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#creole — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #creole, aggregated by home.social.

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  1. Yats Grandview—The end of an Era, July 2014−August 2026

    Yats is a cajun/creole chain based out of Indianapolis that many Hoosiers are familiar with. They offer a variety of étoufées, gumbo, red beans and rice, and jambalaya (although not as good as The Jambalaya Shoppe). Oh, and did I mention you get two pieces of French bread slathered in butter and herbs to go along with this deliciousness? “Oh, the bread”, they say. I like to call it my cajun/creole comfort food although I doubt any true Scotsman New Orleans folk would say that.

    In the Summer of 2014, a storefront opened in Grandview Heights, Ohio for which this post is about. I remember going up...

    nokoto.org/content/yats-grandv

  2. Yats Grandview—The end of an Era, July 2014−August 2026

    Yats is a cajun/creole chain based out of Indianapolis that many Hoosiers are familiar with. They offer a variety of étoufées, gumbo, red beans and rice, and jambalaya (although not as good as The Jambalaya Shoppe). Oh, and did I mention you get two pieces of French bread slathered in butter and herbs to go along with this deliciousness? “Oh, the bread”, they say. I like to call it my cajun/creole comfort food although I doubt any true Scotsman New Orleans folk would say that.

    In the Summer of 2014, a storefront opened in Grandview Heights, Ohio for which this post is about. I remember going up...

    nokoto.org/content/yats-grandv

  3. Yats Grandview—The end of an Era, July 2014−August 2026

    Yats is a cajun/creole chain based out of Indianapolis that many Hoosiers are familiar with. They offer a variety of étoufées, gumbo, red beans and rice, and jambalaya (although not as good as The Jambalaya Shoppe). Oh, and did I mention you get two pieces of French bread slathered in butter and herbs to go along with this deliciousness? “Oh, the bread”, they say. I like to call it my cajun/creole comfort food although I doubt any true Scotsman New Orleans folk would say that.

    In the Summer of 2014, a storefront opened in Grandview Heights, Ohio for which this post is about. I remember going up...

    nokoto.org/content/yats-grandv

  4. Yats Grandview—The end of an Era, July 2014−August 2026

    Yats is a cajun/creole chain based out of Indianapolis that many Hoosiers are familiar with. They offer a variety of étoufées, gumbo, red beans and rice, and jambalaya (although not as good as The Jambalaya Shoppe). Oh, and did I mention you get two pieces of French bread slathered in butter and herbs to go along with this deliciousness? “Oh, the bread”, they say. I like to call it my cajun/creole comfort food although I doubt any true Scotsman New Orleans folk would say that.

    In the Summer of 2014, a storefront opened in Grandview Heights, Ohio for which this post is about. I remember going up...

    nokoto.org/content/yats-grandv

  5. Blackened chicken with rice pilaf #cooking #creole . A favorite in my house.

  6. Blackened chicken with rice pilaf #cooking #creole . A favorite in my house.

  7. Blackened chicken with rice pilaf #cooking #creole . A favorite in my house.

  8. Blackened chicken with rice pilaf #cooking #creole . A favorite in my house.

  9. Blackened chicken with rice pilaf #cooking #creole . A favorite in my house.

  10. “I describe our language as Jamaican. Not Jamaican Patois, not Jamaican Creole, not dialect, none of those. Jamaican! Just like French, Spanish, English, German and any other language,” Cooper said.
    “I think the problem is that we don’t recognise Jamaican as a language, because if we did, Jamaica would be officially bilingual,” she said, adding there was a widespread perception that Jamaican was not a language in itself.
    “That is still the perception of the Jamaican language, that it is a broken version of English, meaning that it’s a corruption – we couldn’t learn it properly, so we twisted it,” she said.

    theguardian.com/news/2026/may/

    #Creole #Patois #Jamaica

  11. “I describe our language as Jamaican. Not Jamaican Patois, not Jamaican Creole, not dialect, none of those. Jamaican! Just like French, Spanish, English, German and any other language,” Cooper said.
    “I think the problem is that we don’t recognise Jamaican as a language, because if we did, Jamaica would be officially bilingual,” she said, adding there was a widespread perception that Jamaican was not a language in itself.
    “That is still the perception of the Jamaican language, that it is a broken version of English, meaning that it’s a corruption – we couldn’t learn it properly, so we twisted it,” she said.

    theguardian.com/news/2026/may/

    #Creole #Patois #Jamaica

  12. “I describe our language as Jamaican. Not Jamaican Patois, not Jamaican Creole, not dialect, none of those. Jamaican! Just like French, Spanish, English, German and any other language,” Cooper said.
    “I think the problem is that we don’t recognise Jamaican as a language, because if we did, Jamaica would be officially bilingual,” she said, adding there was a widespread perception that Jamaican was not a language in itself.
    “That is still the perception of the Jamaican language, that it is a broken version of English, meaning that it’s a corruption – we couldn’t learn it properly, so we twisted it,” she said.

    theguardian.com/news/2026/may/

    #Creole #Patois #Jamaica

  13. #dub #soundsystem #languesregionales
    Pensé comme un dialogue entre territoires, générations et langues minorisées, À travers les ponts - le nouvel album de #dubamix - fait résonner l’#occitan (du languedocien au #provençal en passant par le #gascon et le #limousin) avec le #catalan, le #breton, le #basque, le #creole, l’#esperanto ou encore le #yiddish en compagnie d’invités d’horizons multiples. Il construit des ponts entre cultures populaires locales et horizons internationalistes, faisant dialoguer langues minorisées, héritages traditionnels et musiques électroniques contemporaines à rebours de tout enfermement identitaire.
    dubamix.net/info-actu/27-06-no

  14. #dub #soundsystem #languesregionales
    Pensé comme un dialogue entre territoires, générations et langues minorisées, À travers les ponts - le nouvel album de #dubamix - fait résonner l’#occitan (du languedocien au #provençal en passant par le #gascon et le #limousin) avec le #catalan, le #breton, le #basque, le #creole, l’#esperanto ou encore le #yiddish en compagnie d’invités d’horizons multiples. Il construit des ponts entre cultures populaires locales et horizons internationalistes, faisant dialoguer langues minorisées, héritages traditionnels et musiques électroniques contemporaines à rebours de tout enfermement identitaire.
    dubamix.net/info-actu/27-06-no

  15. #dub #soundsystem #languesregionales
    Pensé comme un dialogue entre territoires, générations et langues minorisées, À travers les ponts - le nouvel album de #dubamix - fait résonner l’#occitan (du languedocien au #provençal en passant par le #gascon et le #limousin) avec le #catalan, le #breton, le #basque, le #creole, l’#esperanto ou encore le #yiddish en compagnie d’invités d’horizons multiples. Il construit des ponts entre cultures populaires locales et horizons internationalistes, faisant dialoguer langues minorisées, héritages traditionnels et musiques électroniques contemporaines à rebours de tout enfermement identitaire.
    dubamix.net/info-actu/27-06-no

  16. #dub #soundsystem #languesregionales
    Pensé comme un dialogue entre territoires, générations et langues minorisées, À travers les ponts - le nouvel album de #dubamix - fait résonner l’#occitan (du languedocien au #provençal en passant par le #gascon et le #limousin) avec le #catalan, le #breton, le #basque, le #creole, l’#esperanto ou encore le #yiddish en compagnie d’invités d’horizons multiples. Il construit des ponts entre cultures populaires locales et horizons internationalistes, faisant dialoguer langues minorisées, héritages traditionnels et musiques électroniques contemporaines à rebours de tout enfermement identitaire.
    dubamix.net/info-actu/27-06-no

  17. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  18. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  19. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  20. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  21. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 #HankWilliams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=Mc_2sOWVTxI

  22. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  23. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  24. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  25. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  26. Suggested topics include Puerto Rico’s shared history with the #USVirginIslands, its relationship with #Vieques and #Culebra, connections between #PuertoRico and #Haiti, #BlackPuertoRican movements, intra-island migration, #solidarity efforts across the islands, #Creole languages, spiritual traditions, #Carnival, and #BadBunny’s role in what the call describes as “this pan-American moment.”

    pasquines.us/2026/06/16/centro

  27. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  28. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  29. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  30. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  31. "Jambalaya (On the Bayou)" is a song written and recorded by American #countryMusic singer #HankWilliams that was first released in July 1952. It is Williams' most recorded song. Named for a #Creole and #CajunDish, #jambalaya, it spawned numerous recordings and has since achieved popularity in several different music genres. In 2002, the 1952 Hank Williams recording of the song on #MGMRecords was inducted into the #GrammyHallOfFame.
    youtube.com/watch?v=KT0jTZAiN-g

  32. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al

  33. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al

  34. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al

  35. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al

  36. @grantpotter @accordionnoir

    @grantpotter @accordionnoir
    🪗 didact 2:

    And I think Boozoo Chavez was mostly known for playing three-row diatonic #accordion, not the one-row that became more popular with younger #Creole #zydeco players
    antonesrecords.bandcamp.com/al