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1000 results for “povable”
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Nuestros articuladores sociales de la @GDPTRUJILLO continúan con la distribución de agua potable a comunidades en los municipios Valera, Carvajal y centros de salud.
#20Nov #FANB #GNBEnTodoLosEspacios #InnovacionYSoberaniaTecnologica -
Ethereal Darkness – Echoes Review By Steel DruhmWay back in the year before the Great Plague, I took a chance and reviewed an unheralded, self-released album by a one-man band from Belgium called Ethereal Darkness. We received the promo from the AMG contact forms without fanfare or fluff, but what I heard on Smoke and Shadows really impressed me. Project mastermind Lars created a monumental slab of melancholic, melodic doom in the vein of Insomnium, Rapture, and Before the Dawn, and the material had depth, power, and gravitas. It seemed like the work of a seasoned and polished group of musicians despite some rough edges. The years have drifted by since that review, and I’d all but given up Ethereal Darkness for dead. Imagine my surprise when Lars reached out recently to alert me to the pending release of his second album, Echoes. 6 years on, the solo project is now a full-fledged band ready to tour in support of their latest release. And what a large release it is! At 60 minutes, Echoes takes the style from the debut and goes way bigger, with much longer compositions and greater ambition in the writing. If that’s not big enough, it also features cover art from Adam Burke and a production from Dan “The Fücking Man” Swanö!1 Is bigger better in this case? Can more really be MOAR? And how are these guys still unsigned?? These are the questions of our time.
It takes ample ballsack to open with a nearly 11-minute song, but Ethereal Darkness do just that with “Gone With the Tide.” If the atmosphere on Smoke and Shadows impressed you, this will knock you into the next multiverse. It’s an epic, sweeping tableau of massive melodoom that holds nothing back as it transports you to majestic forests and towering mountains of snow and ice. It recalls the best works of Be’lakor and Black Sun Aeon, but there’s plenty of Insomnium in the DNA too. The guitarwork is phenomenal, full of sadboi trilling and doomy weight. The death vocals by Lars are very effective, the clean singing by acoustic guitarist Brecht hits the right way, and the lapses into blastbeating blackness are well-timed adrenaline spikes. This is a stupendous song and one of the best so far this year, and it goes by in a flash despite its girth. “The Cycle” continues to maintain the sky-high quality. It’s like a crazy mash-up of Eneferens and modern Amorphis, and you should pay big money for such a potent potable. It’s the kind of song you get lost in and lose track of time, and when you write songs in the 8-10 minute window, this is essential.
Elsewhere, “Winter” moves toward more blackened environs, channeling Saor and Nechochwen as epic soundscapes are raised and explored. The guitars here are beautifully rendered, and it’s another triumph for this unheralded project. Equally monolithic is “On the Edge of the Cliff,” where the music turns more aggressive and urgent, merging black and melodeath idioms adroitly for maximum impact. There’s an epic Viking metal energy here that makes you want to conquer and rule the weak, and it feels dangerously powerful. Despite so much magnificent opulence and aural decadence, there are some weaker moments. “IV” is very, very good and hints at my beloved Rapture, but it ends up feeling too long at 9:45, and trimming it by a few minutes would have helped. Ginormous closer “Realization” runs over 13 minutes, and despite good to great moments throughout, it’s undone by its sheer width and breadth. In its final minutes, I find it increasingly difficult to stay locked in and attentive. At just over 60 minutes, Echoes can be a daunting listen due to its density and length, but the reward is well worth the effort. I can’t find fault with the Swanö-ified production, as everything sounds lush, gorgeous, and heavy without being loud or oppressive.
Lars handles guitar, bass, keyboards, and harsh vocals, and to say he did an amazing job across the board doesn’t begin to cover it. There are some big, emotional moments here courtesy of his 6-string heroics, referencing the works of Tuomas Saukkonen without imitating. His deep death roars punctuate the music with force, and his blackened cackles and screams pierce through like lasers. His restrained use of keyboards should be a case study for other acts in the genre. They add atmosphere but rarely rise out of the distant background. Becht provides soothing acoustic guitar passages and clean vocals that deliver pathos and emotion. Peter’s drumming is a vast improvement over the programmed percussion from the debut, imbuing the material with vibrancy and weight. Applause all around for this crew!
Echoes is a bigger, better album than Smoke and Shadows in every way, with several tracks worthy of Song o’ the Year consideration. The album length and the bloat on a few tracks hold it back from even greater heights, but just barely. This is a sumptuous feast for the ears and mind, and I get the feeling I’ll be spending a lot of time with this over the next few months. Ethereal Darkness are about to get a lot more attention in the metalverse, and they deserve it. Hear this massive monster or be a lesser mortal. Somebody better sign these guys toot-sweet!
Rating: 4.0/5.0
#2026 #40 #Amorphis #BeLakor #BeforeTheDawn #BelgianMetal #BlackMetal #DeathMetal #DoomMetal #Echoes #Eneferens #EtherealDarkness #Insomnium #Mar26 #MelodicDeathMetal #Nechochwen #Rapture #Review #Reviews #Saor #SelfRelase #SmokeAndShadows
DR: NA | Format Reviewed: WAV
Label: Self-Release
Websites: etherealdarkness.bandcamp.com | facebook.com/etherealplace | instagram.com/etherealdarknessband
Releases Worldwide: March 20th, 2026 -
Ethereal Darkness – Echoes Review By Steel DruhmWay back in the year before the Great Plague, I took a chance and reviewed an unheralded, self-released album by a one-man band from Belgium called Ethereal Darkness. We received the promo from the AMG contact forms without fanfare or fluff, but what I heard on Smoke and Shadows really impressed me. Project mastermind Lars created a monumental slab of melancholic, melodic doom in the vein of Insomnium, Rapture, and Before the Dawn, and the material had depth, power, and gravitas. It seemed like the work of a seasoned and polished group of musicians despite some rough edges. The years have drifted by since that review, and I’d all but given up Ethereal Darkness for dead. Imagine my surprise when Lars reached out recently to alert me to the pending release of his second album, Echoes. 6 years on, the solo project is now a full-fledged band ready to tour in support of their latest release. And what a large release it is! At 60 minutes, Echoes takes the style from the debut and goes way bigger, with much longer compositions and greater ambition in the writing. If that’s not big enough, it also features cover art from Adam Burke and a production from Dan “The Fücking Man” Swanö!1 Is bigger better in this case? Can more really be MOAR? And how are these guys still unsigned?? These are the questions of our time.
It takes ample ballsack to open with a nearly 11-minute song, but Ethereal Darkness do just that with “Gone With the Tide.” If the atmosphere on Smoke and Shadows impressed you, this will knock you into the next multiverse. It’s an epic, sweeping tableau of massive melodoom that holds nothing back as it transports you to majestic forests and towering mountains of snow and ice. It recalls the best works of Be’lakor and Black Sun Aeon, but there’s plenty of Insomnium in the DNA too. The guitarwork is phenomenal, full of sadboi trilling and doomy weight. The death vocals by Lars are very effective, the clean singing by acoustic guitarist Brecht hits the right way, and the lapses into blastbeating blackness are well-timed adrenaline spikes. This is a stupendous song and one of the best so far this year, and it goes by in a flash despite its girth. “The Cycle” continues to maintain the sky-high quality. It’s like a crazy mash-up of Eneferens and modern Amorphis, and you should pay big money for such a potent potable. It’s the kind of song you get lost in and lose track of time, and when you write songs in the 8-10 minute window, this is essential.
Elsewhere, “Winter” moves toward more blackened environs, channeling Saor and Nechochwen as epic soundscapes are raised and explored. The guitars here are beautifully rendered, and it’s another triumph for this unheralded project. Equally monolithic is “On the Edge of the Cliff,” where the music turns more aggressive and urgent, merging black and melodeath idioms adroitly for maximum impact. There’s an epic Viking metal energy here that makes you want to conquer and rule the weak, and it feels dangerously powerful. Despite so much magnificent opulence and aural decadence, there are some weaker moments. “IV” is very, very good and hints at my beloved Rapture, but it ends up feeling too long at 9:45, and trimming it by a few minutes would have helped. Ginormous closer “Realization” runs over 13 minutes, and despite good to great moments throughout, it’s undone by its sheer width and breadth. In its final minutes, I find it increasingly difficult to stay locked in and attentive. At just over 60 minutes, Echoes can be a daunting listen due to its density and length, but the reward is well worth the effort. I can’t find fault with the Swanö-ified production, as everything sounds lush, gorgeous, and heavy without being loud or oppressive.
Lars handles guitar, bass, keyboards, and harsh vocals, and to say he did an amazing job across the board doesn’t begin to cover it. There are some big, emotional moments here courtesy of his 6-string heroics, referencing the works of Tuomas Saukkonen without imitating. His deep death roars punctuate the music with force, and his blackened cackles and screams pierce through like lasers. His restrained use of keyboards should be a case study for other acts in the genre. They add atmosphere but rarely rise out of the distant background. Becht provides soothing acoustic guitar passages and clean vocals that deliver pathos and emotion. Peter’s drumming is a vast improvement over the programmed percussion from the debut, imbuing the material with vibrancy and weight. Applause all around for this crew!
Echoes is a bigger, better album than Smoke and Shadows in every way, with several tracks worthy of Song o’ the Year consideration. The album length and the bloat on a few tracks hold it back from even greater heights, but just barely. This is a sumptuous feast for the ears and mind, and I get the feeling I’ll be spending a lot of time with this over the next few months. Ethereal Darkness are about to get a lot more attention in the metalverse, and they deserve it. Hear this massive monster or be a lesser mortal. Somebody better sign these guys toot-sweet!
Rating: 4.0/5.0
#2026 #40 #Amorphis #BeLakor #BeforeTheDawn #BelgianMetal #BlackMetal #DeathMetal #DoomMetal #Echoes #Eneferens #EtherealDarkness #Insomnium #Mar26 #MelodicDeathMetal #Nechochwen #Rapture #Review #Reviews #Saor #SelfRelase #SmokeAndShadows
DR: NA | Format Reviewed: WAV
Label: Self-Release
Websites: etherealdarkness.bandcamp.com | facebook.com/etherealplace | instagram.com/etherealdarknessband
Releases Worldwide: March 20th, 2026 -
Ethereal Darkness – Echoes Review By Steel DruhmWay back in the year before the Great Plague, I took a chance and reviewed an unheralded, self-released album by a one-man band from Belgium called Ethereal Darkness. We received the promo from the AMG contact forms without fanfare or fluff, but what I heard on Smoke and Shadows really impressed me. Project mastermind Lars created a monumental slab of melancholic, melodic doom in the vein of Insomnium, Rapture, and Before the Dawn, and the material had depth, power, and gravitas. It seemed like the work of a seasoned and polished group of musicians despite some rough edges. The years have drifted by since that review, and I’d all but given up Ethereal Darkness for dead. Imagine my surprise when Lars reached out recently to alert me to the pending release of his second album, Echoes. 6 years on, the solo project is now a full-fledged band ready to tour in support of their latest release. And what a large release it is! At 60 minutes, Echoes takes the style from the debut and goes way bigger, with much longer compositions and greater ambition in the writing. If that’s not big enough, it also features cover art from Adam Burke and a production from Dan “The Fücking Man” Swanö!1 Is bigger better in this case? Can more really be MOAR? And how are these guys still unsigned?? These are the questions of our time.
It takes ample ballsack to open with a nearly 11-minute song, but Ethereal Darkness do just that with “Gone With the Tide.” If the atmosphere on Smoke and Shadows impressed you, this will knock you into the next multiverse. It’s an epic, sweeping tableau of massive melodoom that holds nothing back as it transports you to majestic forests and towering mountains of snow and ice. It recalls the best works of Be’lakor and Black Sun Aeon, but there’s plenty of Insomnium in the DNA too. The guitarwork is phenomenal, full of sadboi trilling and doomy weight. The death vocals by Lars are very effective, the clean singing by acoustic guitarist Brecht hits the right way, and the lapses into blastbeating blackness are well-timed adrenaline spikes. This is a stupendous song and one of the best so far this year, and it goes by in a flash despite its girth. “The Cycle” continues to maintain the sky-high quality. It’s like a crazy mash-up of Eneferens and modern Amorphis, and you should pay big money for such a potent potable. It’s the kind of song you get lost in and lose track of time, and when you write songs in the 8-10 minute window, this is essential.
Elsewhere, “Winter” moves toward more blackened environs, channeling Saor and Nechochwen as epic soundscapes are raised and explored. The guitars here are beautifully rendered, and it’s another triumph for this unheralded project. Equally monolithic is “On the Edge of the Cliff,” where the music turns more aggressive and urgent, merging black and melodeath idioms adroitly for maximum impact. There’s an epic Viking metal energy here that makes you want to conquer and rule the weak, and it feels dangerously powerful. Despite so much magnificent opulence and aural decadence, there are some weaker moments. “IV” is very, very good and hints at my beloved Rapture, but it ends up feeling too long at 9:45, and trimming it by a few minutes would have helped. Ginormous closer “Realization” runs over 13 minutes, and despite good to great moments throughout, it’s undone by its sheer width and breadth. In its final minutes, I find it increasingly difficult to stay locked in and attentive. At just over 60 minutes, Echoes can be a daunting listen due to its density and length, but the reward is well worth the effort. I can’t find fault with the Swanö-ified production, as everything sounds lush, gorgeous, and heavy without being loud or oppressive.
Lars handles guitar, bass, keyboards, and harsh vocals, and to say he did an amazing job across the board doesn’t begin to cover it. There are some big, emotional moments here courtesy of his 6-string heroics, referencing the works of Tuomas Saukkonen without imitating. His deep death roars punctuate the music with force, and his blackened cackles and screams pierce through like lasers. His restrained use of keyboards should be a case study for other acts in the genre. They add atmosphere but rarely rise out of the distant background. Becht provides soothing acoustic guitar passages and clean vocals that deliver pathos and emotion. Peter’s drumming is a vast improvement over the programmed percussion from the debut, imbuing the material with vibrancy and weight. Applause all around for this crew!
Echoes is a bigger, better album than Smoke and Shadows in every way, with several tracks worthy of Song o’ the Year consideration. The album length and the bloat on a few tracks hold it back from even greater heights, but just barely. This is a sumptuous feast for the ears and mind, and I get the feeling I’ll be spending a lot of time with this over the next few months. Ethereal Darkness are about to get a lot more attention in the metalverse, and they deserve it. Hear this massive monster or be a lesser mortal. Somebody better sign these guys toot-sweet!
Rating: 4.0/5.0
#2026 #40 #Amorphis #BeLakor #BeforeTheDawn #BelgianMetal #BlackMetal #DeathMetal #DoomMetal #Echoes #Eneferens #EtherealDarkness #Insomnium #Mar26 #MelodicDeathMetal #Nechochwen #Rapture #Review #Reviews #Saor #SelfRelase #SmokeAndShadows
DR: NA | Format Reviewed: WAV
Label: Self-Release
Websites: etherealdarkness.bandcamp.com | facebook.com/etherealplace | instagram.com/etherealdarknessband
Releases Worldwide: March 20th, 2026 -
Ethereal Darkness – Echoes Review By Steel DruhmWay back in the year before the Great Plague, I took a chance and reviewed an unheralded, self-released album by a one-man band from Belgium called Ethereal Darkness. We received the promo from the AMG contact forms without fanfare or fluff, but what I heard on Smoke and Shadows really impressed me. Project mastermind Lars created a monumental slab of melancholic, melodic doom in the vein of Insomnium, Rapture, and Before the Dawn, and the material had depth, power, and gravitas. It seemed like the work of a seasoned and polished group of musicians despite some rough edges. The years have drifted by since that review, and I’d all but given up Ethereal Darkness for dead. Imagine my surprise when Lars reached out recently to alert me to the pending release of his second album, Echoes. 6 years on, the solo project is now a full-fledged band ready to tour in support of their latest release. And what a large release it is! At 60 minutes, Echoes takes the style from the debut and goes way bigger, with much longer compositions and greater ambition in the writing. If that’s not big enough, it also features cover art from Adam Burke and a production from Dan “The Fücking Man” Swanö!1 Is bigger better in this case? Can more really be MOAR? And how are these guys still unsigned?? These are the questions of our time.
It takes ample ballsack to open with a nearly 11-minute song, but Ethereal Darkness do just that with “Gone With the Tide.” If the atmosphere on Smoke and Shadows impressed you, this will knock you into the next multiverse. It’s an epic, sweeping tableau of massive melodoom that holds nothing back as it transports you to majestic forests and towering mountains of snow and ice. It recalls the best works of Be’lakor and Black Sun Aeon, but there’s plenty of Insomnium in the DNA too. The guitarwork is phenomenal, full of sadboi trilling and doomy weight. The death vocals by Lars are very effective, the clean singing by acoustic guitarist Brecht hits the right way, and the lapses into blastbeating blackness are well-timed adrenaline spikes. This is a stupendous song and one of the best so far this year, and it goes by in a flash despite its girth. “The Cycle” continues to maintain the sky-high quality. It’s like a crazy mash-up of Eneferens and modern Amorphis, and you should pay big money for such a potent potable. It’s the kind of song you get lost in and lose track of time, and when you write songs in the 8-10 minute window, this is essential.
Elsewhere, “Winter” moves toward more blackened environs, channeling Saor and Nechochwen as epic soundscapes are raised and explored. The guitars here are beautifully rendered, and it’s another triumph for this unheralded project. Equally monolithic is “On the Edge of the Cliff,” where the music turns more aggressive and urgent, merging black and melodeath idioms adroitly for maximum impact. There’s an epic Viking metal energy here that makes you want to conquer and rule the weak, and it feels dangerously powerful. Despite so much magnificent opulence and aural decadence, there are some weaker moments. “IV” is very, very good and hints at my beloved Rapture, but it ends up feeling too long at 9:45, and trimming it by a few minutes would have helped. Ginormous closer “Realization” runs over 13 minutes, and despite good to great moments throughout, it’s undone by its sheer width and breadth. In its final minutes, I find it increasingly difficult to stay locked in and attentive. At just over 60 minutes, Echoes can be a daunting listen due to its density and length, but the reward is well worth the effort. I can’t find fault with the Swanö-ified production, as everything sounds lush, gorgeous, and heavy without being loud or oppressive.
Lars handles guitar, bass, keyboards, and harsh vocals, and to say he did an amazing job across the board doesn’t begin to cover it. There are some big, emotional moments here courtesy of his 6-string heroics, referencing the works of Tuomas Saukkonen without imitating. His deep death roars punctuate the music with force, and his blackened cackles and screams pierce through like lasers. His restrained use of keyboards should be a case study for other acts in the genre. They add atmosphere but rarely rise out of the distant background. Becht provides soothing acoustic guitar passages and clean vocals that deliver pathos and emotion. Peter’s drumming is a vast improvement over the programmed percussion from the debut, imbuing the material with vibrancy and weight. Applause all around for this crew!
Echoes is a bigger, better album than Smoke and Shadows in every way, with several tracks worthy of Song o’ the Year consideration. The album length and the bloat on a few tracks hold it back from even greater heights, but just barely. This is a sumptuous feast for the ears and mind, and I get the feeling I’ll be spending a lot of time with this over the next few months. Ethereal Darkness are about to get a lot more attention in the metalverse, and they deserve it. Hear this massive monster or be a lesser mortal. Somebody better sign these guys toot-sweet!
Rating: 4.0/5.0
#2026 #40 #Amorphis #BeLakor #BeforeTheDawn #BelgianMetal #BlackMetal #DeathMetal #DoomMetal #Echoes #Eneferens #EtherealDarkness #Insomnium #Mar26 #MelodicDeathMetal #Nechochwen #Rapture #Review #Reviews #Saor #SelfRelase #SmokeAndShadows
DR: NA | Format Reviewed: WAV
Label: Self-Release
Websites: etherealdarkness.bandcamp.com | facebook.com/etherealplace | instagram.com/etherealdarknessband
Releases Worldwide: March 20th, 2026 -
D'après Hadeel, l'hôpital de #MSF le plus proche serait à au moins trois quart d'heure en voiture. Faute de moyen de déplacement et de pouvoir les faire venir, et dans l'attente de trouver une solution, elle a besoin de se fournir en médicaments capables de traiter la diarrhée et faire face aux douleurs. Ainsi qu'en eau potable en quantité suffisante pour faire face à la déshydratation.
Pouvez-vous svp partager ce message voire faire un don svp ? :boost_request: 🇵🇸🕊️🙏
Voici le lien de sa cagnotte, tout montant accepté
https://chuffed.org/project/177026-help-hadeels-family-survive-in-gaza2/2
#MutualAidRequest #EmergencyMed #Gaza #HelpGaza #SaveAChild
@aral @gazaverified @simon_brooke -
La presse régionale encense des agriculteurs ayant déversé du lisier tout près de gens du voyage qui ce sont installés sur un terrain privé, faute d'avoir un terrain public potable.
Maintenant, imaginez ce qu'il se passerait s'ils déversaient du lisier devant l'ambassade d'Israel pour protester contre le génocide en cours.
Voilà, c'est ça, la différence entre racisme et privilège.
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📣 We’re expanding.
To reach more of the #Fediverse and engage with #AI, #Privacy, and #Security voices outside the infosec world, you can now also find us at:
👉 @confsecSame mission. Same stance:
🔐 Provable privacy
🚫 No visibility, no retention
✅ Built for compliance, AI, and trust#CyberSecurity #AIPrivacy #PrivateAI #LLM #SecurityEngineering #DataPrivacy
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Oh, the joys of modern journalism: an article about stinky babies, but first, let's talk about your browser settings! 🙄 Because apparently, enabling #JavaScript is the key to solving all parental #woes. 🍼💻
https://www.worksinprogress.news/p/how-disposable-diapers-conquered #modernjournalism #stinkybabies #parenting #browsersettings #HackerNews #ngated -
“Le lendemain, le 12 février,
un texte de loi visant l’interdiction des pesticides autour des aires de captage d’eau potable sera examiné.
« Cette mesure constitue un levier majeur de protection de l’environnement et de la santé publique et permet d’alléger les communes des charges exorbitantes pour dépolluer l’eau destinée à la consommation », soulignent également les organisations.”
#Pesticides #DirectAN #Duplomb #Oupas
https://basta.media/non-a-une-loi-duplomb-2-la-carte-des-mobilisations-dans-toute-la-france
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Pollution aux hydrocarbures dans un réservoir d’eau : en Bretagne romantique, la préfecture
Quatre communes, soit environ 2 500 personnes, sont encore privées d’eau potable, ce mercredi 25 mars 2026. La…
#Rennes #FR #France #Actu #News #Europe #EU #actu #Actualités #appelle #bretagne #eau #europe #hydrocarbures #Pollution #préfecture #redon #Républiquefrançaise #réservoir #romantique #Vigilance
https://www.europesays.com/fr/824197/ -
Université de Fribourg : le taux de TFA dans le vin monte en flèche depuis 2000 — jusqu'à 300 µg/l. Même les vins bio sont touchés via la pluie et les sols. 42 des 46 échantillons d'eau potable allemands : PFAS positifs. L'UBA allemand classe le TFA comme reprotoxique : « peut nuire à l'enfant à naître. » Une fois dans le sol — pour toujours.
https://www.pharmazeutische-chemie.uni-freiburg.de/de/mueller/tfa-im-interreg-projekt-reactivecity
#PFAS #TFA #Vin #Pesticides #ChimiquesÉternelles -
Université de Fribourg : le taux de TFA dans le vin monte en flèche depuis 2000 — jusqu'à 300 µg/l. Même les vins bio sont touchés via la pluie et les sols. 42 des 46 échantillons d'eau potable allemands : PFAS positifs. L'UBA allemand classe le TFA comme reprotoxique : « peut nuire à l'enfant à naître. » Une fois dans le sol — pour toujours.
https://www.pharmazeutische-chemie.uni-freiburg.de/de/mueller/tfa-im-interreg-projekt-reactivecity
#PFAS #TFA #Vin #Pesticides #ChimiquesÉternelles -
Some facts on #worldwaterday
●Women and girls in #Gaza spend an average of 6-8 hours a day on a gruelling and humiliating journey to fetch a few litres of water.
●land The average Gazan receives 3-15 liters of water per day (mostly brackish water), while the per capita share of potable water does not exceed 2 liters, which is less than 15% of the minimum standard according to World #Health Organization standards.
https://chuffed.org/project/help-mai-and-the-gaza-camp-kids
#worldwaterday2026 #gazagenocide #palestine #war #ww3 -
Policías reprimen protesta vecinal en Chimalhuacán
El gobierno municipal encabezado por Xóchitl Flores no emitió un posicionamiento sobre las denuncias vecinales. Los habitantes reiteraron la exigencia de obras y suministro constante de agua potable.
Por Mireya Estrada | Corresponsal
Habitantes de Chimalhuacán realizaron una manifestación para exigir obras y servicios básicos al gobierno municipal encabezado por Xóchitl Flores. Los vecinos denunciaron falta de agua potable y drenaje en distintas colonias del municipio mexiquense. Durante la protesta, elementos de la policía municipal realizaron acciones de contención y detuvieron a un dirigente social.
Los inconformes pertenecen a los barrios Hojalateros, Curtidores y San Pedro, donde reportaron meses sin suministro regular de agua. Ante el desabasto, las familias recurrieron a la compra de pipas particulares para cubrir necesidades básicas. Los vecinos señalaron que el costo del servicio afectó la economía de numerosos hogares.
Protesta por servicios
La movilización se concentró en las inmediaciones del ayuntamiento de Chimalhuacán. Los manifestantes realizaron bloqueos intermitentes sobre la Avenida del Peñón para exigir atención de las autoridades municipales. Las afectaciones viales provocaron tránsito lento en distintos puntos de la zona.
Durante la protesta, policías municipales desplegaron un operativo para controlar la concentración ciudadana. Videos difundidos en redes sociales mostraron forcejeos entre uniformados y manifestantes. Algunos participantes denunciaron actos de represión durante la movilización.
El dirigente antorchista Antonio Zacarías fue detenido durante la mañana del miércoles 13 de mayo. Las autoridades municipales lo acusaron de intentar colocar una manta en un puente peatonal. También señalaron una presunta agresión contra un elemento policiaco. –sn–
Policia municial¡Conéctate con Sociedad Noticias! Suscríbete a nuestro canal de YouTube y activa las notificaciones, o bien, síguenos en las redes sociales: Facebook, Twitter e Instagram.
También, te invitamos a que te sumes a nuestro canal de información en tiempo real a través de Telegram.
#NoticiasMX #PeriodismoParaTi #PeriodismoParaTiSociedadNoticias #aguaPotableEdomex #AntonioZacarías #AntorchaCampesina #AvenidaDelPeñón #bloqueosChimalhuacán #Cdmx #Chimalhuacán #desabastoDeAgua #drenajeChimalhuacán #EdomexNoticias #faltaDeAguaChimalhuacán #Información #InformaciónMéxico #México #Morena #noticia #noticias #NoticiasMéxico #NoticiasSociedad #policíaMunicipalChimalhuacán #protestaEnChimalhuacán #protestaVecinal #SeciedadNoticiasCom #SN #Sociedad #SociedadNoticias #SociedadNoticiasCom #sociedadNoticias #SociedadNoticiasCom #XóchitlFlores -
Modeling Future Land Cover And Water Quality Change In Minneapolis, MN, USA To Support Drinking Water Source Protection Decisions
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https://doi.org/10.1111/1752-1688.13109 <-- shared paper
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#GIS #spatial #mapping #remotesensing #earthobservation #landsat #fedscience #landuse #landcover #waterquality #model #modeling #spatialanalysis #spatiotemporal #NLCD #Minneapolis #MississippiR #water #hydrology #watersecurity #waterresources #nitrates #phosphorus #cyanotoxins #Minnesota #trees #agriculture #pesticides #fertiliser #farming #potable #runoff #farming #FORESCE #urbanisation #urban #headwater #watershed #planning #urbanplanning #management #nitrogencycle #soil #watertreatment #sediment -
CAG report says Haryana spent ₹1.22 crore on water purifiers for Anganwadi play schools without water tanks or electricity, leaving 2,511 units non-functional and potable water goal unmet. https://english.mathrubhumi.com/news/india/cag-haryana-water-purifiers-unfruitful-expenditure-anganwadi-play-schools-tmzl3n1r?utm_source=dlvr.it&utm_medium=mastodon #CAGReport #Haryana #Anganwadi #PublicSpending #AuditFindings
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@gerrymcgovern #negativeexternalities should be addressed in the contract. We give you potable water, you return potable water. If not, penalty scheme.
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Llevo seis horas en la aventura gráfica de #BROK the InvestiGator. Me está gustando. No tiene rompecabezas locos y la historia está potable. E incluso a veces te permite avanzar a hostias. Cosa que mola tela.
Los logros o no funcionan o #Comet no "cachea" los logros al estar sin conexión y se pierden. Una pena. Me gusta tener logros.
https://www.gog.com/u/trinukso/game/1252694989?sort=user_unlock_date&sort_user_id=53185467804098978
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Llevo seis horas en la aventura gráfica de #BROK the InvestiGator. Me está gustando. No tiene rompecabezas locos y la historia está potable. E incluso a veces te permite avanzar a hostias. Cosa que mola tela.
Los logros o no funcionan o #Comet no "cachea" los logros al estar sin conexión y se pierden. Una pena. Me gusta tener logros.
https://www.gog.com/u/trinukso/game/1252694989?sort=user_unlock_date&sort_user_id=53185467804098978
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Llevo seis horas en la aventura gráfica de #BROK the InvestiGator. Me está gustando. No tiene rompecabezas locos y la historia está potable. E incluso a veces te permite avanzar a hostias. Cosa que mola tela.
Los logros o no funcionan o #Comet no "cachea" los logros al estar sin conexión y se pierden. Una pena. Me gusta tener logros.
https://www.gog.com/u/trinukso/game/1252694989?sort=user_unlock_date&sort_user_id=53185467804098978
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Llevo seis horas en la aventura gráfica de #BROK the InvestiGator. Me está gustando. No tiene rompecabezas locos y la historia está potable. E incluso a veces te permite avanzar a hostias. Cosa que mola tela.
Los logros o no funcionan o #Comet no "cachea" los logros al estar sin conexión y se pierden. Una pena. Me gusta tener logros.
https://www.gog.com/u/trinukso/game/1252694989?sort=user_unlock_date&sort_user_id=53185467804098978
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Llevo seis horas en la aventura gráfica de #BROK the InvestiGator. Me está gustando. No tiene rompecabezas locos y la historia está potable. E incluso a veces te permite avanzar a hostias. Cosa que mola tela.
Los logros o no funcionan o #Comet no "cachea" los logros al estar sin conexión y se pierden. Una pena. Me gusta tener logros.
https://www.gog.com/u/trinukso/game/1252694989?sort=user_unlock_date&sort_user_id=53185467804098978
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je partage parce que j'étais en grosse galère de flotte et cette app m'a trouvé un point d'eau potable public EN FONCTIONNEMENT (la nuance est importante, la plupart indiquent généralement des trucs condamnés) 👌
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📢 Message de Standing-together (Israël) diffusé sur #bluesky le (2025-07-16)
- https://bsky.app/profile/standing-together.bsky.social/post/3lu3pqkk6cs2k
# 1/3
L'équivalent d'une salle de classe remplie d'enfants est tué à Gaza par l'armée israélienne chaque jour, selon l'UNRWA.
Aucun enfant ne devrait avoir à vivre cela.
Cela ne doit jamais devenir normal.
# 2/3
Des enfants tués alors qu'ils s'abritaient dans des salles de classe, alors qu'ils fuyaient avec leurs familles, dans leur sommeil, de faim alors que la nourriture et le lait maternisé viennent à manquer, de maladie alors que l'aide médicale est bloquée et que les hôpitaux s'effondrent.
# 3/3
Les enfants de Gaza sont des enfants.
Ils méritent la même chose que les enfants partout dans le monde.
Ils méritent de la nourriture, de l'eau potable, un abri, de la chaleur, de la sécurité, une éducation, des jeux, de la joie et le droit à leur propre avenir.
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# English version# 1/3
The equivalent of a classroom full of children are killed in Gaza by the Israeli military each day, according to UNRWA.
No child should have to live through this. It must never become normal.
# 2/3
Children killed while sheltering in classrooms, while fleeing with their families, in their sleep, from hunger as food and baby formula run out, from disease as medical aid is blocked and hospitals collapse
# 3/3
The children of Gaza are children. They deserve the same as children anywhere in the world.
They deserve food, clean water, shelter, warmth, safety, education, play, joy, and the right to their own futures.
#Gaza #enfants #CrimesDeGuerre #Meurtres #StandingTogerther #FoST
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AyA suspende temporalmete trabajos de interconexión en San Ramón
AyA suspende temporalmete trabajos de interconexión en San Ramón
San José, 29 abr (elmundo.cr) – Vecinos y vecinas de este cantón fueron informados sobre la suspensión temporal de los trabajos de interconexión de agua potable, tras una situación registrada el pasado martes que generó preocupación en la comunidad. De acuerdo con el comunicado emitido por la Instituto [...]#Agua #AyA #Municipales #SanRamón
https://elmundo.cr/municipales/aya-suspende-temporalmete-trabajos-de-interconexion-en-san-ramon/
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Avería en tanque agrava cortes de agua en San Ramón
Avería en tanque agrava cortes de agua en San Ramón
Alajuela, 28 abr (elmundo.cr) – Vecinos y vecinas de San Juan de San Ramón enfrentan una nueva afectación en el servicio de agua potable luego de que, la tarde de ayer, se registrara una avería en la válvula de entrada del tanque Las Juntas, situación que se suma a varios días consecutivos de interrupcione [...]#AbastecimientoDeAgua #Agua #AyA #Municipales #SanRamón
https://elmundo.cr/municipales/averia-en-tanque-agrava-cortes-de-agua-en-san-ramon/
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Sin mostrar datos, Salud y AyA niegan contaminación con coliformes en acueductos rurales de Asadas
El director del Área Química en Agua Potable del AyA dijo a UNIVERSIDAD que el informe de calidad del agua que hizo el AyA a 500 Asadas en 2025 aún no está listo.
La entrada Sin mostrar datos, Salud y AyA niegan contaminación [...]#AcueductosRurales #Agua #Asadas #AyA #ColiformesFecales #Contaminación #LaboratorioNacionalAguas #MaryMunive #MinisterioDeSalud #País #Salud
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Sin mostrar datos, Salud y AyA niegan contaminación con coliformes en acueductos rurales de Asadas
El director del Área Química en Agua Potable del AyA dijo a UNIVERSIDAD que el informe de calidad del agua que hizo el AyA a 500 Asadas en 2025 aún no está listo.
La entrada Sin mostrar datos, Salud y AyA niegan contaminación [...]#AcueductosRurales #Agua #Asadas #AyA #ColiformesFecales #Contaminación #LaboratorioNacionalAguas #MaryMunive #MinisterioDeSalud #País #Salud
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Sin mostrar datos, Salud y AyA niegan contaminación con coliformes en acueductos rurales de Asadas
El director del Área Química en Agua Potable del AyA dijo a UNIVERSIDAD que el informe de calidad del agua que hizo el AyA a 500 Asadas en 2025 aún no está listo.
La entrada Sin mostrar datos, Salud y AyA niegan contaminación [...]#AcueductosRurales #Agua #Asadas #AyA #ColiformesFecales #Contaminación #LaboratorioNacionalAguas #MaryMunive #MinisterioDeSalud #País #Salud