home.social

#aesthetics — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #aesthetics, aggregated by home.social.

fetched live
  1. From the studio • two images, both acrylic on cartridge, one incl. collage, 2026, each 21 x 30 cm
    #art #psychology #aesthetics

  2. From the studio • two images, both acrylic on cartridge, one incl. collage, 2026, each 21 x 30 cm
    #art #psychology #aesthetics

  3. From the studio • acrylic on cartridge incl. collage, 2026, 21 x 30 cm

    #art #psychology #aesthetics

  4. From the studio • acrylic on cartridge incl. collage, 2026, 21 x 30 cm

    #art #psychology #aesthetics

  5. On Criticism -- Noël Carroll

    Although most readers of this book will be philosophers, scholars of the arts and humanities, and critics by profession, anybody who has ever evaluated a work of art and reflected on that evaluation and those of others will profit from a reading. Carroll sets out his arguments with clarity and without jargon.

    Carroll claims that the main business of criticism is not so much interpretation or contextualization as evaluation. Critics can interpret, contextualize, analyze, describe , and classify a work, but these activities are critical only insofar as they provide reasons for an evaluation of a work. This evaluation turns on an assessment of whether in any given artwork the artist has achieved the artistic aims they intended.

    Carroll also argues for the objectivity of critical judgements; he is particularly concerned to dismantle the understanding of aesthetic evaluation as being centrally concerned with beauty.

    With regard to Carroll's main claim, a large literature on intentionalism in aesthetics exists. I will note here that although he does refute those critiques inspired by a crude empiricism, he does not give adequate consideration to the difficulty of giving an account of what specific intentions might be; these difficulties might include problems between distinguishing conscious and unconscious intentions, the presence of multiple and possibly irreconcilable intentions, and the possibility that intentions might change during the creation of an artwork. These difficulties are compounded in the case of artworks that are the creation of popular culture industries, where the presence of multiple creators and commercial incentives complicate talk of a straightforward "artist's intention". This relative neglect is odd in view of the author's background in the aesthetics and criticism of film.

    As far as Carroll's claims regarding the objectivity of criticism is concerned, much will ride on Carroll's arguments that the conventions of particular genres can provide principles which in turn can ground reasons for declaring an artwork a successful or otherwise example of that genre. Although much more can be said on the topic, Carroll does here offer a way of getting a discussion of evaluation beyond the bare affirmation of 'it's all just subjective preference!"

    Not a new book -- it came out in 2009 - but still worth your time if you have even the slightest interest in the arts.

    #Criticism #NoelCarroll #Aesthetics #Philosophy #Intentionalism #Art

  6. On Criticism -- Noël Carroll

    Although most readers of this book will be philosophers, scholars of the arts and humanities, and critics by profession, anybody who has ever evaluated a work of art and reflected on that evaluation and those of others will profit from a reading. Carroll sets out his arguments with clarity and without jargon.

    Carroll claims that the main business of criticism is not so much interpretation or contextualization as evaluation. Critics can interpret, contextualize, analyze, describe , and classify a work, but these activities are critical only insofar as they provide reasons for an evaluation of a work. This evaluation turns on an assessment of whether in any given artwork the artist has achieved the artistic aims they intended.

    Carroll also argues for the objectivity of critical judgements; he is particularly concerned to dismantle the understanding of aesthetic evaluation as being centrally concerned with beauty.

    With regard to Carroll's main claim, a large literature on intentionalism in aesthetics exists. I will note here that although he does refute those critiques inspired by a crude empiricism, he does not give adequate consideration to the difficulty of giving an account of what specific intentions might be; these difficulties might include problems between distinguishing conscious and unconscious intentions, the presence of multiple and possibly irreconcilable intentions, and the possibility that intentions might change during the creation of an artwork. These difficulties are compounded in the case of artworks that are the creation of popular culture industries, where the presence of multiple creators and commercial incentives complicate talk of a straightforward "artist's intention". This relative neglect is odd in view of the author's background in the aesthetics and criticism of film.

    As far as Carroll's claims regarding the objectivity of criticism is concerned, much will ride on Carroll's arguments that the conventions of particular genres can provide principles which in turn can ground reasons for declaring an artwork a successful or otherwise example of that genre. Although much more can be said on the topic, Carroll does here offer a way of getting a discussion of evaluation beyond the bare affirmation of 'it's all just subjective preference!"

    Not a new book -- it came out in 2009 - but still worth your time if you have even the slightest interest in the arts.

    #Criticism #NoelCarroll #Aesthetics #Philosophy #Intentionalism #Art

  7. CW: Philosophy freestyling

    What does a work of art hold back?

    From its audience…

    From its scholars, its devotees, its historians…

    Even from its creator?

    (The revealing moment of concealment)

    #philosophy #aesthetics

  8. CW: Philosophy freestyling

    Art as sanctuary: an experiment.

    A little constellation of ideas. Some things I’ve been thinking about. Let’s see if I can spin them out as a thread.

    (Who is out there? Are you receptive to this kind of signal?)

    #philosophy #aesthetics

  9. Big update to ‘Form & Number: A History of Mathematical Beauty’: the PDFs are now *tagged* (plus various minor improvements).

    A #TaggedPDF contains hidden extra semantic information to assist screen-reading software etc., including alt text for diagrams+images (in the case of ‘F&N’, 552 pieces of alt text were required, some quite lengthy).

    The new version is available (#OpenAccess as always) at: archive.org/details/cain_forma

    Feedback from users of screen readers would be very welcome!

    Creating this version has been possible because of the ongoing LaTeX tagging project [latex3.github.io/tagging-proje] (thank you to the LaTeX team and other contributors!). I have been adapting my own #LuaLaTeX styles [codeberg.org/ajcain/minos] to use the new interfaces.

    1/2

    #accessibility #a11y #MathArt #HistMath #HistSci #MathematicalBeauty #aesthetics #typography #TeXLaTeX

  10. Big update to ‘Form & Number: A History of Mathematical Beauty’: the PDFs are now *tagged* (plus various minor improvements).

    A #TaggedPDF contains hidden extra semantic information to assist screen-reading software etc., including alt text for diagrams+images (in the case of ‘F&N’, 552 pieces of alt text were required, some quite lengthy).

    The new version is available (#OpenAccess as always) at: archive.org/details/cain_forma

    Feedback from users of screen readers would be very welcome!

    Creating this version has been possible because of the ongoing LaTeX tagging project [latex3.github.io/tagging-proje] (thank you to the LaTeX team and other contributors!). I have been adapting my own #LuaLaTeX styles [codeberg.org/ajcain/minos] to use the new interfaces.

    1/2

    #accessibility #a11y #MathArt #HistMath #HistSci #MathematicalBeauty #aesthetics #typography #TeXLaTeX

  11. Oh look, another groundbreaking revelation: AI logos ≈ buttholes! 🎉 Because clearly, the pinnacle of AI's artistic genius is to mimic the aesthetic elegance of human anatomy. #FastCompany already dropped this bombshell, but let's beat this dead horse until it resembles... you know. 🙄💩
    velvetshark.com/ai-company-log #AIart #HackerNews #designhumor #aesthetics #HackerNews #ngated

  12. Oh look, another groundbreaking revelation: AI logos ≈ buttholes! 🎉 Because clearly, the pinnacle of AI's artistic genius is to mimic the aesthetic elegance of human anatomy. #FastCompany already dropped this bombshell, but let's beat this dead horse until it resembles... you know. 🙄💩
    velvetshark.com/ai-company-log #AIart #HackerNews #designhumor #aesthetics #HackerNews #ngated

  13. Hollywood Reporter: Social Media Face-Off: What’s Keeping Plastic Surgery Influencers Up at Night. “Educated speculation made these plastic surgeons and aesthetics experts niche stars in their own right. And since they’ve infiltrated my algorithm, I’ve noticed that many are starting to use their platforms for more than analyzing actresses and posting before-and-after shots of their own […]

    https://rbfirehose.com/2026/07/16/social-media-face-off-whats-keeping-plastic-surgery-influencers-up-at-night-hollywood-reporter/
  14. Hollywood Reporter: Social Media Face-Off: What’s Keeping Plastic Surgery Influencers Up at Night. “Educated speculation made these plastic surgeons and aesthetics experts niche stars in their own right. And since they’ve infiltrated my algorithm, I’ve noticed that many are starting to use their platforms for more than analyzing actresses and posting before-and-after shots of their own […]

    https://rbfirehose.com/2026/07/16/social-media-face-off-whats-keeping-plastic-surgery-influencers-up-at-night-hollywood-reporter/