#chama — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #chama, aggregated by home.social.
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https://www.europesays.com/ch-fr/122367/ Edwin Correia et Dandara Modesto mêlent racines afro-brésiliennes et jazz dans ‘Chama’ #album #ArtsEtDivertissement #Chama #chanteur #compositeur #Concert #Culture #Divertissement #Duo #Entertainment #guitariste #jazz #Musique #Musiques #Rencontre #Suisse
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Cumbres & Toltec Scenic Railroad | Historic Colorado & New Mexico Steam Train Adventures
2026 Season Dates: May 23 – October 25
https://cumbrestoltec.com/#train #scenic #NewMexico #roadtrip #daytrip #Chama #Colorado #weekendgetaway #history #AmericanWest #spring #adventure
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Cumbres & Toltec Scenic Railroad | Historic Colorado & New Mexico Steam Train Adventures 2026 Season Dates: May 23 – October 25 cumbrestoltec.com #train #scenic #NewMexico #roadtrip #daytrip #Chama #Colorado #weekendgetaway #history #AmericanWest #spring #adventure
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The Cumbres & Toltec Scenic Railroad is a narrow-gauge steam railroad providing a step back to the Old West with mountain vistas, deep canyons, high trestles, and tunnels, running seasonally from late May to October. Jointly owned by Colorado and New Mexico, it features vintage steam locomotives and offers different trip lengths for guests.
#trains #railroad #history #steamengine #daytrip #travel #NewMexico #roadtrip #Chama
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The Cumbres & Toltec Scenic Railroad is a narrow-gauge steam railroad providing a step back to the Old West with mountain vistas, deep canyons, high trestles, and tunnels, running seasonally from late May to October. #NewMexico #travel #railroad #history #Chama #scenicroute #daytrip #roadtrip
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The Cumbres & Toltec Scenic Railroad is a historic, 64-mile narrow-gauge steam railroad running between Chama, New Mexico, and Antonito, Colorado from late May to mid-October. Chasing the train with cameras is almost as much fun as riding the train, particularly when the aspens are turning in late Sept/early Oct. Gorgeous backdrop. 😍
#railroad #NewMexico #travel #roadtrip #daytrip #weekendgetaway #Chama #train #history
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https://youtube.com/shorts/7_0r-EsMrYs?si=SFCKHwLNOAOgYRIr
Alex Pereira’s 4-Year Knockout Legacy!
Linktr.ee/562AlexD
#AlexPereira
#Poatan
#UFC
#MMA
#UFCHistory
#TwoDivisionChamp
#FighterOfTheYear
#UFC300
#BrazilianMMA
#TupiGuarani
#KickboxingLegend
#Chama
#UFCPPV
#MMALegends
#FightFans -
https://youtube.com/shorts/7_0r-EsMrYs?si=SFCKHwLNOAOgYRIr
Alex Pereira’s 4-Year Knockout Legacy!
Linktr.ee/562AlexD
#AlexPereira
#Poatan
#UFC
#MMA
#UFCHistory
#TwoDivisionChamp
#FighterOfTheYear
#UFC300
#BrazilianMMA
#TupiGuarani
#KickboxingLegend
#Chama
#UFCPPV
#MMALegends
#FightFans -
https://www.europesays.com/uk/525319/ Soulfly – Chama Review | Angry Metal Guy #2025 #3.0 #AmericanMetal #ArchEnemy #BrazilianMetal #Chama #DeathMetal #Entertainment #FearFactory #FleshHoarder #GrooveMetal #HeavyMetal #Ministry #music #Nails #NoWarning #NuclearBlast #NuclearBlastRecords #Oct25 #PhilipH.AnselmoAndTheIllegals #Review #Reviews #Sepultura #Soulfly #ThrashMetal #UK #UnitedKingdom #UntoOthers
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By Grin Reaper
Max Cavalera casts one hell of a shadow in metal, with a wide swath of bands he’s either founded or played alongside. Though Cavalera’s mightiest legacy will be his time with Sepultura, he’s been with Soulfly over twice as long. In that time, Max and company have written and recorded thirteen albums. On latest offering Chama,1 the elder Cavalera relinquished producing credits and creative focus to his son and Soulfly’s drummer, Zyon, providing an opportunity for a fresh direction. Chama’s loose concept centers around a boy surviving in Brazil’s favelas.2 In the wake of his environment’s pandemonium, the boy ignites a spark for something greater, leading him into the Amazonian wilderness to kindle his inner spirit amongst the native tribes. Getting back to one’s roots is a theme explored throughout Max’s career, and one that has informed the band’s sound since the beginning. Does Chama find Soulfly going back to the primitive, or just going through the motions?
With Zyon at the artistic helm, Chama filters Soulfly’s signature sound through a darker lens and enlists a slew of support. Chama feels like a natural progression from 2022’s Totem, which embraced a more calloused aesthetic after guitarist Marc Rizzo’s departure. Where Ritual’s thrashy tendencies welded melody with indigenous flair, Totem pitched Soulfly’s sound into darker territory. Chama continues this descent, adding industrial heft that imbues extra grit into the record’s grim sound (“Ghenna,” “Black Hole Scum”). This suits the narrative’s backdrop as ‘the boy’ escapes from the overpopulated slums of a developing nation. And speaking of overcrowding, Soulfly puts out the call to arms to help Chama arise (again). The album features Fear Factory’s Dino Cazares (“No Pain = No Power”), Nails’s Todd Jones (“Nihilist”), Arch Enemy’s Michael Amott (“Ghenna”), and vocal appearances from No Warning’s Ben Cook and Unto Others’s Gabe Franco.3 Throughout the album, Igor Amadeus Cavalera handles low-end duty while Mike DeLeon (Flesh Hoarder, Philip H. Anselmo & The Illegals) picks and wails on guitar.
Rather than dulling Soulfly’s bite, age has only honed the veteran act’s edge and intensity. The last ten years have seen the band shift away from sprawling structures, preferring ten (mostly) focused tracks in under forty-five minutes. Chama ups the ante, clocking in at only thirty-three. First proper song “Storm the Gates” launches with Max in fighting form, roaring with as much vitriol as ever while he commands us to, “Fight the power, fight the greed.’ “Ghenna” and “Favela/Dystopia” further evidence Max’s conviction, tightly channeling his righteous indignation. “Favela/Dystopia” and “Black Hole Scum,” meanwhile, conjure Ministry’s mid-90s atmosphere, evoking Filth Pig’s sludgy swamp stomp between intermittent bursts of drums ‘n’ chugs. Zyon finds moments to abuse his kit with satisfying zeal, where “Storm the Gates” and “Ghenna” highlight his performance, and Igor Amadeus’s bass asserts a self-possessed and audible sweet spot in the mix.
With so much going right on Chama, it’s a shame there isn’t more of it. This is the first time that I can accuse Soulfly of not supplying enough material, though a solid thirty-three minutes could have been enough. However, with two-minute intro “Indigenous Inquisition,” four-minute instrumental “Soulfly XIII,” the unnecessarily long intro to “Always Was, Always Will Be…” and the outro in the last half of “Chama,” we’re left with about twenty-five minutes of proper meat over this flame. That’s not quite enough to sate the requirements of a full-length,4 and the remaining songs don’t afford enough variety or substance to stand on their own. In isolation, individual songs get in, jumpdafuckup, and get out, but altogether, Chama feels light by a song or two.
Chama attests that Soulfly has gas in the tank and a destination in mind, and Cavaleras & Co. prove they can still pen a rousing anthem and bring it. While I can’t say this about every Soulfly album, Chama feels vital and important to the band, and that authenticity seeps into the sludge and the fury. The filler-to-killer ratio holds Chama back, but it’s a worthwhile listen for anyone curious what Max is up to these days or with half an hour to pass. Those familiar with Soulfly won’t be surprised at what they hear, but I wager many will appreciate how the band has distilled Chama into a controlled burn.
Rating: Good
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast Records
Websites: Official Website | Facebook
Releases Worldwide: October 24th, 2025#2025 #30 #AmericanMetal #ArchEnemy #BrazilianMetal #Chama #DeathMetal #FearFactory #FleshHoarder #GrooveMetal #HeavyMetal #Ministry #Nails #NoWarning #NuclearBlast #NuclearBlastRecords #Oct25 #PhilipHAnselmoAndTheIllegals #Review #Reviews #Sepultura #Soulfly #ThrashMetal #UntoOthers
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By Grin Reaper
Max Cavalera casts one hell of a shadow in metal, with a wide swath of bands he’s either founded or played alongside. Though Cavalera’s mightiest legacy will be his time with Sepultura, he’s been with Soulfly over twice as long. In that time, Max and company have written and recorded thirteen albums. On latest offering Chama,1 the elder Cavalera relinquished producing credits and creative focus to his son and Soulfly’s drummer, Zyon, providing an opportunity for a fresh direction. Chama’s loose concept centers around a boy surviving in Brazil’s favelas.2 In the wake of his environment’s pandemonium, the boy ignites a spark for something greater, leading him into the Amazonian wilderness to kindle his inner spirit amongst the native tribes. Getting back to one’s roots is a theme explored throughout Max’s career, and one that has informed the band’s sound since the beginning. Does Chama find Soulfly going back to the primitive, or just going through the motions?
With Zyon at the artistic helm, Chama filters Soulfly’s signature sound through a darker lens and enlists a slew of support. Chama feels like a natural progression from 2022’s Totem, which embraced a more calloused aesthetic after guitarist Marc Rizzo’s departure. Where Ritual’s thrashy tendencies welded melody with indigenous flair, Totem pitched Soulfly’s sound into darker territory. Chama continues this descent, adding industrial heft that imbues extra grit into the record’s grim sound (“Ghenna,” “Black Hole Scum”). This suits the narrative’s backdrop as ‘the boy’ escapes from the overpopulated slums of a developing nation. And speaking of overcrowding, Soulfly puts out the call to arms to help Chama arise (again). The album features Fear Factory’s Dino Cazares (“No Pain = No Power”), Nails’s Todd Jones (“Nihilist”), Arch Enemy’s Michael Amott (“Ghenna”), and vocal appearances from No Warning’s Ben Cook and Unto Others’s Gabe Franco.3 Throughout the album, Igor Amadeus Cavalera handles low-end duty while Mike DeLeon (Flesh Hoarder, Philip H. Anselmo & The Illegals) picks and wails on guitar.
Rather than dulling Soulfly’s bite, age has only honed the veteran act’s edge and intensity. The last ten years have seen the band shift away from sprawling structures, preferring ten (mostly) focused tracks in under forty-five minutes. Chama ups the ante, clocking in at only thirty-three. First proper song “Storm the Gates” launches with Max in fighting form, roaring with as much vitriol as ever while he commands us to, “Fight the power, fight the greed.’ “Ghenna” and “Favela/Dystopia” further evidence Max’s conviction, tightly channeling his righteous indignation. “Favela/Dystopia” and “Black Hole Scum,” meanwhile, conjure Ministry’s mid-90s atmosphere, evoking Filth Pig’s sludgy swamp stomp between intermittent bursts of drums ‘n’ chugs. Zyon finds moments to abuse his kit with satisfying zeal, where “Storm the Gates” and “Ghenna” highlight his performance, and Igor Amadeus’s bass asserts a self-possessed and audible sweet spot in the mix.
With so much going right on Chama, it’s a shame there isn’t more of it. This is the first time that I can accuse Soulfly of not supplying enough material, though a solid thirty-three minutes could have been enough. However, with two-minute intro “Indigenous Inquisition,” four-minute instrumental “Soulfly XIII,” the unnecessarily long intro to “Always Was, Always Will Be…” and the outro in the last half of “Chama,” we’re left with about twenty-five minutes of proper meat over this flame. That’s not quite enough to sate the requirements of a full-length,4 and the remaining songs don’t afford enough variety or substance to stand on their own. In isolation, individual songs get in, jumpdafuckup, and get out, but altogether, Chama feels light by a song or two.
Chama attests that Soulfly has gas in the tank and a destination in mind, and Cavaleras & Co. prove they can still pen a rousing anthem and bring it. While I can’t say this about every Soulfly album, Chama feels vital and important to the band, and that authenticity seeps into the sludge and the fury. The filler-to-killer ratio holds Chama back, but it’s a worthwhile listen for anyone curious what Max is up to these days or with half an hour to pass. Those familiar with Soulfly won’t be surprised at what they hear, but I wager many will appreciate how the band has distilled Chama into a controlled burn.
Rating: Good
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast Records
Websites: Official Website | Facebook
Releases Worldwide: October 24th, 2025#2025 #30 #AmericanMetal #ArchEnemy #BrazilianMetal #Chama #DeathMetal #FearFactory #FleshHoarder #GrooveMetal #HeavyMetal #Ministry #Nails #NoWarning #NuclearBlast #NuclearBlastRecords #Oct25 #PhilipHAnselmoAndTheIllegals #Review #Reviews #Sepultura #Soulfly #ThrashMetal #UntoOthers
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By Grin Reaper
Max Cavalera casts one hell of a shadow in metal, with a wide swath of bands he’s either founded or played alongside. Though Cavalera’s mightiest legacy will be his time with Sepultura, he’s been with Soulfly over twice as long. In that time, Max and company have written and recorded thirteen albums. On latest offering Chama,1 the elder Cavalera relinquished producing credits and creative focus to his son and Soulfly’s drummer, Zyon, providing an opportunity for a fresh direction. Chama’s loose concept centers around a boy surviving in Brazil’s favelas.2 In the wake of his environment’s pandemonium, the boy ignites a spark for something greater, leading him into the Amazonian wilderness to kindle his inner spirit amongst the native tribes. Getting back to one’s roots is a theme explored throughout Max’s career, and one that has informed the band’s sound since the beginning. Does Chama find Soulfly going back to the primitive, or just going through the motions?
With Zyon at the artistic helm, Chama filters Soulfly’s signature sound through a darker lens and enlists a slew of support. Chama feels like a natural progression from 2022’s Totem, which embraced a more calloused aesthetic after guitarist Marc Rizzo’s departure. Where Ritual’s thrashy tendencies welded melody with indigenous flair, Totem pitched Soulfly’s sound into darker territory. Chama continues this descent, adding industrial heft that imbues extra grit into the record’s grim sound (“Ghenna,” “Black Hole Scum”). This suits the narrative’s backdrop as ‘the boy’ escapes from the overpopulated slums of a developing nation. And speaking of overcrowding, Soulfly puts out the call to arms to help Chama arise (again). The album features Fear Factory’s Dino Cazares (“No Pain = No Power”), Nails’s Todd Jones (“Nihilist”), Arch Enemy’s Michael Amott (“Ghenna”), and vocal appearances from No Warning’s Ben Cook and Unto Others’s Gabe Franco.3 Throughout the album, Igor Amadeus Cavalera handles low-end duty while Mike DeLeon (Flesh Hoarder, Philip H. Anselmo & The Illegals) picks and wails on guitar.
Rather than dulling Soulfly’s bite, age has only honed the veteran act’s edge and intensity. The last ten years have seen the band shift away from sprawling structures, preferring ten (mostly) focused tracks in under forty-five minutes. Chama ups the ante, clocking in at only thirty-three. First proper song “Storm the Gates” launches with Max in fighting form, roaring with as much vitriol as ever while he commands us to, “Fight the power, fight the greed.’ “Ghenna” and “Favela/Dystopia” further evidence Max’s conviction, tightly channeling his righteous indignation. “Favela/Dystopia” and “Black Hole Scum,” meanwhile, conjure Ministry’s mid-90s atmosphere, evoking Filth Pig’s sludgy swamp stomp between intermittent bursts of drums ‘n’ chugs. Zyon finds moments to abuse his kit with satisfying zeal, where “Storm the Gates” and “Ghenna” highlight his performance, and Igor Amadeus’s bass asserts a self-possessed and audible sweet spot in the mix.
With so much going right on Chama, it’s a shame there isn’t more of it. This is the first time that I can accuse Soulfly of not supplying enough material, though a solid thirty-three minutes could have been enough. However, with two-minute intro “Indigenous Inquisition,” four-minute instrumental “Soulfly XIII,” the unnecessarily long intro to “Always Was, Always Will Be…” and the outro in the last half of “Chama,” we’re left with about twenty-five minutes of proper meat over this flame. That’s not quite enough to sate the requirements of a full-length,4 and the remaining songs don’t afford enough variety or substance to stand on their own. In isolation, individual songs get in, jumpdafuckup, and get out, but altogether, Chama feels light by a song or two.
Chama attests that Soulfly has gas in the tank and a destination in mind, and Cavaleras & Co. prove they can still pen a rousing anthem and bring it. While I can’t say this about every Soulfly album, Chama feels vital and important to the band, and that authenticity seeps into the sludge and the fury. The filler-to-killer ratio holds Chama back, but it’s a worthwhile listen for anyone curious what Max is up to these days or with half an hour to pass. Those familiar with Soulfly won’t be surprised at what they hear, but I wager many will appreciate how the band has distilled Chama into a controlled burn.
Rating: Good
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast Records
Websites: Official Website | Facebook
Releases Worldwide: October 24th, 2025#2025 #30 #AmericanMetal #ArchEnemy #BrazilianMetal #Chama #DeathMetal #FearFactory #FleshHoarder #GrooveMetal #HeavyMetal #Ministry #Nails #NoWarning #NuclearBlast #NuclearBlastRecords #Oct25 #PhilipHAnselmoAndTheIllegals #Review #Reviews #Sepultura #Soulfly #ThrashMetal #UntoOthers
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By Grin Reaper
Max Cavalera casts one hell of a shadow in metal, with a wide swath of bands he’s either founded or played alongside. Though Cavalera’s mightiest legacy will be his time with Sepultura, he’s been with Soulfly over twice as long. In that time, Max and company have written and recorded thirteen albums. On latest offering Chama,1 the elder Cavalera relinquished producing credits and creative focus to his son and Soulfly’s drummer, Zyon, providing an opportunity for a fresh direction. Chama’s loose concept centers around a boy surviving in Brazil’s favelas.2 In the wake of his environment’s pandemonium, the boy ignites a spark for something greater, leading him into the Amazonian wilderness to kindle his inner spirit amongst the native tribes. Getting back to one’s roots is a theme explored throughout Max’s career, and one that has informed the band’s sound since the beginning. Does Chama find Soulfly going back to the primitive, or just going through the motions?
With Zyon at the artistic helm, Chama filters Soulfly’s signature sound through a darker lens and enlists a slew of support. Chama feels like a natural progression from 2022’s Totem, which embraced a more calloused aesthetic after guitarist Marc Rizzo’s departure. Where Ritual’s thrashy tendencies welded melody with indigenous flair, Totem pitched Soulfly’s sound into darker territory. Chama continues this descent, adding industrial heft that imbues extra grit into the record’s grim sound (“Ghenna,” “Black Hole Scum”). This suits the narrative’s backdrop as ‘the boy’ escapes from the overpopulated slums of a developing nation. And speaking of overcrowding, Soulfly puts out the call to arms to help Chama arise (again). The album features Fear Factory’s Dino Cazares (“No Pain = No Power”), Nails’s Todd Jones (“Nihilist”), Arch Enemy’s Michael Amott (“Ghenna”), and vocal appearances from No Warning’s Ben Cook and Unto Others’s Gabe Franco.3 Throughout the album, Igor Amadeus Cavalera handles low-end duty while Mike DeLeon (Flesh Hoarder, Philip H. Anselmo & The Illegals) picks and wails on guitar.
Rather than dulling Soulfly’s bite, age has only honed the veteran act’s edge and intensity. The last ten years have seen the band shift away from sprawling structures, preferring ten (mostly) focused tracks in under forty-five minutes. Chama ups the ante, clocking in at only thirty-three. First proper song “Storm the Gates” launches with Max in fighting form, roaring with as much vitriol as ever while he commands us to, “Fight the power, fight the greed.’ “Ghenna” and “Favela/Dystopia” further evidence Max’s conviction, tightly channeling his righteous indignation. “Favela/Dystopia” and “Black Hole Scum,” meanwhile, conjure Ministry’s mid-90s atmosphere, evoking Filth Pig’s sludgy swamp stomp between intermittent bursts of drums ‘n’ chugs. Zyon finds moments to abuse his kit with satisfying zeal, where “Storm the Gates” and “Ghenna” highlight his performance, and Igor Amadeus’s bass asserts a self-possessed and audible sweet spot in the mix.
With so much going right on Chama, it’s a shame there isn’t more of it. This is the first time that I can accuse Soulfly of not supplying enough material, though a solid thirty-three minutes could have been enough. However, with two-minute intro “Indigenous Inquisition,” four-minute instrumental “Soulfly XIII,” the unnecessarily long intro to “Always Was, Always Will Be…” and the outro in the last half of “Chama,” we’re left with about twenty-five minutes of proper meat over this flame. That’s not quite enough to sate the requirements of a full-length,4 and the remaining songs don’t afford enough variety or substance to stand on their own. In isolation, individual songs get in, jumpdafuckup, and get out, but altogether, Chama feels light by a song or two.
Chama attests that Soulfly has gas in the tank and a destination in mind, and Cavaleras & Co. prove they can still pen a rousing anthem and bring it. While I can’t say this about every Soulfly album, Chama feels vital and important to the band, and that authenticity seeps into the sludge and the fury. The filler-to-killer ratio holds Chama back, but it’s a worthwhile listen for anyone curious what Max is up to these days or with half an hour to pass. Those familiar with Soulfly won’t be surprised at what they hear, but I wager many will appreciate how the band has distilled Chama into a controlled burn.
Rating: Good
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast Records
Websites: Official Website | Facebook
Releases Worldwide: October 24th, 2025#2025 #30 #AmericanMetal #ArchEnemy #BrazilianMetal #Chama #DeathMetal #FearFactory #FleshHoarder #GrooveMetal #HeavyMetal #Ministry #Nails #NoWarning #NuclearBlast #NuclearBlastRecords #Oct25 #PhilipHAnselmoAndTheIllegals #Review #Reviews #Sepultura #Soulfly #ThrashMetal #UntoOthers
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By Grin Reaper
Max Cavalera casts one hell of a shadow in metal, with a wide swath of bands he’s either founded or played alongside. Though Cavalera’s mightiest legacy will be his time with Sepultura, he’s been with Soulfly over twice as long. In that time, Max and company have written and recorded thirteen albums. On latest offering Chama,1 the elder Cavalera relinquished producing credits and creative focus to his son and Soulfly’s drummer, Zyon, providing an opportunity for a fresh direction. Chama’s loose concept centers around a boy surviving in Brazil’s favelas.2 In the wake of his environment’s pandemonium, the boy ignites a spark for something greater, leading him into the Amazonian wilderness to kindle his inner spirit amongst the native tribes. Getting back to one’s roots is a theme explored throughout Max’s career, and one that has informed the band’s sound since the beginning. Does Chama find Soulfly going back to the primitive, or just going through the motions?
With Zyon at the artistic helm, Chama filters Soulfly’s signature sound through a darker lens and enlists a slew of support. Chama feels like a natural progression from 2022’s Totem, which embraced a more calloused aesthetic after guitarist Marc Rizzo’s departure. Where Ritual’s thrashy tendencies welded melody with indigenous flair, Totem pitched Soulfly’s sound into darker territory. Chama continues this descent, adding industrial heft that imbues extra grit into the record’s grim sound (“Ghenna,” “Black Hole Scum”). This suits the narrative’s backdrop as ‘the boy’ escapes from the overpopulated slums of a developing nation. And speaking of overcrowding, Soulfly puts out the call to arms to help Chama arise (again). The album features Fear Factory’s Dino Cazares (“No Pain = No Power”), Nails’s Todd Jones (“Nihilist”), Arch Enemy’s Michael Amott (“Ghenna”), and vocal appearances from No Warning’s Ben Cook and Unto Others’s Gabe Franco.3 Throughout the album, Igor Amadeus Cavalera handles low-end duty while Mike DeLeon (Flesh Hoarder, Philip H. Anselmo & The Illegals) picks and wails on guitar.
Rather than dulling Soulfly’s bite, age has only honed the veteran act’s edge and intensity. The last ten years have seen the band shift away from sprawling structures, preferring ten (mostly) focused tracks in under forty-five minutes. Chama ups the ante, clocking in at only thirty-three. First proper song “Storm the Gates” launches with Max in fighting form, roaring with as much vitriol as ever while he commands us to, “Fight the power, fight the greed.’ “Ghenna” and “Favela/Dystopia” further evidence Max’s conviction, tightly channeling his righteous indignation. “Favela/Dystopia” and “Black Hole Scum,” meanwhile, conjure Ministry’s mid-90s atmosphere, evoking Filth Pig’s sludgy swamp stomp between intermittent bursts of drums ‘n’ chugs. Zyon finds moments to abuse his kit with satisfying zeal, where “Storm the Gates” and “Ghenna” highlight his performance, and Igor Amadeus’s bass asserts a self-possessed and audible sweet spot in the mix.
With so much going right on Chama, it’s a shame there isn’t more of it. This is the first time that I can accuse Soulfly of not supplying enough material, though a solid thirty-three minutes could have been enough. However, with two-minute intro “Indigenous Inquisition,” four-minute instrumental “Soulfly XIII,” the unnecessarily long intro to “Always Was, Always Will Be…” and the outro in the last half of “Chama,” we’re left with about twenty-five minutes of proper meat over this flame. That’s not quite enough to sate the requirements of a full-length,4 and the remaining songs don’t afford enough variety or substance to stand on their own. In isolation, individual songs get in, jumpdafuckup, and get out, but altogether, Chama feels light by a song or two.
Chama attests that Soulfly has gas in the tank and a destination in mind, and Cavaleras & Co. prove they can still pen a rousing anthem and bring it. While I can’t say this about every Soulfly album, Chama feels vital and important to the band, and that authenticity seeps into the sludge and the fury. The filler-to-killer ratio holds Chama back, but it’s a worthwhile listen for anyone curious what Max is up to these days or with half an hour to pass. Those familiar with Soulfly won’t be surprised at what they hear, but I wager many will appreciate how the band has distilled Chama into a controlled burn.
Rating: Good
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast Records
Websites: Official Website | Facebook
Releases Worldwide: October 24th, 2025#2025 #30 #AmericanMetal #ArchEnemy #BrazilianMetal #Chama #DeathMetal #FearFactory #FleshHoarder #GrooveMetal #HeavyMetal #Ministry #Nails #NoWarning #NuclearBlast #NuclearBlastRecords #Oct25 #PhilipHAnselmoAndTheIllegals #Review #Reviews #Sepultura #Soulfly #ThrashMetal #UntoOthers
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El campo de Paniza vuelve a hablar: en busca de Eusebio y Lamberto, dos amigos silenciados por el fascismo
https://fed.brid.gy/r/https://arainfo.org/exhumacion-paniza-2025-eusebio-lamberto/
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The aspens are beginning to turn. This is prime time for Cumbres & Toltec Scenic Railroad. The season runs through October 25.
Voted #1 Scenic Train by “USA Today 10Best” readers in 2016, 2019, & 2020. The Cumbres & Toltec Scenic Railroad traverses 64-miles between Chama, NM, and Antonito, CO. It crosses the borders of Colorado and New Mexico 11 times as it chugs its way up and over the 10,015 foot high Cumbres Pass.
#NewMexico #travel #roadtrip #Chama #railroad #history #train
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The Cumbres & Toltec Scenic Railroad traverses 64-miles between Chama, NM, and Antonito, CO. It crosses the borders of Colorado and New Mexico 11 times as it chugs its way up and over the 10,015 foot high Cumbres Pass. Now booking for the 2025 season - cumbrestoltec.com #NewMexico #daytrip #Chama
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The Cumbres & Toltec Scenic Railroad traverses 64-miles between Chama, NM, and Antonito, CO. It crosses the borders of Colorado and New Mexico 11 times as it chugs its way up and over the 10,015 foot high Cumbres Pass.
Now booking for the 2025 season - https://cumbrestoltec.com
#NewMexico #travel #roadtrip #daytrip #weekendgetaway #Chama #scenic #landscape #AmericanWest #OldWest #history
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Cumbres Toltec Scenic Railroad season starts at the end of May. Spring is beautiful. Often the mountains still have snow on the peaks, particularly in Colorado. It's like the wildlife moves in when the train quits running in October and they seem surprised when people start passing through again in May. 😅
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Highway 84 is an 84-mile stretch of road between #Española to #Chama. The route offers an abundance of historical sites and outdoor recreation options. #travel #NewMexico #roadtrip #weekendgetaway #Abiquiu
Appreciating the sites around ... -
Highway 84 is an 84-mile stretch of road between #Española to #Chama. The route offers an abundance of historical sites and outdoor recreation options. #travel #NewMexico #roadtrip #weekendgetaway #Abiquiu
Appreciating the sites around ... -
Highway 84 is an 84-mile stretch of road between #Española to #Chama. The route offers an abundance of historical sites and outdoor recreation options. #travel #NewMexico #roadtrip #weekendgetaway #Abiquiu
Appreciating the sites around ... -
Highway 84 is an 84-mile stretch of road between #Española to #Chama. The route offers an abundance of historical sites and outdoor recreation options. #travel #NewMexico #roadtrip #weekendgetaway #Abiquiu
Appreciating the sites around ... -
Highway 84 is an 84-mile stretch of road between #Española to #Chama. The route offers an abundance of historical sites and outdoor recreation options. #travel #NewMexico #roadtrip #weekendgetaway #Abiquiu
Appreciating the sites around ... -
@chaosresearchparty alternatives that I have experimented with on a small scale are: private (p2p) loans with no interest, mutual credit systems and ROSCA (ROtating Savings and Credit Association, known under many names like #tanda, #chama, #susu, #gün etc.)
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@chaosresearchparty alternatives that I have experimented with on a small scale are: private (p2p) loans with no interest, mutual credit systems and ROSCA (ROtating Savings and Credit Association, known under many names like #tanda, #chama, #susu, #gün etc.)
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@chaosresearchparty alternatives that I have experimented with on a small scale are: private (p2p) loans with no interest, mutual credit systems and ROSCA (ROtating Savings and Credit Association, known under many names like #tanda, #chama, #susu, #gün etc.)
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@chaosresearchparty alternatives that I have experimented with on a small scale are: private (p2p) loans with no interest, mutual credit systems and ROSCA (ROtating Savings and Credit Association, known under many names like #tanda, #chama, #susu, #gün etc.)
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@chaosresearchparty alternatives that I have experimented with on a small scale are: private (p2p) loans with no interest, mutual credit systems and ROSCA (ROtating Savings and Credit Association, known under many names like #tanda, #chama, #susu, #gün etc.)
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#Chama is known for the Cumbres Toltec Scenic Railroad, a historic narrow gauge train that runs from Chama to Antonito summer - fall. Located 7 miles south of the Colorado border, the area is beautiful, with the Rio Chama running through town. #travel #roadtrip #NewMexico #daytrip #weekendgetaway
New Mexico Communities | Chama -
All Aboard! Riding the Cumbres-Toltec Scenic Railroad, Colorado & New Mexico - https://travelinginheels.com/riding-the-cumbres-toltec-scenic-railroad/
The holiday trains depart from Chama, Dec 7 & 8; Antonito, Dec 14 & 15. The ride will last 45 minutes to one hour and departure times are 10 am, 11:30 am, 1 pm and 2:30 pm.
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Take a Journey through Time on the Cumbres & Toltec Scenic Railroad - https://www.mycoloradoparks.com/things-to-do/cumbres-toltec-scenic-railroad/
#Autumn is peak season.
#daytrip #roadtrip #weekendgetaway #travel #Chama #NewMexico #history
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Cumbres & Toltec Scenic Railroad | #NewMexico #Train Ride is one of a kind - https://www.knoxnews.com/story/entertainment/2018/05/06/travel-new-mexico-colorado-train-ride-one-kind/839861001/
#daytrip #railroad #Chama #history #steamengine #narrowgauge #roadtrip #travel
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Cumbres Toltec is fun any time of year, but autumn is exquisite, with mountains swathed in gold. 🤩
#NewMexico #landscape #travel #roadtrip #daytrip #weekendgetaway #Chama #CumbresToltec #train #railroad #history #scenic
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Cumbres & Toltec Scenic Railroad | Autumn is spectacular. The sell out quickly when the aspens start turning (late Sept/Early Oct. usually) - https://youtu.be/vpg9diUc-D4
#railroad #train #Chama #history #NewMexico #travel #daytrip #roadtrip
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Chama Valley and Rio Chama 😍
#roadtrip #travel #daytrip #vacation #Chama #NewMexico #hikingadventures #whataview #scenic #earthshotz
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Cumbres-Toltec season opens tomorrow. I got a chance to ride last week. It's beautiful this time of year. Lush, green valleys and melt-off creating lots of tiny streams. River is rushing. Snow capped peaks.
🚂
My thanks to Cumbres-Toltec for inviting me for a season preview.#Chama #NewMexico #travel #daytrip #weekendgetaway #landscape #landscapelovers #railfanning
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Photographer 📸 Carlos Llamas, aka @twinkyllamastwo on Instagram - "There a lot of people out there who naturally believe that New Mexico is a desert state. This is the Toltec Gorge, a beautiful river canyon on the Rio De Los Pinos River. This is #NewMexico, USA."
#travel #train #daytrip #autumn #aspens #Chama #ToltecGorge #hiddenplaces #lostplaces #lostplace #vergesseneorte #lost #forgotten #forgottenplaces #lostplacesphotography
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Photographer 📸 Carlos Llamas, aka @twinkyllamastwo on Instagram - "There a lot of people out there who naturally believe that New Mexico is a desert state. This is the Toltec Gorge, a beautiful river canyon on the Rio De Los Pinos River. This is #NewMexico, USA."
#travel #train #daytrip #autumn #aspens #Chama #ToltecGorge #hiddenplaces #lostplaces #lostplace #vergesseneorte #lost #forgotten #forgottenplaces #lostplacesphotography
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Photographer 📸 Carlos Llamas, aka @twinkyllamastwo on Instagram - "There a lot of people out there who naturally believe that New Mexico is a desert state. This is the Toltec Gorge, a beautiful river canyon on the Rio De Los Pinos River. This is #NewMexico, USA."
#travel #train #daytrip #autumn #aspens #Chama #ToltecGorge #hiddenplaces #lostplaces #lostplace #vergesseneorte #lost #forgotten #forgottenplaces #lostplacesphotography
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Photographer 📸 Carlos Llamas, aka @twinkyllamastwo on Instagram - "There a lot of people out there who naturally believe that New Mexico is a desert state. This is the Toltec Gorge, a beautiful river canyon on the Rio De Los Pinos River. This is #NewMexico, USA."
#travel #train #daytrip #autumn #aspens #Chama #ToltecGorge #hiddenplaces #lostplaces #lostplace #vergesseneorte #lost #forgotten #forgottenplaces #lostplacesphotography
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Cumbres & Toltec Scenic #Railroad’s passenger service operates May 25th-October 19th, six days a week, Tuesday-Sunday.
#NewMexico #train #history #Chama #scenic #timetravel #bucketlist #travel #daytrip #roadtrip