Amsterdam – Meermontkade - Elements Toren
https://kamafotos.nl/2026/10/01/amsterdam-meermontkade/
#kamafotos #photography #architecture #35mm #VoigtlanderBessaT #Voigtlander21mm
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313 results for “ams”
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Amsterdam – Sarphatistraat - Amstelhotel
https://kamafotos.nl/2026/07/21/amsterdam-sarphatistraat-33/
#kamafotos #photography #architecture #35mm #VoigtlanderBessaT #Voigtlander21mm -
This little truck was pretty cute, though. (One of many trucks and cars parked on the sidewalk.)
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Amsterdam: Lots of beautiful buildings, but trash and cigarette butts _everywhere_!
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Amsterdam Marathon krijgt vrouwenveld vol wereldklasse: https://shorturl.at/LsF9b
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📰 Holocaust-overlevende Irene Butter overleden, zag Anne Frank in Bergen-Belsen
https://nieuwsjunkies.nl/artikel/1T7S
🕓 15:48 | RTL Nieuws
🔸 #AnneFrank #Holocaust #Deportatie #WOII #Amsterdam -
El Al Flight 1862: The Bijlmer Disaster of 1992
Share this story Thirty-four years ago tonight, a little after half past six, a Boeing 747 freighter fell…
#Netherlands #Nederland #NL #Europe #Europa #EU #Amsterdam
https://www.europesays.com/netherlands/51683/ -
El Al Flight 1862: The Bijlmer Disaster of 1992
Comparte esta historia Thirty-four years ago tonight, a little after half past six, a Boeing 747 freighter fell…
#Netherlands #Nederland #NL #Europe #Europa #EU #Amsterdam
https://www.europesays.com/netherlands/51679/ -
Amsterdam sociology students told to ditch laptops, take notes by hand over ‘mass distraction’
Students in the University of Amsterdam’s interdisciplinary social science program are being told to leave laptops, tablets, and…
#Netherlands #Nederland #NL #Europe #Europa #EU #Amsterdam #BanNews #Business #GoodNews #Home #Instagram #YahooNews
https://www.europesays.com/netherlands/51665/ -
Bubble Ghost (2026) by kirby2000 for Amstrad CPC. A fan conversion of the 1990 Game Boy puzzler: you're a ghost who can't touch the bubble, only blow it through 35 haunted halls. Snuff candles, dodge spikes and fans. 👻
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Breaking #KDE news:
Famed Reptile Mascot #Konqi Receives Headpats After Two Days Trapped in The Dimension of Airport Baggage Belts, Reportedly Requests Trip Around #Amsterdam As Compensation for Some Reason
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Bubble Ghost - A fan conversion of the 1990 Game Boy game for the Amstrad 6128 by Kirby2000
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📰 Vandaag helemaal geen treinen op Amsterdam Centraal, morgen minder treinen
https://nieuwsjunkies.nl/artikel/1T0U
🕕 06:06 | NOS Nieuws
🔸 #ProRail #Trein #Tunnel #Amsterdam #Station -
Yeko Ono? (NL) + BEP (NL) + The Vulgarettes (NL)
The Cave, Saturday, October 10 at 09:30 PM GMT+2
Yeko Ono? (NL)
Sat October 10, 2026 starts at 23:30
Yeko Ono? is a post-punk noise-rock indie band that embodies the raw energy and experimental drive of their influences, The members were previously part of Amsterdam's vibrant underground music scene in bands such as Makazoruki and Punk Panters Inc.BEP (NL)
Sat October 10, 2026 starts at 22:30
The National Pop Institute described BEP as an "Amsterdam-based power trio producing tight noise, punk-pop, and (jazz) rock in the tradition of bands like NoMeansNo, Victims Family, and Firehose."The Vulgarettes (NL)
Sat October 10, 2026 starts at 21:30
The Vulgarettes is an old-school, flamboyant "grrrl punk" and garage rock bandhttps://offbeat.amsterdam/event/yeko-ono-nl-bep-nl-the-vulgarettes-nl
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Pra Gira Girar—A Celebration of Os Tincoãs
Teatro Munganga, Saturday, November 7 at 08:00 PM GMT+1
Pra Girar Girar are Alvaro Lancellotti, Michele Leal, and Alan de Deus on vocals, Pedro Costa on guitar, Kassin on bass, Zé Manoel on piano and vocals, Zero Telles (in memoriam) and Anna Magalhães on percussion, and Diogo Gomes on trumpet. The project came about from Alvaro Lancellotti’s long-standing admiration for the work of Os Tincoãs and his wish to create a live show celebrating the legendary trio. “The idea was to create a show that could introduce the younger generation to the work of the Bahian group”, says Alvaro Lancellotti. Their shows drew the attention of producer Mario Caldato Jr. and artistic director Samantha Caldato who suggested recording an album for their label Amor in Sound. The single very much follows in the steps of Os Tincoãs with its close harmonic spaces and Afro-Brazilian chants that made their music so innovative and special. Os Tincoãs
They were a Brazilian popular music group from Bahia, primarily active in the 1960s and 1970s. The music of Os Tincoãs was heavily influenced by Bahia's Candomblé culture and tradition. The Tincoãs brought together religious chants, gods, orixás and sambas de roda, reinforcing Afro-Brazilian heritage. About the founders
Mateus Aleluia (83 years old) is still very active in singing and songwriting. In 2017 he released "Fogueira Doce", a new album produced independently.
Another 'Tincoã' is Badu (76 years old), who joined Os Tincoãs in 1975 remaining till 1983.
Dadinho died in Luanda, Angola in 2000, where he had opened a bakery. The New York Times about Pra Gira Girar:
"What if a collective of renowned musicians decided to reimagine the songbook of Brazil’s most
beloved vocal group? And in the process created a record rooted in Afro-Brazilian tradition that
sounds thoroughly contemporary and original?That is the story of Pra Gira Girar—A Celebration of Os Tincoãs. Born of love and reverence for
Bahia’s legendary trio, Os Tincoãs, this studio project reimagines their music for today’s audiences.
In the 1970s, Os Tincoãs combined chants from the Candomblé and Umbanda religions with intricate
vocal arrangements and unearthly close harmonies, creating some of the most important recordings
in the history of Brazilian popular music.Inspired by historic LPs, four singer-songwriters—Alvaro Lancellotti, Michele Leal, Alan de
Pra Gira Girar, A Celebration of Os Tincoãs is an emotionally charged exploration of Afro-Brazilian music and spirituality by a group that sounds like no one else". Alex Halberstadt
Deus, Zé Manoel and guitarist Pedro Costa —formed Pra Girar Gira in 2025.
Together with a group of outstanding instrumentalists and producers Kassin and Mario Caldato Jr. they transform classic songs like "Atabaque Chora", "Cordeiro de Nanã" and “Na Beira do Mar” by weaving in
modern basslines, vibrant horn sections, and expanded percussion.Reviews
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https://offbeat.amsterdam/event/pra-gira-girara-celebration-of-os-tincoas
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Gazing into the Abyss
OT301, Thursday, November 26 at 07:30 PM GMT+1
Genre: Doom, shoegaze, noise
Line up: Hidden Since the Foundation of the World, Crashing, Farer
Open: 19:30 - 01:00 hrs
Tickets: € 10A night of doom + shoegaze + noise
Hidden Since the Foundation of the World · Crashing · FarerThe abyss is loud, and it gazes back.
A night of loud and heavy music at OT301 with bands from across the Dutch underground, each arriving from a different direction. Farer build doom out of two bass guitars, no guitar, and a voice used as a primal scream. Crashing play reverb-soaked shoegaze and alt-rock in the spirit of Dinosaur Jr. and My Bloody Valentine. Hidden Since the Foundation of the World sit in between: electric violin, fuzz and feedback, somewhere between early Sabbath and spaced-out noise, inside a wall of fog.
Slow where it needs to be, loud throughout. Three bands from 20:00, finished by 23:00. Entry €10.
Bring earplugs.
ArtistsHidden Since the Foundation of the World
Neo-psychedelic doom — Amsterdam, NL
Hidden Since the Foundation of the World began, fittingly, at an academic panel on exorcism, where founding members Blev Lavoux (vocals, violin) and Joel Bordeaux (guitar, electronics) first met. By 2025 the two Americans had added a Dutch rhythm section — Ivar van der Heijden (bass) and Kareem de Vries (drums) — in Amsterdam, and built something that refuses to sit still inside doom: electric violin, fuzz and feedback pulled from early Sabbath out to spaced-out noise, funeral doom and sludge, melody and post-punk restlessness riding on top. Live, synced films and samples dissolve into unpredictable, improvisational transitions inside a wall of fog.
Website · Bandcamp · Instagram · YouTubeCrashing
Inspired by shoegaze and alt-rock giants like Dinosaur Jr. and My Bloody Valentine, Crashing indulges in noisy reverberated hooks, intense live performances and raw unfiltered volume with a strong emphasis on DIY culture. Be prepared for immersive noise and hard hitting tracks crafted not only to be heard, but to be physically felt. Crank up the gain. Nail the kick drum to the floor. Bring earplugs.
Instagram · Spotify · 'Tuco' video · LinktreeFarer
Dutch doom/noise trio Farer create an imposing discord of severe, caustic bass textures, harrowing vocals and winding drums. The band, featuring members of Ortega, was originally founded as MENHIR in 2013, but chose Farer as their new moniker mid 2019, after spending two and a half years of writing and recording their debut record Monad. By taking time to further explore the possibilities of being a band with two bass players and the absence of a guitar, the record exhibits the bands evolution into a new entity thoroughly. Meaning, carefully crafted, drawn-out, oppressive and compelling songs.
With their debut, Farer made a committed and captivating testament to suffering. Heavy grinding riffs and deep pulsating rhythms; a restless stirring. Amidst all these layers you can hear the voice as a primal scream – the shock of being. The dissonance of forces vying for existence and the harmony of lightless oblivion. An agonising story of something or somebody coming in contact with the singularity Monad and thus creating an incomprehensible cycle of violent creation and destruction. Out of nothing, nothing becomes.
Bandcamp · Instagram · Facebook · StreamingDoors open: 19:30
Live shows: 20:00–23:00 -
Florence Road
Paradiso, Thursday, May 13 at 08:30 PM GMT+2
A four-piece indie rock band from IrelandFlorence Road started out as four friends playing covers during their lunch break at school in Ireland. Now, a few years, plenty of rehearsals in the barn and a TikTok cover of Paramore later, life for Lily Aron, Emma Brandon, Ailbhe Barry and Hannah Kelly looks quite different. The band released their first mixtape in 2025 and have gone from strength to strength ever since, with sold-out tours and ever-larger festival sets.
Their music sits somewhere between indie rock and alternative pop, with guitars that really let rip and choruses that are usually just as powerful. The lyrics come from a very relatable place: being in love, trying to grow up and sometimes simply not knowing what to do with yourself. For instance, the new track ‘7563’ is about feeling lost and alienated, and about the moment when you realise you have to find your way out of it yourself. As a result, Florence Road often sound grand, but above all they write about the chaos that comes with it.
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BENEFIT event for GROND a.k.a. DAY of the DEBT
Grond, Saturday, October 31 at 01:00 PM GMT+1
This night, GROND will slowly turn into a haunted house… unless YOU show resistance!
GROND is an artist-led community space that exists independently through the efforts of artists who invest their time and money in running the space.
After years of building we have arrived at the end of our start-up phase. We see a bright future, but at this moment we need a financial push to get us to that next phase.
During DAY of the DEBT we embrace the horror of capitalism. With activities ranging from kids’ workshops in the afternoon to a spooky lottery, a deathly dinner, a threatening art auction, and live music & DJs at night, we aim to empty your pockets!
🕐 Afternoon 1-4 pm (Kids) & Evening 5-11 pm (Dinner & Party) 🎟️ More info & tickets soon
https://offbeat.amsterdam/event/benefit-event-for-grond-aka-day-of-the-debt
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Shaping safe queer spaces
Pakhuis de Zwijger, Thursday, October 22 at 07:30 PM GMT+2
An evening dedicated to celebrating nightclubs, their architecture and Beautiful Creatures. With a talk, an exhibition and drinks during ADE.What goes into a night out? Together with Peter van der Wal, also known as The Sinful Son, we dive into the people shaping nightlife. How do you design a nightclub? How does a team preserve social safety while always opening possibilities for adventure? How do the values and identity of a club translate into the dancefloor? And what has The Sinful Son learned from capturing the queer community in all its beauty and intensity. His book ‘Beautiful Creatures’ is a stark reminder that being seen is both resistance and celebration. A programme during Amsterdam Dance Event combining a talk, an exhibition and drinks.
Together with Peter van der Wal The Sinful Son, photographer and creator of the book Beautiful Creatures Bram van Grinsven Architect at Bram van Grinsven and architect of Club RAUMPeter van der Wal, also known as The Sinful Son, is a self-taught photographer based in Amsterdam. His interest in photography began at an early age, but it was only after leaving his religious upbringing and entering the queer scene that he fully immersed himself in the medium. Recently he published his book Beautiful Creatures at nai010, and presented his work in a solo-exhibition in the Melkweg Expo.
Bram van Grinsven is an architect at his own bureau Bram van Grinsven. Together with Joaquin Valdes, he is the architect for Club RAUM. Club RAUM is a queer run cultural space in continual movement, evolving around music.
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Individuele expressie en collectieve actie
Pakhuis de Zwijger, Thursday, October 22 at 07:00 PM GMT+2
Een gesprek over artistieke en academische vrijheid.Tijdens ADE gaan professionals uit het onderwijs, de muzieksector en het nachtleven in gesprek over artistieke, academische en professionele vrijheid. Wat doe je als je overtuigingen schuren met het maatschappelijke klimaat? Hoe spreek je je uit zonder alleen te komen staan, zodat we de stap kunnen maken van individuele expressie naar solidariteit en collectieve actie? Een gesprek over vrijheid, sociale veiligheid en de kracht van collectieve organisatie – van het klaslokaal tot de dansvloer.
Met in dit programma Veerle Klok Politicoloog, freelance journalist, trainer sociale veiligheid & danser Josephine Zwaan Artiest, producer & muziekproductiefilosoof Alice Olsthoorn Artiest Tim De Winkel Onderzoeker media, politieke communicatie & democratieOver de sprekers
Veerle Klok is een creatief politiek maker, Community Manager van ORPHIC Amsterdam en danseres. Haar achtergrond ligt in politicologie en internationale ontwikkeling. Ze werkte zeven jaar als senior trainer sociale veiligheid bij IVY Foundation en trainde daar ministeries tot nachtclubs. Ze houdt zich bezig met thema’s als (geo)politiek, mensenrechten en kolonialisme. Bij ORPHIC brengt ze die politieke blik samen met community building in de queer nachtcultuur.
Josephine Zwaan (1990) is artiest, producer en muziekproductiefilosoof. Ze is mede-oprichter van rosetta., het eerste platform voor vrouwelijke en non-binaire muziekproducers in Nederland. Josephine begon haar carrière als singer-songwriter, en transformeerde later tot haar rap alter ego SUZOOKI SWIFT. Momenteel is zij als PhD kandidaat verbonden aan de Erasmus School of Philosophy. Hier ontwikkelt zij een nieuwe, dekoloniale manier van kijken naar elektronische muziekproductie vanuit inzichten uit de Afrikaanse filosofie.
Na een verpletterend optreden bij Noorderslag heeft Alice Oosthoorn kneiterharde shows mogen geven op o.a. Down The Rabbit Hole, Wildeburg en Best Kept Secret. Alice is de toonaangevende naam als het aankomt op het gloednieuwe genre hyperpop in de Nederlandse scene. Haar geschiedenis ligt in de Amsterdamse rave scene waar ze haar liefde en kennis voor elektronische muziek verbreedde na al haar tienerjaren op haar slaapkamer producerend te hebben gespendeerd achter haar laptop.
Tim de Winkel heeft een PhD in mediastudies op het gebied van radicale platform technologie en de publieke sfeer. Zijn expertise ligt op het vlak van tekstanalyse en sociale media analyses met behulp van digitale methoden. Daarbij richt hij zich op de interessegebieden van publieke ruimte online, politieke communicatie, en alternatieve technologische modellen van democratie.
Over de moderator
Victor Coral van de Ven is onderzoeker, docent en dj/producer. Als medeoprichter van de Amsterdam Electronic Music Academy (AEMA) aan het Conservatorium van Amsterdam werkt hij aan educatie en talentontwikkeling binnen de elektronische muziek. Als cultuurwetenschapper richt hij zich op de relatie tussen muziek, technologie en cultuur. Voor de Amsterdamse Hogeschool voor de Kunsten onderzoekt hij hoe nieuwe media, technologie en AI nieuwe verbindingen tussen artiesten en publiek mogelijk maken. Daarnaast is hij bestuurslid van BAM!.
https://offbeat.amsterdam/event/individuele-expressie-en-collectieve-actie
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Far Away Problem, Homegrown Solutions
Pakhuis de Zwijger, Thursday, October 29 at 08:00 PM GMT+1
Film screening of documentary Pacific Mission, followed by a discussion about plastic pollution, from remote Pacific beaches to Dutch canals.Plastic keeps washing up on the most remote and uninhabited beaches on earth, carried there by ocean currents from thousands of kilometres away. The documentary Pacific Mission follows an impossible expedition to clean up an island where nobody lives, yet where tonnes of our waste arrive. A faraway problem that we contribute to: our packaging, our fishing gear and our waste exports travel the same currents. After the screening, Dutch organisations working on plastic solutions join the conversation: The Great Bubble Barrier, Wad Gaat Om and more. Together we ask, what can we do at home to prevent waste from ending up out there?
Together with Hanna Dijkstra PhD | Plastic Scientist | Communicator | Sustainability Consultant Irene Hofmeijer Sustainability Expert | Social Entrepreneur | Circular Economy Willemien Veele Associate Lector Circular Design at University of Applied Sciences NHL Stendenhttps://offbeat.amsterdam/event/far-away-problem-homegrown-solutions
