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#foundsound — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #foundsound, aggregated by home.social.

  1. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  2. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  3. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  4. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  5. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  6. I began with a field recording from traveling in Kochi: a tuk‑tuk idling, not performing, just breathing in place. Inside that rough, everyday sound I heard a stubborn groove — a syncopated pulse that felt less like traffic and more like a drumline hiding in plain sight.

    I let AI excavate the motor from the recording, not to sterilize it, but to reveal its inner rhythm. The machine’s “punches” emerged as layered time: a fast chug and a slower accent, a beat nested inside a beat. That mechanical pattern became my score.

    Next I translated the engine into percussion. Using three drum samples, AI rebuilt the tuk‑tuk’s timing as a playable composition: one hit for the rapid pulse, one for the accents, one for the heavy downbeats. The piece begins as documentary sound — the motor alone — then the drums fade in like a second reality arriving. For a while both worlds coexist, braided together. After second 25, the field recording dissolves in beat‑synced fades, leaving a more regular, dance‑leaning groove. Near the end, the motor returns like a ghost reentering its own story, and the track closes with a grand finale.

    Visually, I anchored everything to a single image and pushed it through an AI‑driven psychedelic lens: posterized color, trippy rainbow shifts, motion locked to the beat. The title — “Mythical / Tuktuk / Beats” — sits centered inside a dark blue‑purple panel, its fractal edges blooming on the strongest hits, turning sound into a living frame.

    A small act of alchemy: Kochi’s street‑engine becomes rhythm, rhythm becomes vision, and the everyday becomes myth — made entirely through AI, guided by my listening.

    #MythicalTuktukBeats #Kochi #FieldRecording #SoundArt #AIArt #Audiovisual #BeatReactive #Psychedelic #Posterized #ExperimentalMusic #ElectronicArt #TravelMemory #FoundSound #RhythmScience #DigitalAlchemy #reel

  7. I began with a field recording from traveling in Kochi: a tuk‑tuk idling, not performing, just breathing in place. Inside that rough, everyday sound I heard a stubborn groove — a syncopated pulse that felt less like traffic and more like a drumline hiding in plain sight.

    I let AI excavate the motor from the recording, not to sterilize it, but to reveal its inner rhythm. The machine’s “punches” emerged as layered time: a fast chug and a slower accent, a beat nested inside a beat. That mechanical pattern became my score.

    Next I translated the engine into percussion. Using three drum samples, AI rebuilt the tuk‑tuk’s timing as a playable composition: one hit for the rapid pulse, one for the accents, one for the heavy downbeats. The piece begins as documentary sound — the motor alone — then the drums fade in like a second reality arriving. For a while both worlds coexist, braided together. After second 25, the field recording dissolves in beat‑synced fades, leaving a more regular, dance‑leaning groove. Near the end, the motor returns like a ghost reentering its own story, and the track closes with a grand finale.

    Visually, I anchored everything to a single image and pushed it through an AI‑driven psychedelic lens: posterized color, trippy rainbow shifts, motion locked to the beat. The title — “Mythical / Tuktuk / Beats” — sits centered inside a dark blue‑purple panel, its fractal edges blooming on the strongest hits, turning sound into a living frame.

    A small act of alchemy: Kochi’s street‑engine becomes rhythm, rhythm becomes vision, and the everyday becomes myth — made entirely through AI, guided by my listening.

    #MythicalTuktukBeats #Kochi #FieldRecording #SoundArt #AIArt #Audiovisual #BeatReactive #Psychedelic #Posterized #ExperimentalMusic #ElectronicArt #TravelMemory #FoundSound #RhythmScience #DigitalAlchemy #reel

  8. I began with a field recording from traveling in Kochi: a tuk‑tuk idling, not performing, just breathing in place. Inside that rough, everyday sound I heard a stubborn groove — a syncopated pulse that felt less like traffic and more like a drumline hiding in plain sight.

    I let AI excavate the motor from the recording, not to sterilize it, but to reveal its inner rhythm. The machine’s “punches” emerged as layered time: a fast chug and a slower accent, a beat nested inside a beat. That mechanical pattern became my score.

    Next I translated the engine into percussion. Using three drum samples, AI rebuilt the tuk‑tuk’s timing as a playable composition: one hit for the rapid pulse, one for the accents, one for the heavy downbeats. The piece begins as documentary sound — the motor alone — then the drums fade in like a second reality arriving. For a while both worlds coexist, braided together. After second 25, the field recording dissolves in beat‑synced fades, leaving a more regular, dance‑leaning groove. Near the end, the motor returns like a ghost reentering its own story, and the track closes with a grand finale.

    Visually, I anchored everything to a single image and pushed it through an AI‑driven psychedelic lens: posterized color, trippy rainbow shifts, motion locked to the beat. The title — “Mythical / Tuktuk / Beats” — sits centered inside a dark blue‑purple panel, its fractal edges blooming on the strongest hits, turning sound into a living frame.

    A small act of alchemy: Kochi’s street‑engine becomes rhythm, rhythm becomes vision, and the everyday becomes myth — made entirely through AI, guided by my listening.

    #MythicalTuktukBeats #Kochi #FieldRecording #SoundArt #AIArt #Audiovisual #BeatReactive #Psychedelic #Posterized #ExperimentalMusic #ElectronicArt #TravelMemory #FoundSound #RhythmScience #DigitalAlchemy #reel

  9. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  10. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  11. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  12. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  13. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  14. Daktyloi – Accidental Frescoes of the Pentecost Dove

    Deeply strange ambient soundscape and found-sound collage that incorporates elements of noise, drone and plunderphonics to create an alternate audio reality.

    daktyloi.bandcamp.com/album/ac

    @applecart.bsky.social

    @experimentalmusic

    #Noise #SoundCollage #AudioCollage #FoundSound #Drone

  15. Daktyloi – Accidental Frescoes of the Pentecost Dove

    Deeply strange ambient soundscape and found-sound collage that incorporates elements of noise, drone and plunderphonics to create an alternate audio reality.

    daktyloi.bandcamp.com/album/ac

    @applecart.bsky.social

    @experimentalmusic

    #Noise #SoundCollage #AudioCollage #FoundSound #Drone

  16. Daktyloi – Accidental Frescoes of the Pentecost Dove

    Deeply strange ambient soundscape and found-sound collage that incorporates elements of noise, drone and plunderphonics to create an alternate audio reality.

    daktyloi.bandcamp.com/album/ac

    @applecart.bsky.social

    @experimentalmusic

    #Noise #SoundCollage #AudioCollage #FoundSound #Drone

  17. Daktyloi – Accidental Frescoes of the Pentecost Dove

    Deeply strange ambient soundscape and found-sound collage that incorporates elements of noise, drone and plunderphonics to create an alternate audio reality.

    daktyloi.bandcamp.com/album/ac

    @applecart.bsky.social

    @experimentalmusic

    #Noise #SoundCollage #AudioCollage #FoundSound #Drone

  18. I’m in work over the weekend so no TGI … Fenster Freitag this week. However, here’s the deuxième partie of “So, what’s it like working in a building from the 1600s?” (sound on)
    #FensterFreitag #WindowFriday #FuinneogFriday #RoyalHospitalKilmainham #HeritageBuilding #HistoricSite #FoundSound #Soundtrack #SpookyPulsations #StrangeVibrations #Mastodaoine

  19. I’m in work over the weekend so no TGI … Fenster Freitag this week. However, here’s the deuxième partie of “So, what’s it like working in a building from the 1600s?” (sound on)
    #FensterFreitag #WindowFriday #FuinneogFriday #RoyalHospitalKilmainham #HeritageBuilding #HistoricSite #FoundSound #Soundtrack #SpookyPulsations #StrangeVibrations #Mastodaoine

  20. I’m in work over the weekend so no TGI … Fenster Freitag this week. However, here’s the deuxième partie of “So, what’s it like working in a building from the 1600s?” (sound on)
    #FensterFreitag #WindowFriday #FuinneogFriday #RoyalHospitalKilmainham #HeritageBuilding #HistoricSite #FoundSound #Soundtrack #SpookyPulsations #StrangeVibrations #Mastodaoine

  21. I’m in work over the weekend so no TGI … Fenster Freitag this week. However, here’s the deuxième partie of “So, what’s it like working in a building from the 1600s?” (sound on)
    #FensterFreitag #WindowFriday #FuinneogFriday #RoyalHospitalKilmainham #HeritageBuilding #HistoricSite #FoundSound #Soundtrack #SpookyPulsations #StrangeVibrations #Mastodaoine

  22. I’m in work over the weekend so no TGI … Fenster Freitag this week. However, here’s the deuxième partie of “So, what’s it like working in a building from the 1600s?” (sound on)
    #FensterFreitag #WindowFriday #FuinneogFriday #RoyalHospitalKilmainham #HeritageBuilding #HistoricSite #FoundSound #Soundtrack #SpookyPulsations #StrangeVibrations #Mastodaoine

  23. Even though I absolutely love #RobertHampson 's output as #Main, I never listened to stuff under his own name. Glad I bumped into this release, a superb album reissued via Touch's Sundry Items offshoot:
    sundryitems.bandcamp.com/album
    #music #abstractmusic #foundsound #NASA #Mercury #shortwave #shadow

  24. Even though I absolutely love #RobertHampson 's output as #Main, I never listened to stuff under his own name. Glad I bumped into this release, a superb album reissued via Touch's Sundry Items offshoot:
    sundryitems.bandcamp.com/album
    #music #abstractmusic #foundsound #NASA #Mercury #shortwave #shadow

  25. Even though I absolutely love #RobertHampson 's output as #Main, I never listened to stuff under his own name. Glad I bumped into this release, a superb album reissued via Touch's Sundry Items offshoot:
    sundryitems.bandcamp.com/album
    #music #abstractmusic #foundsound #NASA #Mercury #shortwave #shadow

  26. Even though I absolutely love #RobertHampson 's output as #Main, I never listened to stuff under his own name. Glad I bumped into this release, a superb album reissued via Touch's Sundry Items offshoot:
    sundryitems.bandcamp.com/album
    #music #abstractmusic #foundsound #NASA #Mercury #shortwave #shadow

  27. Even though I absolutely love #RobertHampson 's output as #Main, I never listened to stuff under his own name. Glad I bumped into this release, a superb album reissued via Touch's Sundry Items offshoot:
    sundryitems.bandcamp.com/album
    #music #abstractmusic #foundsound #NASA #Mercury #shortwave #shadow

  28. Source of the #voice #sample is a cassette recording of a tarot/astrology reading I got at a thrift store. #FoundSound FTW. The #DrumLoop is one I had kicking around forever, recording #VolcaDrum onto a cassette and fucking with the speed. That's pretty much the #gear used.

    #PsychedelicGhostStories #ProductionDiary

    #Songwriting #MakingMusic

    #MusicProduction #Workflow #HomeRecording #HowItsMade

  29. Source of the #voice #sample is a cassette recording of a tarot/astrology reading I got at a thrift store. #FoundSound FTW. The #DrumLoop is one I had kicking around forever, recording #VolcaDrum onto a cassette and fucking with the speed. That's pretty much the #gear used.

    #PsychedelicGhostStories #ProductionDiary

    #Songwriting #MakingMusic

    #MusicProduction #Workflow #HomeRecording #HowItsMade

  30. Source of the #voice #sample is a cassette recording of a tarot/astrology reading I got at a thrift store. #FoundSound FTW. The #DrumLoop is one I had kicking around forever, recording #VolcaDrum onto a cassette and fucking with the speed. That's pretty much the #gear used.

    #PsychedelicGhostStories #ProductionDiary

    #Songwriting #MakingMusic

    #MusicProduction #Workflow #HomeRecording #HowItsMade

  31. Source of the #voice #sample is a cassette recording of a tarot/astrology reading I got at a thrift store. #FoundSound FTW. The #DrumLoop is one I had kicking around forever, recording #VolcaDrum onto a cassette and fucking with the speed. That's pretty much the #gear used.

    #PsychedelicGhostStories #ProductionDiary

    #Songwriting #MakingMusic

    #MusicProduction #Workflow #HomeRecording #HowItsMade