#arundhatiroy — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #arundhatiroy, aggregated by home.social.
-
Arundhati Roy on the Deepest Measure of Success
https://fed.brid.gy/r/https://www.themarginalian.org/2026/08/14/arundhati-roy-success/
-
Arundhati Roy on the Deepest Measure of Success
https://fed.brid.gy/r/https://www.themarginalian.org/2026/08/14/arundhati-roy-success/
-
Arundhati Roy on the Deepest Measure of Success
https://web.brid.gy/r/https://www.themarginalian.org/2026/08/14/arundhati-roy-success/
-
Arundhati Roy on the Deepest Measure of Success
https://fed.brid.gy/r/https://www.themarginalian.org/2026/08/14/arundhati-roy-success/
-
Arundhati Roy on the Deepest Measure of Success
https://web.brid.gy/r/https://www.themarginalian.org/2026/08/14/arundhati-roy-success/
-
Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
Writing Our Mothers
Archive on 4‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.
What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.
With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.
Produced by Sarah Cuddon
A Falling Tree production for BBC Radio 4Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, BBC News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (BBC, 1990) and Face To Face (BBC, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (BBC, 2001)
Jackie Kay, Book of the Week (The Waters Company for BBC R4, 2015)
Elena Ferrante, Lying Lives of Adults (BBC, 2020)
Available now57 minutes
#ArundhatiRoy #EdnaOBrien
#SylviaPlath #AudreLorde
#MayaAngelou #JeannetteWinterson
#MargueriteDuras #ToniMorrison
#JackieKay #ElenaFerrante -
"“Cockroach Democracy”: Arundhati Roy on India’s Youth-Led Protest Movement & Modi’s Collapsing Support"
https://www.democracynow.org/2026/7/24/india_cockroach_movement_arundhati_roy
#arundhatiroy #cockroach #india -
"“Cockroach Democracy”: Arundhati Roy on India’s Youth-Led Protest Movement & Modi’s Collapsing Support"
https://www.democracynow.org/2026/7/24/india_cockroach_movement_arundhati_roy
#arundhatiroy #cockroach #india -
"“Cockroach Democracy”: Arundhati Roy on India’s Youth-Led Protest Movement & Modi’s Collapsing Support"
https://www.democracynow.org/2026/7/24/india_cockroach_movement_arundhati_roy
#arundhatiroy #cockroach #india -
"What is under the
rubble in Gaza, is
not just the bodies of
palestinians, but
the carcass of
Western Liberal
Democracy"
- Arundhati Roy -
"What is under the
rubble in Gaza, is
not just the bodies of
palestinians, but
the carcass of
Western Liberal
Democracy"
- Arundhati Roy -
"What is under the
rubble in Gaza, is
not just the bodies of
palestinians, but
the carcass of
Western Liberal
Democracy"
- Arundhati Roy -
"What is under the
rubble in Gaza, is
not just the bodies of
palestinians, but
the carcass of
Western Liberal
Democracy"
- Arundhati Roy -
"What is under the
rubble in Gaza, is
not just the bodies of
palestinians, but
the carcass of
Western Liberal
Democracy"
- Arundhati Roy -
Flags are bits of colored cloth that governments use first to shrink-wrap people's brains and then as ceremonial shrouds to bury the dead.
-- Arundhati Roy⬆ #Wisdom #Quotes #ArundhatiRoy #Flags #Government #Propaganda
⬇ #Photography #Panorama #ChacoCanyon #PuebloBonito #Ruins #360panorama #NewMexico
-
Flags are bits of colored cloth that governments use first to shrink-wrap people's brains and then as ceremonial shrouds to bury the dead.
-- Arundhati Roy⬆ #Wisdom #Quotes #ArundhatiRoy #Flags #Government #Propaganda
⬇ #Photography #Panorama #ChacoCanyon #PuebloBonito #Ruins #360panorama #NewMexico
-
Flags are bits of colored cloth that governments use first to shrink-wrap people's brains and then as ceremonial shrouds to bury the dead.
-- Arundhati Roy⬆ #Wisdom #Quotes #ArundhatiRoy #Flags #Government #Propaganda
⬇ #Photography #Panorama #ChacoCanyon #PuebloBonito #Ruins #360panorama #NewMexico
-
Flags are bits of colored cloth that governments use first to shrink-wrap people's brains and then as ceremonial shrouds to bury the dead.
-- Arundhati Roy⬆ #Wisdom #Quotes #ArundhatiRoy #Flags #Government #Propaganda
⬇ #Photography #Panorama #ChacoCanyon #PuebloBonito #Ruins #360panorama #NewMexico
-
Flags are bits of colored cloth that governments use first to shrink-wrap people's brains and then as ceremonial shrouds to bury the dead.
-- Arundhati Roy⬆ #Wisdom #Quotes #ArundhatiRoy #Flags #Government #Propaganda
⬇ #Photography #Panorama #ChacoCanyon #PuebloBonito #Ruins #360panorama #NewMexico
-
Cockroach Democracy: Unarmed and Dangerous • EQUATOR
https://www.equator.org/articles/cockroach-janata-party-arundhati-roy
#ArundhatiRoy -
Cockroach Democracy: Unarmed and Dangerous • EQUATOR
https://www.equator.org/articles/cockroach-janata-party-arundhati-roy
#ArundhatiRoy -
Cockroach Democracy: Unarmed and Dangerous • EQUATOR
https://www.equator.org/articles/cockroach-janata-party-arundhati-roy
#ArundhatiRoy -
Cockroach Democracy: Unarmed and Dangerous • EQUATOR
https://www.equator.org/articles/cockroach-janata-party-arundhati-roy
#ArundhatiRoy -
Cockroach Democracy: Unarmed and Dangerous • EQUATOR
https://www.equator.org/articles/cockroach-janata-party-arundhati-roy
#ArundhatiRoy -
Arundhati Roy on Beatles, AI and Indie Filmmaking at London Indian Film Festival
#Variety #Asia #Festivals #Global #News #ArundhatiRoy #BFI #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival -
Arundhati Roy on Beatles, AI and Indie Filmmaking at London Indian Film Festival
#Variety #Asia #Festivals #Global #News #ArundhatiRoy #BFI #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival -
Arundhati Roy on Beatles, AI and Indie Filmmaking at London Indian Film Festival
#Variety #Asia #Festivals #Global #News #ArundhatiRoy #BFI #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival -
Arundhati Roy on Beatles, AI and Indie Filmmaking at London Indian Film Festival
#Variety #Asia #Festivals #Global #News #ArundhatiRoy #BFI #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival -
Arundhati Roy on Beatles, AI and Indie Filmmaking at London Indian Film Festival
#Variety #Asia #Festivals #Global #News #ArundhatiRoy #BFI #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival -
Arundhati Roy on Beatles, AI and Indie Filmmaking at London Indian Film Festival
-
I see Ghandi mentioned below.
To stop specific representation of Dalits in the Indian parliament and so preserve the caste system, that gentleman went on a hunger strike.
This was a threat of violence, a threat of mob killings of hundreds of thousands of Dalit caste members if he died in the hungerstrike.
The Dalit, to save all those lives, backed off, gave up trying for specific representation in parliament. India's caste system continued. -
I see Ghandi mentioned below.
To stop specific representation of Dalits in the Indian parliament and so preserve the caste system, that gentleman went on a hunger strike.
This was a threat of violence, a threat of mob killings of hundreds of thousands of Dalit caste members if he died in the hungerstrike.
The Dalit, to save all those lives, backed off, gave up trying for specific representation in parliament. India's caste system continued. -
I see Ghandi mentioned below.
To stop specific representation of Dalits in the Indian parliament and so preserve the caste system, that gentleman went on a hunger strike.
This was a threat of violence, a threat of mob killings of hundreds of thousands of Dalit caste members if he died in the hungerstrike.
The Dalit, to save all those lives, backed off, gave up trying for specific representation in parliament. India's caste system continued. -
I see Ghandi mentioned below.
To stop specific representation of Dalits in the Indian parliament and so preserve the caste system, that gentleman went on a hunger strike.
This was a threat of violence, a threat of mob killings of hundreds of thousands of Dalit caste members if he died in the hungerstrike.
The Dalit, to save all those lives, backed off, gave up trying for specific representation in parliament. India's caste system continued. -
I see Ghandi mentioned below.
To stop specific representation of Dalits in the Indian parliament and so preserve the caste system, that gentleman went on a hunger strike.
This was a threat of violence, a threat of mob killings of hundreds of thousands of Dalit caste members if he died in the hungerstrike.
The Dalit, to save all those lives, backed off, gave up trying for specific representation in parliament. India's caste system continued. -
Not to forget about the myth of the Arabs having an honor and pride.
The passivity and silence of the vast majority of people witnessing the ongoing Genocide and daily atrocities by Israeli army and Jewish KKK hooligans in occupied territories is truly nauseating.
Gaza, truly showed that "never again" is nothing than just an empty word to hide the Inhumanity of the people pretending to have empathy.
-
Not to forget about the myth of the Arabs having an honor and pride.
The passivity and silence of the vast majority of people witnessing the ongoing Genocide and daily atrocities by Israeli army and Jewish KKK hooligans in occupied territories is truly nauseating.
Gaza, truly showed that "never again" is nothing than just an empty word to hide the Inhumanity of the people pretending to have empathy.
-
Not to forget about the myth of the Arabs having an honor and pride.
The passivity and silence of the vast majority of people witnessing the ongoing Genocide and daily atrocities by Israeli army and Jewish KKK hooligans in occupied territories is truly nauseating.
Gaza, truly showed that "never again" is nothing than just an empty word to hide the Inhumanity of the people pretending to have empathy.
-
Not to forget about the myth of the Arabs having an honor and pride.
The passivity and silence of the vast majority of people witnessing the ongoing Genocide and daily atrocities by Israeli army and Jewish KKK hooligans in occupied territories is truly nauseating.
Gaza, truly showed that "never again" is nothing than just an empty word to hide the Inhumanity of the people pretending to have empathy.
-
Not to forget about the myth of the Arabs having an honor and pride.
The passivity and silence of the vast majority of people witnessing the ongoing Genocide and daily atrocities by Israeli army and Jewish KKK hooligans in occupied territories is truly nauseating.
Gaza, truly showed that "never again" is nothing than just an empty word to hide the Inhumanity of the people pretending to have empathy.
-
The best books to read in June: new paperbacks from Ian McEwan, Arundhati Roy and Irvine Welsh https://www.theguardian.com/books/ng-interactive/2026/jun/17/the-best-books-to-read-in-june-new-paperbacks-from-ian-mcewan-arundhati-roy-and-irvine-welsh #Books #Culture #Paperbacks #ArundhatiRoy #IrvineWelsh #IanMcewan
-
The best books to read in June: new paperbacks from Ian McEwan, Arundhati Roy and Irvine Welsh https://www.theguardian.com/books/ng-interactive/2026/jun/17/the-best-books-to-read-in-june-new-paperbacks-from-ian-mcewan-arundhati-roy-and-irvine-welsh #Books #Culture #Paperbacks #ArundhatiRoy #IrvineWelsh #IanMcewan
-
The best books to read in June: new paperbacks from Ian McEwan, Arundhati Roy and Irvine Welsh https://www.theguardian.com/books/ng-interactive/2026/jun/17/the-best-books-to-read-in-june-new-paperbacks-from-ian-mcewan-arundhati-roy-and-irvine-welsh #Books #Culture #Paperbacks #ArundhatiRoy #IrvineWelsh #IanMcewan
-
The best books to read in June: new paperbacks from Ian McEwan, Arundhati Roy and Irvine Welsh https://www.theguardian.com/books/ng-interactive/2026/jun/17/the-best-books-to-read-in-june-new-paperbacks-from-ian-mcewan-arundhati-roy-and-irvine-welsh #Books #Culture #Paperbacks #ArundhatiRoy #IrvineWelsh #IanMcewan
-
The best books to read in June: new paperbacks from Ian McEwan, Arundhati Roy and Irvine Welsh https://www.theguardian.com/books/ng-interactive/2026/jun/17/the-best-books-to-read-in-june-new-paperbacks-from-ian-mcewan-arundhati-roy-and-irvine-welsh #Books #Culture #Paperbacks #ArundhatiRoy #IrvineWelsh #IanMcewan
-
Aamir Khan, Arundhati Roy Film to Lead London Indian Film Festival
Bollywood actor and filmmaker Aamir Khan will appear in conversation at BFI Southbank on July 16 as the…
#NewsBeep #News #Movies #AamirKhan #ArundhatiRoy #AU #Australia #Entertainment #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival
https://www.newsbeep.com/au/725129/ -
Aamir Khan, Arundhati Roy Film to Lead London Indian Film Festival
Bollywood actor and filmmaker Aamir Khan will appear in conversation at BFI Southbank on July 16 as the…
#NewsBeep #News #Movies #AamirKhan #ArundhatiRoy #AU #Australia #Entertainment #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival
https://www.newsbeep.com/au/725129/ -
Aamir Khan, Arundhati Roy Film to Lead London Indian Film Festival
Bollywood actor and filmmaker Aamir Khan will appear in conversation at BFI Southbank on July 16 as the…
#NewsBeep #News #Movies #AamirKhan #ArundhatiRoy #Entertainment #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival #UK #UnitedKingdom
https://www.newsbeep.com/uk/629193/ -
https://www.europesays.com/ie/526110/ Aamir Khan, Arundhati Roy Film to Lead London Indian Film Festival #AamirKhan #ArundhatiRoy #Éire #Entertainment #IE #InWhichAnnieGivesItThoseOnes #Ireland #LondonIndianFilmFestival #Movies
-
https://www.europesays.com/uk/1014937/ Aamir Khan, Arundhati Roy Film to Lead London Indian Film Festival #AamirKhan #ArundhatiRoy #Britain #England #GreatBritain #InWhichAnnieGivesItThoseOnes #london #LondonIndianFilmFestival #UK #UnitedKingdom
-
Aamir Khan, Arundhati Roy Film and ‘Goodness Gracious Me’ Reunion to Headline London Indian Film Festival’s 17th Edition (EXCLUSIVE)
#Variety #Asia #Festivals #Global #News #AamirKhan #ArundhatiRoy #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival -
Aamir Khan, Arundhati Roy Film and ‘Goodness Gracious Me’ Reunion to Headline London Indian Film Festival’s 17th Edition (EXCLUSIVE)
#Variety #Asia #Festivals #Global #News #AamirKhan #ArundhatiRoy #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival -
Aamir Khan, Arundhati Roy Film and ‘Goodness Gracious Me’ Reunion to Headline London Indian Film Festival’s 17th Edition (EXCLUSIVE)
#Variety #Asia #Festivals #Global #News #AamirKhan #ArundhatiRoy #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival -
Aamir Khan, Arundhati Roy Film and ‘Goodness Gracious Me’ Reunion to Headline London Indian Film Festival’s 17th Edition (EXCLUSIVE)
#Variety #Asia #Festivals #Global #News #AamirKhan #ArundhatiRoy #InWhichAnnieGivesItThoseOnes #LondonIndianFilmFestival -
Aamir Khan, Arundhati Roy Film and ‘Goodness Gracious Me’ Reunion to Headline London Indian Film Festival’s 17th Edition (EXCLUSIVE)
-
Tussen de geverniste loopjongens
Uit de tombola van de leesclub kwam de winner van de Booker-prize van 1997: De God van Kleine Dingen van Arundhati Roy. Een moderne klassieker, postkoloniale literatuur in een Indiase setting eind jaren '60. In De God van Kleine Dingen maken we kennis met een tweeling, Estha en Rahel. Vanuit hun perspectief als zevenjarigen bekjken we de wereld, en vooral hun familie. Meerdere generaties bevolken het boek: hun ouders, hun grootouders en overgrootouders. Dan nog ooms, tantes en nichtjes. […]https://www.filmvanalledag.nl/2026/06/07/tussen-de-geverniste-loopjongens/