home.social

#creole — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #creole, aggregated by home.social.

fetched live
  1. “I describe our language as Jamaican. Not Jamaican Patois, not Jamaican Creole, not dialect, none of those. Jamaican! Just like French, Spanish, English, German and any other language,” Cooper said.
    “I think the problem is that we don’t recognise Jamaican as a language, because if we did, Jamaica would be officially bilingual,” she said, adding there was a widespread perception that Jamaican was not a language in itself.
    “That is still the perception of the Jamaican language, that it is a broken version of English, meaning that it’s a corruption – we couldn’t learn it properly, so we twisted it,” she said.

    theguardian.com/news/2026/may/

    #Creole #Patois #Jamaica

  2. “I describe our language as Jamaican. Not Jamaican Patois, not Jamaican Creole, not dialect, none of those. Jamaican! Just like French, Spanish, English, German and any other language,” Cooper said.
    “I think the problem is that we don’t recognise Jamaican as a language, because if we did, Jamaica would be officially bilingual,” she said, adding there was a widespread perception that Jamaican was not a language in itself.
    “That is still the perception of the Jamaican language, that it is a broken version of English, meaning that it’s a corruption – we couldn’t learn it properly, so we twisted it,” she said.

    theguardian.com/news/2026/may/

    #Creole #Patois #Jamaica

  3. “I describe our language as Jamaican. Not Jamaican Patois, not Jamaican Creole, not dialect, none of those. Jamaican! Just like French, Spanish, English, German and any other language,” Cooper said.
    “I think the problem is that we don’t recognise Jamaican as a language, because if we did, Jamaica would be officially bilingual,” she said, adding there was a widespread perception that Jamaican was not a language in itself.
    “That is still the perception of the Jamaican language, that it is a broken version of English, meaning that it’s a corruption – we couldn’t learn it properly, so we twisted it,” she said.

    theguardian.com/news/2026/may/

    #Creole #Patois #Jamaica

  4. #dub #soundsystem #languesregionales
    Pensé comme un dialogue entre territoires, générations et langues minorisées, À travers les ponts - le nouvel album de #dubamix - fait résonner l’#occitan (du languedocien au #provençal en passant par le #gascon et le #limousin) avec le #catalan, le #breton, le #basque, le #creole, l’#esperanto ou encore le #yiddish en compagnie d’invités d’horizons multiples. Il construit des ponts entre cultures populaires locales et horizons internationalistes, faisant dialoguer langues minorisées, héritages traditionnels et musiques électroniques contemporaines à rebours de tout enfermement identitaire.
    dubamix.net/info-actu/27-06-no

  5. #dub #soundsystem #languesregionales
    Pensé comme un dialogue entre territoires, générations et langues minorisées, À travers les ponts - le nouvel album de #dubamix - fait résonner l’#occitan (du languedocien au #provençal en passant par le #gascon et le #limousin) avec le #catalan, le #breton, le #basque, le #creole, l’#esperanto ou encore le #yiddish en compagnie d’invités d’horizons multiples. Il construit des ponts entre cultures populaires locales et horizons internationalistes, faisant dialoguer langues minorisées, héritages traditionnels et musiques électroniques contemporaines à rebours de tout enfermement identitaire.
    dubamix.net/info-actu/27-06-no

  6. #dub #soundsystem #languesregionales
    Pensé comme un dialogue entre territoires, générations et langues minorisées, À travers les ponts - le nouvel album de #dubamix - fait résonner l’#occitan (du languedocien au #provençal en passant par le #gascon et le #limousin) avec le #catalan, le #breton, le #basque, le #creole, l’#esperanto ou encore le #yiddish en compagnie d’invités d’horizons multiples. Il construit des ponts entre cultures populaires locales et horizons internationalistes, faisant dialoguer langues minorisées, héritages traditionnels et musiques électroniques contemporaines à rebours de tout enfermement identitaire.
    dubamix.net/info-actu/27-06-no

  7. #dub #soundsystem #languesregionales
    Pensé comme un dialogue entre territoires, générations et langues minorisées, À travers les ponts - le nouvel album de #dubamix - fait résonner l’#occitan (du languedocien au #provençal en passant par le #gascon et le #limousin) avec le #catalan, le #breton, le #basque, le #creole, l’#esperanto ou encore le #yiddish en compagnie d’invités d’horizons multiples. Il construit des ponts entre cultures populaires locales et horizons internationalistes, faisant dialoguer langues minorisées, héritages traditionnels et musiques électroniques contemporaines à rebours de tout enfermement identitaire.
    dubamix.net/info-actu/27-06-no

  8. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  9. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  10. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  11. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  12. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  13. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  14. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  15. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  16. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  17. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  18. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  19. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  20. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  21. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  22. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  23. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al

  24. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al

  25. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al

  26. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al

  27. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al

  28. @grantpotter 🙏🏼
    Great selection of #AccordionBandcamp recommendations in this Bandcamp Weekly feature on #Creole and #Cajun 🪗 music
    daily.bandcamp.com/lists/cajun

    I’ll be getting some of these artists to play on @accordionnoir radio including Marcella Simien ❤️‍🔥🪗
    marcellaandherlovers.bandcamp.

    #accordion #zydeco #Louisiana #Texas #Memphis

  29. “Sa M’Appel Fou (They Call Me Crazy)” from Clifton Chenier’s classic 1976 zydeco album Bogalusa Boogie. #cliftonchenier #zydeco #creole #nolamusic #vinyl #recordcollection

  30. “Sa M’Appel Fou (They Call Me Crazy)” from Clifton Chenier’s classic 1976 zydeco album Bogalusa Boogie. #cliftonchenier #zydeco #creole #nolamusic #vinyl #recordcollection

  31. “Sa M’Appel Fou (They Call Me Crazy)” from Clifton Chenier’s classic 1976 zydeco album Bogalusa Boogie. #cliftonchenier #zydeco #creole #nolamusic #vinyl #recordcollection

  32. “Sa M’Appel Fou (They Call Me Crazy)” from Clifton Chenier’s classic 1976 zydeco album Bogalusa Boogie. #cliftonchenier #zydeco #creole #nolamusic #vinyl #recordcollection