#tvreview — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #tvreview, aggregated by home.social.
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One woman always in green, the other in red. But what does this reveal about them in the drama? A psychological thriller set in the world of fine arts—this is how I could summarize my analysis, which is my first published piece with Cinemania.
#ReflectionOfYou #kdrama #Cinemania #TVReview #PsychologicalThriller #Netflix
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Human Vapor – Season 1, Episode 4: Terror Zone (2026) – Review
As we hit the midway point of Toho and Netflix’s sci-fi mystery, we find something of sudden shift in our regularly scheduled programming that finds the show taking a whole new viewpoint out of nowhere. While the puzzle-solving aspect of deciphering the who, what, why and where of the Human Vapor is still intact, the powers that be have decided to make the potentially jarring choice to temporarily ditch all of its main characters and secondary plot threads in favour of introducing two entirely new faces trying to crack the enigma of the vaporous killer.
It’s a risky move, because after spending three whole episodes following both detective Kenji Okamoto and reporter Kyoko Kono as they try and crack the case, the complete rug pull of basing an entire episode around two misfit livestreamers could be in danger of confusing, frustrating, or downright infuriating viewers who are caught out by the rather unsubtle change. However, hang in there, because not only do we get more, shocking revelations concerning the Human Vapor, but Fujita and Kaho Fujikawa prove to be quite the sleuths in their own right.While we previously left Kenji and Kyoko clearing up another one of the Human Vapor’s murders after a Yakuza crime boss became his latest victim, we take a quick jaunt back in time to see what two entirely new characters have been up to. Fujita and Kaho Fujikawa are a couple of siblings who keep to themselves and are trying to find fame and fortune through their struggling livestream horror channel, The Terror Zone. Brother Fujita is socially awkward and despises the poor life that he and his sister are forced to lead, while Kaho is withdrawn because she’s massively self conscious of the birthmark that covers half of her face. However, the two have an unbreakable bond that kicks into high gear when they discover a lead to the whereabouts of the Human Vapor.
After watching a DVD of a music video featuring J-pop band, Dream Succubus, performing a song called “Bakuretsu Aishuteru”, Fujita notices that in one of the shots, the Human Vapor is visible in one of the windows of the abandoned warehouse where it was shot. Realising that they’re in with a chance to make their livestreaming channel finally successful with this information, they post it, only to get a meager handful of hits. However, they do get an offer from the mysterious “dadashow”, who wishes to pay them handsomely for any more details.
Snapping into detective mode, the brother and sister team start to backtrack in an attempt to discover the location of the warehouse used in filming. First faking an interview with eccentric director, Goro, and then tracking one of the equally weird band members back to a club where they discover the video’s original cameraman, the siblings not only locate the warehouse, but find the Human Vapor too. However, things aren’t what we first assumed about the misty marauder as he’s not only in a petrified state, but he’s also triggered by the playing of a certain song. Is the Human Vapor actually the brainwashed weapon of someone else; and who is the mysterious benefactor who calls themselves dadashow?There’s a sense that with such a large shift in the show’s status quo, Human Vapor has reached something of a make of break moment. While both co-writer Yeon Sang-ho and director Shinzo Katayama are obviously looking to keep us on our toes with such an audacious shift in focus, it runs the very real risk of switching us off entirely. If I’m being honest, I initially came pretty close to zoning out myself as not only does the show demand that we suddenly empathise with entirely new characters, but it does so immediately after a previous installment that proved to be the season’s best. Simply put, going from a special effects laden, car chase setpiece to a whole new plot line that requires introductions to fresh characters could have been disastrous, and yet despite the break in momentum, “Terror Zone” ultimately ends up being a fun place to be.
I would say that the decision to abruptly focus all of the episode entirely on two character only briefly seen in a couple of episodes means that we have to start an entirely new angle on the investigation into the Human Vapor mystery, but when you realise that the entire show seems to be a ode to figuring out X-Files-style problems, it does make thematic sense. However, while the show seems dead set on coming at this Humor Vapor conundrum from multiple angles, there’s a massive risk that comes with flipping an entire season on a dime.It admittedly took me a little while to adjust to the changes and the fact that the show was essentially starting from scratch by turning the clock back to the time of the first murder meant that we’re going over some already familiar territory. It also took me a little longer to fix onto the wavelength given out by the two new – and very strange – lead characters; but while a lot of “Terror Zone” proves to be unnecessary in the grand scheme of things, the second half of the episode yanks it out of the three-star range and comfortably back into four. With the focus now on the determined Fujita and the terminally shy Kaho, not only does the humor content increase thanks to cheeky pisstakes of J-pop bands (stay tuned during the end credits to get the entirety of the Bakuretsu Aishuteru music video), but the rather sad lives of the media obsessed siblings actually add a great amount of heart to the show. Not only did Fujita and Kaho gradually grow on me as the episode went on, but it’s fairly interesting to see yet another angle of the titular mystery cracked from scratch. Of course, just like any good mystery show, any answers lead to yet more bizarre questions, and it seems everything we thought we knew about the Human Vapor is false.
Discovered in a petrified, statue-like state, it seems that the Vapor has been programmed to attack his targets by a Rube Goldberg style set up that activates him like a sleeper agent with the playing of a particular song by the Japanese band, Southern All Stars. As revelations go it’s huge, as it means that the Vapor is only a tool in someone else’s agenda and the finger of suspicion falls on an unlikely party when it’s revealed that the interested party known “dadashow” who claims to be willing to pay the siblings for the Vapor’s location is none other than Kyoko. Does this mean that she’s actually in this far deeper than she previously let on, or is this just the reporter once again getting to the bottom of a story by extreme means? We’ll find out soon enough; but Terror Zone deserves top marks for pulling off such a risky move.While at first it seems that the writers have outsmarted themselves with such a ballsy choice (literally a third of the episode is arguably unnecessary if we’re being scientific about it), the introduction of two random, puzzle-solving weirdos not only proves it’s worth by the end, but even has us stumbling upon yet more startling revelations. It’s nice to know that a show called Human Vapor is able to successfully shift forms at will.
#2026 #HumanVapor #Japan #KentoHayashi #Netflix #SciFi #ShinzoKatayama #ShunOguri #SouthKorea #SuzuHirose #Toho #TVReview #YutakaTakenouchi #YūAoi
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Human Vapor – Season 1, Episode 3: The Journal (2026) – Review
If the first episode of Shinzo Katayama and Yeon Sang-ho’s modern retelling of Ishirō Honda’s The Human Vapor set the scene with the titular character showing off his smokey skills with impressive results, and the second dug deeper into the vast and complex conspiracy surrounding him, it feels that episode three sees the series fully embracing it’s potential. With such aspects as the Yakuza being added to the plot to muddy the waters for diligent cop, Kenji Okamoto, and relentless reporter Kyoko Kono, “The Journal” manages to take the mystery aspect of the show and merge it more completely with the the horror/sci-fi elements of an antagonist who seems genuinely impossible to stop. The result is Human Vapor’s best episode yet as the show blends action and humour while adding yet more twists to its already intricate plot.
With the murder of Hiroki Obata, it seems that a major piece in the Human Vapor puzzle has been lost. The last link between the mysterious, inhuman killer and the even more mysterious White Centre that allegedly created him, Obata was stabbed to death on his way to reveal all to Kyoto by an assassin working for the Fujishiro Yakuza Syndicate – which, to be honest, only raises even more questions. However, while Obata may be deader than disco, vital information lives on in the form of his journal which the hitman now has on his possession to give his bosses to use as a bargaining tool.
As Kenji and his fellow officers arrive at the scene and spread out looking for the killer, the assassin is forced to steal a phone in order to send pictures of each page to his superiors. But as he burns the journal as he goes, he’s found by, Yoshida, one of Kenji’s close police colleagues who suddenly reveals he’s not only working for the Yakuza, but also a double informant for another involved party known only as “Mufu”. After shooting the assassin dead, Yoshida realises that the Fujishiro boss wishes to blackmail his mystery partners, which seems somewhat reckless considering that he’s apparently on the Human Vapor’s kill list.
Meanwhile, Kyoko discovers that her phone has been bugged thanks to some installed malware and deduces that the only person who’s had contact with it other than her is Yoshida after her first encounter with the Vapor. As well as figuring out that one of Kenji’s colleagues is dirtier than a redneck’s mudflap, the reporter decides to use her contacts to spy on the Yakuza at their local gambling den while Kenji leads another strike team to bust up the Syndicate. However, after taking an episode off, the Human Vapor arrives to scratch another hated name off of his shit list in the form of the conniving Yakuza boss. The chase is on as the murderous cloud-man pursues his next victim as he speeds away through busy Tokyo traffic.Thanks to the rather tangled web that co-writer Yeon Sang-ho and director Shinzo Katayama have taken their time to spin a complex vortex of conspiracy that surrounds its titular antagonist. With the addition of the Yakuza involving themselves in the affairs of whispy murderers, we find that we’ve turned another complicated corner that now throws in hitmen on the run, crooked cops and a blistering car chase which succeeds in bringing the house down. But first, let’s cast an eye over the doings of one of our protagonists, and the fact that Kyoko is making steady progress during each and every episode means that the show is keeping up a nice, brisk, pace. With every new question that arises, she – with the help of her trusty news team – manage to solve conundrums and decipher clues which vitally keeps the forward momentum trundling along. It’s proving to be especially important because sometimes shows like this get caught up so much on building the mystery, they frequently forget that they also have to get it solved too and keep things moving as they do so to prevent things growing stale. With the plot thread of Obata literally dispensed with thanks to his messy stabbing, attention quickly moves onto his journal which contains the secrets he died for. However, the show seems to be just as twitchy about using maguffins as it is about having loose ends and the book itself is soon destroyed, with all of its juicy contents uploaded to a phone. It’s actually an amusing touch that the various things our characters are racing to get their hands on changes forms just as quickly as the Human Vapor himself.
With the news that Yoshida is not only working for the Yakuza, but is also feeding information to yet another source tentatively known as “Mufu”, there’s a sense that his fellow cop, Kenji, is starting to sink beneath the rolling waves of this fast-expanding conspiracy while Kyoko floats with ease. But while there’s a slight imbalance with the effectiveness of our leads in this episode, matters are greatly enhanced by the memorable return of the cloudy star of the show.If you thought that the Human Vapor vs a police strike team was fun, wait until you watch the Vapor blow through a building of unprepared Yakuza (although I don’t think I’d be prepared for anything either if I’d blown my wages on an elaborate game of “turtle roulette”). Beyond the awesome sight of the inhuman assassin being unfazed by katanas passing through his misty form, the visual effects team also give us some memorable insight into just how freaky his abilities can really get. When the Human Vapor is scoping out the gambling den, he does so by sending a tendril of vapor under doors and into room with his eyeball fully formed on the end of it and it’s little body horror details like this that really sell the innovation of the character.
Better yet, once he finishes up with the Yakuza’s den, the Vapor engages in a high-speed chase as he rockets his hazy form after the escaping Yakuza boss. Katayama endures that the sequence is full of little character beats to give the action a larger than life feel such as having the boss exclaim that he’s going to retire and open up a restaurant while the Vapor hammers on the bullet proof glass of his speeding getaway car. This attention to detail almost makes the Vapor feel like the more amorphous members of the rogue’s gallery of Spider-Man, such as Sandman or Hydro-Man and the effects are of such a high quality and the stunt work is so polished, it rivals the kind of stuff you’d see in a big budget, American comic book movie. Of course, once the action is done with, it’s back to the mystery once more as Kyoko gets hols of the Yakuza phone with all the info on it, a police badge left with the Vapor’s discarded clothes hints at another big clue and the two young podcasts seen in the first episode seem to stumble upon the villain’s hideout. Much like the Vapor returning to his human form, the plot thickens.A return of the Human Vapor provide the boost the show needs to hit a new high as all of its composite parts nicely drift together. Whenever the slow untangling of the conspiracy plot threatens to override the arching threat of the Vapor, the show drops in a banging action sequence that balances everything out. If the show can keep this up, the Human Vapor may prove to be one of Netflix’s most hidden gems.
#2026 #HumanVapor #Japan #KentoHayashi #Netflix #SciFi #ShinzoKatayama #ShunOguri #SouthKorea #SuzuHirose #Toho #TVReview #YutakaTakenouchi #YūAoi
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Human Vapor – Season 1, Episode 2: Informant (2026) – Review
As we seep into the second installment of Toho and Netflix’s sci-fi mystery (or should that be “mist-tery”? – no, definitely mystery. Sorry about that), we find something of a surprising shift. While the first episode of Human Vapor sealed it’s science fiction credentials by bookending itself with scenes of vaperous action as the titular killer stretched his intangible legs, we find “Informant” putting the kibosh on any and all vapor-based activities to focus more on trying to figure out the mystery behind it all.
Yep, it seems watching detective Kenji and reporter Kyoko hunt down the self proclaimed Human Vapor is going to to get far more complex than we originally thought as the search to uncover what The White Centre is means that covered-up meteor crashes and even the Yakuza now come into play. Can these sudden and rather wild deviations from the main plot cover for the fact that in only it’s second episode, the Human Vapor himself has seemingly already dissipated?As they shake off the sight of an entire strike team getting their heinies handed to them by a man made of mist, both Kenji and Kyoko tale stock of the situation they’ve found themselves in. But while they separately try to think up their respective next moves, we get a handy flashback to show us what happened between them four months ago to breed all this animosity.
After being placed with Kenji for a story, both he and Kyoto fell in love to the point where the detective was contemplating marriage, but after an investigation into a former member of the Yakuza drugging and killing a minor goes bad, the budding reporter takes it upon herself to take all the info and run a whole news story on it and even tries to interview the man on the street. The result is that the suspect commits suicide, Kyoko is promoted and Kenji is suspended for “leaking” vital information on a case – which explains his distrustful nature of her.
Meanwhile, both of them actually make headway on the bizarre case and discover various leads. While Kenji finds that the clothes that the Vapor left behind contains a lead that suggests his next victim will be a victim of the Yakuza, Kyoko manages to piece details from the killer’s video and finds a source who can tell her more about this strange White Centre he keeps mentioning. This, in turn, leads her to Hiroki Obata, the former director of The White Centre, who has been plagued with guilt-induced flashbacks of his time taking part in a grand conspiracy. Despite being a shelter for orphans and the homeless on the surface, the company used them all for forced labour on a clean up of a meteor crash site 27 years ago and one of the “missing” victims in Obata’s hidden files looks suspiciously like the Human Vapor.
However, while Obata wants to finally come clean and offload decades of guilt, yet another interested party seems eager to keep him quiet – but why would the Yakuza want to get involved with all of this?After a solid start that laid out both the police procedural and the sci-fi aspects of the show, Human Vapor pops a childlock on their VFX budget and instead goes all in on conspiracies, betrayal and the effects of prolonged guilt on the human psyche. To be fair, I’m not entirely surprised as I wasn’t expecting the team of Toho, Netflix, Yeon Sang-Ho and Shinzo Katayama to be shelling out eight whole episodes of non-stop, Vapor happenings; but it does mean that the show now has to fly solo without the training wheels of ambitious visual effects sequences to back it up. While the show noticably ramps itself down in order to accommodate the noticable lack of vaperous humans, it does start expanding the scale in some other interesting directions.
For a start, there’s a noticable upping of emotional content thanks to both the moral conundrum of the haunted Hiroki Obata and the fact that we discover what Kyoko actually did to get Kenji suspended. To tackle the last subject first, it’s actually a very telling reveal as we discover that not only were the pair a serious item, but Kenji was actually going to propose to her the day she stabbed him in the back – professionally speaking. However, while what she did was underhanded and had grave consequences for virtually everyone except her, there is an argument to be made for Kyoko thinking that she was doing the right thing as her decision to “out” the slimy Mori seemed to be born from Kenji’s drunken frustration that he couldn’t nail the man for his heinous crime. This seems to kick off a continuing theme of guilt and responsibility that continues through the episode with the introduction of Obata, who proves to be the missing link between the Human Vapor and The White Centre that everyone is looking for.Utterly consumed with guilt to the extent that he’s having vivid, almost dementia-style hallucinations/flashbacks of past indiscretions, the old guy finds that his own, existential trauma is being mirrored by one of the children in his care who is also having problems coming clean about something he’s lied about at school, and the whole mini arc does well to explain Obata’s mindset and why he’d suddenly want to tell the truth.
Elsewhere, the show doubles down on its detective work as both Kenji and Kyoko both find different inroads to discovering who the Human Vapor might target next thanks to various clues left by their cloudy quarry. However, while discovering that the Yakuza is involved adds an interesting criminal wrinkle to things, it’s the gradual uncovering of the business of The White Centre that gathers the most steam. Thanks to the meteorite hitting in the same area within the same year as the 1999 Children Of The World Expo, all attempts to expose the shady dealings of the Centre has been killed unless it brings shame to the prestigious event. What we’ve been able to piece together so far is that Sano (the professor murdered in the first episode) was in charge of the safety committee and deemed it safe for the White Centre’s slave labour to go in and clear up the space debris. The result was a lot of dead people coated in radiation burns who were disposed of by the Yakuza and one of these missing souls ultimately became the Human Vapor.
I have to say, the conspiracy plot birthing a vengence obsessed superbeing feels nicely reminiscent the origins of V from V For Vendetta, but ensures still carries its own identity, despite not sticking super closely to the original, 1960s movie. Still, with the inclusion of the Yakuza, we get a slick, climactic action sequence that sees the criminals make a grab for Kyoko only to get thwarted by Kenji; and to close us out, we get a shock death as the repentant Obata is murdered by a hitman while on his way to spill the beans. There may be precious little Human Vapor in this episode, but the makers make sure they still include a lot of smoke.A shift to solid detective work may annoy those hoping for a Vapor kill-fest, but co-writer Yeon Sang-ho and director, Shinzo Katayama ensure that the shift into full conspiracy continues to grip. With the inclusion of eyepatched hitmen and tattooed crooks, it looks like the Vapor isn’t the only threat in town…
#2026 #HumanVapor #Japan #KentoHayashi #Netflix #SciFi #ShinzoKatayama #ShunOguri #SouthKorea #SuzuHirose #Toho #TVReview #YutakaTakenouchi #YūAoi
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The Boy In The Last Row (2026)
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Just finished watching #thegringohunters on #netflix.
We are trying to avoid #USA content. Like reading #theaustralian, once you stop you suddenly discover what a load of propaganda garbage you have been subjected to. You start seeing the world through different eyes.
Back to the show. It is set in #mexico, specifically #tijuana, on the border of the USA. A group of Mexican police have been created by Mexico to help USA #marshals track down American criminals. That is there only job.
We have never watched anything from the South American countries , unlike Asia and Europe it seems to be limited. Also this series is based upon a #washingtonpost article and it seems to be produced by Americans even though everything is, by my limited understanding, Mexican.
Anyway brilliant. It is a story with a point and relates to how these police do their job while handling corruption in the existing
police command. They made it clear it wasn’t police in general just the leaders of the town of #tijuana.
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The Boys (Season 5 Review) | A Messy but Entertaining Final Season
The Boys Season 5 delivers brutal confrontations, emotional character moments, and a solid finale, but uneven pacing and too many setup storylines stop it from fully feeling like the epic final season it should have been.https://wornoutspines.com/2026/05/20/the-boys-season-5-review/
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Star Wars: Maul – Shadow Lord – Season 1, Episode 9: Strange Allies (2026) – Review
Chapter 9 continues this series stellar run. Once the setup is establishes and uneasy partnerships are formed, the high-stakes escape begins a non-stop sequence of action scene that doesn’t conclude to the end o the series. Released alongside the finale as part of this year’s “May The Fourth” event, this chapter continues to elevate the show’s quality in animation, character work, action and relentless pacing.
AdvertisementsThe episode opens under the weight of an Imperial lockdown on Janix. Stormtroopers patrol the streets, and gunships hover overhead, creating a tense atmosphere of control and surveillance. Maul and his remaining allies find themselves cornered at dead crime boss Nico Deemis’s headquarters. This is where Dryden Vos, a character introduced in Solo: A Star Wars Story, enters the picture via hologram. Vos, aware of Maul’s siuation, proposes a deal: he extract them from the planet in exchange for Maul taking out the current Crimson Dawn leader, Boss Rintero, and installing him in power. Maul is unsure due to his past betrayals by the syndicate, but logically this is he only way out.
Captain Brander Lawson, his partner Two Boots, son Rylee, and the two jedi, Devon Izara, and Jedi Master Eeko-Dio Daki are hiding in a warehouse. Devon experiences a Force-induced vision planted by Maul, guiding her toward the Armistice Fountain. Maul knows he needs all the help he can get to aid his escape and is still chasing Devon as an apprentice. Master Daki remains skeptical, as expected from a from an experience Jedi Master, while Lawson weighs the practical risks. They too need any help they can get to flee the Empire.
AdvertisementsThe meeting of the two groups at the fountain marks the start of the Strange Allies dynamic. Maul, accompanied by Rook Kast, nightbrother Icarus, and the remaining Mandalorians mercenaries, offers a way offworld. Maul tempers his usual intensity here, presenting a reasoned case that their survival depends on cooperation. This is a calculated move and even a measure of respect toward Daki as a Jedi Master. This is no longer the purely rage-driven Maul, he now has a purpose and will do whatever he needs to acheive his goal.
It’s now that the non-stop action begins. The group navigates Imperial forces, leading to an underground confrontation involving toxic wastewater and a multi-combatant lightsaber duel to a Phantom Menace level. The animation excels as two Inquisitors, Marrok and The Crow, come speeding around the corner, screaming into the fight. Stylized yet fluid choreography captures multiple blades clashing with clarity and impact. Maul’s combat against the pair demonstrates both his skill and the growing coordination fighting alongside the Jedi. The fighting is brutal and side characters start to fall.
AdvertisementsCharacter moments stand out amid the action. Maul once again shows emotion when his droid gets sliced in half and his decision to hold off pursuers to allow Daki and others to cross the toxic water give you pause to think: can he ever be redeemed? Whether this stems from strategic interest in Devon or a genuine good deed remains ambiguous at this point, and keeps you wondering. The stakes are high and you don’t know who is going to make it out alive.
Strange Allies keeps everything in focus. Layers are added to everything the season has put in play – the pursuit by Inquisitors, Maul’s recruitment of Devon, and the growing Imperial pressure – while introducing the Crimson Dawn alliance as a logical next step. A step that we know is important to future Star Wars lore and the wider galaxy. There is a trust that the audience can follow all of this without being hit over the head with it that makes it all work for the hardcore fan or a first time viewer (although it would be a bit odd if you chose this as the first piece of Star Wars to watch).
Sam Witwer’s work as Maul stands out in particular. He has long since made the character his own, delivering a performance that feels lived-in and authoritative. In this chapter, Witwer balances Maul’s simmering menace with a more measured, strategic calm that suits the episode’s themes of temporary alliances and calculated risks. His line delivery carries weight without needing to dominate every scene, subtle shifts in tone convey both impatience and a growing recognition of the practical realities facing the group. Witwer’s deep familiarity with the role allows him to layer small nuances into the voice work, reinforcing why he remains the definitive voice for the character across multiple Star Wars projects.
AdvertisementsThe cliffhanger, which had been kept secret by Lucasfilm, sets up an encounter that fans have dreamed about and debated since Darth Maul first appeared in 1999, positioning elements in a way that feels deliberate and earned after decades of speculation. This tease sits well with the series’ exploration of revenge, power, and survival in the early Imperial era while raising the stakes for the concluding chapter. Bring on the fight of the century.
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RETURN TO STAR WARS: MAUL – SHADOW LORD REVIEWS #DennisHaysbert #Disney #GideonAdlon #Lucasfilm #RichardAyoade #SamWitwer #StarWars #StarWarsMaulShadowLord #TVReview #WagnerMoura -
Pluribus - The Gap Review
#Pluribus #TheGap #AppleTV #VinceGilligan #RheaSeehorn #KarolinaWydra #CarlosManuelVesga #scifi #scifitv #dystopia #postapocalyptic #tv #tvreview
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Pluribus - Got Milk Review
#Pluribus #AppleTV #VinceGilligan #RheaSeehorn #KarolinaWydra #CarlosManuelVesga #scifi #scifitv #dystopia #postapocalpytic #tv #tvreview
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Pluribus - Please, Carol Review
#Pluribus #AppleTV #VinceGilligan #RheaSeehorn #KarolinaWydra #CarlosManuelVesga #dystopia #scifi #scifitv #postapocalyptic #tv #tvreview
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Pluribus - Grenade Review
#Pluribus #AppleTV #VinceGilligan #RheaSeehorn #KarolinaWydra #CarlosManuelVesga #GordonSmith #scifi #scifitv #dystopia #tv #tvreview
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Pluribus – We Is Us and Pirate Lady Review
#Pluribus #AppleTV #VinceGilligan #RheaSeehorn #KarolinaWydra #CarlosManuelVesga #scifi #scifitv #postapocalyptic #dystopia #tv #tvreview
https://popculturemaniacs.com/pluribus-we-is-us-and-pirate-lady-review/
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REACHER Season 3 might be the show’s best yet: bone-crunching fights, sharp writing, and #AlanRitchson in full beast mode. 🥩💥
Adapting Persuader, the show is brutal, focused, and honestly? Kind of awesome.
#Reacher #ReacherOnPrime #TVReview #ActionSeries #StreamingNow #LeeChild
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