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848 results for “pyOpenSci”
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The Beats
A photographic record of a cross-country journey made by American photographer Larry Fink in 1958. He and a group of counter culture artist friends traveled from their home in Greenwich Village to Houston + then on to Mexico
In his own words: 'It was my fate to be aligned with the Beats because of my propensity for drugs, anger, + poetry"
#thebeats #larryfink #photography #photographer #blackandwhitephotography #americanphotographer #beatniks #roadtrip #photoessay #streetphotography #streetphotographer #counterculture #ontheroad #drugsangerandpoetry #artistfriends #photodocumentary #photoseries #crosscountryroadtrip
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=> dès 3-4 ans les #enfants "accordent facilement le bénéfice du doute" = confiance -> rompue définitivement si l'adulte a menti régulièrement.
=> #adolescent : "leur propension à rejeter ce que disent leurs #parents" + "évaluer les choses par eux-mêmes = sous-tendue par des changements cérébraux pour les aider à explorer/critiquer/s'assumer.
Le "surinvestissement parental est une connerie." ...
#marmion #connaissance #cerveau #psychanalyse #science #education #AlisonGopnik
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So dear Bobby has finally admitted he's an all-in racist and overall bigot. About time.
His press conferences are always a laugh, given his propensity to go off in weird ways, but he is nonetheless a dangerous man.
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So dear Bobby has finally admitted he's an all-in racist and overall bigot. About time.
His press conferences are always a laugh, given his propensity to go off in weird ways, but he is nonetheless a dangerous man.
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So dear Bobby has finally admitted he's an all-in racist and overall bigot. About time.
His press conferences are always a laugh, given his propensity to go off in weird ways, but he is nonetheless a dangerous man.
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So dear Bobby has finally admitted he's an all-in racist and overall bigot. About time.
His press conferences are always a laugh, given his propensity to go off in weird ways, but he is nonetheless a dangerous man.
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So dear Bobby has finally admitted he's an all-in racist and overall bigot. About time.
His press conferences are always a laugh, given his propensity to go off in weird ways, but he is nonetheless a dangerous man.
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“The ‘great general principles’ of #politicaleconomy, ( #Malthus) said, can be useful guides but we must not forget ‘the passions and propensities of #humannature’.” - #NatDyer, Ricardo’s Dream: How #Economists Forgot the #RealWorld and Led Us All Astray. #economics #DavidRicardo
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Let’s take a minute to drill down on the fear that drives this regime.
Recalcitrance in the face of challenging facts is sometimes spun as “strongman” politics, but is there anything so illustrative of Trump’s weakness and fear as this propensity to dodge and deny the truth? #LiveInTruth
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🩺 ■ Un oncólogo lanza un importante aviso a los que sufren de insomnio y mala higiene del sueño ■ El experto advierte de que el déficit del descanso nocturno desemboca en una mala reparación celular y aumenta la propensión a padecer cáncer.
https://www.huffingtonpost.es/life/salud/un-oncologo-lanza-importante-aviso-sufren-insomnio-mala-higiene-suenobr.html?int=MASTODON_WORLD#cancer #dormir #estudios #oncologia #insomnio #salud #consejos
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"China’s advances in manufacturing have caused a series of problems, however — both for its economy and for the rest of the world. Critics say one of the main weaknesses is the propensity to produce market distortions — sometimes on a monumental scale.
Local governments, whose leaders are measured by their ability to deliver economic growth, latch on to new central government policies to attract subsidised industries to their areas.
The result is duplication and state-backed overcapacity supercharged by competition that drives prices down — good for consumers but not for corporate profitability or local government finances.“We have seen these boom-and-bust cycles,” says the EU Chamber in China’s Eskelund, pointing to the solar and battery industries. “The government actually gives policy guidance and . . . everyone seems to be rushing in the same direction.”
The EV sector was a case in point, he says, where only about three out of 112 manufacturers are making a profit. “We see waste at an absolutely colossal scale,” Eskelund says."https://www.ft.com/content/724431ad-26db-4f6d-acab-ccb3cad11daa
#China #Manufacturing #MadeInChina2025 #Protectionism #PoliticalEconomy
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Quando la città (s)vende se stessa
Le fiere dell’immobiliare sono il luogo d’incontro privilegiato tra amministrazioni locali e capitali finanziari. È qui che disponibilità di terreni e immobili (pubblici) si incrocia con la propensione a fare investimenti (privati) sulle città.
“Il
https://www.perunaltracitta.org/homepage/2025/05/13/quando-la-citta-svende-se-stessa/
#Apertura #LaCittInvisibile #assetization #finanza #finanziarizzazione #Mipim #PoliticheUrbane #RealEstate #urbanistica -
I wear a helmet when I ride to work every day. Whether it will on balance bring a benefit I don't know.
There are way too many factors, including
* How it impacts my propensity to take risk (https://pmc.ncbi.nlm.nih.gov/articles/PMC4767144/),
* How that choice impact the room left by driver (https://helmets.org/walkerstudy.htm),
* How it impact the propensity of some sociopath to outgroup me (https://www.sciencedirect.com/science/article/pii/S1369847823001018). -
If a nation expects to be ignorant and free, in a state of civilization, it expects what never was and never will be. The functionaries of every government have propensities to command at will the liberty and property of their constituents. There is no safe deposit for these but with the people themselves; nor can they be safe with them without information. Where the press is free, and every man able to read, all is safe.
Thomas Jefferson (1743-1826) American political philosopher, polymath, statesman, US President (1801-09)
Letter (1816-01-06) to Charles YanceySourcing, notes: wist.info/jefferson-thomas/759…
#quote #quotes #quotation #qotd #civilization #society #jefferson #thomasjefferson #citizenry #democracy #education #freepress #freedom #freedomofthepress #government #ignorance #information #liberty #literacy #power #property #tyranny
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La Torture des Ténèbres – Episode VII – Revenge of Unfailing Valor Review
By Dear Hollow
La Torture des Ténèbres, in spite of the sadistic propensity for aural flaying, offers a unique voice in black metal. A one-woman show with an aesthetic evoking dystopian urban shimmer, decopunk, classic science fiction, and the space age, it conjures images of glittering mile-high cities built on the backs of the impoverished, brave women overcoming the adversity of the stars, the sneaking static cutting through a dictator’s commands through the radio, the jazzy bombasts of the elite’s decadent galas – and the loneliness of it all. There is no overselling just how noisy and jarring this act’s sound is on the ears, but lone mastermind JK has concocted a trademark stew that makes it stand out in nearly every way. Episode VII arrives a mere five months after its predecessor, expressing a fusion of its aesthetics.
Episode VII – Revenge of Unfailing Valor deals in a sound that retains La Torture des Ténèbres’ signature style, the vicious rawness and lonely melodic tremolo leads while fusing its two aesthetic influences. 2016 began with the formidably raw and ambient spacefaring canon of Choirs of Emptiness and Acadian Nights,1 but was reinterpreted by the more dystopian Civilization is the Tomb of Our Noble Gods, which set the tone for the following releases up to last year’s V and The Lost Colony of Altar Vista. In this way, Episode VII – Revenge of Unfailing Valor blends these two themes, dystopian civilizations set amongst the stars, its vast colonies and glorious cities plagued by inequality, sexism, and the hive mind’s whims.
La Torture des Ténèbres lives up to Revenge of Unfailing Valor’s description (“VOLITIONAL EXPLOITATION // SMOULDERING HIVES”) by channeling its trademark melodic template and ambient sensibilities into a fuller sound that amps violence while hinting at a tragic heart beneath machinelike mania. Its trademark is intact: the rawness and utter saturation of rawness is ubiquitous, as even its more placid moments of lonely melodies are scathing. However, one distinction is melodic motifs that tie the album into one cohesive whole: an ascending jazzy synth run (“Vast Black Claws Drag Her Back to Space,” “Metropolitan Warfare,” “Out of All the Years We’ve Come…”) and sanguine synth melodies (“The Second Piscean Abyss,” “Angels”). As always, this is communicated through the ebb and flow of three prongs of scathing second-wave blasting/tremolo/shrieking, lonely tremolo, and distorted vintage samples. This arsenal and dynamic are as intriguing as they are jarring, samples and melodies inviting comparisons to classic science fiction (“Vast Black Claws…,” “The Second Piscean Abyss”) and the roarin’ twenties worship of decopunk (“Breathe in the Fucking Sawdust and Die,” “Yes But Can a Camp Girl Do This”). The first act in particular utilizes a bombast of violent second-wave rawness in contrast with an over-the-top sample presence. A grandiosity pervades in a way that recalls predecessor V, but La Torture des Ténèbres‘ fuller sound adds to the assault – tinnitus is guaranteed.
The second half of Episode VII finds La Torture des Ténèbres taking risks – the samples are fewer, the melodies are far more tragic and empty, and there is rest to be found. The brutal mid-album climax in “The Second Piscean Abyss” allows for reinterpretation for “Metropolitan Warfare” and beyond, trademark and motifs carrying across in emptier and more tragic melodies and moments (i.e. the release of all sound but tinny tremolo and blastbeats in “Traditions” and total collapses into noise in “Out of All the Years…”). This reinforces the need for bulletproof songwriting rather than reliance on samples and jarring movements to do the heavy lifting, and JK is up to the task. “Angels” is placed perfectly, its minimalist, distorted, and aptly angelic sample providing rest for the weary ears – for the first time in La Torture des Ténèbres’ career.
La Torture des Ténèbres will not sway any naysayers of raw black or blackened noise. In fact, many will point to their ringing ears or pinched nerves2 and say “See??” after Episode VII concludes with the noise fadeout of “Out of All the Years…”. Those who are willing to endure will find treasures aplenty, an opus of hyper-atmospheric, excessively noisy, and endlessly tragic melodies and motifs. Episode VII – Revenge of Unfailing Valor sweeps you away to a universe yet to be explored; but even in the dead vacuum of space or within mankind’s hive-mind colonies, you can’t escape your humanity.
Rating: 4.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Self-Released
Website: latorturedestenebres.bandcamp.com
Releases Worldwide: March 7th, 2025#2025 #40 #AmbientBlackMetal #AmbientNoise #AtmosphericBlackMetal #CanadianMetal #Chaosophia #EpisodeVIIRevengeOfUnfailingValor #LaTortureDesTénèbres #Mar25 #Noise #RawBlackMetal #Review #Reviews #SelfReleased
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La Torture des Ténèbres – Episode VII – Revenge of Unfailing Valor Review
By Dear Hollow
La Torture des Ténèbres, in spite of the sadistic propensity for aural flaying, offers a unique voice in black metal. A one-woman show with an aesthetic evoking dystopian urban shimmer, decopunk, classic science fiction, and the space age, it conjures images of glittering mile-high cities built on the backs of the impoverished, brave women overcoming the adversity of the stars, the sneaking static cutting through a dictator’s commands through the radio, the jazzy bombasts of the elite’s decadent galas – and the loneliness of it all. There is no overselling just how noisy and jarring this act’s sound is on the ears, but lone mastermind JK has concocted a trademark stew that makes it stand out in nearly every way. Episode VII arrives a mere five months after its predecessor, expressing a fusion of its aesthetics.
Episode VII – Revenge of Unfailing Valor deals in a sound that retains La Torture des Ténèbres’ signature style, the vicious rawness and lonely melodic tremolo leads while fusing its two aesthetic influences. 2016 began with the formidably raw and ambient spacefaring canon of Choirs of Emptiness and Acadian Nights,1 but was reinterpreted by the more dystopian Civilization is the Tomb of Our Noble Gods, which set the tone for the following releases up to last year’s V and The Lost Colony of Altar Vista. In this way, Episode VII – Revenge of Unfailing Valor blends these two themes, dystopian civilizations set amongst the stars, its vast colonies and glorious cities plagued by inequality, sexism, and the hive mind’s whims.
La Torture des Ténèbres lives up to Revenge of Unfailing Valor’s description (“VOLITIONAL EXPLOITATION // SMOULDERING HIVES”) by channeling its trademark melodic template and ambient sensibilities into a fuller sound that amps violence while hinting at a tragic heart beneath machinelike mania. Its trademark is intact: the rawness and utter saturation of rawness is ubiquitous, as even its more placid moments of lonely melodies are scathing. However, one distinction is melodic motifs that tie the album into one cohesive whole: an ascending jazzy synth run (“Vast Black Claws Drag Her Back to Space,” “Metropolitan Warfare,” “Out of All the Years We’ve Come…”) and sanguine synth melodies (“The Second Piscean Abyss,” “Angels”). As always, this is communicated through the ebb and flow of three prongs of scathing second-wave blasting/tremolo/shrieking, lonely tremolo, and distorted vintage samples. This arsenal and dynamic are as intriguing as they are jarring, samples and melodies inviting comparisons to classic science fiction (“Vast Black Claws…,” “The Second Piscean Abyss”) and the roarin’ twenties worship of decopunk (“Breathe in the Fucking Sawdust and Die,” “Yes But Can a Camp Girl Do This”). The first act in particular utilizes a bombast of violent second-wave rawness in contrast with an over-the-top sample presence. A grandiosity pervades in a way that recalls predecessor V, but La Torture des Ténèbres‘ fuller sound adds to the assault – tinnitus is guaranteed.
The second half of Episode VII finds La Torture des Ténèbres taking risks – the samples are fewer, the melodies are far more tragic and empty, and there is rest to be found. The brutal mid-album climax in “The Second Piscean Abyss” allows for reinterpretation for “Metropolitan Warfare” and beyond, trademark and motifs carrying across in emptier and more tragic melodies and moments (i.e. the release of all sound but tinny tremolo and blastbeats in “Traditions” and total collapses into noise in “Out of All the Years…”). This reinforces the need for bulletproof songwriting rather than reliance on samples and jarring movements to do the heavy lifting, and JK is up to the task. “Angels” is placed perfectly, its minimalist, distorted, and aptly angelic sample providing rest for the weary ears – for the first time in La Torture des Ténèbres’ career.
La Torture des Ténèbres will not sway any naysayers of raw black or blackened noise. In fact, many will point to their ringing ears or pinched nerves2 and say “See??” after Episode VII concludes with the noise fadeout of “Out of All the Years…”. Those who are willing to endure will find treasures aplenty, an opus of hyper-atmospheric, excessively noisy, and endlessly tragic melodies and motifs. Episode VII – Revenge of Unfailing Valor sweeps you away to a universe yet to be explored; but even in the dead vacuum of space or within mankind’s hive-mind colonies, you can’t escape your humanity.
Rating: 4.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Self-Released
Website: latorturedestenebres.bandcamp.com
Releases Worldwide: March 7th, 2025#2025 #40 #AmbientBlackMetal #AmbientNoise #AtmosphericBlackMetal #CanadianMetal #Chaosophia #EpisodeVIIRevengeOfUnfailingValor #LaTortureDesTénèbres #Mar25 #Noise #RawBlackMetal #Review #Reviews #SelfReleased
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La Torture des Ténèbres – Episode VII – Revenge of Unfailing Valor Review
By Dear Hollow
La Torture des Ténèbres, in spite of the sadistic propensity for aural flaying, offers a unique voice in black metal. A one-woman show with an aesthetic evoking dystopian urban shimmer, decopunk, classic science fiction, and the space age, it conjures images of glittering mile-high cities built on the backs of the impoverished, brave women overcoming the adversity of the stars, the sneaking static cutting through a dictator’s commands through the radio, the jazzy bombasts of the elite’s decadent galas – and the loneliness of it all. There is no overselling just how noisy and jarring this act’s sound is on the ears, but lone mastermind JK has concocted a trademark stew that makes it stand out in nearly every way. Episode VII arrives a mere five months after its predecessor, expressing a fusion of its aesthetics.
Episode VII – Revenge of Unfailing Valor deals in a sound that retains La Torture des Ténèbres’ signature style, the vicious rawness and lonely melodic tremolo leads while fusing its two aesthetic influences. 2016 began with the formidably raw and ambient spacefaring canon of Choirs of Emptiness and Acadian Nights,1 but was reinterpreted by the more dystopian Civilization is the Tomb of Our Noble Gods, which set the tone for the following releases up to last year’s V and The Lost Colony of Altar Vista. In this way, Episode VII – Revenge of Unfailing Valor blends these two themes, dystopian civilizations set amongst the stars, its vast colonies and glorious cities plagued by inequality, sexism, and the hive mind’s whims.
La Torture des Ténèbres lives up to Revenge of Unfailing Valor’s description (“VOLITIONAL EXPLOITATION // SMOULDERING HIVES”) by channeling its trademark melodic template and ambient sensibilities into a fuller sound that amps violence while hinting at a tragic heart beneath machinelike mania. Its trademark is intact: the rawness and utter saturation of rawness is ubiquitous, as even its more placid moments of lonely melodies are scathing. However, one distinction is melodic motifs that tie the album into one cohesive whole: an ascending jazzy synth run (“Vast Black Claws Drag Her Back to Space,” “Metropolitan Warfare,” “Out of All the Years We’ve Come…”) and sanguine synth melodies (“The Second Piscean Abyss,” “Angels”). As always, this is communicated through the ebb and flow of three prongs of scathing second-wave blasting/tremolo/shrieking, lonely tremolo, and distorted vintage samples. This arsenal and dynamic are as intriguing as they are jarring, samples and melodies inviting comparisons to classic science fiction (“Vast Black Claws…,” “The Second Piscean Abyss”) and the roarin’ twenties worship of decopunk (“Breathe in the Fucking Sawdust and Die,” “Yes But Can a Camp Girl Do This”). The first act in particular utilizes a bombast of violent second-wave rawness in contrast with an over-the-top sample presence. A grandiosity pervades in a way that recalls predecessor V, but La Torture des Ténèbres‘ fuller sound adds to the assault – tinnitus is guaranteed.
The second half of Episode VII finds La Torture des Ténèbres taking risks – the samples are fewer, the melodies are far more tragic and empty, and there is rest to be found. The brutal mid-album climax in “The Second Piscean Abyss” allows for reinterpretation for “Metropolitan Warfare” and beyond, trademark and motifs carrying across in emptier and more tragic melodies and moments (i.e. the release of all sound but tinny tremolo and blastbeats in “Traditions” and total collapses into noise in “Out of All the Years…”). This reinforces the need for bulletproof songwriting rather than reliance on samples and jarring movements to do the heavy lifting, and JK is up to the task. “Angels” is placed perfectly, its minimalist, distorted, and aptly angelic sample providing rest for the weary ears – for the first time in La Torture des Ténèbres’ career.
La Torture des Ténèbres will not sway any naysayers of raw black or blackened noise. In fact, many will point to their ringing ears or pinched nerves2 and say “See??” after Episode VII concludes with the noise fadeout of “Out of All the Years…”. Those who are willing to endure will find treasures aplenty, an opus of hyper-atmospheric, excessively noisy, and endlessly tragic melodies and motifs. Episode VII – Revenge of Unfailing Valor sweeps you away to a universe yet to be explored; but even in the dead vacuum of space or within mankind’s hive-mind colonies, you can’t escape your humanity.
Rating: 4.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Self-Released
Website: latorturedestenebres.bandcamp.com
Releases Worldwide: March 7th, 2025#2025 #40 #AmbientBlackMetal #AmbientNoise #AtmosphericBlackMetal #CanadianMetal #Chaosophia #EpisodeVIIRevengeOfUnfailingValor #LaTortureDesTénèbres #Mar25 #Noise #RawBlackMetal #Review #Reviews #SelfReleased
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La Torture des Ténèbres – Episode VII – Revenge of Unfailing Valor Review
By Dear Hollow
La Torture des Ténèbres, in spite of the sadistic propensity for aural flaying, offers a unique voice in black metal. A one-woman show with an aesthetic evoking dystopian urban shimmer, decopunk, classic science fiction, and the space age, it conjures images of glittering mile-high cities built on the backs of the impoverished, brave women overcoming the adversity of the stars, the sneaking static cutting through a dictator’s commands through the radio, the jazzy bombasts of the elite’s decadent galas – and the loneliness of it all. There is no overselling just how noisy and jarring this act’s sound is on the ears, but lone mastermind JK has concocted a trademark stew that makes it stand out in nearly every way. Episode VII arrives a mere five months after its predecessor, expressing a fusion of its aesthetics.
Episode VII – Revenge of Unfailing Valor deals in a sound that retains La Torture des Ténèbres’ signature style, the vicious rawness and lonely melodic tremolo leads while fusing its two aesthetic influences. 2016 began with the formidably raw and ambient spacefaring canon of Choirs of Emptiness and Acadian Nights,1 but was reinterpreted by the more dystopian Civilization is the Tomb of Our Noble Gods, which set the tone for the following releases up to last year’s V and The Lost Colony of Altar Vista. In this way, Episode VII – Revenge of Unfailing Valor blends these two themes, dystopian civilizations set amongst the stars, its vast colonies and glorious cities plagued by inequality, sexism, and the hive mind’s whims.
La Torture des Ténèbres lives up to Revenge of Unfailing Valor’s description (“VOLITIONAL EXPLOITATION // SMOULDERING HIVES”) by channeling its trademark melodic template and ambient sensibilities into a fuller sound that amps violence while hinting at a tragic heart beneath machinelike mania. Its trademark is intact: the rawness and utter saturation of rawness is ubiquitous, as even its more placid moments of lonely melodies are scathing. However, one distinction is melodic motifs that tie the album into one cohesive whole: an ascending jazzy synth run (“Vast Black Claws Drag Her Back to Space,” “Metropolitan Warfare,” “Out of All the Years We’ve Come…”) and sanguine synth melodies (“The Second Piscean Abyss,” “Angels”). As always, this is communicated through the ebb and flow of three prongs of scathing second-wave blasting/tremolo/shrieking, lonely tremolo, and distorted vintage samples. This arsenal and dynamic are as intriguing as they are jarring, samples and melodies inviting comparisons to classic science fiction (“Vast Black Claws…,” “The Second Piscean Abyss”) and the roarin’ twenties worship of decopunk (“Breathe in the Fucking Sawdust and Die,” “Yes But Can a Camp Girl Do This”). The first act in particular utilizes a bombast of violent second-wave rawness in contrast with an over-the-top sample presence. A grandiosity pervades in a way that recalls predecessor V, but La Torture des Ténèbres‘ fuller sound adds to the assault – tinnitus is guaranteed.
The second half of Episode VII finds La Torture des Ténèbres taking risks – the samples are fewer, the melodies are far more tragic and empty, and there is rest to be found. The brutal mid-album climax in “The Second Piscean Abyss” allows for reinterpretation for “Metropolitan Warfare” and beyond, trademark and motifs carrying across in emptier and more tragic melodies and moments (i.e. the release of all sound but tinny tremolo and blastbeats in “Traditions” and total collapses into noise in “Out of All the Years…”). This reinforces the need for bulletproof songwriting rather than reliance on samples and jarring movements to do the heavy lifting, and JK is up to the task. “Angels” is placed perfectly, its minimalist, distorted, and aptly angelic sample providing rest for the weary ears – for the first time in La Torture des Ténèbres’ career.
La Torture des Ténèbres will not sway any naysayers of raw black or blackened noise. In fact, many will point to their ringing ears or pinched nerves2 and say “See??” after Episode VII concludes with the noise fadeout of “Out of All the Years…”. Those who are willing to endure will find treasures aplenty, an opus of hyper-atmospheric, excessively noisy, and endlessly tragic melodies and motifs. Episode VII – Revenge of Unfailing Valor sweeps you away to a universe yet to be explored; but even in the dead vacuum of space or within mankind’s hive-mind colonies, you can’t escape your humanity.
Rating: 4.0/5.0
DR: 4 | Format Reviewed: PCM
Label: Self-Released
Website: latorturedestenebres.bandcamp.com
Releases Worldwide: March 7th, 2025#2025 #40 #AmbientBlackMetal #AmbientNoise #AtmosphericBlackMetal #CanadianMetal #Chaosophia #EpisodeVIIRevengeOfUnfailingValor #LaTortureDesTénèbres #Mar25 #Noise #RawBlackMetal #Review #Reviews #SelfReleased
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Financial Times piece on $1.4 billion in shaky accounting on #Tesla’s books is… whoah.
Due to the reality of British libel laws and #ElonMusk’s propensity to sue his detractors i have to assume this is one of the most heavily legally vetted and fact checked things you will ever read. (Also not unreasonable to suspect there might be other tidbits of information the lawyers wouldn't sign off on being published - that happened a *lot* with FT's Wirecard investigation)
p.s. the FT reporter is #DanMcCrum, whose decade long crusade to take down the #Wirecard fraud is one of the more insane stories you can read on the subject of accounting based forensic journalism (McCrum wrote a book about the experience called “Money Men”). Trust me, it's more exciting than it sounds. There's Russian spies and shit.
* FT: https://www.ft.com/content/62df8d8d-31f2-445e-bfa2-c171ac43db6e
* no paywall: https://archive.ph/CqQ9W(h/t @Lazarou)
#FT #FTAlphaville #TSLA #TSLAQ #TeslaTakedown #uspol #eupol #DOGE
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Born Bigfoot Believers?
A review of Justin Barrett's book “Born Believers”, where he makes the claim that babies have an inborn propensity for gods.
#GodlessGranny #Religion #Atheism #Apologists #Theocracy #Christofascism
https://www.youtube.com/watch?v=mwRmVT2Wp-c -
A new ABC News/Ipsos poll finds Kamala Harris leading Donald Trump among likely voters nationally, 51% to 47%, “with some pro-Harris groups showing a bit more propensity to vote.”
Key takeaway: “Compared with earlier this month, Harris has regained a more customary Democratic advantage among Hispanic people and widened her advantage among suburban women, while remaining strong in core groups including Black people.”
#HarrisWalz #KamalaBringsUsJoy #NeverAgainTrump #VoteBlue #USPol
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"Donald Trump is increasingly unhinged and unstable, and in a second term people like John Kelly would not be there to be the guardrails against his propensities and his actions. Those who once tried to stop him from pursuing his worst impulses would no longer be there — and no longer be there to rein him in. So the bottom line is this, we know what Donald Trump wants. He wants unchecked power."
#KamalaHarris #Trump #JDVance #Republicans #fascism #JohnKelly
/27https://www.lawdork.com/p/kamala-harris-v-donald-trump-unchecked-power
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Tetracistronic #minigenomes elucidate a functional promoter for #Ghana virus and unveils #Cedar virus #replicase promiscuity for all #henipaviruses
Source: Journal of Virology, ABSTRACTBatborne henipaviruses, such as Nipah and Hendra viruses, represent a major threat to global health due to their propensity for spillover, severe pathogenicity, and high mortality rate in human hosts. Coupled with the absence of approved vaccines or therapeutics, work with the…
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Réécrire l'histoire du rugby fauteuil en 2 leçons : aujourd'hui, je vous parle d'un exemple subtil de l'hégémonie culturelle valide, et de sa propension à réécrire nos histoires, pour validifier les parasports (ici) et (plus généralement) effacer la culture handie.
https://cripamphibie.wordpress.com/2024/09/03/reecrire-lhistoire-du-rugby-fauteuil-en-2-lecons/
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No Man's Sky enfin platiné ! 💪
Reste à atteindre le centre de la Galaxie : Avec ma propension à tout explorer avec minutie, c'est loin d'être gagné...
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CW: UK Politics
New Survation MRP: Labour have a 99% chance to win more seats than 1997!
https://www.survation.com/survation-mrp-labour-99-certain-to-win-more-seats-than-in-1997/
LAB 484
CON 64
LD 61
SNP 10
RFM 7
PC 3
GRN 3Given the Tories' propensity for sexual impropriety and corruption, that's a mighty slim margin they'd have over the LibDems...
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Short- and long-term #neuropsychiatric outcomes in #longCOVID in South Korea and Japan https://www.nature.com/articles/s41562-024-01895-8 “Using exposure-driven propensity score matching, we found that both the short- and long-term risks of developing neuropsychiatric sequelae were elevated in the discovery cohort compared with the general population and those with another respiratory infection. (1/3)
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A friend noticed this new drum accessory set for R series droids. The description on the back says it includes an exclusive personality chip. Hope that doesn't mean it gives the droid the propensity to spontaneously combust. #DroidDepot #BlackSpireOutpost #GalaxysEdge #StarWarsGalaxysEdge #Batuu #Disneyland
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A friend noticed this new drum accessory set for R series droids. The description on the back says it includes an exclusive personality chip. Hope that doesn't mean it gives the droid the propensity to spontaneously combust. #DroidDepot #BlackSpireOutpost #GalaxysEdge #StarWarsGalaxysEdge #Batuu #Disneyland
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A friend noticed this new drum accessory set for R series droids. The description on the back says it includes an exclusive personality chip. Hope that doesn't mean it gives the droid the propensity to spontaneously combust. #DroidDepot #BlackSpireOutpost #GalaxysEdge #StarWarsGalaxysEdge #Batuu #Disneyland