#britishart — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #britishart, aggregated by home.social.
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My latest art video is a mini exhibition tour. If you like British art, Uglow, or painting then this one's for you.
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Walter Sickert
Ennui
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#WalterSickert #boredom #Britishart #art #painting -
https://www.wacoca.com/2091106/ 齋藤飛鳥が語る「テート美術館 — YBA & BEYOND」展の魅力｜UK90’sアート体験コメント #90s英国アート #ArtExhibition #AsukaSaito #BritishArt #ContemporaryArt #museum #SaitōAsuka #TateMuseum #UKアート #YBA #YBA&BEYOND #アート #アンバサダーコメント #インターネットミュージアム #テート美術館 #国立新美術館 #展覧会 #展覧会コメント #現代美術 #美術展 #美術館 #英国美術 #齋藤飛鳥
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https://www.wacoca.com/videos/3118970/celebrity/ 齋藤飛鳥が語る「テート美術館 — YBA & BEYOND」展の魅力｜UK90’sアート体験コメント #90s英国アート #ArtExhibition #AsukaSaito #BEYOND展の魅力UK90sアート体験コメント #BritishArt #Celebrities #Celebrity #ContemporaryArt #MUSEUM #TateMuseum #UKアート #Vlog #YBA #YBA&BEYOND #アート #アンバサダーコメント #インターネットミュージアム #テート美術館 #国立新美術館 #展覧会 #展覧会コメント #現代美術 #美術展 #美術館 #英国美術 #齋藤飛鳥 #齋藤飛鳥が語るテート美術館
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https://www.tkhunt.com/2228592/ 齋藤飛鳥が語る「テート美術館 — YBA & BEYOND」展の魅力｜UK90’sアート体験コメント #90s英国アート #ArtExhibition #AsukaSaitō #BritishArt #celebrity #ContemporaryArt #museum #TateMuseum #UKアート #yba #YBA&BEYOND #アート #アンバサダーコメント #インターネットミュージアム #テート美術館 #国立新美術館 #展覧会 #展覧会コメント #現代美術 #美術展 #美術館 #英国美術 #齋藤飛鳥
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Scottish Artist Graham Little
Living & Working in London
#grahamlittle #art #artist #artworld #painter #gouache #kunst #künstler #peinture #peintre #artistoftheday #pintor #scottishaerist #ukartist #britishart #contemporaryartist #contemporaryart
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Harold Cohen -- Before the Event
https://www.tate.org.uk/art/artworks/cohen-before-the-event-t04856Harold Cohen was a British artist who taught for many years in California at UC -- San Diego.
Growing out of his interest in what we would now call AI , he created AARON, a set of computer programmes for the autonomous creation of artistic images.
"Before the Event" long antedates AARON.
#Art #HaroldCohen #BritishArt #BeforeTheEvent #AI #ArtificialIntelligence #AARON
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https://www.ngv.vic.gov.au/essay/raising-the-flag-of-modernism-ben-nicholsons-1938/
Excellent article on Ben Nicholson and the tensions within modernism in the Britain of the 1930s and 40s.
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https://www.bbc.com/news/articles/cly114y8gn7o
This sculpture, Eric Gill's "Prospero and Ariel", was one of my favourite pieces of public art in London.
Now it is horribly marred by the protective screen placed over following its vandalization by some odious crank.
#ProsperoanAndAriel #EricGill #Sculpture #BroadcastingHouse #BBC #Art #BritishArt #PublicArt #Vandalism
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https://artuk.org/discover/artworks/two-forms-divided-circle-303909
The news I have been reading online has upset me, so I am finding tranquillity in looking at pictures of Barbara Hepworth sculptures.
#BarbaraHepworth #Modernism #Sculpture #Art #BritishArt #WomenArtists
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As the caption suggests, the subject of this 1848 picture does call to mind the obsession of some men of that era with "fallen women", but I revel in the sheer visual pleasure occasioned by this work from an important Scottish artist.
Omnia vanitas | Works of Art | RA Collection | Royal Academy of Arts
https://www.royalacademy.org.uk/art-artists/work-of-art/omnia-vanitas
#Art #ScottishArt #BritishArt #NineteenthCenturyArt #Painting #WilliamDyce #MaryMagdalene #OmniaVanitas
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As the caption suggests, the subject of this 1848 picture does call to mind the obsession of some men of that era with "fallen women", but I revel in the sheer visual pleasure occasioned by this work from an important Scottish artist.
Omnia vanitas | Works of Art | RA Collection | Royal Academy of Arts
https://www.royalacademy.org.uk/art-artists/work-of-art/omnia-vanitas
#Art #ScottishArt #BritishArt #NineteenthCenturyArt #Painting #WilliamDyce #MaryMagdalene #OmniaVanitas
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As the caption suggests, the subject of this 1848 picture does call to mind the obsession of some men of that era with "fallen women", but I revel in the sheer visual pleasure occasioned by this work from an important Scottish artist.
Omnia vanitas | Works of Art | RA Collection | Royal Academy of Arts
https://www.royalacademy.org.uk/art-artists/work-of-art/omnia-vanitas
#Art #ScottishArt #BritishArt #NineteenthCenturyArt #Painting #WilliamDyce #MaryMagdalene #OmniaVanitas
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As the caption suggests, the subject of this 1848 picture does call to mind the obsession of some men of that era with "fallen women", but I revel in the sheer visual pleasure occasioned by this work from an important Scottish artist.
Omnia vanitas | Works of Art | RA Collection | Royal Academy of Arts
https://www.royalacademy.org.uk/art-artists/work-of-art/omnia-vanitas
#Art #ScottishArt #BritishArt #NineteenthCenturyArt #Painting #WilliamDyce #MaryMagdalene #OmniaVanitas
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As the caption suggests, the subject of this 1848 picture does call to mind the obsession of some men of that era with "fallen women", but I revel in the sheer visual pleasure occasioned by this work from an important Scottish artist.
Omnia vanitas | Works of Art | RA Collection | Royal Academy of Arts
https://www.royalacademy.org.uk/art-artists/work-of-art/omnia-vanitas
#Art #ScottishArt #BritishArt #NineteenthCenturyArt #Painting #WilliamDyce #MaryMagdalene #OmniaVanitas
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Spring in full bloom! A red phone box and a swirl of cherry blossoms from a seasons series I did several years ago. The cherry blossom is what I associate with spring. Is it something else for you? 🌸☀️
Prints here for this, more in the series and other British themed work here: https://mark-tisdale.pixels.com/collections/britishness
#UK #BritishArt #TelephoneBox #PhoneBooth #Art #CherryBlossoms #Spring #RedPhoneBox #Anglophile #MastoArt #FediArt #CreativeToots #FediGiftShop #MarkOnArt
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Yesterday's expedition was to the Mall Galleries for the Royal Society of British Artists annual show. Was playing "hunt the @leemadgwick " (Spoiler, it in the north gallery) Well worth a visit, relatively cheap to get in and closing soon, so hurry.
#Art #BritishArt -
"Vale (Farewell)," Arthur Hacker, 1913.
British painter Hacker (1858-1919) painted this toward the end of his career; was he sensing it was time to retire? Or, as some maintain, was he sensing the coming of the Great War?
There's not a lot of biographical info about him, other than he was the son of an engraver and was very much a classicist. He was known primarily for religious paintings and portraits. He was quite a success for his time, although now regard for his work has fallen. This canvas, though, has quite an impact, and he may warrant a closer look.
From a private collection.
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"Vale (Farewell)," Arthur Hacker, 1913.
British painter Hacker (1858-1919) painted this toward the end of his career; was he sensing it was time to retire? Or, as some maintain, was he sensing the coming of the Great War?
There's not a lot of biographical info about him, other than he was the son of an engraver and was very much a classicist. He was known primarily for religious paintings and portraits. He was quite a success for his time, although now regard for his work has fallen. This canvas, though, has quite an impact, and he may warrant a closer look.
From a private collection.
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"Vale (Farewell)," Arthur Hacker, 1913.
British painter Hacker (1858-1919) painted this toward the end of his career; was he sensing it was time to retire? Or, as some maintain, was he sensing the coming of the Great War?
There's not a lot of biographical info about him, other than he was the son of an engraver and was very much a classicist. He was known primarily for religious paintings and portraits. He was quite a success for his time, although now regard for his work has fallen. This canvas, though, has quite an impact, and he may warrant a closer look.
From a private collection.
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"Vale (Farewell)," Arthur Hacker, 1913.
British painter Hacker (1858-1919) painted this toward the end of his career; was he sensing it was time to retire? Or, as some maintain, was he sensing the coming of the Great War?
There's not a lot of biographical info about him, other than he was the son of an engraver and was very much a classicist. He was known primarily for religious paintings and portraits. He was quite a success for his time, although now regard for his work has fallen. This canvas, though, has quite an impact, and he may warrant a closer look.
From a private collection.
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"Vale (Farewell)," Arthur Hacker, 1913.
British painter Hacker (1858-1919) painted this toward the end of his career; was he sensing it was time to retire? Or, as some maintain, was he sensing the coming of the Great War?
There's not a lot of biographical info about him, other than he was the son of an engraver and was very much a classicist. He was known primarily for religious paintings and portraits. He was quite a success for his time, although now regard for his work has fallen. This canvas, though, has quite an impact, and he may warrant a closer look.
From a private collection.
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"Regimental Band," Darsie Japp, 1918.
Japp (1883-1973) was a British artist and soldier; this is his best-known work.
He attended Oxford, worked in his father's shipping company, and took night classes in art. He was a good friend of Stanley Spencer (an artist I will never feature because I cannot stand him or his art, sorry, I have my limits) and took up landscapes and figure paintings. He later exhibited with the New British Art Club.
He joined the British Army in WWI and became major in the Royal Field Artillery. He and his friend Spencer (also serving) had been tapped to work on a British national hall of remembrance that was stillborn. After the war, Japp gave up art and bred race horses.
This was purportedly to be a design for a poster, but we're not sure for what. It's an interesting image, to be sure. Is the sky a circus tent, or is it being lit by explosions?
From the Imperial War Museum, London.
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"Regimental Band," Darsie Japp, 1918.
Japp (1883-1973) was a British artist and soldier; this is his best-known work.
He attended Oxford, worked in his father's shipping company, and took night classes in art. He was a good friend of Stanley Spencer (an artist I will never feature because I cannot stand him or his art, sorry, I have my limits) and took up landscapes and figure paintings. He later exhibited with the New British Art Club.
He joined the British Army in WWI and became major in the Royal Field Artillery. He and his friend Spencer (also serving) had been tapped to work on a British national hall of remembrance that was stillborn. After the war, Japp gave up art and bred race horses.
This was purportedly to be a design for a poster, but we're not sure for what. It's an interesting image, to be sure. Is the sky a circus tent, or is it being lit by explosions?
From the Imperial War Museum, London.
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"Regimental Band," Darsie Japp, 1918.
Japp (1883-1973) was a British artist and soldier; this is his best-known work.
He attended Oxford, worked in his father's shipping company, and took night classes in art. He was a good friend of Stanley Spencer (an artist I will never feature because I cannot stand him or his art, sorry, I have my limits) and took up landscapes and figure paintings. He later exhibited with the New British Art Club.
He joined the British Army in WWI and became major in the Royal Field Artillery. He and his friend Spencer (also serving) had been tapped to work on a British national hall of remembrance that was stillborn. After the war, Japp gave up art and bred race horses.
This was purportedly to be a design for a poster, but we're not sure for what. It's an interesting image, to be sure. Is the sky a circus tent, or is it being lit by explosions?
From the Imperial War Museum, London.
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"Regimental Band," Darsie Japp, 1918.
Japp (1883-1973) was a British artist and soldier; this is his best-known work.
He attended Oxford, worked in his father's shipping company, and took night classes in art. He was a good friend of Stanley Spencer (an artist I will never feature because I cannot stand him or his art, sorry, I have my limits) and took up landscapes and figure paintings. He later exhibited with the New British Art Club.
He joined the British Army in WWI and became major in the Royal Field Artillery. He and his friend Spencer (also serving) had been tapped to work on a British national hall of remembrance that was stillborn. After the war, Japp gave up art and bred race horses.
This was purportedly to be a design for a poster, but we're not sure for what. It's an interesting image, to be sure. Is the sky a circus tent, or is it being lit by explosions?
From the Imperial War Museum, London.
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"Regimental Band," Darsie Japp, 1918.
Japp (1883-1973) was a British artist and soldier; this is his best-known work.
He attended Oxford, worked in his father's shipping company, and took night classes in art. He was a good friend of Stanley Spencer (an artist I will never feature because I cannot stand him or his art, sorry, I have my limits) and took up landscapes and figure paintings. He later exhibited with the New British Art Club.
He joined the British Army in WWI and became major in the Royal Field Artillery. He and his friend Spencer (also serving) had been tapped to work on a British national hall of remembrance that was stillborn. After the war, Japp gave up art and bred race horses.
This was purportedly to be a design for a poster, but we're not sure for what. It's an interesting image, to be sure. Is the sky a circus tent, or is it being lit by explosions?
From the Imperial War Museum, London.
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"Jilted," Briton Rivière, 1887.
Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.
In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.
From the Philadelphia Museum of Art.
#Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere
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"Jilted," Briton Rivière, 1887.
Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.
In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.
From the Philadelphia Museum of Art.
#Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere
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"Jilted," Briton Rivière, 1887.
Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.
In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.
From the Philadelphia Museum of Art.
#Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere
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"Jilted," Briton Rivière, 1887.
Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.
In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.
From the Philadelphia Museum of Art.
#Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere
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"Jilted," Briton Rivière, 1887.
Rivière (1840-1920) was a British painter and illustrator known mostly for his paintings of animals. He started doing academic historical paintings, but later moved on to specialize in animals, as he simply enjoyed doing it more.
In an interview with a children's magazine, he spoke of how he spent enormous amounts of time at the London zoo, sketching the animals, and also working in dissection rooms to study their anatomy and musculature. Early in his career, he also worked as an illustrator for the humor magazine Punch.
From the Philadelphia Museum of Art.
#Art #BritishArt #VictorianArt #AnimalsInArt #DogsOfMastodon #BritonRiviere
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Since at least the Book of Job, religious thinkers have wrestled to reconcile the existence of a just deity with the continual success and prosperity of people like Elon Musk .
Image : William Blake -- 1793 -- Job's Tormentors (cropped) -- Engraving/Etching -- Wikimedia Commons -- Public domain
Go to the William Blake Archive for a full description of this print: https://blakearchive.org/work/esv
#Theodicy #BookofJob #ElonMusk #WilliamBlake #Art #BritishArt #Print
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Since at least the Book of Job, religious thinkers have wrestled to reconcile the existence of a just deity with the continual success and prosperity of people like Elon Musk .
Image : William Blake -- 1793 -- Job's Tormentors (cropped) -- Engraving/Etching -- Wikimedia Commons -- Public domain
Go to the William Blake Archive for a full description of this print: https://blakearchive.org/work/esv
#Theodicy #BookofJob #ElonMusk #WilliamBlake #Art #BritishArt #Print
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Since at least the Book of Job, religious thinkers have wrestled to reconcile the existence of a just deity with the continual success and prosperity of people like Elon Musk .
Image : William Blake -- 1793 -- Job's Tormentors (cropped) -- Engraving/Etching -- Wikimedia Commons -- Public domain
Go to the William Blake Archive for a full description of this print: https://blakearchive.org/work/esv
#Theodicy #BookofJob #ElonMusk #WilliamBlake #Art #BritishArt #Print
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Since at least the Book of Job, religious thinkers have wrestled to reconcile the existence of a just deity with the continual success and prosperity of people like Elon Musk .
Image : William Blake -- 1793 -- Job's Tormentors (cropped) -- Engraving/Etching -- Wikimedia Commons -- Public domain
Go to the William Blake Archive for a full description of this print: https://blakearchive.org/work/esv
#Theodicy #BookofJob #ElonMusk #WilliamBlake #Art #BritishArt #Print
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Since at least the Book of Job, religious thinkers have wrestled to reconcile the existence of a just deity with the continual success and prosperity of people like Elon Musk .
Image : William Blake -- 1793 -- Job's Tormentors (cropped) -- Engraving/Etching -- Wikimedia Commons -- Public domain
Go to the William Blake Archive for a full description of this print: https://blakearchive.org/work/esv
#Theodicy #BookofJob #ElonMusk #WilliamBlake #Art #BritishArt #Print
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"A Knock at the Door," Laura Theresa Alma-Tadema, 1897.
I've featured Sir Lawrence Alma-Tadema before, but not his wife Laura (1852-1909). Nearly half her husband's age, she nonetheless had a successful career as a painter and illustrator in her own right.
Her general style wasn't far from her husband's, and she specialized in sentimental scenes of childhood and domestic life, generally depicting the Netherlands in the 17th century, a result of being very influenced by painters of the Dutch Golden Age.
From the Currier Museum of Art, Manchester, NH.
#Art #BritishArt #VictorianArt #LauraAlmaTadema #Sentimental
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"A Knock at the Door," Laura Theresa Alma-Tadema, 1897.
I've featured Sir Lawrence Alma-Tadema before, but not his wife Laura (1852-1909). Nearly half her husband's age, she nonetheless had a successful career as a painter and illustrator in her own right.
Her general style wasn't far from her husband's, and she specialized in sentimental scenes of childhood and domestic life, generally depicting the Netherlands in the 17th century, a result of being very influenced by painters of the Dutch Golden Age.
From the Currier Museum of Art, Manchester, NH.
#Art #BritishArt #VictorianArt #LauraAlmaTadema #Sentimental
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"A Knock at the Door," Laura Theresa Alma-Tadema, 1897.
I've featured Sir Lawrence Alma-Tadema before, but not his wife Laura (1852-1909). Nearly half her husband's age, she nonetheless had a successful career as a painter and illustrator in her own right.
Her general style wasn't far from her husband's, and she specialized in sentimental scenes of childhood and domestic life, generally depicting the Netherlands in the 17th century, a result of being very influenced by painters of the Dutch Golden Age.
From the Currier Museum of Art, Manchester, NH.
#Art #BritishArt #VictorianArt #LauraAlmaTadema #Sentimental
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"A Knock at the Door," Laura Theresa Alma-Tadema, 1897.
I've featured Sir Lawrence Alma-Tadema before, but not his wife Laura (1852-1909). Nearly half her husband's age, she nonetheless had a successful career as a painter and illustrator in her own right.
Her general style wasn't far from her husband's, and she specialized in sentimental scenes of childhood and domestic life, generally depicting the Netherlands in the 17th century, a result of being very influenced by painters of the Dutch Golden Age.
From the Currier Museum of Art, Manchester, NH.
#Art #BritishArt #VictorianArt #LauraAlmaTadema #Sentimental
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"A Knock at the Door," Laura Theresa Alma-Tadema, 1897.
I've featured Sir Lawrence Alma-Tadema before, but not his wife Laura (1852-1909). Nearly half her husband's age, she nonetheless had a successful career as a painter and illustrator in her own right.
Her general style wasn't far from her husband's, and she specialized in sentimental scenes of childhood and domestic life, generally depicting the Netherlands in the 17th century, a result of being very influenced by painters of the Dutch Golden Age.
From the Currier Museum of Art, Manchester, NH.
#Art #BritishArt #VictorianArt #LauraAlmaTadema #Sentimental
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Joseph Wright of Derby -- Maria and her Dog Silvio -- oil on canvas -- illustrating Sterne's 'Sentimental Journey'. The model was Mrs Richard Bassano. I W.pinxt, 1781 -- Derby Museum and Art Gallery -- Public domain.
I've just finished "A Sentimental Journey". Charming work, half novel, half travel literature, all infused with both a playful flirtatiousness and an irony that can leave the reader guessing yet not frustrated. The Maria episode that comes towards the end of the book and was foreshadowed in "Tristram Shandy" captured the imagination of readers and artists.
>>When we had got within half a league of Moulines, at a little opening in the road leading to a thicket, I discovered poor Maria sitting under a poplar. She was sitting with her elbow in her lap, and her head leaning on one side within her hand:—a small brook ran at the foot of the tree...
She was dress’d in white, and much as my friend described her, except that her hair hung loose, which before was twisted within a silk net.—She had superadded likewise to her jacket, a pale green riband, which fell across her shoulder to the waist; at the end of which hung her pipe.
Her goat had been as faithless as her lover; and she had got a little dog in lieu of him, which she had kept tied by a string to her girdle: as I looked at her dog, she drew him towards her with the string.—“Thou shalt not leave me, Sylvio,” said she.<<
#LaurenceSterne #ASentimentalJourney #BritishLiterature #JosephWright #BritishArt #Art #Literature
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The elegant curves of Barbara Hepworth's sculpture really appeal to me.
I think I'm right in saying that her works are popular with the wider public in the UK and beyond. Perhaps viewers recognize that her unification ofthe vaguely biomorphic shape with the unambiguously modern is so appropriate for our era.
I'm sorry to say that I have not actually seen this 1951-1952 work, "Image". Is it in Tate Modern at London or at St Ives?
#BarbaraHepworth #Image #Tate
#Art #Sculpture #Modernism #BritishArt #WomensArt #ArtByWomenPicture linked rather than attached for copyright reasons.
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“I’m hoping that younger art historians will take her on. There’s all kinds of other stuff yet to be found out.”
How the forgotten art of Tirzah Garwood finally came to light | Art | The Guardian
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"Ask Me No More," Lawrence Alma-Tadema, 1906.
Dutch-born, British by choice, Alma-Tadema (1836-1912) was a specialist in sun-drenched scenes from Greek and Roman myth and history...here we have a scene from the story of Pyramus and Thisbe, fotbidden lovers who inspired Romeo and Juliet...and whose story was treated in burlesque fashion in Shakespeare's "A Midsummer Night's Dream."
Alma-Tadema's work was extremely popular in his time; he was prized for his mythical themes and for his solid draftsmanship. However, he fell from favor after the Victorian age ended, but regained popularity in the late 20th century.
He remained solidly in the category of Academic art, never falling in with the Pre-Raphaelites, Impressionists, or what have you, although he was an influence on the Symbolists. He was meticulous with detail, especially with architecture, and sought to paint it as accurately as possible.
From a private collection.
#Art #BritishArt #AcademicArt #LawrenceAlmaTadema #PyramusAndThisbe #GreekMyth
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Some Turner for your Sunday afternoon … on loan from Tate, London, and currently on show in IMMA, Dublin, as part of the exhibition ’Take a Breath.’ #JMWTurner #Turner #Painting #Art #BritishArt #Sunset #IMMA #Dublin #Ireland #Abstraction #Painterly #Mastodaoine #19thCentury #TateBritain
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Some Turner for your Sunday afternoon … on loan from Tate, London, and currently on show in IMMA, Dublin, as part of the exhibition ’Take a Breath.’ #JMWTurner #Turner #Painting #Art #BritishArt #Sunset #IMMA #Dublin #Ireland #Abstraction #Painterly #Mastodaoine #19thCentury #TateBritain
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Some Turner for your Sunday afternoon … on loan from Tate, London, and currently on show in IMMA, Dublin, as part of the exhibition ’Take a Breath.’ #JMWTurner #Turner #Painting #Art #BritishArt #Sunset #IMMA #Dublin #Ireland #Abstraction #Painterly #Mastodaoine #19thCentury #TateBritain
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Some Turner for your Sunday afternoon … on loan from Tate, London, and currently on show in IMMA, Dublin, as part of the exhibition ’Take a Breath.’ #JMWTurner #Turner #Painting #Art #BritishArt #Sunset #IMMA #Dublin #Ireland #Abstraction #Painterly #Mastodaoine #19thCentury #TateBritain