#rapmusic — Public Fediverse posts

10pm Monday - Friday is Hip-hop time!
#Hiphop #Rap #HiphopMusic

Radio Jammor is on the air...
Broadcasting from #Scotland
https://radiojammor.com
Ask Alexa to play Radio Jammor (UK Only)
#Music #HipHopMusic #RapMusic Radio

10pm Monday - Friday is Hip-hop time!
#Hiphop #Rap #HiphopMusic

Radio Jammor is on the air...
Broadcasting from #Scotland
https://radiojammor.com
Ask Alexa to play Radio Jammor (UK Only)
#Music #HipHopMusic #RapMusic Radio

Thank you for making me permanently #1 on Soundclick everyone! soundclick.com/song/15309937
#MusicSky #SoundClick #Ziplok #MarijuanaRecords #ZiplokMusic #Rap #Music #RapMusic #Ziploc

Elder millennials and Gen Xers, in case you were feeling particularly young and sprightly today, it behooves us to let you know that The Notorious B.I.G’s debut album, "Ready to Die," turns 30 today. Here's Billboard's track-by-track ranking of all 17 songs on the seminal album.

https://flip.it/QTfSGa

#Entertainment #Music #Albums #RapMusic #BiggieSmalls #NotoriousBIG

Nicht sehr überzeugend: Nach Battlerap und Poppunk macht Machine Gun Kelly jetzt dank Trippie Redd einen auf Emotrap: #hiphop #machinegunkelly #trapmusic #HipHopMusic #rapmusic #emoboy : http://www.popmonitor.de/machine-gun-kelly-trippie-red-genre-sadboy/

Hip Hop Samples Jazz: Dynamics of Cultural Memo y and Musical Tradition in the African American 1990s

The critical attempt to historicize hip hop dates at least to David Toop’s 1984 "Rap Attack: African Griots to New York Jive", a book written with journalistic immediacy and yet, as its subtitle suggests, one that situates rap reportage in the black musical "longue durée" but it wasn’t until the mid- 1990s that efforts toward an academic hip hop scholarship began in earnest, and it was then that ideas about the music’s methods and meanings as rooted in the black musical past became common currency. This view wasn’t surprising: a neat and untroubled line could be traced from the classic African American toasts to rap, and the use of digital sampling, whereby hip hop producers constructed their work from (black) music’s recorded back catalog, was equally suggestive for historically minded observers. This sampling practice, and its “historical” interpretation, form the central subject of this article.
Certainly, hip hop’s early scholars differed in their reasoning as to what the form’s use of old records meant for black music and history. Some positioned the practice as part of a linear, cultural-national tradition, sometimes shaded with essentialism. William Eric Perkins claimed, with totalizing confidence, that “sampling was and is hip hop’s ongoing link with history and tradition, including all of the African and African American musical genres.” a more modulated Kyra D. Gaunt contended that hip hop’s sampling was “the perfect medium for expressing the temporal culture-scape of who we are, and how we became, across time.”

https://doi.org/10.5406/americanmusic.29.3.0277

#hiphop #jazz #culturalmemory #musicaltradition #africanamerican #1990s #sampling #musichistory #blackculture #hiphopscholarship #digital sampling #toasts #africanamericanmusic #essentially #temporalculture #constructivisttheorizations #vernaculars #politics #postmodernism #rhythmandblues #funk #rapmusic #samplingdebates #recordproduction #hiphopculture #musicindustry #copyrightlaw #publicdomain #intellectualproperty #musicappropriation #musicalintertextuality #remixculture #blackpopularculture