#artcriticism — Public Fediverse posts

Gita Jackson on Aftermath: “The sad but unavoidable truth is that there is very little justice in cases like these. James Somerton has already stolen my work — the damage has already been done, and it cannot be undone. I have to move throughout the world knowing that an injustice has been done to me; that is just an unfortunate reality of being alive. Somerton makes himself an easy target for all the anger that people feel about similar injustices, like the way that queer history is disappeared or misrepresented or the way that women working in criticism are often ignored.”

https://aftermath.site/please-stop-asking-me-to-sue-james-somerton

#JamesSomerton #HBomberguy #YouTube #VideoEssays #ArtCriticism #QueerArt

https://archive.org/details/kw-ny

Kara Walker—No, Kara Walker—Yes, Kara Walker—? by Howardena Pindell; Najjar Abdul Musawwir; Camille Billops; Betty Blayton Taylor; Camille Ann Brewer; Kirsten Pai Buick; Gregory Coates; Bob Dillworth; Gloria Dulan-Wilson; Cay Fatina; Theodore A. Harris; Sonji Hunt; Rashidi Ismaili; F. Geoffrey Johnson; Ben Jones; Charlotte Ka; Karsten Kredel; Howard McCalebb; Dindga McCannon; Tad Mike; Helen Evans Ramsaran; Senghor Reid; Gilda Snowden; Ed Spriggs; Harry J. Weil; Clarence D. White; Shirley Woodson

Topics
#KaraWalker, #artcriticism, #critique, #art, #Blackart, #Blackartists, #Blackartcritics, #Blackartcriticism, #africanamerikanart, #afroamerikanart, #primitivism, #antiblackness, #minstrelry, #stereotyping, #arthistory, #artindustry, #artmarket

Introduction: Kara Walker—No/Yes/?
SECTION I: KARA WALKER—NO!
• I-XXIX
SECTION II: KARA WALKER—YES
• XXX-XXXI
SECTION III: KARA WALKER—?
• XXXII
XXIII. APPENDIX
About the Authors