Neuchatel University applied six "authorship attribution models"--essentially the comparison of stylistic attributes--in an attempt to solve the mystery. All six models turned up one writer, and one only, as consistently aligned with Ferrante: Domenico Starnone, Raja's husband. Born in Naples in 1943, he grew up in the city in the periods so intensely evoked in Ferrante's fiction. Raja was also born in Naples, but in 1953, and left at the age of three. Other corpus linguistics studies (for example by the distinguished linguist Michele Cortelazzo at Padua University) have produced the same result.
That there were similarities between Ferrante's fiction and Starnone's was already widely acknowledged....<<
https://link.gale.com/apps/doc/A839229805/AONE?u=txshrpub100020&sid=bookmark-AONE&xid=24b49f5b
I haven't read any Elena Ferrante, but I wonder if some admirers of the novels will be upset by this suggestion. Part of me thinks such a discovery should not make any difference to a reading of the novels, but another part of me thinks that just as our evaluation of a supposedly baroque musical piece might change if we discovered it had been composed in the 20th century, so readers might be similarly entitled to change their evaluation of the Neapolitan novels on learning of the author's identity. I'm not sure though...
Sorry, by the way, if this is all old news to Elena Ferrante readers.
#Books #Literature #ItalianLiterature #ElenaFerrante #DomenicoStarnone #TimParks
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La #citazionedelgiorno è da #lamicageniale di #elenaferrante #FrasiBelle #Aforismi #CitazioniLetterarie
#Lettura
#FrasiDelGiorno #Libri #FrasiDiAutori
#AmantiDeiLibri #ClassiciDellaLetteratura
#ScrittoriFamosi #leggere #letturatime #amoleggere #leggerechepassione #citazionilibri #citazioni #pensierieparole #citazionifamose #libro #unolibri #unolibro -
Also finished book 2 of Elena Ferrante's Neopolitan novels. This series is completely engaging and heartbreaking. I love the insight into 1960s Italian society and the exploration of female friendship.
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Also finished book 2 of Elena Ferrante's Neopolitan novels. This series is completely engaging and heartbreaking. I love the insight into 1960s Italian society and the exploration of female friendship.
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Also finished book 2 of Elena Ferrante's Neopolitan novels. This series is completely engaging and heartbreaking. I love the insight into 1960s Italian society and the exploration of female friendship.
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Also finished book 2 of Elena Ferrante's Neopolitan novels. This series is completely engaging and heartbreaking. I love the insight into 1960s Italian society and the exploration of female friendship.
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Hoy no hice anotaciones en el pizarrón, pero les cuento: en mi grupo de #novela leímos el comienzo del #Quijote y vimos cómo abre su mundo para sus #lectores en el siglo XVII. También hablamos de lo que comparten una novela y quien la lee, de cómo (y cuándo, y cuánto) adicionar detalles inventados y nuevos, y de #FrankHerbert, #DenisVilleneuve, #ElenaFerrante y #MargaretAtwood. Ahí vamos. 🌟
#personal #Fotografía #FotografíaUrbana #UrbanPhotography #photography #CiudadDeMéxico #CDMX -
Hoy no hice anotaciones en el pizarrón, pero les cuento: en mi grupo de #novela leímos el comienzo del #Quijote y vimos cómo abre su mundo para sus #lectores en el siglo XVII. También hablamos de lo que comparten una novela y quien la lee, de cómo (y cuándo, y cuánto) adicionar detalles inventados y nuevos, y de #FrankHerbert, #DenisVilleneuve, #ElenaFerrante y #MargaretAtwood. Ahí vamos. 🌟
#personal #Fotografía #FotografíaUrbana #UrbanPhotography #photography #CiudadDeMéxico #CDMX -
Hoy no hice anotaciones en el pizarrón, pero les cuento: en mi grupo de #novela leímos el comienzo del #Quijote y vimos cómo abre su mundo para sus #lectores en el siglo XVII. También hablamos de lo que comparten una novela y quien la lee, de cómo (y cuándo, y cuánto) adicionar detalles inventados y nuevos, y de #FrankHerbert, #DenisVilleneuve, #ElenaFerrante y #MargaretAtwood. Ahí vamos. 🌟
#personal #Fotografía #FotografíaUrbana #UrbanPhotography #photography #CiudadDeMéxico #CDMX -
Hoy no hice anotaciones en el pizarrón, pero les cuento: en mi grupo de #novela leímos el comienzo del #Quijote y vimos cómo abre su mundo para sus #lectores en el siglo XVII. También hablamos de lo que comparten una novela y quien la lee, de cómo (y cuándo, y cuánto) adicionar detalles inventados y nuevos, y de #FrankHerbert, #DenisVilleneuve, #ElenaFerrante y #MargaretAtwood. Ahí vamos. 🌟
#personal #Fotografía #FotografíaUrbana #UrbanPhotography #photography #CiudadDeMéxico #CDMX -
Hoy no hice anotaciones en el pizarrón, pero les cuento: en mi grupo de #novela leímos el comienzo del #Quijote y vimos cómo abre su mundo para sus #lectores en el siglo XVII. También hablamos de lo que comparten una novela y quien la lee, de cómo (y cuándo, y cuánto) adicionar detalles inventados y nuevos, y de #FrankHerbert, #DenisVilleneuve, #ElenaFerrante y #MargaretAtwood. Ahí vamos. 🌟
#personal #Fotografía #FotografíaUrbana #UrbanPhotography #photography #CiudadDeMéxico #CDMX -
‘My Brilliant Friend’ Trailer: The Fourth and Final Season of Elena Ferrante’s Saga Returns to Naples
#IndieWire #News #Trailers #ElenaFerrante #HBO #MyBrilliantFriend #TV
