home.social

#beverlyma — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #beverlyma, aggregated by home.social.

  1. Herbie Hancock, My Point of View, 1963 on Blue Note

    Hancock's sophomore album as a leader, recorded by Rudy Van Gelder in Englewood Cliffs NJ. Hancock joined by Donald Byrd (trumpet), Gracham Moncur III (trombone), Hank Mobley (tenor sax), Grant Green (guitar), Chuck Isreals (bass), and Anthony Williams (drums). Herbie Hancock is a master, and it is wonderful to find the early Blue Note albums - I now have the first five in good vinyl editions. All the tracks on this one are Hancock originals - love "Blind Man, Blind Man" which recalls & […]

    goatless.org/2026/05/28/herbie

  2. Herbie Hancock, My Point of View, 1963 on Blue Note

    Hancock's sophomore album as a leader, recorded by Rudy Van Gelder in Englewood Cliffs NJ. Hancock joined by Donald Byrd (trumpet), Gracham Moncur III (trombone), Hank Mobley (tenor sax), Grant Green (guitar), Chuck Isreals (bass), and Anthony Williams (drums). Herbie Hancock is a master, and it is wonderful to find the early Blue Note albums - I now have the first five in good vinyl editions. All the tracks on this one are Hancock originals - love "Blind Man, Blind Man" which recalls & […]

    goatless.org/2026/05/28/herbie

  3. Herbie Hancock, My Point of View, 1963 on Blue Note

    Hancock's sophomore album as a leader, recorded by Rudy Van Gelder in Englewood Cliffs NJ. Hancock joined by Donald Byrd (trumpet), Gracham Moncur III (trombone), Hank Mobley (tenor sax), Grant Green (guitar), Chuck Isreals (bass), and Anthony Williams (drums). Herbie Hancock is a master, and it is wonderful to find the early Blue Note albums - I now have the first five in good vinyl editions. All the tracks on this one are Hancock originals - love "Blind Man, Blind Man" which recalls & […]

    goatless.org/2026/05/28/herbie

  4. Herbie Hancock, My Point of View, 1963 on Blue Note

    Hancock's sophomore album as a leader, recorded by Rudy Van Gelder in Englewood Cliffs NJ. Hancock joined by Donald Byrd (trumpet), Gracham Moncur III (trombone), Hank Mobley (tenor sax), Grant Green (guitar), Chuck Isreals (bass), and Anthony Williams (drums). Herbie Hancock is a master, and it is wonderful to find the early Blue Note albums - I now have the first five in good vinyl editions. All the tracks on this one are Hancock originals - love "Blind Man, Blind Man" which recalls & […]

    goatless.org/2026/05/28/herbie

  5. Herbie Hancock, My Point of View, 1963 on Blue Note

    Hancock's sophomore album as a leader, recorded by Rudy Van Gelder in Englewood Cliffs NJ. Hancock joined by Donald Byrd (trumpet), Gracham Moncur III (trombone), Hank Mobley (tenor sax), Grant Green (guitar), Chuck Isreals (bass), and Anthony Williams (drums). Herbie Hancock is a master, and it is wonderful to find the early Blue Note albums - I now have the first five in good vinyl editions. All the tracks on this one are Hancock originals - love "Blind Man, Blind Man" which recalls & […]

    goatless.org/2026/05/28/herbie

  6. Mose Allison, Your Mind is On Vacation, 1976 on Atlantic

    Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.

    goatless.org/2026/05/22/mose-a

  7. Mose Allison, Your Mind is On Vacation, 1976 on Atlantic

    Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.

    goatless.org/2026/05/22/mose-a

  8. Mose Allison, Your Mind is On Vacation, 1976 on Atlantic

    Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.

    goatless.org/2026/05/22/mose-a

  9. Mose Allison, Your Mind is On Vacation, 1976 on Atlantic

    Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.

    goatless.org/2026/05/22/mose-a

  10. Mose Allison, Your Mind is On Vacation, 1976 on Atlantic

    Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.

    goatless.org/2026/05/22/mose-a

  11. Mose Allison, Back Country Suite, 1957 on Prestige

    Mose Allison's debut album, recorded at Van Gelder's studio in Hackensack in March 1957, with Taylor La Fargue (bass) and Frank Isola (drums). Largely instrumental. The song titled here just "Blues" was later recorded on Live at Leeds by the Who as "Young Man Blues": Well a young man ain't got nothing in the world these days My copy—via Beverly Coin & Jewelry—is the 1983 reissue in the Original Jazz Classics series. The OJC series is a great way to find these Prestige records in good […]

    goatless.org/2026/05/18/mose-a

  12. Mose Allison, Back Country Suite, 1957 on Prestige

    Mose Allison's debut album, recorded at Van Gelder's studio in Hackensack in March 1957, with Taylor La Fargue (bass) and Frank Isola (drums). Largely instrumental. The song titled here just "Blues" was later recorded on Live at Leeds by the Who as "Young Man Blues": Well a young man ain't got nothing in the world these days My copy—via Beverly Coin & Jewelry—is the 1983 reissue in the Original Jazz Classics series. The OJC series is a great way to find these Prestige records in good […]

    goatless.org/2026/05/18/mose-a

  13. Suzanne Vega, Flying With Angels, 2025 on Cooking Vinyl

    Vega's tenth studio album and her first of new material since 2014. Bob Dylan gets cowriting credit on "Chambermaid" as a kind of alternate version of "I Want You." "Speaker's Corner" is a great song as well: I have a newfound sympathy For the madman in the square Who rants and raves his rhetoric Into the midday air My version—direct from the artist at a live show at the Cabot Theater in Beverly MA—is a signed copy on grey smoke vinyl.

    goatless.org/2026/04/24/suzann

  14. Suzanne Vega, Flying With Angels, 2025 on Cooking Vinyl

    Vega's tenth studio album and her first of new material since 2014. Bob Dylan gets cowriting credit on "Chambermaid" as a kind of alternate version of "I Want You." "Speaker's Corner" is a great song as well: I have a newfound sympathy For the madman in the square Who rants and raves his rhetoric Into the midday air My version—direct from the artist at a live show at the Cabot Theater in Beverly MA—is a signed copy on grey smoke vinyl.

    goatless.org/2026/04/24/suzann

  15. Elvis Costello and The Attractions, Imperial Bedroom, 1982 on Columbia

    Seventh studio LP from Costello and the sixth with The Attractions, out of F-Beat in the UK and Columbia in the US. A must have for collectors of Costello or indeed the whole new wave / alternative era of the late seventies to mid eighties.

    My copy – direct from the artist at a show at the Cabot Theatre in Beverly MA with Steve Nieve — is a recent reissue by UMe, who now handle Costello’s catalog.

    #1980s #1982 #BeverlyMA #CabotTheater #Columbia #ElvisCostello #ElvisCostelloTheAttractions #NewWave #SteveNieve #UMe #vinyl #vinylcollection #vinylfinds
  16. #BostonWeekend 22/x
    Sat #VEGAN Nite Market in #BeverlyMA 4-8p “Join us for the Vegan Nite Market @ Bridge Nine Records in Beverly, Ma! We'll have around 15-20 vegan food and treat and apothecary vendors. Let us help you go plant based in 2025!”
    facebook.com/events/9779181541
    #NorthShore #Massachusetts #Danvers #SalemMA

  17. #BostonWeekend 22/x
    Sat #VEGAN Nite Market in #BeverlyMA 4-8p “Join us for the Vegan Nite Market @ Bridge Nine Records in Beverly, Ma! We'll have around 15-20 vegan food and treat and apothecary vendors. Let us help you go plant based in 2025!”
    facebook.com/events/9779181541
    #NorthShore #Massachusetts #Danvers #SalemMA

  18. #BostonWeekend 22/x
    Sat #VEGAN Nite Market in #BeverlyMA 4-8p “Join us for the Vegan Nite Market @ Bridge Nine Records in Beverly, Ma! We'll have around 15-20 vegan food and treat and apothecary vendors. Let us help you go plant based in 2025!”
    facebook.com/events/9779181541
    #NorthShore #Massachusetts #Danvers #SalemMA

  19. #BostonWeekend 22/x
    Sat #VEGAN Nite Market in #BeverlyMA 4-8p “Join us for the Vegan Nite Market @ Bridge Nine Records in Beverly, Ma! We'll have around 15-20 vegan food and treat and apothecary vendors. Let us help you go plant based in 2025!”
    facebook.com/events/9779181541
    #NorthShore #Massachusetts #Danvers #SalemMA

  20. #BostonWeekend 22/x
    Sat #VEGAN Nite Market in #BeverlyMA 4-8p “Join us for the Vegan Nite Market @ Bridge Nine Records in Beverly, Ma! We'll have around 15-20 vegan food and treat and apothecary vendors. Let us help you go plant based in 2025!”
    facebook.com/events/9779181541
    #NorthShore #Massachusetts #Danvers #SalemMA

  21. The Robert Cray Band, That’s What I Heard, 2020 on Nozzle Records

    Robert Cray (often attributed as The Robert Cray Band) has been making great electric blues albums since 1980’s Who’s Been Talkin’. This is their most recent studio album and won the Soul Blues Award at the Blues Music Awards from the Blues Foundation in 2021.

    I’m a huge fan of Cray’s approach to the blues and it’s great to hear what good shape his voice and his playing are in.

    I picked up my copy (on clear vinyl) at a 2024 show at the Cabot Theater in Beverly MA.

    #2020 #2020s #BeverlyMA #Blues #BluesMusicAwards #CabotTheater #NozzleRecords #RobertCray #RobertCrayBand #SoulBlues #vinyl #vinylcollection

  22. Suzanne Vega at The Cabot, June 5th, 2025

    Suzanne Vega and Gerry Leonard onstage at The Cabot

    Suzanne Vega is on 13-night tour of the east coast (Maine to DC), and one of the stops was in Beverly at the Cabot.

    The show is Vega, accompanied by Gerry Leonard, with cellist Stephanie Winters joining on maybe 2/3rds of the songs. There are some backing tracks (percussion) on some songs and I think Leonard may be doubling some bass strings (an effect that covers for the lack of a bass player).

    She did a ton of older material – back to “The Queen and the Soldier” and “Small Blue Thing” as well as hits like “Merlene on the Wall” and “Left of Center” – including of course, Luka.

    Luka: Suzanne Vega at The Cabot

    They also did some material from the new album, Flying with Angels, including her adaptation of Bob Dylan’s “I Want You” rewritten from the pov of the chambermaid, and the title track. The audience kept calling for “Witches” – perhaps inspired by proximity to Salem – but Vega said they weren’t ready for that.

    As an encore, the trio covered Lou Reed’s “Walk on the Wild Side” and did “Love Thief” from the new album, closing with “Blood Makes Noise” of her 99.9 F° album.

    #BeverlyMA #CabotTheater #GerryLeonard #Live #StephanieWinters #SuzanneVega

  23. Brandy Clark, Brandy Clark, 2023 on Slate Creek / Warner

    Clark’s fourth studio album, self-titled, and produced by Brandi Carlile, who provides backing vocals, piano and guitar on a number of tracks and is featured on “Dear Insecurity,” which they performed live at the Grammys in 2024 – and for which she won a “Best Americana Performance” Grammy.

    She’s been a great songwriter for many years but I think this is her best album yet. Love the heartbreaking lyrics of “Buried”:

    I’ll meet somebody else

    Probably get married

    I’ll keep it to myself

    But I’ll love you ’til I’m buried

    My copy from the merch table at a show at the Cabot in April 2024.

    #2020s #2023 #BeverlyMA #brandiCarlile #BrandyClark #CabotTheatre #Grammys2024 #SlateCreek #vinyl #vinylcollection #WarnerRecords

  24. Brandy Clark, Your Life is a Record, 2020 on Warner Records / Slate Creek

    Clark’s third studio LP, produced by Jay Joyce. Includes “Bigger Boat” (a duet with Randy Newman) and “Who You Thought I Was.” I think Clark is a fantastic modern songwriter rooted in classic country storytelling and worldplay. This is a bit more aimed at mainstream pop audiences, but I think it’s very successful.

    We’re either all the way left or all the way right
    The only time we meet in the middle is to fight
    The rich get richer, the rest get a little more broke
    We’re gonna need a bigger boat

    My copy, signed, direct from the merch table at a show at the Cabot in Beverly MA, April 30, 2024

    #BeverlyMA #BrandyClark #CabotTheatre #Country #JayJoyce #Pop #RandyNewman #SlateCreek #vinyl #vinylcollection #WarnerRecords

  25. José González at the Cabot Theater, March 27th, 2025

    Sweden’s José González at the Cabot Theater in Beverly MA.

    Quick post to share a photo and some videos from seeing José González at the Cabot. He plays with no opening act and no intermission – just him on stage with two guitars (different tunings?) – I’m not sure he even had a bottle of water.

    Teardrop – José González at the Cabot Theater in Beverly MA

    Really ended up just watching the performance and not getting much video.

    Killing For Love – José González at the Cabot Theater in Beverly MA

    He did have a great merch table with vinyl – I’ve found it hard to find him elsewhere.

    #2025 #BeverlyMA #CabotTheatre #Concert #JoséGonzález #Live

  26. Elvis Costello & Steve Nieve, March 1st 2025 at the Cabot

    Last time Elvis Costello came through Beverly and did a show at the Cabot I didn’t manage to get tickets. This time, as a member, I was able to score a great seat in front row balcony.

    The Costello & Nieve 2025 tour announced 15 nights in February and March:

    I can’t vet all the venues, but I’m guessing the Cabot in Beverly is one of the smaller, at ~850 seats. If you can get one of the first row balcony seats it is one of the best venues on the North Shore.

    The stage set includes a number of mics – lots of places where Costello can sit or stand and use various kinds of microphones, guitars, and keyboards appropriate to the mood. Nieve mostly stayed beyond the keys there in the back left, between piano and keyboard options.

    They played a wide variety of songs from across Costello’s career. He was in great form, joking about getting a capo from Timothy Chalamet who he felt could play him in a biopic after “a couple of years and a couple of cases of gin.”

    (Full Setlist and review from Boston.com)

    The lighting played a bit of havoc with my phone camera – this was “Black Sails in the Sunset”

    I did not get many recordings – was just enjoying the show – but grabbed a few snippets.

    “Brilliant Mistake” early in the set – “He thought he was the King of America /
    Where they pour Coca Cola just like vintage wine”

    There was a fair amount of reflection on America and the current political climate – consistent with what Costello called the “Angry Young Man” rep he’s been saddled with.

    An almost meditative “Veronica” – with Nieve at the piano and Costello on the stool down-stage right where he played a number of quieter / more reflective songs.

    For “Allison” Costello moved to the Fender Rhodes stage left – you can hear Nieve’s piano as well.

    Finale of “What’s So Funny ‘Bout Peace Love and Understanding” on which Costello and Nieve traded singing duties – perhaps the expected closer but I was all about it.

    #BeverlyMA #CabotTheatre #ElvisCostello #LiveMusic #SteveNieve

  27. Elvis Costello & Steve Nieve, March 1st 2025 at the Cabot

    Last time Elvis Costello came through Beverly and did a show at the Cabot I didn’t manage to get tickets. This time, as a member, I was able to score a great seat in front row balcony.

    The Costello & Nieve 2025 tour announced 15 nights in February and March:

    I can’t vet all the venues, but I’m guessing the Cabot in Beverly is one of the smaller, at ~850 seats. If you can get one of the first row balcony seats it is one of the best venues on the North Shore.

    The stage set includes a number of mics – lots of places where Costello can sit or stand and use various kinds of microphones, guitars, and keyboards appropriate to the mood. Nieve mostly stayed beyond the keys there in the back left, between piano and keyboard options.

    They played a wide variety of songs from across Costello’s career. He was in great form, joking about getting a capo from Timothy Chalamet who he felt could play him in a biopic after “a couple of years and a couple of cases of gin.”

    (Full Setlist and review from Boston.com)

    The lighting played a bit of havoc with my phone camera – this was “Black Sails in the Sunset”

    I did not get many recordings – was just enjoying the show – but grabbed a few snippets.

    “Brilliant Mistake” early in the set – “He thought he was the King of America /
    Where they pour Coca Cola just like vintage wine”

    There was a fair amount of reflection on America and the current political climate – consistent with what Costello called the “Angry Young Man” rep he’s been saddled with.

    An almost meditative “Veronica” – with Nieve at the piano and Costello on the stool down-stage right where he played a number of quieter / more reflective songs.

    For “Allison” Costello moved to the Fender Rhodes stage left – you can hear Nieve’s piano as well.

    Finale of “What’s So Funny ‘Bout Peace Love and Understanding” on which Costello and Nieve traded singing duties – perhaps the expected closer but I was all about it.

    #BeverlyMA #CabotTheatre #ElvisCostello #LiveMusic #SteveNieve

  28. Elvis Costello & Steve Nieve, March 1st 2025 at the Cabot

    Last time Elvis Costello came through Beverly and did a show at the Cabot I didn’t manage to get tickets. This time, as a member, I was able to score a great seat in front row balcony.

    The Costello & Nieve 2025 tour announced 15 nights in February and March:

    I can’t vet all the venues, but I’m guessing the Cabot in Beverly is one of the smaller, at ~850 seats. If you can get one of the first row balcony seats it is one of the best venues on the North Shore.

    The stage set includes a number of mics – lots of places where Costello can sit or stand and use various kinds of microphones, guitars, and keyboards appropriate to the mood. Nieve mostly stayed beyond the keys there in the back left, between piano and keyboard options.

    They played a wide variety of songs from across Costello’s career. He was in great form, joking about getting a capo from Timothy Chalamet who he felt could play him in a biopic after “a couple of years and a couple of cases of gin.”

    (Full Setlist and review from Boston.com)

    The lighting played a bit of havoc with my phone camera – this was “Black Sails in the Sunset”

    I did not get many recordings – was just enjoying the show – but grabbed a few snippets.

    “Brilliant Mistake” early in the set – “He thought he was the King of America /
    Where they pour Coca Cola just like vintage wine”

    There was a fair amount of reflection on America and the current political climate – consistent with what Costello called the “Angry Young Man” rep he’s been saddled with.

    An almost meditative “Veronica” – with Nieve at the piano and Costello on the stool down-stage right where he played a number of quieter / more reflective songs.

    For “Allison” Costello moved to the Fender Rhodes stage left – you can hear Nieve’s piano as well.

    Finale of “What’s So Funny ‘Bout Peace Love and Understanding” on which Costello and Nieve traded singing duties – perhaps the expected closer but I was all about it.

    #BeverlyMA #CabotTheatre #ElvisCostello #LiveMusic #SteveNieve

  29. Elvis Costello & Steve Nieve, March 1st 2025 at the Cabot

    Last time Elvis Costello came through Beverly and did a show at the Cabot I didn’t manage to get tickets. This time, as a member, I was able to score a great seat in front row balcony.

    The Costello & Nieve 2025 tour announced 15 nights in February and March:

    I can’t vet all the venues, but I’m guessing the Cabot in Beverly is one of the smaller, at ~850 seats. If you can get one of the first row balcony seats it is one of the best venues on the North Shore.

    The stage set includes a number of mics – lots of places where Costello can sit or stand and use various kinds of microphones, guitars, and keyboards appropriate to the mood. Nieve mostly stayed beyond the keys there in the back left, between piano and keyboard options.

    They played a wide variety of songs from across Costello’s career. He was in great form, joking about getting a capo from Timothy Chalamet who he felt could play him in a biopic after “a couple of years and a couple of cases of gin.”

    (Full Setlist and review from Boston.com)

    The lighting played a bit of havoc with my phone camera – this was “Black Sails in the Sunset”

    I did not get many recordings – was just enjoying the show – but grabbed a few snippets.

    “Brilliant Mistake” early in the set – “He thought he was the King of America /
    Where they pour Coca Cola just like vintage wine”

    There was a fair amount of reflection on America and the current political climate – consistent with what Costello called the “Angry Young Man” rep he’s been saddled with.

    An almost meditative “Veronica” – with Nieve at the piano and Costello on the stool down-stage right where he played a number of quieter / more reflective songs.

    For “Allison” Costello moved to the Fender Rhodes stage left – you can hear Nieve’s piano as well.

    Finale of “What’s So Funny ‘Bout Peace Love and Understanding” on which Costello and Nieve traded singing duties – perhaps the expected closer but I was all about it.

    #BeverlyMA #CabotTheatre #ElvisCostello #LiveMusic #SteveNieve

  30. T. Rex, T. Rextasy: The Best of T. Rex, 1970-1973, 1985 on Warner Bros.

    Mid-eighties compilation of T. Rex. Between 1970 and 1973, the band had eleven top 10 singles in the UK – including many here. Produced by Tony Visconti.

    I came to T. Rex indirectly through The Replacements (who covered “20th Century Boy” on Let it Be), Bauhaus (who covered “Telegram Sam”) and The Power Station (who covered “Bang a Gong”) as well as all the Bowie intersections and references.

    My copy, via Beverly Coin & Jewel in Beverly MA, included an ad for Marc Bolan on Video – available in VHS or Beta from Passport Music / JEM (see image below).

    #1970 #1973 #1985 #BeverlyCoinJewel #BeverlyMA #MarcBolan #Reissue #TRex #TonyVisconti #vinyl #vinylcollection #vinylfinds #WarnerBrothers

  31. T. Rex, T. Rextasy: The Best of T. Rex, 1970-1973, 1985 on Warner Bros.

    Mid-eighties compilation of T. Rex. Between 1970 and 1973, the band had eleven top 10 singles in the UK – including many here. Produced by Tony Visconti.

    I came to T. Rex indirectly through The Replacements (who covered “20th Century Boy” on Let it Be), Bauhaus (who covered “Telegram Sam”) and The Power Station (who covered “Bang a Gong”) as well as all the Bowie intersections and references.

    My copy, via Beverly Coin & Jewel in Beverly MA, included an ad for Marc Bolan on Video – available in VHS or Beta from Passport Music / JEM (see image below).

    #1970 #1973 #1985 #BeverlyCoinJewel #BeverlyMA #MarcBolan #Reissue #TRex #TonyVisconti #vinyl #vinylcollection #vinylfinds #WarnerBrothers

  32. T. Rex, T. Rextasy: The Best of T. Rex, 1970-1973, 1985 on Warner Bros.

    Mid-eighties compilation of T. Rex. Between 1970 and 1973, the band had eleven top 10 singles in the UK – including many here. Produced by Tony Visconti.

    I came to T. Rex indirectly through The Replacements (who covered “20th Century Boy” on Let it Be), Bauhaus (who covered “Telegram Sam”) and The Power Station (who covered “Bang a Gong”) as well as all the Bowie intersections and references.

    My copy, via Beverly Coin & Jewel in Beverly MA, included an ad for Marc Bolan on Video – available in VHS or Beta from Passport Music / JEM (see image below).

    #1970 #1973 #1985 #BeverlyCoinJewel #BeverlyMA #MarcBolan #Reissue #TRex #TonyVisconti #vinyl #vinylcollection #vinylfinds #WarnerBrothers

  33. T. Rex, T. Rextasy: The Best of T. Rex, 1970-1973, 1985 on Warner Bros.

    Mid-eighties compilation of T. Rex. Between 1970 and 1973, the band had eleven top 10 singles in the UK – including many here. Produced by Tony Visconti.

    I came to T. Rex indirectly through The Replacements (who covered “20th Century Boy” on Let it Be), Bauhaus (who covered “Telegram Sam”) and The Power Station (who covered “Bang a Gong”) as well as all the Bowie intersections and references.

    My copy, via Beverly Coin & Jewel in Beverly MA, included an ad for Marc Bolan on Video – available in VHS or Beta from Passport Music / JEM (see image below).

    #1970 #1973 #1985 #BeverlyCoinJewel #BeverlyMA #MarcBolan #Reissue #TRex #TonyVisconti #vinyl #vinylcollection #vinylfinds #WarnerBrothers

  34. The Replacements, Don’t Tell a Soul, 1989 on Sire / Reprise

    This was the Replacements first album with Slim Dunlop replacing Bob Stinson on guitar. It was recorded in LA, produced by Matt Wallace and mixed by Chris Lord-Alge, purportedly in an attempt to be more radio friendly, though Westerberg said he preferred the rougher approach of other ‘mats albums.

    I think it’s a wonderful album – maybe a bit more “refined” than some of the noisier stuff, but Paul Westerberg’s songwriting is top notch here: “I’ll Be You,” “Talent Show,” and “Achin’ to Be” are among my favorites.

    My copy via Beverly Coin & Jewel in Beverly MA

    #1989 #Alternative #BeverlyCoinJewel #BeverlyMA #BobStinson #PaulWesterberg #Reprise #Sire #SlimDunlap #TheReplacements #vinyl #vinylcollection #vinylfinds

  35. The Replacements, Don’t Tell a Soul, 1989 on Sire / Reprise

    This was the Replacements first album with Slim Dunlop replacing Bob Stinson on guitar. It was recorded in LA, produced by Matt Wallace and mixed by Chris Lord-Alge, purportedly in an attempt to be more radio friendly, though Westerberg said he preferred the rougher approach of other ‘mats albums.

    I think it’s a wonderful album – maybe a bit more “refined” than some of the noisier stuff, but Paul Westerberg’s songwriting is top notch here: “I’ll Be You,” “Talent Show,” and “Achin’ to Be” are among my favorites.

    My copy via Beverly Coin & Jewel in Beverly MA

    #1989 #Alternative #BeverlyCoinJewel #BeverlyMA #BobStinson #PaulWesterberg #Reprise #Sire #SlimDunlap #TheReplacements #vinyl #vinylcollection #vinylfinds