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#rap-rock β€” Public Fediverse posts

Live and recent posts from across the Fediverse tagged #rap-rock, aggregated by home.social.

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  1. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Night ⛓️ (Industrial metal)
    ──────────────
    🎡 Jean Dawson - Prize Fighter

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #JeanDawson #AlternativeRock #RapRock #2020s

  2. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎡 Machine Gun Kelly - mainstream sellout

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #MachineGunKelly #PopPunk #RapRock #2020s

  3. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎡 Machine Gun Kelly - no cell phones in rehab

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #MachineGunKelly #PopPunk #RapRock #2000s

  4. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎡 Limp Bizkit - Dad Vibes

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #LimpBizkit #NuMetal #RapRock #2000s

  5. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎡 Machine Gun Kelly - no cell phones in rehab

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #MachineGunKelly #PopPunk #RapRock #2020s

  6. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎡 Papa Roach; Sueco; FEVER 333 - Swerve (feat. FEVER 333 & Sueco)

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #PapaRoach #RapRock #PostHardcore #2020s

  7. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎡 Machine Gun Kelly - mainstream sellout

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #MachineGunKelly #PopPunk #RapRock #2020s

  8. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎡 Beastie Boys - Sabotage

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #BeastieBoys #RapRock #HardcorePunk #90s

  9. I'm kind of a sucker for songs like this for some reason. It's probably why I like bands like #Otep. youtu.be/dWAPcXh8UEE?si=zZv34F #Metal #NuMetal #RapRock

  10. I'm kind of a sucker for songs like this for some reason. It's probably why I like bands like #Otep. youtu.be/dWAPcXh8UEE?si=zZv34F #Metal #NuMetal #RapRock

  11. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎡 Machine Gun Kelly - mainstream sellout

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #MachineGunKelly #PopPunk #RapRock #2020s

  12. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
    ──────────────
    🎡 Machine Gun Kelly; Fred Durst - FIX UR FACE

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #MachineGunKelly #NuMetal #RapRock #2000s

  13. πŸ”΄ LIVE NOW ON VORTEX
    πŸ“» Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎡 Beastie Boys - Sabotage

    ▢️ Γ‰couter / Listen : VorteX [Radio]
    lesonduvortex.net

    πŸ’¬ Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #BeastieBoys #RapRock #HardcoreHipHop #90s

  14. Beastie Boys - No Sleep Till Brooklyn

    The Beastie Boys' "No Sleep Till Brooklyn" is an iconic anthem that perfectly encapsulates the energy and spirit of the 1980s hip-hop scene. With its infectious beat and clever lyrics, the track showcases the group's unique blend of rap and rock, making it a timeless classic that continues to resonate with fans today.

    #Classic #MusicVideo #Iconic #RapRock #Timeless #BeastieBoys #hiphop #LicensedToIll #rock

    tube.matrix.rocks/videos/watch

  15. Rage Against the Machine - Bullet In the Head

    Ascolta Bullet In the Head di Rage Against the Machine su tutte le principali app musicali usando questo link 🎧 link.deezer.com/s/3283QOrEiMoV

    Energia a palate. Ciao proprio!

    #raprock #rapmetal #rapmusic #hiphop #numetal

  16. Rage Against the Machine - Bullet In the Head

    Ascolta Bullet In the Head di Rage Against the Machine su tutte le principali app musicali usando questo link 🎧 link.deezer.com/s/3283QOrEiMoV

    Energia a palate. Ciao proprio!

    #raprock #rapmetal #rapmusic #hiphop #numetal

  17. AquΓ­ en la banda soy yo el americano
    Los tres mexicanos me tratan
    Como un hermano

    "Voto Latino", de Molotov (1997)

    #musica #music #raprock #punk #latino #90s

    youtube.com/watch?v=cJWFdh-vV84

  18. AquΓ­ en la banda soy yo el americano
    Los tres mexicanos me tratan
    Como un hermano

    "Voto Latino", de Molotov (1997)

    #musica #music #raprock #punk #latino #90s

    youtube.com/watch?v=cJWFdh-vV84

  19. Video: music.youtube.com/watch?v=ScNN
    Castle of glass | Linkin Park open.spotify.com/track/1r1fPuh #music #numetal #alternativerock #alternativemetal #raprock #heavymetal #electronicrock #best #top

    НС Π·Π°Π±ΡƒΠ²Π°ΠΉΡ‚Π΅ стСТити Π·Π° нашим ΠΌΡƒΠ·ΠΈΡ‡Π½ΠΈΠΌ ΠΊΠ°Π½Π°Π»ΠΎΠΌ [ΠœΡƒΠ·ΠΈΠΊΠ° Π½Π° хвилях ΠΏΡ–Ρ€Π°Ρ‚ΡΡŒΠΊΠΎΠ³ΠΎ Π Π°Π΄Ρ–ΠΎ 390]. Π—Ρ– ΡˆΠ²ΠΈΠ΄ΠΊΡ–ΡΡ‚ΡŽ Π½ΠΎΡ‚ΠΈ. ΠœΡƒΠ·ΠΈΡ‡Π½Ρ– Ρ‚Ρ€Π΅ΠΊΠΈ: tinyurl.com/signal-music-wave

  20. Video: music.youtube.com/watch?v=-wGd
    Take A Look Around | Limp Bizkit open.spotify.com/track/2avKuMN #music #numetal #raprock #metal #punkrock #top

    Π¨ΡƒΠΊΠ°ΠΉΡ‚Π΅ всі Ρ€Π°Π΄Ρ–ΠΎ-Π½ΠΎΡ‚ΠΈ Ρ– ΠΌΡƒΠ·ΠΈΠΊΠ°Π»ΡŒΠ½Ρ– Ρ…Π²ΠΈΠ»Ρ– Π΅Ρ„Ρ–Ρ€Ρƒ Π² signal (Π°Π½ΠΎΠ½Ρ–ΠΌΠ½ΠΎ): tinyurl.com/signal-music-wave

  21. Video: music.youtube.com/watch?v=SRXH
    The Emptiness Machine | Linkin Park open.spotify.com/track/1EDPVGb #music #numetal #alternativerock #alternativemetal #raprock #heavymetal #electronicrock #best #top

    НС Π·Π°Π±ΡƒΠ²Π°ΠΉΡ‚Π΅ стСТити Π·Π° нашим ΠΌΡƒΠ·ΠΈΡ‡Π½ΠΈΠΌ ΠΊΠ°Π½Π°Π»ΠΎΠΌ [ΠœΡƒΠ·ΠΈΠΊΠ° Π½Π° хвилях ΠΏΡ–Ρ€Π°Ρ‚ΡΡŒΠΊΠΎΠ³ΠΎ Π Π°Π΄Ρ–ΠΎ 390]. Π—Ρ– ΡˆΠ²ΠΈΠ΄ΠΊΡ–ΡΡ‚ΡŽ Π½ΠΎΡ‚ΠΈ. ΠœΡƒΠ·ΠΈΡ‡Π½Ρ– Ρ‚Ρ€Π΅ΠΊΠΈ: tinyurl.com/signal-music-wave

  22. "Mood" is a song by American rapper #24kGoldn featuring fellow American rapper #IannDior. It was released on July 24, 2020, through Records and #ColumbiaRecords, as the lead single from 24kGoldn's debut studio album, #ElDorado (2021). The #popRock and #rapRock song is built around a guitar riff inspired by #indieRock and #postGrunge music and also features #hihats and snare drums in the style of #trapMusic. On the song, 24kGoldn.
    youtube.com/watch?v=YVdn_aGjZIQ

  23. "Mood" is a song by American rapper #24kGoldn featuring fellow American rapper #IannDior. It was released on July 24, 2020, through Records and #ColumbiaRecords, as the lead single from 24kGoldn's debut studio album, #ElDorado (2021). The #popRock and #rapRock song is built around a guitar riff inspired by #indieRock and #postGrunge music and also features #hihats and snare drums in the style of #trapMusic. On the song, 24kGoldn.
    youtube.com/watch?v=YVdn_aGjZIQ

  24. Patriarchs In Black – Home Review

    By Saunders

    Random dunks into the promo sump yield a variety of interesting, if uneven results. The element of risk and getting lumped with an unlistenable dud is counteracted by the odd chance of scooping up an unheralded stunner, or the next big thing. New York/New Jersey duo of scene veterans Dan Lorenzo (Hades, Non-Fiction) and Johnny Kelly (Type O Negative, Quiet Riot, Danzig) formed Patriarchs In Black several years back. Despite a relatively short career, the duo, armed with various guest musicians and vocalists, arrive at their fourth album, simply titled Home. Featuring an array of well-known and lesser-known guests, it almost feels like a compilation rather than a traditional album. This is especially evident through the varied musical terrain the seasoned vets traverse, exploring diverse and occasionally questionable musical territory with impressive ambition and a broad sense of adventure. Can this genre-hopping, vocal-swapping fest hit the mark and result in a compelling and cohesive listening experience?

    Home is an odd duck album, both adventurous and perplexing. At nearly an hour in length, Patriarchs in Black cram tons of material and excessive ideas into its weighty runtime, featuring a colorful cast of supporting characters, predominantly filling the restlessly shifting vocal duties. Musically, Lorenzo and Kelly boast big match experience and tight, punchy chops as they hyperactively shift between genres. The album fits both comfortably and loosely under the stoner/doom metal banner, yet this label only scratches the surface of the band’s repertoire. Elements of hard rock, southern rock, blues, nΓΌ, modern alt rock/metal, rap rock, and a swathe of ’80s and ’90s metal influences, lending retro flavors to the more contemporary and streamlined modern rock and metal tropes. It’s the old everything but the kitchen sink approach for better and worse.

    A snapshot of the guest vocalists finds contributions from Mark Sunshine (Unida, RiotGod), Kyle Thomas (Exhorder, Alabama Thunderpussy), Karl Agell (ex-Corrosion of Conformity, Legions of Doom), Dewey Bragg (Kill Devil Hill), John Kosco (Dropbox) and Rob Traynor (Black Water Rising) amongst others. Sunshine’s impressive pipes feature most prominently, including channeling Axl Rose and Chris Cornell on the sludgy, grungy groove of β€œBurn Through Time,” while adding some melodramatic theatrics with mixed results on β€œCelestial Yard.” Opener β€œHymns for the Heretic” benefits from the well-worn grit of Kyle Thomas’s vox, pairing with infectiously bluesy, heavy rock-drenched riffage and fat stoner grooves. β€œThe Call” keeps momentum rolling, as veteran Agell punches out an inspired performance atop a beefy and melancholic doomy rock base. β€œStorm King” is another gritty, noteworthy cut, riding some infectious, Clutch-esque grooves, featuring booming riffs and vocal grunt. Shit gets decidedly weirder as the strange journey hits some left-field bumps. β€œKaos” livens energy and aggression, throwing down some angsty, goofy vox and meatheaded grooves to jarring, nΓΌ metal-adjacent effect. There are ill-advised, lamely executed rap rock ditties (β€œWhere You Think You’re Going,” β€œReady to Die”), and a decent modern blues rock number (β€œEnough of You”) that sounds awkwardly out of place, even by the album’s haphazard standards.

    Throw in a couple of overcooked songs lengthwise, and short, questionable interludes, including the jokey β€œThe End,” a fittingly silly way to climax the album, and you are left with a unique and strange album. Home has fun elements and a handful of enjoyably groovy tunes and inspired vocal additions. Lorenzo and Kelly are skilled, seasoned musicians, sounding as though they are having loads of fun across intersecting and occasionally disparate genres, excelling most when delivering thick, bluesy stoner doom riffs and swaggering grooves. Unfortunately for all its charms and oddities, Home remains hamstrung by numerous less-than-stellar factors bogging it down. The length and choppy nature of the writing song-to-song makes for an overloaded, inconsistent and messy front-to-back listen. And while never dull, it’s an exhausting listen, marred by sizable missteps and too many clunky moments to overcome.

    One of the more intriguing albums I’ve heard in 2025, Home is an odd curiosity that could eventually fit into a time capsule equivalent of ’90s Metal Weirdness. While there are solid tunes and cool jams scattered across the album, the pros are dragged down by the cons. Entertaining and confounding in nearly equal measures, Home is hampered by considerable bloat, clunky flow and ill-advised experiments and stylistic decisions, resulting in a curious, if sadly mixed bag collection. Worth a listen to cherry-pick the gems, but prepare yourself for a rocky journey.

    Rating: 2.5/5.0
    DR: 5 | Format Reviewed: 320 kbps mp3
    Label: Metalville
    Websites: Bandcamp | Facebook
    Releases worldwide: August 15th, 2025

    #25 #2025 #AlabamaThunderpussy #AmericanMetal #Clutch #CorrosionOfConformity #Danzig #DoomMetal #Exhorder #HardRock #Home #KillDevilHill #LegionsOfDoom #MetalvilleRecords #PatriarchsInBlack #QuietRiot #RapRock #Review #Reviews #RiotGod #SouthernRock #StonerMetal #TypeONegative #Unida

  25. Patriarchs In Black – Home Review

    By Saunders

    Random dunks into the promo sump yield a variety of interesting, if uneven results. The element of risk and getting lumped with an unlistenable dud is counteracted by the odd chance of scooping up an unheralded stunner, or the next big thing. New York/New Jersey duo of scene veterans Dan Lorenzo (Hades, Non-Fiction) and Johnny Kelly (Type O Negative, Quiet Riot, Danzig) formed Patriarchs In Black several years back. Despite a relatively short career, the duo, armed with various guest musicians and vocalists, arrive at their fourth album, simply titled Home. Featuring an array of well-known and lesser-known guests, it almost feels like a compilation rather than a traditional album. This is especially evident through the varied musical terrain the seasoned vets traverse, exploring diverse and occasionally questionable musical territory with impressive ambition and a broad sense of adventure. Can this genre-hopping, vocal-swapping fest hit the mark and result in a compelling and cohesive listening experience?

    Home is an odd duck album, both adventurous and perplexing. At nearly an hour in length, Patriarchs in Black cram tons of material and excessive ideas into its weighty runtime, featuring a colorful cast of supporting characters, predominantly filling the restlessly shifting vocal duties. Musically, Lorenzo and Kelly boast big match experience and tight, punchy chops as they hyperactively shift between genres. The album fits both comfortably and loosely under the stoner/doom metal banner, yet this label only scratches the surface of the band’s repertoire. Elements of hard rock, southern rock, blues, nΓΌ, modern alt rock/metal, rap rock, and a swathe of ’80s and ’90s metal influences, lending retro flavors to the more contemporary and streamlined modern rock and metal tropes. It’s the old everything but the kitchen sink approach for better and worse.

    A snapshot of the guest vocalists finds contributions from Mark Sunshine (Unida, RiotGod), Kyle Thomas (Exhorder, Alabama Thunderpussy), Karl Agell (ex-Corrosion of Conformity, Legions of Doom), Dewey Bragg (Kill Devil Hill), John Kosco (Dropbox) and Rob Traynor (Black Water Rising) amongst others. Sunshine’s impressive pipes feature most prominently, including channeling Axl Rose and Chris Cornell on the sludgy, grungy groove of β€œBurn Through Time,” while adding some melodramatic theatrics with mixed results on β€œCelestial Yard.” Opener β€œHymns for the Heretic” benefits from the well-worn grit of Kyle Thomas’s vox, pairing with infectiously bluesy, heavy rock-drenched riffage and fat stoner grooves. β€œThe Call” keeps momentum rolling, as veteran Agell punches out an inspired performance atop a beefy and melancholic doomy rock base. β€œStorm King” is another gritty, noteworthy cut, riding some infectious, Clutch-esque grooves, featuring booming riffs and vocal grunt. Shit gets decidedly weirder as the strange journey hits some left-field bumps. β€œKaos” livens energy and aggression, throwing down some angsty, goofy vox and meatheaded grooves to jarring, nΓΌ metal-adjacent effect. There are ill-advised, lamely executed rap rock ditties (β€œWhere You Think You’re Going,” β€œReady to Die”), and a decent modern blues rock number (β€œEnough of You”) that sounds awkwardly out of place, even by the album’s haphazard standards.

    Throw in a couple of overcooked songs lengthwise, and short, questionable interludes, including the jokey β€œThe End,” a fittingly silly way to climax the album, and you are left with a unique and strange album. Home has fun elements and a handful of enjoyably groovy tunes and inspired vocal additions. Lorenzo and Kelly are skilled, seasoned musicians, sounding as though they are having loads of fun across intersecting and occasionally disparate genres, excelling most when delivering thick, bluesy stoner doom riffs and swaggering grooves. Unfortunately for all its charms and oddities, Home remains hamstrung by numerous less-than-stellar factors bogging it down. The length and choppy nature of the writing song-to-song makes for an overloaded, inconsistent and messy front-to-back listen. And while never dull, it’s an exhausting listen, marred by sizable missteps and too many clunky moments to overcome.

    One of the more intriguing albums I’ve heard in 2025, Home is an odd curiosity that could eventually fit into a time capsule equivalent of ’90s Metal Weirdness. While there are solid tunes and cool jams scattered across the album, the pros are dragged down by the cons. Entertaining and confounding in nearly equal measures, Home is hampered by considerable bloat, clunky flow and ill-advised experiments and stylistic decisions, resulting in a curious, if sadly mixed bag collection. Worth a listen to cherry-pick the gems, but prepare yourself for a rocky journey.

    Rating: 2.5/5.0
    DR: 5 | Format Reviewed: 320 kbps mp3
    Label: Metalville
    Websites: Bandcamp | Facebook
    Releases worldwide: August 15th, 2025

    #25 #2025 #AlabamaThunderpussy #AmericanMetal #Clutch #CorrosionOfConformity #Danzig #DoomMetal #Exhorder #HardRock #Home #KillDevilHill #LegionsOfDoom #MetalvilleRecords #PatriarchsInBlack #QuietRiot #RapRock #Review #Reviews #RiotGod #SouthernRock #StonerMetal #TypeONegative #Unida

  26. The Red Hot Chili Peppers

    The debut album from the RHCP is released on August 10, 1984. As James Stafford of The Diffuser put it, it was that "the little spark that ignited the rap rock revolution." The album was produced by Gang of Four guitarist Andy Gill, and is the only Peppers album to feature Jack Sherman on guitar. Listen to the debut album from Red Hot Chili Peppers on Amazon Music ... #rhcp #redhotchilipeppers #raprock #rock #80smusic #80srock #rock #rockmusic…

    robinbannks.com/2025/08/10/the

  27. Rage Against The Machine, Beastie Boys, Body Count, Biohazard, Stuck Mojo, Downset, Urban Dance Squad... sont de ceux qui ont fait les belles heures de la rencontre du rap et du rock. Retour sur ce choc culturel des annΓ©es 90, le temps d'une playlist non-exhaustive : mowno.com/articles/a-tous-les-
    #raprock #rapcore #fusion #crossover #rapmetal #playlist #nowplaying #nowspinning #nowlistening #rageagainsthemachine #beastieboys #bodycount

  28. Rage Against The Machine, Beastie Boys, Body Count, Biohazard, Stuck Mojo, Downset, Urban Dance Squad... sont de ceux qui ont fait les belles heures de la rencontre du rap et du rock. Retour sur ce choc culturel des annΓ©es 90, le temps d'une playlist non-exhaustive : mowno.com/articles/a-tous-les-
    #raprock #rapcore #fusion #crossover #rapmetal #playlist #nowplaying #nowspinning #nowlistening #rageagainsthemachine #beastieboys #bodycount

  29. The Clash released β€œRadio Clash” as a single in 1981. It wasn’t on any studio album, but was later included in several compilations including The Clash Hits Back in 2013. #theclash #raprock #postpunk #joestrummer #vinyl #recordcollection

  30. Licensed To Ill

    March 7, 1987 ~ The Beastie Boys put the first rap album at the top of the Billboard album chart where it stays for 7 weeks. It's #192 on Rolling Stone's "500 Greatest Albums of All Time." Listen to License To Ill on Amazon Music ... #beastieboys #licensetoill #80smusic #raprock #hiphop #music #rockmusic #musicsky #musiciansky

    robinbannks.wordpress.com/2025

  31. Licensed To Ill

    March 7, 1987 ~ The Beastie Boys put the first rap album at the top of the Billboard album chart where it stays for 7 weeks. It's #192 on Rolling Stone's "500 Greatest Albums of All Time." Listen to License To Ill on Amazon Music ... #beastieboys #licensetoill #80smusic #raprock #hiphop #music #rockmusic #musicsky #musiciansky

    robinbannks.wordpress.com/2025