home.social

#baroquepop — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #baroquepop, aggregated by home.social.

  1. "Jumpin' Jack Flash" is a song by the English rock band #theRollingStones released as a non-album single in 1968, which reached the number 1 position in the #UKSinglesChart and US #CashBox Top Singles. Called "supernatural #DeltaBlues by way of #SwingingLondon" by Rolling Stone magazine, the song was seen as the band's return to their #bluesRock roots after the #baroquePop and #psychedelia heard on their preceding albums #Aftermath (1966), #BetweenTheButtons (1967).
    youtube.com/watch?v=KXUJMaYzh6U

  2. "Jumpin' Jack Flash" is a song by the English rock band #theRollingStones released as a non-album single in 1968, which reached the number 1 position in the #UKSinglesChart and US #CashBox Top Singles. Called "supernatural #DeltaBlues by way of #SwingingLondon" by Rolling Stone magazine, the song was seen as the band's return to their #bluesRock roots after the #baroquePop and #psychedelia heard on their preceding albums #Aftermath (1966), #BetweenTheButtons (1967).
    youtube.com/watch?v=KXUJMaYzh6U

  3. "Jumpin' Jack Flash" is a song by the English rock band #theRollingStones released as a non-album single in 1968, which reached the number 1 position in the #UKSinglesChart and US #CashBox Top Singles. Called "supernatural #DeltaBlues by way of #SwingingLondon" by Rolling Stone magazine, the song was seen as the band's return to their #bluesRock roots after the #baroquePop and #psychedelia heard on their preceding albums #Aftermath (1966), #BetweenTheButtons (1967).
    youtube.com/watch?v=KXUJMaYzh6U

  4. "Jumpin' Jack Flash" is a song by the English rock band #theRollingStones released as a non-album single in 1968, which reached the number 1 position in the #UKSinglesChart and US #CashBox Top Singles. Called "supernatural #DeltaBlues by way of #SwingingLondon" by Rolling Stone magazine, the song was seen as the band's return to their #bluesRock roots after the #baroquePop and #psychedelia heard on their preceding albums #Aftermath (1966), #BetweenTheButtons (1967).
    youtube.com/watch?v=KXUJMaYzh6U

  5. "Jumpin' Jack Flash" is a song by the English rock band #theRollingStones released as a non-album single in 1968, which reached the number 1 position in the #UKSinglesChart and US #CashBox Top Singles. Called "supernatural #DeltaBlues by way of #SwingingLondon" by Rolling Stone magazine, the song was seen as the band's return to their #bluesRock roots after the #baroquePop and #psychedelia heard on their preceding albums #Aftermath (1966), #BetweenTheButtons (1967).
    youtube.com/watch?v=KXUJMaYzh6U

  6. No "California Girls"? Bummer!! No "Kokomo" ? Bummer (Just kidding with this one, folks!!! ;-))

    In any case, this list just goes to show why this is my favorite band, ever...

    pastemagazine.com/music/the-be

    #BaroquePop #BeachBoys #LA #PopMusic #California

  7. Free download codes:

    Caroline in the Garden - Act Two

    "Unhinged Art Pop FFO Tori Amos, Kate Bush, Regina Spektor, Madison Cunningham"

    getmusic.fm/l/ILwrhh

    #artpop #adultcontemporary #baroquepop #pianopop #music

  8. "Walk Away Renée" is a song written by #MichaelBrown, Bob Calilli, and Tony Sansone for the band #theLeftBanke, released as a single in July 1966. #SteveMartinCaro is featured on lead vocals. It spent 13 weeks on the US charts, with a top spot of No. 5. The song has been widely considered a quintessence of the #baroquePop genre. As musician #MarshallCrenshaw explained, "There's something about '#WalkAwayRenee' that's one of the most powerful songs I've ever heard.
    youtube.com/watch?v=PtHq6SVOXEk

  9. "Birds of a Feather" is a song by American singer-songwriter #BillieEilish from her third studio album, #HitMeHardAndSoft (2024). It was released with the album on May 17, 2024, and was made the second official single on July 2, 2024, through Darkroom and #InterscopeRecords. Eilish wrote the song with her brother #FinneasOConnell, who recorded and produced it at his home studio in Los Angeles. A #baroquePop, #indiePop, #newWave, and #synthpop song.
    youtube.com/watch?v=d5gf9dXbPi0

  10. "Birds of a Feather" is a song by American singer-songwriter #BillieEilish from her third studio album, #HitMeHardAndSoft (2024). It was released with the album on May 17, 2024, and was made the second official single on July 2, 2024, through Darkroom and #InterscopeRecords. Eilish wrote the song with her brother #FinneasOConnell, who recorded and produced it at his home studio in Los Angeles. A #baroquePop, #indiePop, #newWave, and #synthpop song.
    youtube.com/watch?v=d5gf9dXbPi0

  11. "Birds of a Feather" is a song by American singer-songwriter #BillieEilish from her third studio album, #HitMeHardAndSoft (2024). It was released with the album on May 17, 2024, and was made the second official single on July 2, 2024, through Darkroom and #InterscopeRecords. Eilish wrote the song with her brother #FinneasOConnell, who recorded and produced it at his home studio in Los Angeles. A #baroquePop, #indiePop, #newWave, and #synthpop song.
    youtube.com/watch?v=d5gf9dXbPi0

  12. "Birds of a Feather" is a song by American singer-songwriter #BillieEilish from her third studio album, #HitMeHardAndSoft (2024). It was released with the album on May 17, 2024, and was made the second official single on July 2, 2024, through Darkroom and #InterscopeRecords. Eilish wrote the song with her brother #FinneasOConnell, who recorded and produced it at his home studio in Los Angeles. A #baroquePop, #indiePop, #newWave, and #synthpop song.
    youtube.com/watch?v=d5gf9dXbPi0

  13. "Birds of a Feather" is a song by American singer-songwriter #BillieEilish from her third studio album, #HitMeHardAndSoft (2024). It was released with the album on May 17, 2024, and was made the second official single on July 2, 2024, through Darkroom and #InterscopeRecords. Eilish wrote the song with her brother #FinneasOConnell, who recorded and produced it at his home studio in Los Angeles. A #baroquePop, #indiePop, #newWave, and #synthpop song.
    youtube.com/watch?v=d5gf9dXbPi0

  14. The Kick Inside

    Kate was only a teenager when she undertook the highly ambitious project to rewrite a centuries-old ballad. She released The Kick Inside on February 17, 1978. The album features the UK No. 1 hit "Wuthering Heights", which made Kate the first female artist to reach the top spot with a self-written song. Check out The Kick Inside by Kate Bush on Amazon Music #katebush #thekickinside #progrock #70srock #70smusic #baroquepop #rockmusic #musicsky #music

    robinbannks.com/2026/02/17/585

  15. "Walk Away Renée" is a song written by #MichaelBrown, Bob Calilli, and Tony Sansone for the band #theLeftBanke, released as a single in July 1966. #SteveMartinCaro is featured on lead vocals. It spent 13 weeks on the US charts, with a top spot of No. 5. The song has been widely considered a quintessence of the #baroquePop genre. As musician #MarshallCrenshaw explained, "There's something about '#WalkAwayRenee' that's one of the most powerful songs I've ever heard.
    youtube.com/watch?v=e2qpxoVa0fk

  16. Under The Pink

    Under the Pink is released on January 31, 1994. It's T's second album and Rolling Stone called it one of the "greatest albums of the 90's." You bet your life it is ... Listen to Under The Pink by Tori Amos on Amazon Music ... #toriamos #underthepink #90smusic #alternativerock #baroquepop #indiepop #pianorock #trentreznor #rock #rockmusic #music #musicsky #musiciansky

    robinbannks.com/2026/01/31/und

  17. "Walk Away Renée" is a song written by #MichaelBrown, Bob Calilli, and Tony Sansone for the band #theLeftBanke, released as a single in July 1966. #SteveMartinCaro is featured on lead vocals. It spent 13 weeks on the US charts, with a top spot of No. 5. The song has been widely considered a quintessence of the #baroquePop genre. As musician #MarshallCrenshaw explained, "There's something about '#WalkAwayRenee' that's one of the most powerful songs I've ever heard.
    youtube.com/watch?v=qDfrW5cWqMU

  18. Boys For Pele turns 30

    T releases her third album January 23, 1996. It's arguably her most interesting and diverse album so far incorporating gospel choirs, brass bands, clavichord and more. She even spent some time with a shaman in South America and, in Hawaii, learned about the volcano goddess Pele. Heady stuff ... Listen to Boys For Pele by Tori Amos on Amazon Music ... #toriamos #boysforpele #baroquepop #altrock #alternativerock #rockmusic #music #musicsky

    robinbannks.com/2026/01/23/boy

  19. DNA of But Live It — Rufus Wainwright

    Rufus Wainwright has always fascinated me, the blend of opera, pop, drama, and intimacy.

    His melodies feel like small theatre pieces, full of color and emotion.
    He showed me how effortlessly grandeur and pop, compositional finesse and that uniquely New York blend of existentialism and warm, world‑tired grace can flow together.

    #RufusWainwright #ChamberPop #ArtPop #IndieMusic #PoeticLyrics #MusicMastodon #BaroquePop #QueerMusic #indieartist #bandcamp

  20. "Walk Away Renée" is a song written by #MichaelBrown, Bob Calilli, and Tony Sansone for the band #theLeftBanke, released as a single in July 1966. #SteveMartinCaro is featured on lead vocals. It spent 13 weeks on the US charts, with a top spot of No. 5. The song has been widely considered a quintessence of the #baroquePop genre. As musician #MarshallCrenshaw explained, "There's something about '#WalkAwayRenee' that's one of the most powerful songs I've ever heard.
    youtube.com/watch?v=zvgovAzhJHU

  21. "Walk Away Renée" is a song written by #MichaelBrown, Bob Calilli, and Tony Sansone for the band #theLeftBanke, released as a single in July 1966. #SteveMartinCaro is featured on lead vocals. It spent 13 weeks on the US charts, with a top spot of No. 5. The song has been widely considered a quintessence of the #baroquePop genre. As musician #MarshallCrenshaw explained, "There's something about '#WalkAwayRenee' that's one of the most powerful songs I've ever heard.
    youtube.com/watch?v=PtHq6SVOXEk

  22. Free download codes:

    Savoir Faire - Hopeless Nostalgic

    "“A stunning blend of existentialism & retro noir” - Pop Matters"

    getmusic.fm/l/VlB4Ip

    #bandcampcodes #retro #chamberpop #noir #baroquepop #indierock singer songwriter #music

  23. ANTINOË – The Fold
    eternal-terror.com/?p=73987

    RELEASE YEAR: 2025BAND URL: antinoe.bandcamp.com/

    Far removed from the world of metal music yet infinitely darker, more haunting, and relentlessly bleaker is this mesmerizing output titled The Fold by the Spanish artist known as Antinoë, which is the solo vehicle of the immensely talented neo-classical pianist and vocalist Teresa Marraco. Although she does have black metal […]

    #ambient #antinoë #baroquePop #classical #darkAmbient #DarkEssenceRecords #darkness #electronica #emotionalPower #folkMusic #longing #melancholy #mesmerizing #neoClassical #soundtrack #theFold

  24. ANTINOË – The Fold
    eternal-terror.com/?p=73987

    RELEASE YEAR: 2025BAND URL: antinoe.bandcamp.com/

    Far removed from the world of metal music yet infinitely darker, more haunting, and relentlessly bleaker is this mesmerizing output titled The Fold by the Spanish artist known as Antinoë, which is the solo vehicle of the immensely talented neo-classical pianist and vocalist Teresa Marraco. Although she does have black metal […]

    #ambient #antinoë #baroquePop #classical #darkAmbient #DarkEssenceRecords #darkness #electronica #emotionalPower #folkMusic #longing #melancholy #mesmerizing #neoClassical #soundtrack #theFold

  25. ANTINOË – The Fold
    eternal-terror.com/?p=73987

    RELEASE YEAR: 2025BAND URL: antinoe.bandcamp.com/

    Far removed from the world of metal music yet infinitely darker, more haunting, and relentlessly bleaker is this mesmerizing output titled The Fold by the Spanish artist known as Antinoë, which is the solo vehicle of the immensely talented neo-classical pianist and vocalist Teresa Marraco. Although she does have black metal […]

    #ambient #antinoë #baroquePop #classical #darkAmbient #DarkEssenceRecords #darkness #electronica #emotionalPower #folkMusic #longing #melancholy #mesmerizing #neoClassical #soundtrack #theFold

  26. ANTINOË – The Fold
    eternal-terror.com/?p=73987

    RELEASE YEAR: 2025BAND URL: antinoe.bandcamp.com/

    Far removed from the world of metal music yet infinitely darker, more haunting, and relentlessly bleaker is this mesmerizing output titled The Fold by the Spanish artist known as Antinoë, which is the solo vehicle of the immensely talented neo-classical pianist and vocalist Teresa Marraco. Although she does have black metal […]

    #ambient #antinoë #baroquePop #classical #darkAmbient #DarkEssenceRecords #darkness #electronica #emotionalPower #folkMusic #longing #melancholy #mesmerizing #neoClassical #soundtrack #theFold

  27. Lindsay Anderson’s New Art-Pop Album Is A Surrealist, Feminist Journey

    Lindsay Anderson has released her new 12-song conceptual album, Forgiving, today (Nov 7, 2025). Inspired by the surrealist painters Leonora Carrington and Max Ernst, the album is Anderson’s journey to reclaim her voice in male-dominated creative spaces. Fusing autobiography with dream logic, her art-pop songs navigate the liminal space between desire and self-liberation, meeting characters like an older, restless Alice. At its core, Forgiving is a timeless love story—intense, impractical, and a deep meditation on finding one’s true self.

    #AVANTGARDE #BAROQUEPOP #EXPERIMENTAL #INDIE #LINDSAYANDERSON #MUSIC #NEWS #ROCK

  28. Lindsay Anderson – Forgiving

    Lindsay Anderson’s latest work is a conceptual journey into the liminal space between creation and destruction, love and loss, and the consuming gravity of the muse. It is a work of startling emotional and artistic density, inspired by the notoriously romantic and artistic entanglement of surrealist painters Leonora Carrington and Max Ernst. Anderson moves through the shadows of baroque pop, folk, rock, indie, experimental, and ambient styles, creating a profoundly ethereal, melodic, and layered sound. These twelve compositions demand to be experienced like an immersive piece of mythic theatre, a full-bodied, searching conversation where autobiography merges with dream logic. The philosophical genesis of Forgiving is rooted in the essential artistic struggle of feminine self-reclamation. Moved by Carrington’s autobiographical text Down Below, Anderson delves into the core challenges of defining artistic identity within male-dominated creative spaces. Anderson draws pointed parallels between her own experiences as an artist and muse, using the Carrington/Ernst dynamic as a crucible for her own narrative, resulting in songs that are a medium for reclaiming that voice, fusing the confessional intimacy of folk with the archetypal weight of myth. As Anderson herself notes, while creative and romantic relationships often formed her as an artist, they’ve also distanced her from her true voice, making this project a decisive act of liberation and self-definition, reshaping the narrative on her own terms. The music is a meditation on power dynamics, arguing that true creative authority begins when the muse steps out of the shadow of the master and becomes the primary source of light.

    Sonically, this material carries otherworldly songs. The production is rich, using the textures of baroque pop, evoking complex orchestrations, cascading piano lines, and deep tonal harmonies, which are landed by the simple, earnest truth of folk storytelling. But the sound refuses easy definition, mainly because it constantly drifts into experimental and ambient territories. Ethereal, levitating, echoic synth textures serve as the subconscious landscape against which the central soundscape unfolds. This sonic fluidity perfectly mirrors the thematic foundation in surrealism and dream logic, making the listening experience feel akin to navigating an intensely vivid, emotionally resonant vision. The arrangements and instruments become characters themselves, shifting in texture and prominence to convey the intense psychological tension. This is music that moves with the grace of a dance, yet carries the emotional weight of rock. The structure is built on powerful literary and archetypal figures. Anderson deliberately inhabits characters like Lewis Carroll’s Alice, but an Alice who is older, restless, and yearning for meaning. This is Wonderland turned darker, more coercive, where innocence has been exchanged for hard-won experience. In this fraught landscape, she encounters the Wolf, a seductive figure inspired by Carrington’s paintings. The Wolf represents both intense desire and the magnetic pull of a consuming creative partner. Anderson expertly steers the liminal space between desire and self-liberation, creating a dramatic tension that fuels the entire album. The album explores an intense, impractical, and timeless love story. A story about two artists navigating the twin demands of creation, intimacy, and loss. It’s a beautifully honest exploration of the cost of genius, and the emotional toll of collaboration.

    Anderson asks listeners to join her on a deeply personal journey, a complex yet rewarding meditation on embracing shadow as part of wholeness and finding true self in the process. Her act of reclaiming the story is not just for herself but provides a blueprint for anyone struggling to define their voice in a crowded world. The ambition of the project is further highlighted by the fact that Anderson is developing a large-scale, choreographed theatrical experience of the album, a full-bodied heroine’s journey told through music and dance. Forgiving is therefore only the beginning of a magnificent, unfolding artistic statement, and an essential listen for anyone seeking music that challenges the mind while feeding the soul. This is baroque pop redefined into lush, literary, and fiercely intelligent soundscape worth experiencing everytime you crave something innovative, exciting, bolk, and new. A true masterpiece!

    #AVANTGARDE #BAROQUEPOP #EXPERIMENTAL #FOLK #INDIE #LINDSAYANDERSON #MUSIC #REVIEWS

  29. "Piggies" is a song by the English rock band #theBeatles from their 1968 album The Beatles (also known as the "White Album"). Written by #GeorgeHarrison as a #socialCommentary, the song serves as an #Orwellian satire on greed and consumerism. Among several elements it incorporates from #classicalMusic, the track features #harpsichord and #orchestralStrings in the #baroquePop style, which are contrasted by Harrison's acerbic lyrics and the sound of grunting pigs.
    youtube.com/watch?v=t0nzZ8-kIf0