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#baroquemusic — Public Fediverse posts

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  1. Day 2 1/2 at a baroque music summer course. I’m in two orchestras on bassoon (Telemann and Lully), in three chambermusic groups as a singer (Händel, Schütz and Campra), choir (madrigals) and a dance class where we’re learning a gavotte. Oh, and of course voice and bassoon lessons. Days consist of running around and forgetting my stuff if various classrooms. I’m exhausted and having a blast!

    #baroquemusic #earlymusic #bassoon #singing #music

  2. Day 2 1/2 at a baroque music summer course. I’m in two orchestras on bassoon (Telemann and Lully), in three chambermusic groups as a singer (Händel, Schütz and Campra), choir (madrigals) and a dance class where we’re learning a gavotte. Oh, and of course voice and bassoon lessons. Days consist of running around and forgetting my stuff if various classrooms. I’m exhausted and having a blast!

    #baroquemusic #earlymusic #bassoon #singing #music

  3. I’m going to a baroque music summer course in July, mostly to sing but also to play baroque bassoon. Got assigned to two orchestras, one is playing parts from Lully’s Atus, the other a Telemann ouverture suite. Exactly what I like! Getting used to baroque bassoon again after playing modern for all of April & May. Ordered a couple new reeds in a slight panic. Summer course preparations just as usual. :D

    #bassoon #baroquemusic #classicalmusic

  4. I’m going to a baroque music summer course in July, mostly to sing but also to play baroque bassoon. Got assigned to two orchestras, one is playing parts from Lully’s Atus, the other a Telemann ouverture suite. Exactly what I like! Getting used to baroque bassoon again after playing modern for all of April & May. Ordered a couple new reeds in a slight panic. Summer course preparations just as usual. :D

    #bassoon #baroquemusic #classicalmusic

  5. There's this short phrase at 6:27 after a cadenza in this Telemann concerto that sounds really bizarre to me. It sounds like something from the 1970s.

    #baroque #baroqueMusic #telemann

    youtube.com/watch?v=aEpoyl8F-O

  6. There's this short phrase at 6:27 after a cadenza in this Telemann concerto that sounds really bizarre to me. It sounds like something from the 1970s.

    #baroque #baroqueMusic #telemann

    youtube.com/watch?v=aEpoyl8F-O

  7. 🎶 Early Music Academy in the French Alps
    📅 July 20–26, 2026

    This year we celebrate the 300th anniversary of François Couperin’s Nations (1726), a masterpiece of the goûts réunis, blending French and Italian styles.

    A week of chamber music, style, and ensemble work for flutists, violinists, violists, and harpsichord players.

    📩 info: [email protected] / +33 7 71 82 13 39

    #EarlyMusic #BaroqueMusic #Couperin #FrenchBaroque #ChamberMusic #MusicAcademy

  8. 🎶 Early Music Academy in the French Alps
    📅 July 20–26, 2026

    This year we celebrate the 300th anniversary of François Couperin’s Nations (1726), a masterpiece of the goûts réunis, blending French and Italian styles.

    A week of chamber music, style, and ensemble work for flutists, violinists, violists, and harpsichord players.

    📩 info: [email protected] / +33 7 71 82 13 39

    #EarlyMusic #BaroqueMusic #Couperin #FrenchBaroque #ChamberMusic #MusicAcademy

  9. Next concert tomorrow - and the very first one we’re co-organising in Ireland with France Baroque and the Church of Ascension - will take place in the beautiful village of Timoleague, a place rich in remarkable history!

    On the programme: “Les Folies Françaises” , in partnership with the community of the Church of the Ascension.

    A beautifulmoment to share together in the West Cork region.

    Hope to see you there!

    #WestCork #LiveMusic #BaroqueMusic #harpsichord #timoleague

  10. song.link/d/3273384301

    Sebastian BODINUS
    04.10.1700 - 19.03.1759
    Komponist, Kapellmeister, Violinist

    Er war ua Mitglied der Markgräflich Badischen Hofkapelle in Karlsruhe, verbrachte aber auch vier Jahre als Cammer-Musicus und Konzertmeister in Stuttgart am Hof von Herzog Eberhard Ludwig von Württemberg.

    #otd #classicalmusic @classicalmusic #unknowncomposers #Komponist #baroquemusic #Baden #Württemberg

  11. song.link/d/3273384301

    Sebastian BODINUS
    04.10.1700 - 19.03.1759
    Komponist, Kapellmeister, Violinist

    Er war ua Mitglied der Markgräflich Badischen Hofkapelle in Karlsruhe, verbrachte aber auch vier Jahre als Cammer-Musicus und Konzertmeister in Stuttgart am Hof von Herzog Eberhard Ludwig von Württemberg.

    #otd #classicalmusic @classicalmusic #unknowncomposers #Komponist #baroquemusic #Baden #Württemberg

  12. Photos from our winter session at the Académie des Musiques Anciennes, Pays de Savoie, a peaceful, inspiring week of music! 🎶

    🎻 Violinists, flutists, singers, violists, harpsichordists: join us this summer, July 20–26 & July 27–August 2!

    More info: www.francebaroque.org

    Email: [email protected]
    ✉️

    #EarlyMusic #BaroqueMusic #Violin #Flute #Singing #Viola #Harpsichord #MusicAcademy #SummerWorkshop #France

  13. Photos from our winter session at the Académie des Musiques Anciennes, Pays de Savoie, a peaceful, inspiring week of music! 🎶

    🎻 Violinists, flutists, singers, violists, harpsichordists: join us this summer, July 20–26 & July 27–August 2!

    More info: www.francebaroque.org

    Email: [email protected]
    ✉️

    #EarlyMusic #BaroqueMusic #Violin #Flute #Singing #Viola #Harpsichord #MusicAcademy #SummerWorkshop #France

  14. Baroque week in Krefeld with Pax Christi and France Baroque! 🎶
    From February 4–8, we enjoyed 5 days of workshops and concerts, meeting so many wonderful people. A rich musical adventure!

    🙏 Thanks to Christoph Scholz for organizing and inviting us.
    🎻 Thanks to all participants on violin, flute, and harpsichord, and to the teachers who shared their expertise.

    ✨ An experience we’ll be repeating soon… Stay tuned!

    #BaroqueMusic #Krefeld #PaxChristi #MusicWorkshop #Violin #Flute #Harpsichord

  15. Baroque week in Krefeld with Pax Christi and France Baroque! 🎶
    From February 4–8, we enjoyed 5 days of workshops and concerts, meeting so many wonderful people. A rich musical adventure!

    🙏 Thanks to Christoph Scholz for organizing and inviting us.
    🎻 Thanks to all participants on violin, flute, and harpsichord, and to the teachers who shared their expertise.

    ✨ An experience we’ll be repeating soon… Stay tuned!

    #BaroqueMusic #Krefeld #PaxChristi #MusicWorkshop #Violin #Flute #Harpsichord

  16. It is the start of my second week off from uni, and on Thursday, I'll be at the Melbourne Recital Centre for Erin Helyard performing Bach's Goldberg Variations on harpsichord. Thirty variations unfolding from a single aria, each one its own universe of mathematical precision and emotional depth. I remember Helyard conducting Handel's Messiah with the Melbourne Symphony Orchestra in December 2024, and I was in the chorus. His direction brought out those moments where text and music fused into something transcendent.

    This week, I should finally get access to my units at the new uni. My Learning Access Plan is now active, which feels good after so much advocacy. These accommodations will create conditions that enable my brain to show what it can do rather than what it can't.

    Music has always been the language I understand most fluently. In the architecture of Bach's variations, there's something about the way complexity emerges from simplicity that mirrors how I experience learning itself. One foundational idea, endlessly transformed. Each variation is a different lens, a different pathway to understanding. Perhaps that's why the Goldberg Variations feel so essential right now. They remind me that depth isn't about covering more ground but about exploring what's already there with greater attention.

    The space between finishing one semester and beginning another holds its own music. Rest isn't absence. It's the silence between notes that gives them meaning.

    #ClassicalMusic #Bach #GoldbergVariations #Harpsichord #BaroqueMusic #MelbourneRecitalCentre #AuDHD #Blind #DisabilityAccess #LearningAccessPlan #CounsellingMasters #MusicAndIdentity #Reflection

  17. It is the start of my second week off from uni, and on Thursday, I'll be at the Melbourne Recital Centre for Erin Helyard performing Bach's Goldberg Variations on harpsichord. Thirty variations unfolding from a single aria, each one its own universe of mathematical precision and emotional depth. I remember Helyard conducting Handel's Messiah with the Melbourne Symphony Orchestra in December 2024, and I was in the chorus. His direction brought out those moments where text and music fused into something transcendent.

    This week, I should finally get access to my units at the new uni. My Learning Access Plan is now active, which feels good after so much advocacy. These accommodations will create conditions that enable my brain to show what it can do rather than what it can't.

    Music has always been the language I understand most fluently. In the architecture of Bach's variations, there's something about the way complexity emerges from simplicity that mirrors how I experience learning itself. One foundational idea, endlessly transformed. Each variation is a different lens, a different pathway to understanding. Perhaps that's why the Goldberg Variations feel so essential right now. They remind me that depth isn't about covering more ground but about exploring what's already there with greater attention.

    The space between finishing one semester and beginning another holds its own music. Rest isn't absence. It's the silence between notes that gives them meaning.

    #ClassicalMusic #Bach #GoldbergVariations #Harpsichord #BaroqueMusic #MelbourneRecitalCentre #AuDHD #Blind #DisabilityAccess #LearningAccessPlan #CounsellingMasters #MusicAndIdentity #Reflection