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#rockopera — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #rockopera, aggregated by home.social.

  1. "I Don't Know How to Love Him" is a song from the 1970 album and 1971 #rockOpera #JesusChristSuperstar written by #AndrewLloydWebber (music) and #TimRice (lyrics), a #torchBallad sung by the character of #MaryMagdalene. In the opera she is presented as bearing an #unrequitedLove for #theTitleCharacter. The song has been much recorded, with "I Don't Know How to Love Him" being one of the rare songs – after the 1950s.
    youtube.com/watch?v=cgFMMtSACDY

  2. Trying to start a tradition of watching at least one version of Jesus Christ Superstar during easter, with friends, and learning that a lot of people have never seen it or heard the music before. Wild stuff!

    How about you?

    #easter #JesusChristSuperstar #musical #RockOpera #poll #AndrewLloydWebber

  3. "I Don't Know How to Love Him" is a song from the 1970 album and 1971 #rockOpera #JesusChristSuperstar written by #AndrewLloydWebber (music) and #TimRice (lyrics), a #torchBallad sung by the character of #MaryMagdalene. In the opera she is presented as bearing an #unrequitedLove for #theTitleCharacter. The song has been much recorded, with "I Don't Know How to Love Him" being one of the rare songs – after the 1950s.
    youtube.com/watch?v=WOCwE5D9Ghk

  4. The Who, Quadrophenia, 1973 on MCA

    Not to be confused with the Quadrophenia soundtrack, which followed the 1979 film, this is the sixth studio album from The Who, a 2xLP release from 1973 on Track Records in the UK. It followed Tommy and Who’s Next.

    Like Tommy, it’s a rock opera telling the story of a mod named Jimmy, who says in the liner notes:

    Schizophrenic? I’m Bleeding Quadrophenic

    I love the iconic mod parka on a vespa scooter with the faces of the band in the mirrors: photo by Graham Hughes from an idea by Roger Daltry.

    My copy—via Electric Fetus in Minneapolis MN—is a 1980 or later Pickneyville Pressing with the rainbow MCA labels and “©”1980 MCA Records Inc.” in the rim text. The fourth side does not include “Record 1 Side 4” notation – not sure if that’s a misprint or manufacturing error.

    #1970s #GrahamHughes #JohnEntwistle #KeithMoon #MCA #Mod #PeteTownshend #RockOpera #RogerDaltry #TrackRecords #vinyl #vinylcollection #vinylfinds
  5. "I Don't Know How to Love Him" is a song from the 1970 album and 1971 #rockOpera #JesusChristSuperstar written by #AndrewLloydWebber (music) and #TimRice (lyrics), a #torchBallad sung by the character of #MaryMagdalene. In the opera she is presented as bearing an #unrequitedLove for #theTitleCharacter. The song has been much recorded, with "I Don't Know How to Love Him" being one of the rare songs – after the 1950s.
    youtube.com/watch?v=6L49YHy-xms

  6. "I Don't Know How to Love Him" is a song from the 1970 album and 1971 #rockOpera #JesusChristSuperstar written by #AndrewLloydWebber (music) and #TimRice (lyrics), a #torchBallad sung by the character of #MaryMagdalene. In the opera she is presented as bearing an #unrequitedLove for #theTitleCharacter. The song has been much recorded, with "I Don't Know How to Love Him" being one of the rare songs – after the 1950s.
    youtube.com/watch?v=i12PWD9EQvE

  7. #AlternateFridayMusic
    July 7 2023

    The word is New

    #PeteTownshend and #RonnieLane, “Heart to Hang Onto,” from Rough Mix,1977

    Lyric:
    “Give me a heart to hang onto
    Give me a soul that's tailored new
    Give me a heart to hang onto
    A heart to hang onto”

    While this album is a joint project by Pete and Ronnie (Faces, #SmallFaces), #Townshend fans regard it as Pete's solo album, with interruptions. Here we find Pete storytelling, not with the bombastic stylings of #RockOpera or stiff #RadioPlay but on a human scale in a series of verse-sized vignettes.

    While no one would compare Ronnie Lane’s homespun vocals with #RogerDaltry’s #RockGod delivery, Pete uses the interplay of his vocals with Lane’s similarly to the way he trades off vocals in #TheWho, Townshend’s thin, high voice speaking in the vulnerable first person.

    After glimpses of these lonely lives, the poignant melody gives way to a crescendo of desperation, drifting away unresolved in a twinkling of keys.

    youtube.com/watch?v=uQ4PIFeofd