#bbcradio4 — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #bbcradio4, aggregated by home.social.
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Here is Gaslighting PART TWO - about how the anti trans gaslighting gave them victory (though that didn’t mean the end)
#gaslighting #translivesmatter #lgbtq #bbcradio4 #psychology
https://www.patreon.com/RobinInce/posts/to-end-part-two-166818254
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Here is Gaslighting PART TWO - about how the anti trans gaslighting gave them victory (though that didn’t mean the end)
#gaslighting #translivesmatter #lgbtq #bbcradio4 #psychology
https://www.patreon.com/RobinInce/posts/to-end-part-two-166818254
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Here is Gaslighting PART TWO - about how the anti trans gaslighting gave them victory (though that didn’t mean the end)
#gaslighting #translivesmatter #lgbtq #bbcradio4 #psychology
https://www.patreon.com/RobinInce/posts/to-end-part-two-166818254
-
Here is Gaslighting PART TWO - about how the anti trans gaslighting gave them victory (though that didn’t mean the end)
#gaslighting #translivesmatter #lgbtq #bbcradio4 #psychology
https://www.patreon.com/RobinInce/posts/to-end-part-two-166818254
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Here is Gaslighting PART TWO - about how the anti trans gaslighting gave them victory (though that didn’t mean the end)
#gaslighting #translivesmatter #lgbtq #bbcradio4 #psychology
https://www.patreon.com/RobinInce/posts/to-end-part-two-166818254
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#shippingforecast #radio4shippingforecast #BBCradio4 #webradio
🖥️ 📻️ 🔊 ⚓️
In a couple of minutes, at 00 h 48 BST 🇬🇧 on BBC Radio 4, it's the shipping forecast.
Happy listening ! 🙂 👋
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Ooh, new #PaulSinha’s Perfect Pub #Quiz. 🙂 #BBCRadio4 #comedy https://www.bbc.co.uk/sounds/play/m00300hy
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Ooh, new #PaulSinha’s Perfect Pub #Quiz. 🙂 #BBCRadio4 #comedy https://www.bbc.co.uk/sounds/play/m00300hy
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Ooh, new #PaulSinha’s Perfect Pub #Quiz. 🙂 #BBCRadio4 #comedy https://www.bbc.co.uk/sounds/play/m00300hy
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Ooh, new #PaulSinha’s Perfect Pub #Quiz. 🙂 #BBCRadio4 #comedy https://www.bbc.co.uk/sounds/play/m00300hy
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Ooh, new #PaulSinha’s Perfect Pub #Quiz. 🙂 #BBCRadio4 #comedy https://www.bbc.co.uk/sounds/play/m00300hy
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'... during Eclipse phases things will seem a little dimmer ...' (my paraphrase)
[ light received in UK path 10% but eyes/vision-system will perceive it as 50% ]
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'... during Eclipse phases things will seem a little dimmer ...' (my paraphrase)
[ light received in UK path 10% but eyes/vision-system will perceive it as 50% ]
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'... during Eclipse phases things will seem a little dimmer ...' (my paraphrase)
[ light received in UK path 10% but eyes/vision-system will perceive it as 50% ]
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'... during Eclipse phases things will seem a little dimmer ...' (my paraphrase)
[ light received in UK path 10% but eyes/vision-system will perceive it as 50% ]
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'... during Eclipse phases things will seem a little dimmer ...' (my paraphrase)
[ light received in UK path 10% but eyes/vision-system will perceive it as 50% ]
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The midnight BBCNews on Radio4 finally got to the "releasing more dangerous prisoners than [those convicted of manslaughter]" argument.
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The midnight BBCNews on Radio4 finally got to the "releasing more dangerous prisoners than [those convicted of manslaughter]" argument.
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The midnight BBCNews on Radio4 finally got to the "releasing more dangerous prisoners than [those convicted of manslaughter]" argument.
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The midnight BBCNews on Radio4 finally got to the "releasing more dangerous prisoners than [those convicted of manslaughter]" argument.
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The midnight BBCNews on Radio4 finally got to the "releasing more dangerous prisoners than [those convicted of manslaughter]" argument.
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(BBCDrama have been doing some adaptations of centuries old works that actually have very contemporary issues -- this one is like listening to scambuster cautionary tales)
Episode Six
The Vicar of Wakefield by Oliver Goldsmith
Episode 6 of 10A classic comic novel from the 18th century.
Life is good to the Reverend Dr Primrose, in his idyllic country parsonage, surrounded by his beloved family. But then his world unravels in a series of misfortunes and calamities.
Episode 6
Dr Primrose is briefly reunited with his son George, before continuing his search for Olivia.Oliver Goldsmith was born in Ireland in 1728. The Vicar of Wakefield was published in 1766. An essayist, dramatist and poet, his other works include the play She Stoops To Conquer and the poem An Elegy on the Death of a Mad Dog. He died in 1774.
Writer: Oliver Goldsmith
Abridger: Jeremy Osborne
Reader: Edmund Kingsley
Producer: Jeremy OsborneA Sweet Talk production for BBC Radio 4
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(BBCDrama have been doing some adaptations of centuries old works that actually have very contemporary issues -- this one is like listening to scambuster cautionary tales)
Episode Six
The Vicar of Wakefield by Oliver Goldsmith
Episode 6 of 10A classic comic novel from the 18th century.
Life is good to the Reverend Dr Primrose, in his idyllic country parsonage, surrounded by his beloved family. But then his world unravels in a series of misfortunes and calamities.
Episode 6
Dr Primrose is briefly reunited with his son George, before continuing his search for Olivia.Oliver Goldsmith was born in Ireland in 1728. The Vicar of Wakefield was published in 1766. An essayist, dramatist and poet, his other works include the play She Stoops To Conquer and the poem An Elegy on the Death of a Mad Dog. He died in 1774.
Writer: Oliver Goldsmith
Abridger: Jeremy Osborne
Reader: Edmund Kingsley
Producer: Jeremy OsborneA Sweet Talk production for BBC Radio 4
-
(BBCDrama have been doing some adaptations of centuries old works that actually have very contemporary issues -- this one is like listening to scambuster cautionary tales)
Episode Six
The Vicar of Wakefield by Oliver Goldsmith
Episode 6 of 10A classic comic novel from the 18th century.
Life is good to the Reverend Dr Primrose, in his idyllic country parsonage, surrounded by his beloved family. But then his world unravels in a series of misfortunes and calamities.
Episode 6
Dr Primrose is briefly reunited with his son George, before continuing his search for Olivia.Oliver Goldsmith was born in Ireland in 1728. The Vicar of Wakefield was published in 1766. An essayist, dramatist and poet, his other works include the play She Stoops To Conquer and the poem An Elegy on the Death of a Mad Dog. He died in 1774.
Writer: Oliver Goldsmith
Abridger: Jeremy Osborne
Reader: Edmund Kingsley
Producer: Jeremy OsborneA Sweet Talk production for BBC Radio 4
-
(BBCDrama have been doing some adaptations of centuries old works that actually have very contemporary issues -- this one is like listening to scambuster cautionary tales)
Episode Six
The Vicar of Wakefield by Oliver Goldsmith
Episode 6 of 10A classic comic novel from the 18th century.
Life is good to the Reverend Dr Primrose, in his idyllic country parsonage, surrounded by his beloved family. But then his world unravels in a series of misfortunes and calamities.
Episode 6
Dr Primrose is briefly reunited with his son George, before continuing his search for Olivia.Oliver Goldsmith was born in Ireland in 1728. The Vicar of Wakefield was published in 1766. An essayist, dramatist and poet, his other works include the play She Stoops To Conquer and the poem An Elegy on the Death of a Mad Dog. He died in 1774.
Writer: Oliver Goldsmith
Abridger: Jeremy Osborne
Reader: Edmund Kingsley
Producer: Jeremy OsborneA Sweet Talk production for BBC Radio 4
-
(BBCDrama have been doing some adaptations of centuries old works that actually have very contemporary issues -- this one is like listening to scambuster cautionary tales)
Episode Six
The Vicar of Wakefield by Oliver Goldsmith
Episode 6 of 10A classic comic novel from the 18th century.
Life is good to the Reverend Dr Primrose, in his idyllic country parsonage, surrounded by his beloved family. But then his world unravels in a series of misfortunes and calamities.
Episode 6
Dr Primrose is briefly reunited with his son George, before continuing his search for Olivia.Oliver Goldsmith was born in Ireland in 1728. The Vicar of Wakefield was published in 1766. An essayist, dramatist and poet, his other works include the play She Stoops To Conquer and the poem An Elegy on the Death of a Mad Dog. He died in 1774.
Writer: Oliver Goldsmith
Abridger: Jeremy Osborne
Reader: Edmund Kingsley
Producer: Jeremy OsborneA Sweet Talk production for BBC Radio 4
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Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
Margot Fonteyn
Lauren Cuthbertson on Margot Fonteyn
Great LivesMargot Fonteyn was an icon: a ballerina who helped build and indeed embodied the traditional image of a dancer, just as the artform was finding its feet on the British cultural scene.
From humble beginnings she became an international star, enjoying a dazzling career with the Royal Ballet, a glamorous social life as a diplomat’s wife, and an electric dancing partnership with Rudolf Nureyev. But it was also a life infused with disappointment, controversy and heartbreak; much of which seems to have been hidden behind Margot's smiling public facade.
Dedicated listeners might remember that Margot Fonteyn has been the subject of a previous episode and although we rarely revisit past greats, when we do it’s an opportunity to look afresh and see more. So today, with the assistance of nominating guest Lauren Cuthbertson - herself a dancer who has been with the Royal Ballet for more than 20 years - we take a closer look at the highs and lows of Margot's life.
Joining Matthew and Lauren to share their expert perspectives are Rosie Gerhard, a Lecturer in Dance Studies at the Royal Academy of Dance and creator of the blog 'British Ballet Now & Then'; and the film director and author Tony Palmer, who directed the 2005 film ‘Margot’.
Presented by Matthew Parris and produced for BBC Studios Audio by Lucy Taylor.
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Available now28 minutes
Last onToday
23:00
BBC Radio 4 -
Margot Fonteyn
Lauren Cuthbertson on Margot Fonteyn
Great LivesMargot Fonteyn was an icon: a ballerina who helped build and indeed embodied the traditional image of a dancer, just as the artform was finding its feet on the British cultural scene.
From humble beginnings she became an international star, enjoying a dazzling career with the Royal Ballet, a glamorous social life as a diplomat’s wife, and an electric dancing partnership with Rudolf Nureyev. But it was also a life infused with disappointment, controversy and heartbreak; much of which seems to have been hidden behind Margot's smiling public facade.
Dedicated listeners might remember that Margot Fonteyn has been the subject of a previous episode and although we rarely revisit past greats, when we do it’s an opportunity to look afresh and see more. So today, with the assistance of nominating guest Lauren Cuthbertson - herself a dancer who has been with the Royal Ballet for more than 20 years - we take a closer look at the highs and lows of Margot's life.
Joining Matthew and Lauren to share their expert perspectives are Rosie Gerhard, a Lecturer in Dance Studies at the Royal Academy of Dance and creator of the blog 'British Ballet Now & Then'; and the film director and author Tony Palmer, who directed the 2005 film ‘Margot’.
Presented by Matthew Parris and produced for BBC Studios Audio by Lucy Taylor.
Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now28 minutes
Last onToday
23:00
BBC Radio 4 -
Margot Fonteyn
Lauren Cuthbertson on Margot Fonteyn
Great LivesMargot Fonteyn was an icon: a ballerina who helped build and indeed embodied the traditional image of a dancer, just as the artform was finding its feet on the British cultural scene.
From humble beginnings she became an international star, enjoying a dazzling career with the Royal Ballet, a glamorous social life as a diplomat’s wife, and an electric dancing partnership with Rudolf Nureyev. But it was also a life infused with disappointment, controversy and heartbreak; much of which seems to have been hidden behind Margot's smiling public facade.
Dedicated listeners might remember that Margot Fonteyn has been the subject of a previous episode and although we rarely revisit past greats, when we do it’s an opportunity to look afresh and see more. So today, with the assistance of nominating guest Lauren Cuthbertson - herself a dancer who has been with the Royal Ballet for more than 20 years - we take a closer look at the highs and lows of Margot's life.
Joining Matthew and Lauren to share their expert perspectives are Rosie Gerhard, a Lecturer in Dance Studies at the Royal Academy of Dance and creator of the blog 'British Ballet Now & Then'; and the film director and author Tony Palmer, who directed the 2005 film ‘Margot’.
Presented by Matthew Parris and produced for BBC Studios Audio by Lucy Taylor.
Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now28 minutes
Last onToday
23:00
BBC Radio 4 -
Margot Fonteyn
Lauren Cuthbertson on Margot Fonteyn
Great LivesMargot Fonteyn was an icon: a ballerina who helped build and indeed embodied the traditional image of a dancer, just as the artform was finding its feet on the British cultural scene.
From humble beginnings she became an international star, enjoying a dazzling career with the Royal Ballet, a glamorous social life as a diplomat’s wife, and an electric dancing partnership with Rudolf Nureyev. But it was also a life infused with disappointment, controversy and heartbreak; much of which seems to have been hidden behind Margot's smiling public facade.
Dedicated listeners might remember that Margot Fonteyn has been the subject of a previous episode and although we rarely revisit past greats, when we do it’s an opportunity to look afresh and see more. So today, with the assistance of nominating guest Lauren Cuthbertson - herself a dancer who has been with the Royal Ballet for more than 20 years - we take a closer look at the highs and lows of Margot's life.
Joining Matthew and Lauren to share their expert perspectives are Rosie Gerhard, a Lecturer in Dance Studies at the Royal Academy of Dance and creator of the blog 'British Ballet Now & Then'; and the film director and author Tony Palmer, who directed the 2005 film ‘Margot’.
Presented by Matthew Parris and produced for BBC Studios Audio by Lucy Taylor.
Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now28 minutes
Last onToday
23:00
BBC Radio 4 -
Margot Fonteyn
Lauren Cuthbertson on Margot Fonteyn
Great LivesMargot Fonteyn was an icon: a ballerina who helped build and indeed embodied the traditional image of a dancer, just as the artform was finding its feet on the British cultural scene.
From humble beginnings she became an international star, enjoying a dazzling career with the Royal Ballet, a glamorous social life as a diplomat’s wife, and an electric dancing partnership with Rudolf Nureyev. But it was also a life infused with disappointment, controversy and heartbreak; much of which seems to have been hidden behind Margot's smiling public facade.
Dedicated listeners might remember that Margot Fonteyn has been the subject of a previous episode and although we rarely revisit past greats, when we do it’s an opportunity to look afresh and see more. So today, with the assistance of nominating guest Lauren Cuthbertson - herself a dancer who has been with the Royal Ballet for more than 20 years - we take a closer look at the highs and lows of Margot's life.
Joining Matthew and Lauren to share their expert perspectives are Rosie Gerhard, a Lecturer in Dance Studies at the Royal Academy of Dance and creator of the blog 'British Ballet Now & Then'; and the film director and author Tony Palmer, who directed the 2005 film ‘Margot’.
Presented by Matthew Parris and produced for BBC Studios Audio by Lucy Taylor.
Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now28 minutes
Last onToday
23:00
BBC Radio 4 -
Brendan Behan #BrendanBehan
It Must Be Wonderful to Be Free
Archive on 4Irish novelist Megan Nolan presents an intimate study of the late playwright, singer and novelist, Brendan Behan. She reveals a poetic socialist, a fiercely anti-establishment artist concerned with class solidarity, outcasts, liberation, self-revelation and empathy. And she trashes the trivial, stereotyped memory of Behan, as Ireland’s most famous drunk.
She tells his story through the lens of his most prolific years, 1954 - 1958. It was a time of explosive creativity for Behan, which saw the release of three of his most remarkable works - his plays The Quare Fellow and The Hostage, and his work of auto-fiction Borstal Boy. She hears about his determination in these years to recruit language rather than the militarised violence of his youth as a means to valorise life, dignity, humour and queer love, and to advance his vision for his country, forged in his working class roots.
His words paint a picture of a complex character. An intelligent, anti-establishment writer, an Irish beatnik whose talents “would make Jack Kerouac weep with terror” and who even Bob Dylan couldn’t find the courage to “touch the hem of his garment”. A man who met a tragic end, addicted to alcohol and wielding his fame and power in cruel ways.
Marking the 60th anniversary of his death, Megan hears from historians, writers and members of Behan’s family, as well as from the rich archive of the man himself.
Producer: Cat Gough
Executive Producer: Robert NicholsonA Whistledown production for BBC Radio 4
With thanks to Iris Klein and Semiotexte for providing archival interview recordings with Brendan Behan made by journalist Sylvere Lotringer in Paris in 1961
Show less
Available now57 minutes
On air
Today
22:00
BBC Radio 4 -
Brendan Behan #BrendanBehan
It Must Be Wonderful to Be Free
Archive on 4Irish novelist Megan Nolan presents an intimate study of the late playwright, singer and novelist, Brendan Behan. She reveals a poetic socialist, a fiercely anti-establishment artist concerned with class solidarity, outcasts, liberation, self-revelation and empathy. And she trashes the trivial, stereotyped memory of Behan, as Ireland’s most famous drunk.
She tells his story through the lens of his most prolific years, 1954 - 1958. It was a time of explosive creativity for Behan, which saw the release of three of his most remarkable works - his plays The Quare Fellow and The Hostage, and his work of auto-fiction Borstal Boy. She hears about his determination in these years to recruit language rather than the militarised violence of his youth as a means to valorise life, dignity, humour and queer love, and to advance his vision for his country, forged in his working class roots.
His words paint a picture of a complex character. An intelligent, anti-establishment writer, an Irish beatnik whose talents “would make Jack Kerouac weep with terror” and who even Bob Dylan couldn’t find the courage to “touch the hem of his garment”. A man who met a tragic end, addicted to alcohol and wielding his fame and power in cruel ways.
Marking the 60th anniversary of his death, Megan hears from historians, writers and members of Behan’s family, as well as from the rich archive of the man himself.
Producer: Cat Gough
Executive Producer: Robert NicholsonA Whistledown production for BBC Radio 4
With thanks to Iris Klein and Semiotexte for providing archival interview recordings with Brendan Behan made by journalist Sylvere Lotringer in Paris in 1961
Show less
Available now57 minutes
On air
Today
22:00
BBC Radio 4 -
Brendan Behan #BrendanBehan
It Must Be Wonderful to Be Free
Archive on 4Irish novelist Megan Nolan presents an intimate study of the late playwright, singer and novelist, Brendan Behan. She reveals a poetic socialist, a fiercely anti-establishment artist concerned with class solidarity, outcasts, liberation, self-revelation and empathy. And she trashes the trivial, stereotyped memory of Behan, as Ireland’s most famous drunk.
She tells his story through the lens of his most prolific years, 1954 - 1958. It was a time of explosive creativity for Behan, which saw the release of three of his most remarkable works - his plays The Quare Fellow and The Hostage, and his work of auto-fiction Borstal Boy. She hears about his determination in these years to recruit language rather than the militarised violence of his youth as a means to valorise life, dignity, humour and queer love, and to advance his vision for his country, forged in his working class roots.
His words paint a picture of a complex character. An intelligent, anti-establishment writer, an Irish beatnik whose talents “would make Jack Kerouac weep with terror” and who even Bob Dylan couldn’t find the courage to “touch the hem of his garment”. A man who met a tragic end, addicted to alcohol and wielding his fame and power in cruel ways.
Marking the 60th anniversary of his death, Megan hears from historians, writers and members of Behan’s family, as well as from the rich archive of the man himself.
Producer: Cat Gough
Executive Producer: Robert NicholsonA Whistledown production for BBC Radio 4
With thanks to Iris Klein and Semiotexte for providing archival interview recordings with Brendan Behan made by journalist Sylvere Lotringer in Paris in 1961
Show less
Available now57 minutes
On air
Today
22:00
BBC Radio 4 -
Brendan Behan #BrendanBehan
It Must Be Wonderful to Be Free
Archive on 4Irish novelist Megan Nolan presents an intimate study of the late playwright, singer and novelist, Brendan Behan. She reveals a poetic socialist, a fiercely anti-establishment artist concerned with class solidarity, outcasts, liberation, self-revelation and empathy. And she trashes the trivial, stereotyped memory of Behan, as Ireland’s most famous drunk.
She tells his story through the lens of his most prolific years, 1954 - 1958. It was a time of explosive creativity for Behan, which saw the release of three of his most remarkable works - his plays The Quare Fellow and The Hostage, and his work of auto-fiction Borstal Boy. She hears about his determination in these years to recruit language rather than the militarised violence of his youth as a means to valorise life, dignity, humour and queer love, and to advance his vision for his country, forged in his working class roots.
His words paint a picture of a complex character. An intelligent, anti-establishment writer, an Irish beatnik whose talents “would make Jack Kerouac weep with terror” and who even Bob Dylan couldn’t find the courage to “touch the hem of his garment”. A man who met a tragic end, addicted to alcohol and wielding his fame and power in cruel ways.
Marking the 60th anniversary of his death, Megan hears from historians, writers and members of Behan’s family, as well as from the rich archive of the man himself.
Producer: Cat Gough
Executive Producer: Robert NicholsonA Whistledown production for BBC Radio 4
With thanks to Iris Klein and Semiotexte for providing archival interview recordings with Brendan Behan made by journalist Sylvere Lotringer in Paris in 1961
Show less
Available now57 minutes
On air
Today
22:00
BBC Radio 4 -
Brendan Behan #BrendanBehan
It Must Be Wonderful to Be Free
Archive on 4Irish novelist Megan Nolan presents an intimate study of the late playwright, singer and novelist, Brendan Behan. She reveals a poetic socialist, a fiercely anti-establishment artist concerned with class solidarity, outcasts, liberation, self-revelation and empathy. And she trashes the trivial, stereotyped memory of Behan, as Ireland’s most famous drunk.
She tells his story through the lens of his most prolific years, 1954 - 1958. It was a time of explosive creativity for Behan, which saw the release of three of his most remarkable works - his plays The Quare Fellow and The Hostage, and his work of auto-fiction Borstal Boy. She hears about his determination in these years to recruit language rather than the militarised violence of his youth as a means to valorise life, dignity, humour and queer love, and to advance his vision for his country, forged in his working class roots.
His words paint a picture of a complex character. An intelligent, anti-establishment writer, an Irish beatnik whose talents “would make Jack Kerouac weep with terror” and who even Bob Dylan couldn’t find the courage to “touch the hem of his garment”. A man who met a tragic end, addicted to alcohol and wielding his fame and power in cruel ways.
Marking the 60th anniversary of his death, Megan hears from historians, writers and members of Behan’s family, as well as from the rich archive of the man himself.
Producer: Cat Gough
Executive Producer: Robert NicholsonA Whistledown production for BBC Radio 4
With thanks to Iris Klein and Semiotexte for providing archival interview recordings with Brendan Behan made by journalist Sylvere Lotringer in Paris in 1961
Show less
Available now57 minutes
On air
Today
22:00
BBC Radio 4 -
( ... there are possibly some David Sedaris fans out in Fediverseland ... )
David Sedaris
Take Four BooksPresenter James Crawford speaks to American author and humourist David Sedaris on his new collection of essays, The Land and Its People. From navigating the realities of ageing to reflecting on his personal relationships, Sedaris explores a wide range of experiences across the book's 28 essays.
He also discusses the three works that inspired the collection: Raymond Carver's Cathedral (1981), Joy Williams's Taking Care (1982), and Alan Bennett's Talking Heads (1988).
Producer: Rachael O’Neill
Editor: Gillian Wheelan
This was a BBC Audio Scotland production.Show less
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Available now29 minutes
On air
Today
16:00
BBC Radio 4 -
( ... there are possibly some David Sedaris fans out in Fediverseland ... )
David Sedaris
Take Four BooksPresenter James Crawford speaks to American author and humourist David Sedaris on his new collection of essays, The Land and Its People. From navigating the realities of ageing to reflecting on his personal relationships, Sedaris explores a wide range of experiences across the book's 28 essays.
He also discusses the three works that inspired the collection: Raymond Carver's Cathedral (1981), Joy Williams's Taking Care (1982), and Alan Bennett's Talking Heads (1988).
Producer: Rachael O’Neill
Editor: Gillian Wheelan
This was a BBC Audio Scotland production.Show less
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Available now29 minutes
On air
Today
16:00
BBC Radio 4 -
( ... there are possibly some David Sedaris fans out in Fediverseland ... )
David Sedaris
Take Four BooksPresenter James Crawford speaks to American author and humourist David Sedaris on his new collection of essays, The Land and Its People. From navigating the realities of ageing to reflecting on his personal relationships, Sedaris explores a wide range of experiences across the book's 28 essays.
He also discusses the three works that inspired the collection: Raymond Carver's Cathedral (1981), Joy Williams's Taking Care (1982), and Alan Bennett's Talking Heads (1988).
Producer: Rachael O’Neill
Editor: Gillian Wheelan
This was a BBC Audio Scotland production.Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now29 minutes
On air
Today
16:00
BBC Radio 4 -
( ... there are possibly some David Sedaris fans out in Fediverseland ... )
David Sedaris
Take Four BooksPresenter James Crawford speaks to American author and humourist David Sedaris on his new collection of essays, The Land and Its People. From navigating the realities of ageing to reflecting on his personal relationships, Sedaris explores a wide range of experiences across the book's 28 essays.
He also discusses the three works that inspired the collection: Raymond Carver's Cathedral (1981), Joy Williams's Taking Care (1982), and Alan Bennett's Talking Heads (1988).
Producer: Rachael O’Neill
Editor: Gillian Wheelan
This was a BBC Audio Scotland production.Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now29 minutes
On air
Today
16:00
BBC Radio 4 -
( ... there are possibly some David Sedaris fans out in Fediverseland ... )
David Sedaris
Take Four BooksPresenter James Crawford speaks to American author and humourist David Sedaris on his new collection of essays, The Land and Its People. From navigating the realities of ageing to reflecting on his personal relationships, Sedaris explores a wide range of experiences across the book's 28 essays.
He also discusses the three works that inspired the collection: Raymond Carver's Cathedral (1981), Joy Williams's Taking Care (1982), and Alan Bennett's Talking Heads (1988).
Producer: Rachael O’Neill
Editor: Gillian Wheelan
This was a BBC Audio Scotland production.Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now29 minutes
On air
Today
16:00
BBC Radio 4 -
Episode 1
Drama on 4
Libra Episode 1 of 2Don DeLillo’s fictionalised reimagining of the events surrounding the 1963 assassination of John F Kennedy, adapted for audio by Ben Lewis.
Starring Fisher Stevens and Tucker St. Ivany.A CIA analyst is tasked with pulling together all the facts, theories and suppositions surrounding this founding moment in recent American history. Drawing them together, he tries to imagine how and why JFK was killed. Cutting between the story of Lee Harvey Oswald’s life and two men conspiring to assassinate the president, it builds a picture of a fractured America during the cold war era.
This is a work of fiction inspired by fact. Don DeLillo’s novel - and this adaptation - draw on real events and on some real people. But characters, incidents and dialogue are predominantly works of fiction. Real people have been placed in imagined situations whilst other characters have been created entirely for the purposes of storytelling.
Part of Radio 4’s Story of America - a major collection of dramatisations of milestone American titles marking 250 years since the Declaration of Independence and the foundation of the United States.
Cast:
The Analyst… Fisher Stevens
Lee Harvey Oswald…Tucker St. Ivany
The conspirators…Tyler Collins and Michael Nardone
Marguerite Oswald…Nicole Cooper
The Marine…Michael Guest
Bobby Dupard…Reuben Joseph
Marina Oswald…Holly Howden Gilchrist
George de Mohrenschildt…Grant O’Rourke
David Ferrie…Robin LaingAll other parts were played by the company
BBC Audio Scotland Production
Production Co-ordinators: Bethany Woodhead and Minnie Harrop
Studio Production and sound editing: Andrew Hay and Gav Murchie
Sound Design and original scoring: Danny KrassAdapted by Ben Lewis
Directed by Kirsty WilliamsArchive: CBS Evening News, November 22nd 1963
Show less
Release date:09 August 2026
57 minutes
On radioToday
15:00
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4 #BBCDramaOn4
-
Episode 1
Drama on 4
Libra Episode 1 of 2Don DeLillo’s fictionalised reimagining of the events surrounding the 1963 assassination of John F Kennedy, adapted for audio by Ben Lewis.
Starring Fisher Stevens and Tucker St. Ivany.A CIA analyst is tasked with pulling together all the facts, theories and suppositions surrounding this founding moment in recent American history. Drawing them together, he tries to imagine how and why JFK was killed. Cutting between the story of Lee Harvey Oswald’s life and two men conspiring to assassinate the president, it builds a picture of a fractured America during the cold war era.
This is a work of fiction inspired by fact. Don DeLillo’s novel - and this adaptation - draw on real events and on some real people. But characters, incidents and dialogue are predominantly works of fiction. Real people have been placed in imagined situations whilst other characters have been created entirely for the purposes of storytelling.
Part of Radio 4’s Story of America - a major collection of dramatisations of milestone American titles marking 250 years since the Declaration of Independence and the foundation of the United States.
Cast:
The Analyst… Fisher Stevens
Lee Harvey Oswald…Tucker St. Ivany
The conspirators…Tyler Collins and Michael Nardone
Marguerite Oswald…Nicole Cooper
The Marine…Michael Guest
Bobby Dupard…Reuben Joseph
Marina Oswald…Holly Howden Gilchrist
George de Mohrenschildt…Grant O’Rourke
David Ferrie…Robin LaingAll other parts were played by the company
BBC Audio Scotland Production
Production Co-ordinators: Bethany Woodhead and Minnie Harrop
Studio Production and sound editing: Andrew Hay and Gav Murchie
Sound Design and original scoring: Danny KrassAdapted by Ben Lewis
Directed by Kirsty WilliamsArchive: CBS Evening News, November 22nd 1963
Show less
Release date:09 August 2026
57 minutes
On radioToday
15:00
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4 #BBCDramaOn4
-
Episode 1
Drama on 4
Libra Episode 1 of 2Don DeLillo’s fictionalised reimagining of the events surrounding the 1963 assassination of John F Kennedy, adapted for audio by Ben Lewis.
Starring Fisher Stevens and Tucker St. Ivany.A CIA analyst is tasked with pulling together all the facts, theories and suppositions surrounding this founding moment in recent American history. Drawing them together, he tries to imagine how and why JFK was killed. Cutting between the story of Lee Harvey Oswald’s life and two men conspiring to assassinate the president, it builds a picture of a fractured America during the cold war era.
This is a work of fiction inspired by fact. Don DeLillo’s novel - and this adaptation - draw on real events and on some real people. But characters, incidents and dialogue are predominantly works of fiction. Real people have been placed in imagined situations whilst other characters have been created entirely for the purposes of storytelling.
Part of Radio 4’s Story of America - a major collection of dramatisations of milestone American titles marking 250 years since the Declaration of Independence and the foundation of the United States.
Cast:
The Analyst… Fisher Stevens
Lee Harvey Oswald…Tucker St. Ivany
The conspirators…Tyler Collins and Michael Nardone
Marguerite Oswald…Nicole Cooper
The Marine…Michael Guest
Bobby Dupard…Reuben Joseph
Marina Oswald…Holly Howden Gilchrist
George de Mohrenschildt…Grant O’Rourke
David Ferrie…Robin LaingAll other parts were played by the company
BBC Audio Scotland Production
Production Co-ordinators: Bethany Woodhead and Minnie Harrop
Studio Production and sound editing: Andrew Hay and Gav Murchie
Sound Design and original scoring: Danny KrassAdapted by Ben Lewis
Directed by Kirsty WilliamsArchive: CBS Evening News, November 22nd 1963
Show less
Release date:09 August 2026
57 minutes
On radioToday
15:00
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4 #BBCDramaOn4
-
Episode 1
Drama on 4
Libra Episode 1 of 2Don DeLillo’s fictionalised reimagining of the events surrounding the 1963 assassination of John F Kennedy, adapted for audio by Ben Lewis.
Starring Fisher Stevens and Tucker St. Ivany.A CIA analyst is tasked with pulling together all the facts, theories and suppositions surrounding this founding moment in recent American history. Drawing them together, he tries to imagine how and why JFK was killed. Cutting between the story of Lee Harvey Oswald’s life and two men conspiring to assassinate the president, it builds a picture of a fractured America during the cold war era.
This is a work of fiction inspired by fact. Don DeLillo’s novel - and this adaptation - draw on real events and on some real people. But characters, incidents and dialogue are predominantly works of fiction. Real people have been placed in imagined situations whilst other characters have been created entirely for the purposes of storytelling.
Part of Radio 4’s Story of America - a major collection of dramatisations of milestone American titles marking 250 years since the Declaration of Independence and the foundation of the United States.
Cast:
The Analyst… Fisher Stevens
Lee Harvey Oswald…Tucker St. Ivany
The conspirators…Tyler Collins and Michael Nardone
Marguerite Oswald…Nicole Cooper
The Marine…Michael Guest
Bobby Dupard…Reuben Joseph
Marina Oswald…Holly Howden Gilchrist
George de Mohrenschildt…Grant O’Rourke
David Ferrie…Robin LaingAll other parts were played by the company
BBC Audio Scotland Production
Production Co-ordinators: Bethany Woodhead and Minnie Harrop
Studio Production and sound editing: Andrew Hay and Gav Murchie
Sound Design and original scoring: Danny KrassAdapted by Ben Lewis
Directed by Kirsty WilliamsArchive: CBS Evening News, November 22nd 1963
Show less
Release date:09 August 2026
57 minutes
On radioToday
15:00
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4 #BBCDramaOn4
-
Episode 1
Drama on 4
Libra Episode 1 of 2Don DeLillo’s fictionalised reimagining of the events surrounding the 1963 assassination of John F Kennedy, adapted for audio by Ben Lewis.
Starring Fisher Stevens and Tucker St. Ivany.A CIA analyst is tasked with pulling together all the facts, theories and suppositions surrounding this founding moment in recent American history. Drawing them together, he tries to imagine how and why JFK was killed. Cutting between the story of Lee Harvey Oswald’s life and two men conspiring to assassinate the president, it builds a picture of a fractured America during the cold war era.
This is a work of fiction inspired by fact. Don DeLillo’s novel - and this adaptation - draw on real events and on some real people. But characters, incidents and dialogue are predominantly works of fiction. Real people have been placed in imagined situations whilst other characters have been created entirely for the purposes of storytelling.
Part of Radio 4’s Story of America - a major collection of dramatisations of milestone American titles marking 250 years since the Declaration of Independence and the foundation of the United States.
Cast:
The Analyst… Fisher Stevens
Lee Harvey Oswald…Tucker St. Ivany
The conspirators…Tyler Collins and Michael Nardone
Marguerite Oswald…Nicole Cooper
The Marine…Michael Guest
Bobby Dupard…Reuben Joseph
Marina Oswald…Holly Howden Gilchrist
George de Mohrenschildt…Grant O’Rourke
David Ferrie…Robin LaingAll other parts were played by the company
BBC Audio Scotland Production
Production Co-ordinators: Bethany Woodhead and Minnie Harrop
Studio Production and sound editing: Andrew Hay and Gav Murchie
Sound Design and original scoring: Danny KrassAdapted by Ben Lewis
Directed by Kirsty WilliamsArchive: CBS Evening News, November 22nd 1963
Show less
Release date:09 August 2026
57 minutes
On radioToday
15:00
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4 #BBCDramaOn4
-
Libra - Episode One
Opening Lines
For the 100th title to be explored in Opening Lines, John Yorke picks up the 1998 novel Libra by the heavyweight American writer, Don DeLillo. The book centres around the assassination of President John F. Kennedy, the event DeLillo says marked ‘a turning point in consciousness’ for Americans. He presents a fragmented portrait of the country at the height of the Cold War, following the misfortunes of disaffected loner Lee Harvey Oswald - as well as the large cast of rogue operators planning to use him to bring the President down.
In the first of two-parts, John looks to find what makes this widely acclaimed novel stand out from the hundreds of other books and films spawned by the world-shaking events in Dealey Plaza back in November 1963. He speaks with, among others, Pulitzer Prize winning novelist Jennifer Egan, a self-proclaimed DeLillo acolyte, who says of Libra that the “sense of the chaos and the noise of contemporary life invading the narrative I was very drawn to, and, you know, have tried to emulate, frankly.”
John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.
Libra by Don de Lillo is the 100th title covered by Opening Lines. The series began in January 2023 with Lady Chatterley’s Lover. Since then John Yorke has explored novels from Anna Karenina to Gone with the Wind, plays from Shakespeare to Eugene O’Neill and ground-breaking non-fiction like John Hersey’s Hiroshima. Each episode provides background, context and some expert discussion in advance of Radio 4’s Sunday afternoon drama, and all 100 titles can be heard on BBC Sounds.
Contributors: Pullitzer Prize winning author Jennifer Egan & Professor Jesse Kavadlo.
Sound:
Researcher: Henry Tydeman
Production Hub Coordinator: Dawn Williams
Producer: Geoff Bird
Executive Producer: Sara DaviesA Pier production for BBC Radio 4
Show less
Download
Choose your file
Higher quality (128kbps)
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Available now14 minutes
On airToday
14:45
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4
-
Libra - Episode One
Opening Lines
For the 100th title to be explored in Opening Lines, John Yorke picks up the 1998 novel Libra by the heavyweight American writer, Don DeLillo. The book centres around the assassination of President John F. Kennedy, the event DeLillo says marked ‘a turning point in consciousness’ for Americans. He presents a fragmented portrait of the country at the height of the Cold War, following the misfortunes of disaffected loner Lee Harvey Oswald - as well as the large cast of rogue operators planning to use him to bring the President down.
In the first of two-parts, John looks to find what makes this widely acclaimed novel stand out from the hundreds of other books and films spawned by the world-shaking events in Dealey Plaza back in November 1963. He speaks with, among others, Pulitzer Prize winning novelist Jennifer Egan, a self-proclaimed DeLillo acolyte, who says of Libra that the “sense of the chaos and the noise of contemporary life invading the narrative I was very drawn to, and, you know, have tried to emulate, frankly.”
John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.
Libra by Don de Lillo is the 100th title covered by Opening Lines. The series began in January 2023 with Lady Chatterley’s Lover. Since then John Yorke has explored novels from Anna Karenina to Gone with the Wind, plays from Shakespeare to Eugene O’Neill and ground-breaking non-fiction like John Hersey’s Hiroshima. Each episode provides background, context and some expert discussion in advance of Radio 4’s Sunday afternoon drama, and all 100 titles can be heard on BBC Sounds.
Contributors: Pullitzer Prize winning author Jennifer Egan & Professor Jesse Kavadlo.
Sound:
Researcher: Henry Tydeman
Production Hub Coordinator: Dawn Williams
Producer: Geoff Bird
Executive Producer: Sara DaviesA Pier production for BBC Radio 4
Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now14 minutes
On airToday
14:45
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4
-
Libra - Episode One
Opening Lines
For the 100th title to be explored in Opening Lines, John Yorke picks up the 1998 novel Libra by the heavyweight American writer, Don DeLillo. The book centres around the assassination of President John F. Kennedy, the event DeLillo says marked ‘a turning point in consciousness’ for Americans. He presents a fragmented portrait of the country at the height of the Cold War, following the misfortunes of disaffected loner Lee Harvey Oswald - as well as the large cast of rogue operators planning to use him to bring the President down.
In the first of two-parts, John looks to find what makes this widely acclaimed novel stand out from the hundreds of other books and films spawned by the world-shaking events in Dealey Plaza back in November 1963. He speaks with, among others, Pulitzer Prize winning novelist Jennifer Egan, a self-proclaimed DeLillo acolyte, who says of Libra that the “sense of the chaos and the noise of contemporary life invading the narrative I was very drawn to, and, you know, have tried to emulate, frankly.”
John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.
Libra by Don de Lillo is the 100th title covered by Opening Lines. The series began in January 2023 with Lady Chatterley’s Lover. Since then John Yorke has explored novels from Anna Karenina to Gone with the Wind, plays from Shakespeare to Eugene O’Neill and ground-breaking non-fiction like John Hersey’s Hiroshima. Each episode provides background, context and some expert discussion in advance of Radio 4’s Sunday afternoon drama, and all 100 titles can be heard on BBC Sounds.
Contributors: Pullitzer Prize winning author Jennifer Egan & Professor Jesse Kavadlo.
Sound:
Researcher: Henry Tydeman
Production Hub Coordinator: Dawn Williams
Producer: Geoff Bird
Executive Producer: Sara DaviesA Pier production for BBC Radio 4
Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now14 minutes
On airToday
14:45
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4
-
Libra - Episode One
Opening Lines
For the 100th title to be explored in Opening Lines, John Yorke picks up the 1998 novel Libra by the heavyweight American writer, Don DeLillo. The book centres around the assassination of President John F. Kennedy, the event DeLillo says marked ‘a turning point in consciousness’ for Americans. He presents a fragmented portrait of the country at the height of the Cold War, following the misfortunes of disaffected loner Lee Harvey Oswald - as well as the large cast of rogue operators planning to use him to bring the President down.
In the first of two-parts, John looks to find what makes this widely acclaimed novel stand out from the hundreds of other books and films spawned by the world-shaking events in Dealey Plaza back in November 1963. He speaks with, among others, Pulitzer Prize winning novelist Jennifer Egan, a self-proclaimed DeLillo acolyte, who says of Libra that the “sense of the chaos and the noise of contemporary life invading the narrative I was very drawn to, and, you know, have tried to emulate, frankly.”
John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.
Libra by Don de Lillo is the 100th title covered by Opening Lines. The series began in January 2023 with Lady Chatterley’s Lover. Since then John Yorke has explored novels from Anna Karenina to Gone with the Wind, plays from Shakespeare to Eugene O’Neill and ground-breaking non-fiction like John Hersey’s Hiroshima. Each episode provides background, context and some expert discussion in advance of Radio 4’s Sunday afternoon drama, and all 100 titles can be heard on BBC Sounds.
Contributors: Pullitzer Prize winning author Jennifer Egan & Professor Jesse Kavadlo.
Sound:
Researcher: Henry Tydeman
Production Hub Coordinator: Dawn Williams
Producer: Geoff Bird
Executive Producer: Sara DaviesA Pier production for BBC Radio 4
Show less
Download
Choose your file
Higher quality (128kbps)
Lower quality (64kbps)
Available now14 minutes
On airToday
14:45
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4
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Libra - Episode One
Opening Lines
For the 100th title to be explored in Opening Lines, John Yorke picks up the 1998 novel Libra by the heavyweight American writer, Don DeLillo. The book centres around the assassination of President John F. Kennedy, the event DeLillo says marked ‘a turning point in consciousness’ for Americans. He presents a fragmented portrait of the country at the height of the Cold War, following the misfortunes of disaffected loner Lee Harvey Oswald - as well as the large cast of rogue operators planning to use him to bring the President down.
In the first of two-parts, John looks to find what makes this widely acclaimed novel stand out from the hundreds of other books and films spawned by the world-shaking events in Dealey Plaza back in November 1963. He speaks with, among others, Pulitzer Prize winning novelist Jennifer Egan, a self-proclaimed DeLillo acolyte, who says of Libra that the “sense of the chaos and the noise of contemporary life invading the narrative I was very drawn to, and, you know, have tried to emulate, frankly.”
John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.
Libra by Don de Lillo is the 100th title covered by Opening Lines. The series began in January 2023 with Lady Chatterley’s Lover. Since then John Yorke has explored novels from Anna Karenina to Gone with the Wind, plays from Shakespeare to Eugene O’Neill and ground-breaking non-fiction like John Hersey’s Hiroshima. Each episode provides background, context and some expert discussion in advance of Radio 4’s Sunday afternoon drama, and all 100 titles can be heard on BBC Sounds.
Contributors: Pullitzer Prize winning author Jennifer Egan & Professor Jesse Kavadlo.
Sound:
Researcher: Henry Tydeman
Production Hub Coordinator: Dawn Williams
Producer: Geoff Bird
Executive Producer: Sara DaviesA Pier production for BBC Radio 4
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Available now14 minutes
On airToday
14:45
BBC Radio 4#DonDeLillo #BBCDrama #BBCIssues #BBCOpeningLines #BBCRadio4
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#shippingforecast #radio4shippingforecast #BBCradio4 #webradio
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In a couple of minutes, at 00 h 48 BST 🇬🇧 on BBC Radio 4, it's the shipping forecast.
Happy listening ! 🙂 👋
https://www.bbc.com/audio/schedules/bbc_radio_fourfm
https://www.programmes-radio.com/fr/stream-byaPnr8CZh2qeLNwjam8tU/ecouter-BBC-Radio-4
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Shadow World
Breakin' the Cycle Episode 2 of 6
2. A Hood StoryAs Colin and D begin turning their prison-written script into a real production, they recruit former pop stars and emerging actors, building a cast captivated by the promise of an authentic Black British crime story. Their film starts to feel like a genuine cultural moment. But most of the cast and crew are unaware of the true story behind the pair or their journey to becoming film-makers.
Beneath the excitement of the production, the money, power, and instincts that built “Love of Money” are still very much in play. When D’s commitment to turning away from crime is tested, he is drawn back to familiar instincts.
Gripping stories from the Shadows - BBC investigations from across the UK.
Presenter and Producer: Lewis Albrow
Series Producer: Emma Barnaby
Producer: Louis Hollis
Assistant Editor: Georgina Savage
Sound Designer, Composer, and Mix Engineer: Axel Kacoutie
Script Editor: Jason Lewis
Fact Checker: Jessica Hatcher-Moore
Production Manager: Anna-Marie Batho
Production Executive: Letisha Kidza
Head of Production: Nicky Murphy
Production Support: Emma Wood and Olivia Bouton
Executive Producers for Raw: Deborah Dudgeon, David Waters, and Tim Wardle.
Business Affairs: Amy Ofori-Attah, Clotilde Leroux, Damian Kent, and Emma Ong.
Commissioning Executive: Tracy Williams
Commissioning Editor: Dan ClarkeA Raw Production for BBC Radio 4
#BBCRadio4 #BBCShadowWorld #BreakinTheCycleEpisode #StreetCream #MakinMovies #ProductionHell
-
Shadow World
Breakin' the Cycle Episode 2 of 6
2. A Hood StoryAs Colin and D begin turning their prison-written script into a real production, they recruit former pop stars and emerging actors, building a cast captivated by the promise of an authentic Black British crime story. Their film starts to feel like a genuine cultural moment. But most of the cast and crew are unaware of the true story behind the pair or their journey to becoming film-makers.
Beneath the excitement of the production, the money, power, and instincts that built “Love of Money” are still very much in play. When D’s commitment to turning away from crime is tested, he is drawn back to familiar instincts.
Gripping stories from the Shadows - BBC investigations from across the UK.
Presenter and Producer: Lewis Albrow
Series Producer: Emma Barnaby
Producer: Louis Hollis
Assistant Editor: Georgina Savage
Sound Designer, Composer, and Mix Engineer: Axel Kacoutie
Script Editor: Jason Lewis
Fact Checker: Jessica Hatcher-Moore
Production Manager: Anna-Marie Batho
Production Executive: Letisha Kidza
Head of Production: Nicky Murphy
Production Support: Emma Wood and Olivia Bouton
Executive Producers for Raw: Deborah Dudgeon, David Waters, and Tim Wardle.
Business Affairs: Amy Ofori-Attah, Clotilde Leroux, Damian Kent, and Emma Ong.
Commissioning Executive: Tracy Williams
Commissioning Editor: Dan ClarkeA Raw Production for BBC Radio 4
#BBCRadio4 #BBCShadowWorld #BreakinTheCycleEpisode #StreetCream #MakinMovies #ProductionHell
-
Shadow World
Breakin' the Cycle Episode 2 of 6
2. A Hood StoryAs Colin and D begin turning their prison-written script into a real production, they recruit former pop stars and emerging actors, building a cast captivated by the promise of an authentic Black British crime story. Their film starts to feel like a genuine cultural moment. But most of the cast and crew are unaware of the true story behind the pair or their journey to becoming film-makers.
Beneath the excitement of the production, the money, power, and instincts that built “Love of Money” are still very much in play. When D’s commitment to turning away from crime is tested, he is drawn back to familiar instincts.
Gripping stories from the Shadows - BBC investigations from across the UK.
Presenter and Producer: Lewis Albrow
Series Producer: Emma Barnaby
Producer: Louis Hollis
Assistant Editor: Georgina Savage
Sound Designer, Composer, and Mix Engineer: Axel Kacoutie
Script Editor: Jason Lewis
Fact Checker: Jessica Hatcher-Moore
Production Manager: Anna-Marie Batho
Production Executive: Letisha Kidza
Head of Production: Nicky Murphy
Production Support: Emma Wood and Olivia Bouton
Executive Producers for Raw: Deborah Dudgeon, David Waters, and Tim Wardle.
Business Affairs: Amy Ofori-Attah, Clotilde Leroux, Damian Kent, and Emma Ong.
Commissioning Executive: Tracy Williams
Commissioning Editor: Dan ClarkeA Raw Production for BBC Radio 4
#BBCRadio4 #BBCShadowWorld #BreakinTheCycleEpisode #StreetCream #MakinMovies #ProductionHell