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#procession — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #procession, aggregated by home.social.

  1. LIVE: Procession to Parliament for the King’s speech

    Prime Minister Keir Starmer departs Downing Street to travel to Westminster, while King Charles travels from Buckingham Palace to oversee the state opening of Parliament. #Parliament #KingCharles #KeirStarmer #DowningStreet #Westminster #StateOpening #UKPolitics #Procession #live #Reuters #News Keep up with the latest news from around the world:

    fllics.com/en/video/live-proce

  2. LIVE: Procession to Parliament for the King’s speech

    Prime Minister Keir Starmer departs Downing Street to travel to Westminster, while King Charles travels from Buckingham Palace to oversee the state opening of Parliament. #Parliament #KingCharles #KeirStarmer #DowningStreet #Westminster #StateOpening #UKPolitics #Procession #live #Reuters #News Keep up with the latest news from around the world:

    fllics.com/en/video/live-proce

  3. LIVE: Procession to Parliament for the King’s speech

    Prime Minister Keir Starmer departs Downing Street to travel to Westminster, while King Charles travels from Buckingham Palace to oversee the state opening of Parliament. #Parliament #KingCharles #KeirStarmer #DowningStreet #Westminster #StateOpening #UKPolitics #Procession #live #Reuters #News Keep up with the latest news from around the world:

    fllics.com/en/video/live-proce

  4. LIVE: Procession to Parliament for the King’s speech

    Prime Minister Keir Starmer departs Downing Street to travel to Westminster, while King Charles travels from Buckingham Palace to oversee the state opening of Parliament. #Parliament #KingCharles #KeirStarmer #DowningStreet #Westminster #StateOpening #UKPolitics #Procession #live #Reuters #News Keep up with the latest news from around the world:

    fllics.com/en/video/live-proce

  5. LIVE: Procession to Parliament for the King’s speech

    Prime Minister Keir Starmer departs Downing Street to travel to Westminster, while King Charles travels from Buckingham Palace to oversee the state opening of Parliament. #Parliament #KingCharles #KeirStarmer #DowningStreet #Westminster #StateOpening #UKPolitics #Procession #live #Reuters #News Keep up with the latest news from around the world:

    fllics.com/en/video/live-proce

  6. Protesters attempt to disrupt Immortal Regiment march in Barcelona

    The procession carried photos of relatives who fought Nazi Germany in WWII Clashes broke out in the Spanish…
    #Spain #ES #Europe #Europa #EU #Barcelona #countries #duringworld #files #procession #protesters #regimentmarch #shouting #srchttps #whofought
    europesays.com/spain/20258/

  7. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pin...

    inphotos.org/2026/04/29/flamen

    #festival #FlamencoDress #Photo #Photography #procession #Spain #SpanishCulture #StreetPhotography #TraditionalDress #TrajeDeFlamenca #travel #Valencia

  8. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pin...

    inphotos.org/2026/04/29/flamen

    #festival #FlamencoDress #Photo #Photography #procession #Spain #SpanishCulture #StreetPhotography #TraditionalDress #TrajeDeFlamenca #travel #Valencia

  9. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pin...

    inphotos.org/2026/04/29/flamen

    #festival #FlamencoDress #Photo #Photography #procession #Spain #SpanishCulture #StreetPhotography #TraditionalDress #TrajeDeFlamenca #travel #Valencia

  10. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pin...

    inphotos.org/2026/04/29/flamen

    #festival #FlamencoDress #Photo #Photography #procession #Spain #SpanishCulture #StreetPhotography #TraditionalDress #TrajeDeFlamenca #travel #Valencia

  11. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pin...

    inphotos.org/2026/04/29/flamen

    #festival #FlamencoDress #Photo #Photography #procession #Spain #SpanishCulture #StreetPhotography #TraditionalDress #TrajeDeFlamenca #travel #Valencia

  12. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pinned into their hair, and a peach-coloured shawl folded neatly over one arm. The gentlemen kept it simpler: black suits, red ties, and what look like cofradía medallions hanging from green ribbons.

    inphotos.org/2026/04/29/flamen

  13. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pinned into their hair, and a peach-coloured shawl folded neatly over one arm. The gentlemen kept it simpler: black suits, red ties, and what look like cofradía medallions hanging from green ribbons.

    inphotos.org/2026/04/29/flamen

  14. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pinned into their hair, and a peach-coloured shawl folded neatly over one arm. The gentlemen kept it simpler: black suits, red ties, and what look like cofradía medallions hanging from green ribbons.

    inphotos.org/2026/04/29/flamen

  15. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pinned into their hair, and a peach-coloured shawl folded neatly over one arm. The gentlemen kept it simpler: black suits, red ties, and what look like cofradía medallions hanging from green ribbons.

    inphotos.org/2026/04/29/flamen

  16. Flamenco Frills on a Valencian Pavement

    Valencia in late October had just been rinsed by a quick shower, and the pavement was still glossy when this little party walked past me. The two women had gone all-in on the traje de flamenca. The ruffles stacked like waves, fresh blooms pinned into their hair, and a peach-coloured shawl folded neatly over one arm. The gentlemen kept it simpler: black suits, red ties, and what look like cofradía medallions hanging from green ribbons.

    inphotos.org/2026/04/29/flamen

  17. Kalaburagi Prepares for Basava Jayanti Amidst Unity and Ritual

    Kalaburagi prepares for Basava Jayanti 2026 with a grand procession on April 29 at 4 PM, promoting unity and social reform teachings.

    #BasavaJayanti, #Kalaburagi, #Procession, #SocialReform, #Unity

    newsletter.tf/kalaburagi-basav

  18. Basava Jayanti celebrations in Kalaburagi will feature a large procession on April 29, starting at 4 PM. This event aims to bring people together.

    #BasavaJayanti, #Kalaburagi, #Procession, #SocialReform, #Unity
    newsletter.tf/kalaburagi-basav

  19. Six Nations 2026: Can Scotland prevent Grand Slam procession for France?

    misryoum.com/us/trending/six-n

    From the mouths of the French - players, coaches, scribblers and commentators - come eulogies of what Fabien Galthie's Grand Slam seekers are all about.We hear of a side that "brings joy and emotion", a group of boys, and men,...

    #Six #Nations #2026 #Can #Scotland #prevent #Grand #Slam #procession #for #France #US_News_Hub #misryoum_com

  20. Today's photo: Amstel between Omval and Hogesluis (1895).

    [EN] On the far right is the Amstel Hotel. On the river a procession passes by in celebration of the 50th anniversary of Rowing and Sailing […]

    [NL] Uiterst rechts het Amstelhotel. Defilé van de Roei- en Zeilvereniging 'De Hoop', die toen vijftig jaar bestond. De roeiboten met loopplank […]

    Via 020apps.nl/olie/random/ #Amsterdam #JacobOlie #AmstelbetweenOmvalandHogesluis #procession #RowingAndSailingClubDeHoop #rowingBoat

  21. Today's photo: Amstel between Omval and Hogesluis (1895).

    [EN] On the far right is the Amstel Hotel. On the river a procession passes by in celebration of the 50th anniversary of Rowing and Sailing […]

    [NL] Uiterst rechts het Amstelhotel. Defilé van de Roei- en Zeilvereniging 'De Hoop', die toen vijftig jaar bestond. De roeiboten met loopplank […]

    Via 020apps.nl/olie/random/ #Amsterdam #JacobOlie #AmstelbetweenOmvalandHogesluis #procession #RowingAndSailingClubDeHoop #rowingBoat

  22. Today's photo: Amstel between Omval and Hogesluis (1895).

    [EN] On the far right is the Amstel Hotel. On the river a procession passes by in celebration of the 50th anniversary of Rowing and Sailing […]

    [NL] Uiterst rechts het Amstelhotel. Defilé van de Roei- en Zeilvereniging 'De Hoop', die toen vijftig jaar bestond. De roeiboten met loopplank […]

    Via 020apps.nl/olie/random/ #Amsterdam #JacobOlie #AmstelbetweenOmvalandHogesluis #procession #RowingAndSailingClubDeHoop #rowingBoat

  23. Today's photo: Amstel between Omval and Hogesluis (1895).

    [EN] On the far right is the Amstel Hotel. On the river a procession passes by in celebration of the 50th anniversary of Rowing and Sailing […]

    [NL] Uiterst rechts het Amstelhotel. Defilé van de Roei- en Zeilvereniging 'De Hoop', die toen vijftig jaar bestond. De roeiboten met loopplank […]

    Via 020apps.nl/olie/random/

  24. prozession / karlheinz stockhausen. 1967

    Prozession (Procession), for tamtam, viola, electronium, piano, microphones, filters, and potentiometers (six performers), is a composition by Karlheinz Stockhausen, written in 1967. It is Number 23 in the catalogue of the composer’s works.

    Christoph Caskel, Joachim Krist, Péter Eötvös, Harald Bojé, Aloys Kontarsky, Karlheinz Stockhausen

    Conception
    Prozession is one of a series of works dating from the 1960s which Stockhausen designated as “process” compositions. These works in effect separate the “form” from the “content” by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Prozession, the performers choose material from specific earlier compositions by Stockhausen. In the subsequent companion works, Kurzwellen for six performers, Spiral for a soloist, Pole for two, and Expo for three, this material is to be drawn spontaneously during the performance from short-wave radio broadcasts (Kohl 1981, 192–93). The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being “the same” (Kohl 2010, 137).

    History
    Prozession was begun during a train journey to Basel in May 1967 (Gehlhaar 1998, 53) and was written for and dedicated to the ensemble with which Stockhausen was regularly touring at that time: Alfred Alings and Rolf Gehlhaar (tamtam with hand-held microphone), Johannes Fritsch (viola), Harald Bojé (electronium), and Aloys Kontarsky (piano). Two performers are required for the tamtam: The world premiere was given by this ensemble in Helsinki on 21 May 1967, with subsequent performances in Stockholm, Oslo, at the Bergen Festival, in Copenhagen, London, and finally on 26 August 1967 at the Darmstädter Ferienkurse. Three performances were recorded in Darmstadt a few days later, and one was chosen for release on disc (Stockhausen 1971, 102–103). Earlier recordings had been made for radio broadcast, during rehearsals at the WDR in Cologne, on 9 and 10 May 1967 (Gehlhaar 1998, 55). In addition to recordings, over the scourse of three years this same ensemble performed Prozession approximately twenty-eight times (Gehlhaar 1998, 62).

    Structure and technique
    Prozession consists of a sequence of 250 events in each of the four parts. There is no written score. Stockhausen explained that in pieces like this, “the first step is always that of imitating something and the next step is that of transforming what you’re able to imitate” (Cott 1973, 33). The tamtam players choose material from Mikrophonie I, the viola from Gesang der Jünglinge, Kontakte, and Momente, the electronium from Telemusik, and the piano from the Klavierstücke I–XI and Kontakte (Stockhausen 1971, 103).

    Each plus, minus, or equal sign indicates that, upon repetition of an event, the performer is to increase, decrease, or maintain the same level in one of four musical dimensions (or “parameters”): overall duration of the event, number of internal subdivisions, dynamic level, or pitch register/range. It is up to the performer to decide which of these dimensions is to be affected, except that vertically stacked signs must be applied to different parameters (Stockhausen 1973, 1, 11, 21). Despite this indeterminacy, a large number of plus signs (for example) will result in successive events becoming longer, more finely subdivided, louder, and either higher or wider in range; a large number of minus signs will produce the reverse effect (Kohl 2010, 137). In this way, a continuing process of changes is controlled, and the work’s title is taken from this concept at its core: German Prozeß = “process”, Prozess-ion (Stockhausen 1971, 106), though of course it also means “procession” in the sense of a ceremonial parade or enfilade (Gehlhaar 1998, 55).

    Video created with Sonic Visualizer, vokoscreen and OpenShot on a Debian 10 Buster KDE Linux System.

    #250Events #AloysKontarsky #audio #audiovideo #ChristophCaskel #HaraldBojé #JoachimKrist #KarlheinzStockhausen #musica #musicaContemporanea #musicaSperimentale #PéterEötvös #Procession #Prozession #unpredictabilityOfTheMaterials #video

  25. prozession / karlheinz stockhausen. 1967

    Prozession (Procession), for tamtam, viola, electronium, piano, microphones, filters, and potentiometers (six performers), is a composition by Karlheinz Stockhausen, written in 1967. It is Number 23 in the catalogue of the composer’s works.

    Christoph Caskel, Joachim Krist, Péter Eötvös, Harald Bojé, Aloys Kontarsky, Karlheinz Stockhausen

    Conception
    Prozession is one of a series of works dating from the 1960s which Stockhausen designated as “process” compositions. These works in effect separate the “form” from the “content” by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Prozession, the performers choose material from specific earlier compositions by Stockhausen. In the subsequent companion works, Kurzwellen for six performers, Spiral for a soloist, Pole for two, and Expo for three, this material is to be drawn spontaneously during the performance from short-wave radio broadcasts (Kohl 1981, 192–93). The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being “the same” (Kohl 2010, 137).

    History
    Prozession was begun during a train journey to Basel in May 1967 (Gehlhaar 1998, 53) and was written for and dedicated to the ensemble with which Stockhausen was regularly touring at that time: Alfred Alings and Rolf Gehlhaar (tamtam with hand-held microphone), Johannes Fritsch (viola), Harald Bojé (electronium), and Aloys Kontarsky (piano). Two performers are required for the tamtam: The world premiere was given by this ensemble in Helsinki on 21 May 1967, with subsequent performances in Stockholm, Oslo, at the Bergen Festival, in Copenhagen, London, and finally on 26 August 1967 at the Darmstädter Ferienkurse. Three performances were recorded in Darmstadt a few days later, and one was chosen for release on disc (Stockhausen 1971, 102–103). Earlier recordings had been made for radio broadcast, during rehearsals at the WDR in Cologne, on 9 and 10 May 1967 (Gehlhaar 1998, 55). In addition to recordings, over the scourse of three years this same ensemble performed Prozession approximately twenty-eight times (Gehlhaar 1998, 62).

    Structure and technique
    Prozession consists of a sequence of 250 events in each of the four parts. There is no written score. Stockhausen explained that in pieces like this, “the first step is always that of imitating something and the next step is that of transforming what you’re able to imitate” (Cott 1973, 33). The tamtam players choose material from Mikrophonie I, the viola from Gesang der Jünglinge, Kontakte, and Momente, the electronium from Telemusik, and the piano from the Klavierstücke I–XI and Kontakte (Stockhausen 1971, 103).

    Each plus, minus, or equal sign indicates that, upon repetition of an event, the performer is to increase, decrease, or maintain the same level in one of four musical dimensions (or “parameters”): overall duration of the event, number of internal subdivisions, dynamic level, or pitch register/range. It is up to the performer to decide which of these dimensions is to be affected, except that vertically stacked signs must be applied to different parameters (Stockhausen 1973, 1, 11, 21). Despite this indeterminacy, a large number of plus signs (for example) will result in successive events becoming longer, more finely subdivided, louder, and either higher or wider in range; a large number of minus signs will produce the reverse effect (Kohl 2010, 137). In this way, a continuing process of changes is controlled, and the work’s title is taken from this concept at its core: German Prozeß = “process”, Prozess-ion (Stockhausen 1971, 106), though of course it also means “procession” in the sense of a ceremonial parade or enfilade (Gehlhaar 1998, 55).

    Video created with Sonic Visualizer, vokoscreen and OpenShot on a Debian 10 Buster KDE Linux System.

    #250Events #AloysKontarsky #audio #audiovideo #ChristophCaskel #HaraldBojé #JoachimKrist #KarlheinzStockhausen #musica #musicaContemporanea #musicaSperimentale #PéterEötvös #Procession #Prozession #unpredictabilityOfTheMaterials #video

  26. Jidai Matsuri — Kyoto’s Festival of Ages

    A grand historical parade from the Kyoto Imperial Palace to Heian Jingu Shrine, with 2,000 participants in 12,000 stunning costumes representing eras from Meiji back to Heian. First held in 1895 to celebrate the 1100th anniversary of Heian-kyō(capital city of Japan from 794 to 1868).

    📸10/22/2025

    #kyoto #festival #parade #procession #japan

  27. Jidai Matsuri — Kyoto’s Festival of Ages

    A grand historical parade from the Kyoto Imperial Palace to Heian Jingu Shrine, with 2,000 participants in 12,000 stunning costumes representing eras from Meiji back to Heian. First held in 1895 to celebrate the 1100th anniversary of Heian-kyō(capital city of Japan from 794 to 1868).

    📸10/22/2025

    #kyoto #festival #parade #procession #japan

  28. Jidai Matsuri — Kyoto’s Festival of Ages

    A grand historical parade from the Kyoto Imperial Palace to Heian Jingu Shrine, with 2,000 participants in 12,000 stunning costumes representing eras from Meiji back to Heian. First held in 1895 to celebrate the 1100th anniversary of Heian-kyō(capital city of Japan from 794 to 1868).

    📸10/22/2025

    #kyoto #festival #parade #procession #japan

  29. Jidai Matsuri — Kyoto’s Festival of Ages

    A grand historical parade from the Kyoto Imperial Palace to Heian Jingu Shrine, with 2,000 participants in 12,000 stunning costumes representing eras from Meiji back to Heian. First held in 1895 to celebrate the 1100th anniversary of Heian-kyō(capital city of Japan from 794 to 1868).

    📸10/22/2025

    #kyoto #festival #parade #procession #japan

  30. The main 'Milad procession' under Dawat-e-Islami will start from Faizan Madina Karachi.

    دعوت اسلامی کے تحت مرکزی 'جلوس میلاد' فیضان مدینہ کراچی سے نکلے گا

    For more details: dawateislami.net/

    #miladunnabi #milad #procession #dawateislami #faizanemadina #karachi #university #road #holiday #miladunnabi2025 #saturday

  31. Dans les rues du Panier, la procession de l’Assomption partagée entre les générations

    Sur le parvis de La Major (2e), ce vendredi 15 août au soir, des hommes ou femmes seules, des…
    #Marseille #FR #France #Actu #News #Europe #EU #2025 #actu #Actualités #dans #europe #l’Assomption #les #Panier #procession #Provence-Alpes-Côted'Azur #Région #Républiquefrançaise #rues
    europesays.com/fr/321427/

  32. La procession aux flambeaux de l’Assomption jusqu’à Notre-Dame-de-la-Garde attire la foule à Marseille

    Au départ de la place du Colonel-Edon (7e), le cortège était emmené par Mgr Jean-Marc Aveline, archevêque de Marseille,…
    #Marseille #FR #France #Actu #News #Europe #EU #2025 #actu #Actualités #attire #aux #BreakingNews #europe #flambeaux #jusqu#l’Assomption #notre-damedelagarde #procession #Provence-Alpes-Côted'Azur #Région #Républiquefrançaise
    europesays.com/fr/321213/