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#artwriting — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #artwriting, aggregated by home.social.

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  1. If language can be art, and time can be a capsule,
    I'd like to wake up early to the sound of buzzing B's.

    Words sung aloud or hushed to silence, partake in shaping our shared morning dew.

    If Earth's soil could plead, and if the ocean could retaliate, I'd like for us to share a cup of T.

    I'd hate to one day wake up late — rub my eyes, and wonder
    about the silence of the bees."

    #literaryprose #artwriting

  2. If language can be art, and time can be a capsule,
    I'd like to wake up early to the sound of buzzing B's.

    Words sung aloud or hushed to silence, partake in shaping our shared morning dew.

    If Earth's soil could plead, and if the ocean could retaliate, I'd like for us to share a cup of T.

    I'd hate to one day wake up late — rub my eyes, and wonder
    about the silence of the bees."

    #literaryprose #artwriting

  3. “Unsurprisingly, this brash ignorance of an entire (sub-)domain of art triggered a cauldron of boiling responses from various critics…” – Laurence Counihan in his recent Circa text, ‘Introduction to «an_archaeology_of_the_future»‘

    cmag.cc/20691

    #VisualArts #Ireland #NorthernIreland #ArtIreland #Mastodaoine #ArtCriticism #ArtWriting #CIRCA

  4. “Unsurprisingly, this brash ignorance of an entire (sub-)domain of art triggered a cauldron of boiling responses from various critics…” – Laurence Counihan in his recent Circa text, ‘Introduction to «an_archaeology_of_the_future»‘

    cmag.cc/20691

    #VisualArts #Ireland #NorthernIreland #ArtIreland #Mastodaoine #ArtCriticism #ArtWriting #CIRCA

  5. “Unsurprisingly, this brash ignorance of an entire (sub-)domain of art triggered a cauldron of boiling responses from various critics…” – Laurence Counihan in his recent Circa text, ‘Introduction to «an_archaeology_of_the_future»‘

    cmag.cc/20691

    #VisualArts #Ireland #NorthernIreland #ArtIreland #Mastodaoine #ArtCriticism #ArtWriting #CIRCA

  6. Really wild to have the piece Cecilia Danell and I have collaborated on, ‘DISTURBANCE – Heracleum Mantegazzianum’, published by Minor Literature[s]! The essay is an ode to the little-liked giant hogweed and to the writings of gardener philosopher Gilles Clément. Massive thanks to the editors.
    #artwriting #botany

    minorliteratures.com/2025/04/2

  7. Really wild to have the piece Cecilia Danell and I have collaborated on, ‘DISTURBANCE – Heracleum Mantegazzianum’, published by Minor Literature[s]! The essay is an ode to the little-liked giant hogweed and to the writings of gardener philosopher Gilles Clément. Massive thanks to the editors.
    #artwriting #botany

    minorliteratures.com/2025/04/2

  8. Really wild to have the piece Cecilia Danell and I have collaborated on, ‘DISTURBANCE – Heracleum Mantegazzianum’, published by Minor Literature[s]! The essay is an ode to the little-liked giant hogweed and to the writings of gardener philosopher Gilles Clément. Massive thanks to the editors.
    #artwriting #botany

    minorliteratures.com/2025/04/2

  9. Philately meets brutality, unfortunately, in the work of FX Harsono, discussed by Prioni

    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

    Content warning: some images are upsetting
    cmag.cc/20843

  10. Philately meets brutality, unfortunately, in the work of FX Harsono, discussed by Prioni

    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

    Content warning: some images are upsetting
    cmag.cc/20843

  11. Philately meets brutality, unfortunately, in the work of FX Harsono, discussed by Prioni

    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

    Content warning: some images are upsetting
    cmag.cc/20843

  12. Prioni juxtaposes the photographic approaches of René Castro and Manit Sriwanichpoom; photo-based, one looks to the (then) future, the other mocks the (then) present

    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

    Content warning: some images are upsetting
    cmag.cc/20843

  13. Prioni juxtaposes the photographic approaches of René Castro and Manit Sriwanichpoom; photo-based, one looks to the (then) future, the other mocks the (then) present

    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

    Content warning: some images are upsetting
    cmag.cc/20843

  14. Prioni juxtaposes the photographic approaches of René Castro and Manit Sriwanichpoom; photo-based, one looks to the (then) future, the other mocks the (then) present

    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

    Content warning: some images are upsetting
    cmag.cc/20843

  15. The thesis of Amirahvelda Priyono’s new photo essay for Circa, commissioned by Brian Curtin, is straightforward: conflict is similar the world over; not denying the specifics of a given struggle, art-related visual imagery is a powerful communicator across cultures.
    Content warning: some of the images are upsetting.

    cmag.cc/20843

    #VisualArts #Ireland #NorthernIreland #ArtIreland #Mastodaoine #ArtCriticism #ArtWriting

  16. The thesis of Amirahvelda Priyono’s new photo essay for Circa, commissioned by Brian Curtin, is straightforward: conflict is similar the world over; not denying the specifics of a given struggle, art-related visual imagery is a powerful communicator across cultures.
    Content warning: some of the images are upsetting.

    cmag.cc/20843

    #VisualArts #Ireland #NorthernIreland #ArtIreland #Mastodaoine #ArtCriticism #ArtWriting

  17. The thesis of Amirahvelda Priyono’s new photo essay for Circa, commissioned by Brian Curtin, is straightforward: conflict is similar the world over; not denying the specifics of a given struggle, art-related visual imagery is a powerful communicator across cultures.
    Content warning: some of the images are upsetting.

    cmag.cc/20843

    #VisualArts #Ireland #NorthernIreland #ArtIreland #Mastodaoine #ArtCriticism #ArtWriting

  18. ‘The blank page was the most complete the work could be…’ Landers drew from a Circa column in 1999 by Michael Cunningham; while demonstrating the power of less, he also points to one very shocking image…
    circaartmagazine.net/issues/is
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

  19. ‘The blank page was the most complete the work could be…’ Landers drew from a Circa column in 1999 by Michael Cunningham; while demonstrating the power of less, he also points to one very shocking image…
    circaartmagazine.net/issues/is
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

  20. ‘The blank page was the most complete the work could be…’ Landers drew from a Circa column in 1999 by Michael Cunningham; while demonstrating the power of less, he also points to one very shocking image…
    circaartmagazine.net/issues/is
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

  21. "The blank page was the most complete the work could be…" Landers drew from a Circa column in 1999 by Michael Cunningham; while demonstrating the power of less, he also points to one very shocking image…
    circaartmagazine.net/issues/is
    #VisualArts #Ireland #NorthernIreland #ArtIreland #Mastodaoine #ArtCriticism #ArtWriting #CIRCA

    NB: Content warning re ALT text

  22. "The blank page was the most complete the work could be…" Landers drew from a Circa column in 1999 by Michael Cunningham; while demonstrating the power of less, he also points to one very shocking image…
    circaartmagazine.net/issues/is
    #VisualArts #Ireland #NorthernIreland #ArtIreland #Mastodaoine #ArtCriticism #ArtWriting #CIRCA

    NB: Content warning re ALT text

  23. "The blank page was the most complete the work could be…" Landers drew from a Circa column in 1999 by Michael Cunningham; while demonstrating the power of less, he also points to one very shocking image…
    circaartmagazine.net/issues/is
    #VisualArts #Ireland #NorthernIreland #ArtIreland #Mastodaoine #ArtCriticism #ArtWriting #CIRCA

    NB: Content warning re ALT text

  24. In Julie Landers‘ ‘Information Underload’, a new text / art project for Circa commissioned by Laurence Counihan, the artist reverse-engineers the ‘bloat’ of her nostalgia as she observes Cork mutate
    cmag.cc/20800
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA #Cork

  25. In Julie Landers‘ ‘Information Underload’, a new text / art project for Circa commissioned by Laurence Counihan, the artist reverse-engineers the ‘bloat’ of her nostalgia as she observes Cork mutate
    cmag.cc/20800
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA #Cork

  26. In Julie Landers‘ ‘Information Underload’, a new text / art project for Circa commissioned by Laurence Counihan, the artist reverse-engineers the ‘bloat’ of her nostalgia as she observes Cork mutate
    cmag.cc/20800
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA #Cork

  27. One of the Circa texts Nurul Kaiyisah targets, re “the lacuna of women in art histories,” is that of Anne Carlisle on Vivien Burnside back in 1984 (circaartmagazine.net/issues/is); quite robust by Anne Carlisle!
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #Circa

  28. One of the Circa texts Nurul Kaiyisah targets, re “the lacuna of women in art histories,” is that of Anne Carlisle on Vivien Burnside back in 1984 (circaartmagazine.net/issues/is); quite robust by Anne Carlisle!
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #Circa

  29. One of the Circa texts Nurul Kaiyisah targets, re “the lacuna of women in art histories,” is that of Anne Carlisle on Vivien Burnside back in 1984 (circaartmagazine.net/issues/is); quite robust by Anne Carlisle!
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #Circa

  30. Exploring women and art in the two regions, Kaiyisah draws from Circa’s huge archive – e.g., Jack Packenham on Alice Maher (circaartmagazine.net/issues/is), Fionna Barber on Sonia Boyce (circaartmagazine.net/issues/is), and more – but also juxtaposes global issues of then and now

    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA #mastodaoine

  31. Exploring women and art in the two regions, Kaiyisah draws from Circa’s huge archive – e.g., Jack Packenham on Alice Maher (circaartmagazine.net/issues/is), Fionna Barber on Sonia Boyce (circaartmagazine.net/issues/is), and more – but also juxtaposes global issues of then and now

    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA #mastodaoine

  32. Exploring women and art in the two regions, Kaiyisah draws from Circa’s huge archive – e.g., Jack Packenham on Alice Maher (circaartmagazine.net/issues/is), Fionna Barber on Sonia Boyce (circaartmagazine.net/issues/is), and more – but also juxtaposes global issues of then and now

    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA #mastodaoine

  33. Fascinating new ‘letter’ by Singapore-based Nurul Kaiyisah, in which she juxtaposes a former Ireland and a current South-east Asia. Part of the ‘Travelling South, in Theory’ series commission by Brian Curtin. circaartmagazine.net?p=20639
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

  34. Fascinating new ‘letter’ by Singapore-based Nurul Kaiyisah, in which she juxtaposes a former Ireland and a current South-east Asia. Part of the ‘Travelling South, in Theory’ series commission by Brian Curtin. circaartmagazine.net?p=20639
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

  35. Fascinating new ‘letter’ by Singapore-based Nurul Kaiyisah, in which she juxtaposes a former Ireland and a current South-east Asia. Part of the ‘Travelling South, in Theory’ series commission by Brian Curtin. circaartmagazine.net?p=20639
    #VisualArts #Ireland #NorthernIreland #ArtIreland #ArtCriticism #ArtWriting #CIRCA

  36. Feb 24 issue of The Fourdrinier: Ladders, boardwalks and turning circles: writer Marjorie H Morgan reviews Jo Lathwood: Making Up at The Lowry

    thefourdrinier.com/review-feb-

  37. I wrote about Sarah Sze and having a bout of Stendhal Syndrome — the semi-mythical disorder, the swooning dizziness or collapse that comes from seeing too much art.

    #Art #Museum #ArtWriting

    uses.substack.com/p/sarah-szes

  38. I wrote about Sarah Sze and having a bout of Stendhal Syndrome — the semi-mythical disorder, the swooning dizziness or collapse that comes from seeing too much art.

    #Art #Museum #ArtWriting

    uses.substack.com/p/sarah-szes

  39. I wrote about Sarah Sze and having a bout of Stendhal Syndrome — the semi-mythical disorder, the swooning dizziness or collapse that comes from seeing too much art.

    #Art #Museum #ArtWriting

    uses.substack.com/p/sarah-szes

  40. I wrote about Sarah Sze and having a bout of Stendhal Syndrome — the semi-mythical disorder, the swooning dizziness or collapse that comes from seeing too much art.

    #Art #Museum #ArtWriting

    uses.substack.com/p/sarah-szes

  41. Oct issue of the Fourdrinier

    : 3 brand new pieces of writing – interview with Lubaina Himid / Passing Cloud a serialised journal / Immersive Watergrove review!

    @MarjorieMorgan

    thefourdrinier.com/lubaina-him

  42. As I’ve experimented with making “memory objects” from works of art I’ve seen, I’ve come to feel that time and repetition are crucial ingredients. When I try again with the same object, or let more time pass, I see a melding of self and object, a third thing which is neither me nor the work.

    #Art #Painting #ArtWriting

    uses.substack.com/p/shivering-

  43. As I’ve experimented with making “memory objects” from works of art I’ve seen, I’ve come to feel that time and repetition are crucial ingredients. When I try again with the same object, or let more time pass, I see a melding of self and object, a third thing which is neither me nor the work.

    #Art #Painting #ArtWriting

    uses.substack.com/p/shivering-

  44. As I’ve experimented with making “memory objects” from works of art I’ve seen, I’ve come to feel that time and repetition are crucial ingredients. When I try again with the same object, or let more time pass, I see a melding of self and object, a third thing which is neither me nor the work.

    #Art #Painting #ArtWriting

    uses.substack.com/p/shivering-

  45. As I’ve experimented with making “memory objects” from works of art I’ve seen, I’ve come to feel that time and repetition are crucial ingredients. When I try again with the same object, or let more time pass, I see a melding of self and object, a third thing which is neither me nor the work.

    #Art #Painting #ArtWriting

    uses.substack.com/p/shivering-