home.social

#foundsound — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #foundsound, aggregated by home.social.

  1. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  2. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  3. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  4. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  5. our last stop was #FoundSound in #Ferndale, Michigan! forgot to take a full exterior pic, so this will have to do! 🤘🎧🤘

    #RecordStoreDay #RSD2026 #vinyl

  6. “We Talked About Nanoseconds” This week's Disquiet Junto response! The instructions were to open a window, record what we heard, and set it to music.

    The window I opened was a browser window, tuned to RetroStrange TV, which was broadcasting a 1973 instructional film on the concept of time in science.

    soundcloud.com/coralineada/we-

    #disquietjunto #disquiet0733 #musodon #foundsound

  7. “We Talked About Nanoseconds” This week's Disquiet Junto response! The instructions were to open a window, record what we heard, and set it to music.

    The window I opened was a browser window, tuned to RetroStrange TV, which was broadcasting a 1973 instructional film on the concept of time in science.

    soundcloud.com/coralineada/we-

    #disquietjunto #disquiet0733 #musodon #foundsound

  8. “We Talked About Nanoseconds” This week's Disquiet Junto response! The instructions were to open a window, record what we heard, and set it to music.

    The window I opened was a browser window, tuned to RetroStrange TV, which was broadcasting a 1973 instructional film on the concept of time in science.

    soundcloud.com/coralineada/we-

    #disquietjunto #disquiet0733 #musodon #foundsound

  9. “We Talked About Nanoseconds” This week's Disquiet Junto response! The instructions were to open a window, record what we heard, and set it to music.

    The window I opened was a browser window, tuned to RetroStrange TV, which was broadcasting a 1973 instructional film on the concept of time in science.

    soundcloud.com/coralineada/we-

    #disquietjunto #disquiet0733 #musodon #foundsound

  10. “We Talked About Nanoseconds” This week's Disquiet Junto response! The instructions were to open a window, record what we heard, and set it to music.

    The window I opened was a browser window, tuned to RetroStrange TV, which was broadcasting a 1973 instructional film on the concept of time in science.

    soundcloud.com/coralineada/we-

    #disquietjunto #disquiet0733 #musodon #foundsound

  11. I began with a field recording from traveling in Kochi: a tuk‑tuk idling, not performing, just breathing in place. Inside that rough, everyday sound I heard a stubborn groove — a syncopated pulse that felt less like traffic and more like a drumline hiding in plain sight.

    I let AI excavate the motor from the recording, not to sterilize it, but to reveal its inner rhythm. The machine’s “punches” emerged as layered time: a fast chug and a slower accent, a beat nested inside a beat. That mechanical pattern became my score.

    Next I translated the engine into percussion. Using three drum samples, AI rebuilt the tuk‑tuk’s timing as a playable composition: one hit for the rapid pulse, one for the accents, one for the heavy downbeats. The piece begins as documentary sound — the motor alone — then the drums fade in like a second reality arriving. For a while both worlds coexist, braided together. After second 25, the field recording dissolves in beat‑synced fades, leaving a more regular, dance‑leaning groove. Near the end, the motor returns like a ghost reentering its own story, and the track closes with a grand finale.

    Visually, I anchored everything to a single image and pushed it through an AI‑driven psychedelic lens: posterized color, trippy rainbow shifts, motion locked to the beat. The title — “Mythical / Tuktuk / Beats” — sits centered inside a dark blue‑purple panel, its fractal edges blooming on the strongest hits, turning sound into a living frame.

    A small act of alchemy: Kochi’s street‑engine becomes rhythm, rhythm becomes vision, and the everyday becomes myth — made entirely through AI, guided by my listening.

    #MythicalTuktukBeats #Kochi #FieldRecording #SoundArt #AIArt #Audiovisual #BeatReactive #Psychedelic #Posterized #ExperimentalMusic #ElectronicArt #TravelMemory #FoundSound #RhythmScience #DigitalAlchemy #reel

  12. I began with a field recording from traveling in Kochi: a tuk‑tuk idling, not performing, just breathing in place. Inside that rough, everyday sound I heard a stubborn groove — a syncopated pulse that felt less like traffic and more like a drumline hiding in plain sight.

    I let AI excavate the motor from the recording, not to sterilize it, but to reveal its inner rhythm. The machine’s “punches” emerged as layered time: a fast chug and a slower accent, a beat nested inside a beat. That mechanical pattern became my score.

    Next I translated the engine into percussion. Using three drum samples, AI rebuilt the tuk‑tuk’s timing as a playable composition: one hit for the rapid pulse, one for the accents, one for the heavy downbeats. The piece begins as documentary sound — the motor alone — then the drums fade in like a second reality arriving. For a while both worlds coexist, braided together. After second 25, the field recording dissolves in beat‑synced fades, leaving a more regular, dance‑leaning groove. Near the end, the motor returns like a ghost reentering its own story, and the track closes with a grand finale.

    Visually, I anchored everything to a single image and pushed it through an AI‑driven psychedelic lens: posterized color, trippy rainbow shifts, motion locked to the beat. The title — “Mythical / Tuktuk / Beats” — sits centered inside a dark blue‑purple panel, its fractal edges blooming on the strongest hits, turning sound into a living frame.

    A small act of alchemy: Kochi’s street‑engine becomes rhythm, rhythm becomes vision, and the everyday becomes myth — made entirely through AI, guided by my listening.

    #MythicalTuktukBeats #Kochi #FieldRecording #SoundArt #AIArt #Audiovisual #BeatReactive #Psychedelic #Posterized #ExperimentalMusic #ElectronicArt #TravelMemory #FoundSound #RhythmScience #DigitalAlchemy #reel

  13. I began with a field recording from traveling in Kochi: a tuk‑tuk idling, not performing, just breathing in place. Inside that rough, everyday sound I heard a stubborn groove — a syncopated pulse that felt less like traffic and more like a drumline hiding in plain sight.

    I let AI excavate the motor from the recording, not to sterilize it, but to reveal its inner rhythm. The machine’s “punches” emerged as layered time: a fast chug and a slower accent, a beat nested inside a beat. That mechanical pattern became my score.

    Next I translated the engine into percussion. Using three drum samples, AI rebuilt the tuk‑tuk’s timing as a playable composition: one hit for the rapid pulse, one for the accents, one for the heavy downbeats. The piece begins as documentary sound — the motor alone — then the drums fade in like a second reality arriving. For a while both worlds coexist, braided together. After second 25, the field recording dissolves in beat‑synced fades, leaving a more regular, dance‑leaning groove. Near the end, the motor returns like a ghost reentering its own story, and the track closes with a grand finale.

    Visually, I anchored everything to a single image and pushed it through an AI‑driven psychedelic lens: posterized color, trippy rainbow shifts, motion locked to the beat. The title — “Mythical / Tuktuk / Beats” — sits centered inside a dark blue‑purple panel, its fractal edges blooming on the strongest hits, turning sound into a living frame.

    A small act of alchemy: Kochi’s street‑engine becomes rhythm, rhythm becomes vision, and the everyday becomes myth — made entirely through AI, guided by my listening.

    #MythicalTuktukBeats #Kochi #FieldRecording #SoundArt #AIArt #Audiovisual #BeatReactive #Psychedelic #Posterized #ExperimentalMusic #ElectronicArt #TravelMemory #FoundSound #RhythmScience #DigitalAlchemy #reel

  14. Much like the brave adventurer that I am, proceeded to upgrade RME Digicheck v0.93 beta today! 🤓

    While I'm messing around with its layout setups, here's one funky vector scope clip for you:

    Source is a electro-magnetic recording I took of a x-y crt screen on a Tempest arcade game. What you hear is the attract screen part where the logo text zooms in. Panning towards end of clip is just me moving and rotating the stereo mic over the screen. Cool sound too! 😎

    #Arcade #Tempest #FoundSound

  15. Much like the brave adventurer that I am, proceeded to upgrade RME Digicheck v0.93 beta today! 🤓

    While I'm messing around with its layout setups, here's one funky vector scope clip for you:

    Source is a electro-magnetic recording I took of a x-y crt screen on a Tempest arcade game. What you hear is the attract screen part where the logo text zooms in. Panning towards end of clip is just me moving and rotating the stereo mic over the screen. Cool sound too! 😎

    #Arcade #Tempest #FoundSound

  16. Much like the brave adventurer that I am, proceeded to upgrade RME Digicheck v0.93 beta today! 🤓

    While I'm messing around with its layout setups, here's one funky vector scope clip for you:

    Source is a electro-magnetic recording I took of a x-y crt screen on a Tempest arcade game. What you hear is the attract screen part where the logo text zooms in. Panning towards end of clip is just me moving and rotating the stereo mic over the screen. Cool sound too! 😎

    #Arcade #Tempest #FoundSound

  17. #NowPlaying #8TrackTuesday #8TrackTape #SoundCollage #ExperimentalMusic #FoundSound

    “This tape was found at a construction site in Novosibirsk, Russia. The title is what appears to be morse code written on the outer surface of the tape encasing. Its authors and origins are unknown.

    Update: this has been released on a Brazilian label called Liga Do Vento Divino, both digitally and as a limited edition #8track cartridge.”

    I take no responsibility.

    fleshpavilions.bandcamp.com/al

  18. #NowPlaying #8TrackTuesday #8TrackTape #SoundCollage #ExperimentalMusic #FoundSound

    “This tape was found at a construction site in Novosibirsk, Russia. The title is what appears to be morse code written on the outer surface of the tape encasing. Its authors and origins are unknown.

    Update: this has been released on a Brazilian label called Liga Do Vento Divino, both digitally and as a limited edition #8track cartridge.”

    I take no responsibility.

    fleshpavilions.bandcamp.com/al

  19. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  20. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  21. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  22. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  23. First album of 2025. Assembled from various local sources Tascammed in Prague, Tokyo and Vienna. Not even slightly related to The Shockwave Rider by John Brunner.

    Available on punched tape, double Winchester hard disk, or free download: archive.org/details/mullerfokk

    #EntropyCircus #2600 #2500 #synth #foundsound #johnsladek #notjohnbrunner

  24. Daktyloi – Accidental Frescoes of the Pentecost Dove

    Deeply strange ambient soundscape and found-sound collage that incorporates elements of noise, drone and plunderphonics to create an alternate audio reality.

    daktyloi.bandcamp.com/album/ac

    @applecart.bsky.social

    @experimentalmusic

    #Noise #SoundCollage #AudioCollage #FoundSound #Drone

  25. Daktyloi – Accidental Frescoes of the Pentecost Dove

    Deeply strange ambient soundscape and found-sound collage that incorporates elements of noise, drone and plunderphonics to create an alternate audio reality.

    daktyloi.bandcamp.com/album/ac

    @applecart.bsky.social

    @experimentalmusic

    #Noise #SoundCollage #AudioCollage #FoundSound #Drone

  26. Daktyloi – Accidental Frescoes of the Pentecost Dove

    Deeply strange ambient soundscape and found-sound collage that incorporates elements of noise, drone and plunderphonics to create an alternate audio reality.

    daktyloi.bandcamp.com/album/ac

    @applecart.bsky.social

    @experimentalmusic

    #Noise #SoundCollage #AudioCollage #FoundSound #Drone

  27. Daktyloi – Accidental Frescoes of the Pentecost Dove

    Deeply strange ambient soundscape and found-sound collage that incorporates elements of noise, drone and plunderphonics to create an alternate audio reality.

    daktyloi.bandcamp.com/album/ac

    @applecart.bsky.social

    @experimentalmusic

    #Noise #SoundCollage #AudioCollage #FoundSound #Drone

  28. Daktyloi – Accidental Frescoes of the Pentecost Dove

    Deeply strange ambient soundscape and found-sound collage that incorporates elements of noise, drone and plunderphonics to create an alternate audio reality.

    daktyloi.bandcamp.com/album/ac

    @applecart.bsky.social

    @experimentalmusic

    #Noise #SoundCollage #AudioCollage #FoundSound #Drone