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#projectionmapping — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #projectionmapping, aggregated by home.social.

  1. IBSIC Conference in Lille was super fun and professionally meaningful as well. Also the projection mappings of the adjoining festival were at least interesting. It was my second time there, and this time I had two working groups to lead. And to write reports about, when everyone else was bar hopping.

    #ibsic #projectionMapping #videoArt #fediart

  2. She offers me projection

    This is probably the first, last, and only time I’ll ever mention the former “Bad Boy” of “Pop”.

    A common motif scattered around the Academy campus is the visage of Robbie Williams. Site-based stage innovators TAIT have built scenery for his prior productions, with the larger than life result donated afterwards to make an effective fire assembly point. In wintry weather I observe it’s not the first time he’s had snow on his nose.

    On a smaller scale, a 3D-fabricated sculpture of his face provided a challenging projection mapped surface as my Visuals module heads toward end-of-term assessment. Indulging a desire to integrate facial projection into future projects, this was the ideal static subject to try things out over a few hours of experimental studio time.

    Despite any knowledge of his career purely culled by cultural osmosis (really!), I was able to piece together a collage of clips to represent the journey. With a simian base layer invoking the Better Man biopic, I swiftly incorporated his more recent cartoon appearance on a certain cat food commercial. Going back to the KISS-inspired makeup from “Let Me Entertain You”, the montage was topped off with the skin-stripping coda to the “Rock DJ” video. Looping that segment through the projector’s tinny speaker was sufficient to get everyone’s toes tapping – whether they wanted to or not.

    Sourcing the elements in short notice was a challenge within itself, necessitating some quick thinking across many resources and creating new ones on the fly. But for a dabble it did the job nicely – despite a few imperfect keystone masks and off-centre aspects.

    Although my studies and assessment focus on mastering Green Hippo media servers, I took the opportunity to try something different. Cracking open the case for the first time on our prized Troikatronix Isadora server, I soon found myself a quick learner.

    Green Hippo has a warm, organic user interface that sometimes seems counter-intuitive despite its obvious power. Isadora presents a more familiar building-block style of boxes and properties, allowing links to be dragged between outputs and inputs to visualise how everything is hooked up.

    My familiarity with node-based workflows such as DaVinci Resolve Fusion, combined with my coding background, made getting to grips with Isadora a cinch. Although I can understand how the blank starting screen can seem intimidating to non-techies.

    Although there are likely far more efficient ways to structure my little throw-together, I was able to coax the effect I wanted by combining smaller known sub-processes. This combination of nodes and lines offered mathematical means to make it work where I may have floundered with an artier interface…

    … so I guess I’m loving angles instead.

    https://heathenstorm.com/2026/02/27/she-offers-me-projection/ #academyoflivetechnology #greenhippo #isadora #mediaserver #music #pop #projectionmapping #projections #robbiewilliams #tait
  3. She offers me projection

    This is probably the first, last, and only time I’ll ever mention the former “Bad Boy” of “Pop”.

    A common motif scattered around the Academy campus is the visage of Robbie Williams. Site-based stage innovators TAIT have built scenery for his prior productions, with the larger than life result donated afterwards to make an effective fire assembly point. In wintry weather I observe it’s not the first time he’s had snow on his nose.

    On a smaller scale, a 3D-fabricated sculpture of his face provided a challenging projection mapped surface as my Visuals module heads toward end-of-term assessment. Indulging a desire to integrate facial projection into future projects, this was the ideal static subject to try things out over a few hours of experimental studio time.

    Despite any knowledge of his career purely culled by cultural osmosis (really!), I was able to piece together a collage of clips to represent the journey. With a simian base layer invoking the Better Man biopic, I swiftly incorporated his more recent cartoon appearance on a certain cat food commercial. Going back to the KISS-inspired makeup from “Let Me Entertain You”, the montage was topped off with the skin-stripping coda to the “Rock DJ” video. Looping that segment through the projector’s tinny speaker was sufficient to get everyone’s toes tapping – whether they wanted to or not.

    Sourcing the elements in short notice was a challenge within itself, necessitating some quick thinking across many resources and creating new ones on the fly. But for a dabble it did the job nicely – despite a few imperfect keystone masks and off-centre aspects.

    Although my studies and assessment focus on mastering Green Hippo media servers, I took the opportunity to try something different. Cracking open the case for the first time on our prized Troikatronix Isadora server, I soon found myself a quick learner.

    Green Hippo has a warm, organic user interface that sometimes seems counter-intuitive despite its obvious power. Isadora presents a more familiar building-block style of boxes and properties, allowing links to be dragged between outputs and inputs to visualise how everything is hooked up.

    My familiarity with node-based workflows such as DaVinci Resolve Fusion, combined with my coding background, made getting to grips with Isadora a cinch. Although I can understand how the blank starting screen can seem intimidating to non-techies.

    Although there are likely far more efficient ways to structure my little throw-together, I was able to coax the effect I wanted by combining smaller known sub-processes. This combination of nodes and lines offered mathematical means to make it work where I may have floundered with an artier interface…

    … so I guess I’m loving angles instead.

    https://heathenstorm.com/2026/02/27/she-offers-me-projection/ #academyoflivetechnology #greenhippo #isadora #mediaserver #music #pop #projectionmapping #projections #robbiewilliams #tait
  4. She offers me projection

    This is probably the first, last, and only time I’ll ever mention the former “Bad Boy” of “Pop”.

    A common motif scattered around the Academy campus is the visage of Robbie Williams. Site-based stage innovators TAIT have built scenery for his prior productions, with the larger than life result donated afterwards to make an effective fire assembly point. In wintry weather I observe it’s not the first time he’s had snow on his nose.

    On a smaller scale, a 3D-fabricated sculpture of his face provided a challenging projection mapped surface as my Visuals module heads toward end-of-term assessment. Indulging a desire to integrate facial projection into future projects, this was the ideal static subject to try things out over a few hours of experimental studio time.

    Despite any knowledge of his career purely culled by cultural osmosis (really!), I was able to piece together a collage of clips to represent the journey. With a simian base layer invoking the Better Man biopic, I swiftly incorporated his more recent cartoon appearance on a certain cat food commercial. Going back to the KISS-inspired makeup from “Let Me Entertain You”, the montage was topped off with the skin-stripping coda to the “Rock DJ” video. Looping that segment through the projector’s tinny speaker was sufficient to get everyone’s toes tapping – whether they wanted to or not.

    Sourcing the elements in short notice was a challenge within itself, necessitating some quick thinking across many resources and creating new ones on the fly. But for a dabble it did the job nicely – despite a few imperfect keystone masks and off-centre aspects.

    Although my studies and assessment focus on mastering Green Hippo media servers, I took the opportunity to try something different. Cracking open the case for the first time on our prized Troikatronix Isadora server, I soon found myself a quick learner.

    Green Hippo has a warm, organic user interface that sometimes seems counter-intuitive despite its obvious power. Isadora presents a more familiar building-block style of boxes and properties, allowing links to be dragged between outputs and inputs to visualise how everything is hooked up.

    My familiarity with node-based workflows such as DaVinci Resolve Fusion, combined with my coding background, made getting to grips with Isadora a cinch. Although I can understand how the blank starting screen can seem intimidating to non-techies.

    Although there are likely far more efficient ways to structure my little throw-together, I was able to coax the effect I wanted by combining smaller known sub-processes. This combination of nodes and lines offered mathematical means to make it work where I may have floundered with an artier interface…

    … so I guess I’m loving angles instead.

    https://heathenstorm.com/2026/02/27/she-offers-me-projection/ #academyoflivetechnology #greenhippo #isadora #mediaserver #music #pop #projectionmapping #projections #robbiewilliams #tait
  5. She offers me projection

    This is probably the first, last, and only time I’ll ever mention the former “Bad Boy” of “Pop”.

    A common motif scattered around the Academy campus is the visage of Robbie Williams. Site-based stage innovators TAIT have built scenery for his prior productions, with the larger than life result donated afterwards to make an effective fire assembly point. In wintry weather I observe it’s not the first time he’s had snow on his nose.

    On a smaller scale, a 3D-fabricated sculpture of his face provided a challenging projection mapped surface as my Visuals module heads toward end-of-term assessment. Indulging a desire to integrate facial projection into future projects, this was the ideal static subject to try things out over a few hours of experimental studio time.

    Despite any knowledge of his career purely culled by cultural osmosis (really!), I was able to piece together a collage of clips to represent the journey. With a simian base layer invoking the Better Man biopic, I swiftly incorporated his more recent cartoon appearance on a certain cat food commercial. Going back to the KISS-inspired makeup from “Let Me Entertain You”, the montage was topped off with the skin-stripping coda to the “Rock DJ” video. Looping that segment through the projector’s tinny speaker was sufficient to get everyone’s toes tapping – whether they wanted to or not.

    Sourcing the elements in short notice was a challenge within itself, necessitating some quick thinking across many resources and creating new ones on the fly. But for a dabble it did the job nicely – despite a few imperfect keystone masks and off-centre aspects.

    Although my studies and assessment focus on mastering Green Hippo media servers, I took the opportunity to try something different. Cracking open the case for the first time on our prized Troikatronix Isadora server, I soon found myself a quick learner.

    Green Hippo has a warm, organic user interface that sometimes seems counter-intuitive despite its obvious power. Isadora presents a more familiar building-block style of boxes and properties, allowing links to be dragged between outputs and inputs to visualise how everything is hooked up.

    My familiarity with node-based workflows such as DaVinci Resolve Fusion, combined with my coding background, made getting to grips with Isadora a cinch. Although I can understand how the blank starting screen can seem intimidating to non-techies.

    Although there are likely far more efficient ways to structure my little throw-together, I was able to coax the effect I wanted by combining smaller known sub-processes. This combination of nodes and lines offered mathematical means to make it work where I may have floundered with an artier interface…

    … so I guess I’m loving angles instead.

    https://heathenstorm.com/2026/02/27/she-offers-me-projection/ #academyoflivetechnology #greenhippo #isadora #mediaserver #music #pop #projectionmapping #projections #robbiewilliams #tait
  6. alojapan.com/1442306/ukiyo-e-i Ukiyo-e Immersive Art Osaka Jan. 17-March 14 #3dCgAnimation #3dExperiences #ArtEventsInJapan #DigitalArtEvent #GrandFrontOsakaNorthBuilding #ImmersiveArt #Japan #JapanNews #KatsushikaHokusai #news #Osaka #ProjectionMapping #ukiyoe #UtagawaHiroshige Ukiyo-e Immersive Art Osaka (Photo by HITOHATA, INC./courtesy of Japan Travel) After successful stints in both Tokyo and Fukuoka, the popular Ukiyo-e Immersive Art event is headed to Osaka in early

  7. Mark Johns, a local VJ, is doing projection mapped visuals at the corner of 22nd and Valencia tonight. #SanFrancisco #MissionDistrict #ProjectionMapping

  8. finally got around to properly #projectionmapping the cyc in our theatre!

    (just using #qlab for this btw, im just playing back a prerendered video so i dont really need touch).

  9. alojapan.com/1418575/blue-lock ‘BLUE LOCK – TOKYO EGOIST -’ kicks off on Saturday, November 22 #HiroshiKamiya #KazukiUra #MuneyukiKaneshiro #news #ProjectionMapping #Tokyo #TokyoMetropolitanGovernment #TokyoNews #VoiceActors #VoiceActorsKazukiUra #YoichiIsagi #東京 #東京都 ©Muneyuki Kaneshiro, Yusuke Nomura, KODANSHA/BLUE LOCK Production Committee. “BLUE LOCK” voice actors Kazuki Ura and Hiroshi Kamiya were also blown away by the spectacle! A countdown to the new release

  10. alojapan.com/1418575/blue-lock ‘BLUE LOCK – TOKYO EGOIST -’ kicks off on Saturday, November 22 #HiroshiKamiya #KazukiUra #MuneyukiKaneshiro #news #ProjectionMapping #Tokyo #TokyoMetropolitanGovernment #TokyoNews #VoiceActors #VoiceActorsKazukiUra #YoichiIsagi #東京 #東京都 ©Muneyuki Kaneshiro, Yusuke Nomura, KODANSHA/BLUE LOCK Production Committee. “BLUE LOCK” voice actors Kazuki Ura and Hiroshi Kamiya were also blown away by the spectacle! A countdown to the new release

  11. I really want to try out the new art-net /DMX control features of #TiXL (github.com/tixl3d/tixl) but I don't know anyone in theatre/events here in Sheffield with access to that kind of lighting gear.. if you know anyone that would be interested to do some experimenting let me know #Sheffield #lighting #theatre #events #performance #arts #projectionmapping #vj

  12. 我家後院真的是個靈感充沛的地方,跟大家介紹這棵酪梨樹,使用得當可以開啟神秘通道到異世界🌈🤣

    #touchdesigner #generativeart #VJ #audiovisual #videomapping #projectionmapping

  13. 我家後院真的是個靈感充沛的地方,跟大家介紹這棵酪梨樹,使用得當可以開啟神秘通道到異世界🌈🤣

    #touchdesigner #generativeart #VJ #audiovisual #videomapping #projectionmapping

  14. 我家後院真的是個靈感充沛的地方,跟大家介紹這棵酪梨樹,使用得當可以開啟神秘通道到異世界🌈🤣

    #touchdesigner #generativeart #VJ #audiovisual #videomapping #projectionmapping

  15. 我家後院真的是個靈感充沛的地方,跟大家介紹這棵酪梨樹,使用得當可以開啟神秘通道到異世界🌈🤣

    #touchdesigner #generativeart #VJ #audiovisual #videomapping #projectionmapping

  16. Piano Flow · Behind the scene ·

    " Life is Dance – All is Flow "

    Enjoy! 😊

    This project was created as part of our studio 'UrbanFlow.art' in Berlin, where we work as Media Artists in the field of 3D, design, graphics and sound.

    You can find more of the work on our website: urbanflow.art/en/piano-flow/

    #livingpainting #visualart #projectionmapping #generativeart #realtime #audiovisual #newmediaart #abstractart #piano #music #mastoArt

  17. "Flower of Life"

    First the tendrils go exploring and then the leaves come out.
    The forest awakens, a gentle breeze moves the petals.
    Life ensues.

    Later in life, some of the colour has worn off, things get slower.
    Contemplation settles in with thoughts of Zen and Wisdom.
    Calm and Measured.

    · · ·

    More info on our website:
    urbanflow.art/en/flower-of-lif

    #vcvrack #Tooll3 #soundsculpture #art #livingpainting #motiondesign #procedural #visualart #sounddesign #projectionmapping #opensource #mastoart

  18. Coming up! Night at the (Pioneer Park) Museum - a series of Installations and Video Projections from local artists, also featuring the spectacular #bioluminescence Workshop/ #projectionmapping show with Scott Baker

    More info: ree.org.au/2024/08/08/night-at

    #griffith #nsw #aus #livecoding

  19. My gift for christmas was being part of
    Delta Process (www.deltaprocess.it)
    projection mapping show, on display until Jan 6 at the cathedral of Gemona, Friuli Venezia Giulia, Italy. Here are some frames of the animations I prepared for the show

    #xmas #projectionmapping #generativegraphics

  20. Ort ohne Absicht
    eine audiovisuelle Raumverwandlung

    Samstag 4. Februar 2023, 19 Uhr
    Diözesanmuseum Rottenburg
    Karmeliterstraße 9
    72108 Rottenburg am Neckar

    Anja Kreysing, Münster (Akkordeon und Elektronik)
    Laurenz Theinert, Stuttgart (visual piano)
    Kostenbeitrag: 10,- €

    #lightart #lichtkunst
    #visualpiano #laurenztheinert
    #audiovisual #immersive
    #abstractart #contemporaryart
    #generativeart #vvvv
    #anjakreysing
    #contemporarymusic
    #accordeon
    #projectionmapping
    #livesoundtrack
    #dioezesanmuseum

  21. Ort ohne Absicht
    eine audiovisuelle Raumverwandlung

    Samstag 4. Februar 2023, 19 Uhr
    Diözesanmuseum Rottenburg
    Karmeliterstraße 9
    72108 Rottenburg am Neckar

    Anja Kreysing, Münster (Akkordeon und Elektronik)
    Laurenz Theinert, Stuttgart (visual piano)
    Kostenbeitrag: 10,- €

    #lightart #lichtkunst
    #visualpiano #laurenztheinert
    #audiovisual #immersive
    #abstractart #contemporaryart
    #generativeart #vvvv
    #anjakreysing
    #contemporarymusic
    #accordeon
    #projectionmapping
    #livesoundtrack
    #dioezesanmuseum

  22. Ort ohne Absicht
    eine audiovisuelle Raumverwandlung

    Samstag 4. Februar 2023, 19 Uhr
    Diözesanmuseum Rottenburg
    Karmeliterstraße 9
    72108 Rottenburg am Neckar

    Anja Kreysing, Münster (Akkordeon und Elektronik)
    Laurenz Theinert, Stuttgart (visual piano)
    Kostenbeitrag: 10,- €

    #lightart #lichtkunst
    #visualpiano #laurenztheinert
    #audiovisual #immersive
    #abstractart #contemporaryart
    #generativeart #vvvv
    #anjakreysing
    #contemporarymusic
    #accordeon
    #projectionmapping
    #livesoundtrack
    #dioezesanmuseum