home.social

#virgilfinlay — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #virgilfinlay, aggregated by home.social.

fetched live
  1. #sciencefiction #Fantasy #VirgilFinlay Artist Virgil Finlay wurde am heutigen Tag, dem 23. Juli, im Jahr 1914 geboren.

  2. #sciencefiction #Fantasy #VirgilFinlay Artist Virgil Finlay wurde am heutigen Tag, dem 23. Juli, im Jahr 1914 geboren.

  3. Innen-Illustration von Virgil Finlay für
    "A Planet Named Shayol" von Cordwainer Smith
    aus Galaxy, October 1961
    (archive.org)

    #sciencefiction #GalaxyMag #CordwainerSmith #VirgilFinlay

  4. Innen-Illustration von Virgil Finlay für
    "A Planet Named Shayol" von Cordwainer Smith
    aus Galaxy, October 1961
    (archive.org)

    #sciencefiction #GalaxyMag #CordwainerSmith #VirgilFinlay

  5. Innen-Illustration von Virgil Finlay für
    "The Grinning Ghoul" von Robert Bloch
    aus Weird Tales, June 1936
    (archive.org)

    #horror #WeirdTales #RobertBloch #VirgilFinlay

  6. Innen-Illustration von Virgil Finlay für
    "The Grinning Ghoul" von Robert Bloch
    aus Weird Tales, June 1936
    (archive.org)

    #horror #WeirdTales #RobertBloch #VirgilFinlay

  7. Innen-Illustration von Virgil Finlay für
    "The Grinning Ghoul" von Robert Bloch
    aus Weird Tales, June 1936
    (archive.org)

    #horror #WeirdTales #RobertBloch #VirgilFinlay

  8. @noneuclideandreamer

    Your monochromatic stars with colored subjects reminds me of science-fiction artist, Virgil Finlay's work.

    #VirgilFinlay

  9. @noneuclideandreamer

    Your monochromatic stars with colored subjects reminds me of science-fiction artist, Virgil Finlay's work.

    #VirgilFinlay

  10. @noneuclideandreamer

    Your monochromatic stars with colored subjects reminds me of science-fiction artist, Virgil Finlay's work.

    #VirgilFinlay

  11. @noneuclideandreamer

    Your monochromatic stars with colored subjects reminds me of science-fiction artist, Virgil Finlay's work.

    #VirgilFinlay

  12. @noneuclideandreamer

    Your monochromatic stars with colored subjects reminds me of science-fiction artist, Virgil Finlay's work.

    #VirgilFinlay

  13. One of Virgil Finlay's very best illustrations in my opinion. It's for Robert E Howard's 'Skull Face'. The silhouette in the skull's eye socket is a masterpiece, as is - as always - his mastery of light and shade. #VirgilFinlay #RobertEHoward #WeirdTales #weirdart #illustration #artsky

  14. Virgil Finlay illustrates The Star Beast by Poul Anderson, from Super Science Stories, September 1950. #FinlayFriday

    #VirgilFinlay #PoulAnderson #Illustration #Art #Tiger #SF #SFF #ScienceFiction

    “Won’t you change?” she asked.
    “Oh, yes. I won’t even be able to remember a lot of things I now know. I doubt if even the most intelligent tiger could understand vector analysis. But that won’t matter. I’ll get it back when they restore my human form.”

  15. Virgil Finlay illustrates The Star Beast by Poul Anderson, from Super Science Stories, September 1950. #FinlayFriday

    #VirgilFinlay #PoulAnderson #Illustration #Art #Tiger #SF #SFF #ScienceFiction

    “Won’t you change?” she asked.
    “Oh, yes. I won’t even be able to remember a lot of things I now know. I doubt if even the most intelligent tiger could understand vector analysis. But that won’t matter. I’ll get it back when they restore my human form.”

  16. Virgil Finlay illustrates The Star Beast by Poul Anderson, from Super Science Stories, September 1950. #FinlayFriday

    #VirgilFinlay #PoulAnderson #Illustration #Art #Tiger #SF #SFF #ScienceFiction

    “Won’t you change?” she asked.
    “Oh, yes. I won’t even be able to remember a lot of things I now know. I doubt if even the most intelligent tiger could understand vector analysis. But that won’t matter. I’ll get it back when they restore my human form.”

  17. Virgil Finlay illustrates The Star Beast by Poul Anderson, from Super Science Stories, September 1950. #FinlayFriday

    #VirgilFinlay #PoulAnderson #Illustration #Art #Tiger #SF #SFF #ScienceFiction

    “Won’t you change?” she asked.
    “Oh, yes. I won’t even be able to remember a lot of things I now know. I doubt if even the most intelligent tiger could understand vector analysis. But that won’t matter. I’ll get it back when they restore my human form.”

  18. Virgil Finlay illustrates The Star Beast by Poul Anderson, from Super Science Stories, September 1950. #FinlayFriday

    #VirgilFinlay #PoulAnderson #Illustration #Art #Tiger #SF #SFF #ScienceFiction

    “Won’t you change?” she asked.
    “Oh, yes. I won’t even be able to remember a lot of things I now know. I doubt if even the most intelligent tiger could understand vector analysis. But that won’t matter. I’ll get it back when they restore my human form.”

  19. Virgil Finlay illustrates A Planet Named Shayol by Cordwainer Smith, Galaxy Science Fiction, October 1961. #FinlayFriday
    #VirgilFinlay #CordwainerSmith #Illustration #SF #SFF #ScienceFiction

    “Which do you prefer?” said the skin technician. “A great deal of pain or a couple of hour’s unconsciousness?”
    “Why should I want pain?” said Mercer.
    “Some specimens do,” said the technician, “by the time they arrive here. I suppose it depends on what people have done to them before they got here.”

  20. Virgil Finlay illustrates A Planet Named Shayol by Cordwainer Smith, Galaxy Science Fiction, October 1961. #FinlayFriday
    #VirgilFinlay #CordwainerSmith #Illustration #SF #SFF #ScienceFiction

    “Which do you prefer?” said the skin technician. “A great deal of pain or a couple of hour’s unconsciousness?”
    “Why should I want pain?” said Mercer.
    “Some specimens do,” said the technician, “by the time they arrive here. I suppose it depends on what people have done to them before they got here.”

  21. Virgil Finlay illustrates A Planet Named Shayol by Cordwainer Smith, Galaxy Science Fiction, October 1961. #FinlayFriday
    #VirgilFinlay #CordwainerSmith #Illustration #SF #SFF #ScienceFiction

    “Which do you prefer?” said the skin technician. “A great deal of pain or a couple of hour’s unconsciousness?”
    “Why should I want pain?” said Mercer.
    “Some specimens do,” said the technician, “by the time they arrive here. I suppose it depends on what people have done to them before they got here.”

  22. Virgil Finlay illustrates A Planet Named Shayol by Cordwainer Smith, Galaxy Science Fiction, October 1961. #FinlayFriday
    #VirgilFinlay #CordwainerSmith #Illustration #SF #SFF #ScienceFiction

    “Which do you prefer?” said the skin technician. “A great deal of pain or a couple of hour’s unconsciousness?”
    “Why should I want pain?” said Mercer.
    “Some specimens do,” said the technician, “by the time they arrive here. I suppose it depends on what people have done to them before they got here.”

  23. Virgil Finlay illustrates A Planet Named Shayol by Cordwainer Smith, Galaxy Science Fiction, October 1961. #FinlayFriday
    #VirgilFinlay #CordwainerSmith #Illustration #SF #SFF #ScienceFiction

    “Which do you prefer?” said the skin technician. “A great deal of pain or a couple of hour’s unconsciousness?”
    “Why should I want pain?” said Mercer.
    “Some specimens do,” said the technician, “by the time they arrive here. I suppose it depends on what people have done to them before they got here.”

  24. Virgil Finlay illustrating the Henry Kuttner novelette The Voice of the Lobster, from Thrilling Wonder Stories, February 1950. #FinlayFriday
    #VirgilFinlay #HenryKuttner #Illustration #Aliens #ScienceFiction

    Days passed, arbitrarily, of course, aboard the Sutter.
    Ao lay curled in her shock-hammock, thinking her own dim thoughts and looking at nothing. High up in the wall there was a puffing sound, a scuffle, and a grunt. Behind the grille of the ventilating inlet appeared the face of Macduff.

  25. Virgil Finlay illustrating the Henry Kuttner novelette The Voice of the Lobster, from Thrilling Wonder Stories, February 1950. #FinlayFriday
    #VirgilFinlay #HenryKuttner #Illustration #Aliens #ScienceFiction

    Days passed, arbitrarily, of course, aboard the Sutter.
    Ao lay curled in her shock-hammock, thinking her own dim thoughts and looking at nothing. High up in the wall there was a puffing sound, a scuffle, and a grunt. Behind the grille of the ventilating inlet appeared the face of Macduff.

  26. Virgil Finlay illustrating the Henry Kuttner novelette The Voice of the Lobster, from Thrilling Wonder Stories, February 1950. #FinlayFriday
    #VirgilFinlay #HenryKuttner #Illustration #Aliens #ScienceFiction

    Days passed, arbitrarily, of course, aboard the Sutter.
    Ao lay curled in her shock-hammock, thinking her own dim thoughts and looking at nothing. High up in the wall there was a puffing sound, a scuffle, and a grunt. Behind the grille of the ventilating inlet appeared the face of Macduff.

  27. Virgil Finlay illustrating the Henry Kuttner novelette The Voice of the Lobster, from Thrilling Wonder Stories, February 1950. #FinlayFriday
    #VirgilFinlay #HenryKuttner #Illustration #Aliens #ScienceFiction

    Days passed, arbitrarily, of course, aboard the Sutter.
    Ao lay curled in her shock-hammock, thinking her own dim thoughts and looking at nothing. High up in the wall there was a puffing sound, a scuffle, and a grunt. Behind the grille of the ventilating inlet appeared the face of Macduff.

  28. Virgil Finlay illustrating the Henry Kuttner novelette The Voice of the Lobster, from Thrilling Wonder Stories, February 1950. #FinlayFriday
    #VirgilFinlay #HenryKuttner #Illustration #Aliens #ScienceFiction

    Days passed, arbitrarily, of course, aboard the Sutter.
    Ao lay curled in her shock-hammock, thinking her own dim thoughts and looking at nothing. High up in the wall there was a puffing sound, a scuffle, and a grunt. Behind the grille of the ventilating inlet appeared the face of Macduff.