#robbiewilliams — Public Fediverse posts

𝗗𝗼𝗻 𝗗𝗶𝗮𝗯𝗹𝗼 𝗵𝗲𝗲𝗳𝘁 𝗯𝗶𝗷𝘇𝗼𝗻𝗱𝗲𝗿 𝗻𝗮𝗰𝗵𝘁𝗲𝗹𝗶𝗷𝗸 𝗰𝗼𝗻𝘁𝗮𝗰𝘁 𝗺𝗲𝘁 𝗥𝗼𝗯𝗯𝗶𝗲 𝗪𝗶𝗹𝗹𝗶𝗮𝗺𝘀: '𝗗𝗮𝗻 𝗽𝗿𝗮𝘁𝗲𝗻 𝘄𝗲 𝘂𝗿𝗲𝗻'

Don Diablo (46) is niet alleen mega succesvol op een draaitafel, hij kan ook een heel aardig moppie ontwerpen. De Formule 1-coureurs die morgen tweede en derde worden, krijgen een bokaal uitgereikt die speciaal door hem ontworpen is. Super spannende...

https://www.rtl.nl/boulevard/video/video/a791ace8-6398-4ce5-833f-08e9621f0c73/don-diablo-heeft-bijzonder-nachtelijk

#DonDiablo #RobbieWilliams #NachtelijkContact

MONDAY MATINEE MUSIC VIDEO! “The Longest Time” https://www.youtube.com/watch?v=CCl7HGtaJ1E Sometimes love presents holy moments. Even when one has to go separate ways, one can feel angels present. This micro-musical by Chris Andrews is pop balladry at its best. On a cosmic jukebox this song would play next to Michael Bolton, Cliff Richard, Leo Sayer, and Robbie Williams. https://www.youtube.com/watch?v=CCl7HGtaJ1E

#chrisandrews #time #britpop #michaelbolton #cliffrichard #leosayer #robbiewilliams #johnnyjblair

Die älteste aller Boygroups.
Ich schreibe endlich wieder an einer neuen Folge zur Ilias und konnte mir das hier einfach nicht verkneifen :D

#takethat #meme #ilias #homer #pop #boygroup #griechischemythologie #robbiewilliams #odysseus #odyssee #agamemnon #patroklos #achilles

Die älteste aller Boygroups.
Ich schreibe endlich wieder an einer neuen Folge zur Ilias und konnte mir das hier einfach nicht verkneifen :D

#takethat #meme #ilias #homer #pop #boygroup #griechischemythologie #robbiewilliams #odysseus #odyssee #agamemnon #patroklos #achilles

Die älteste aller Boygroups.
Ich schreibe endlich wieder an einer neuen Folge zur Ilias und konnte mir das hier einfach nicht verkneifen :D

#takethat #meme #ilias #homer #pop #boygroup #griechischemythologie #robbiewilliams #odysseus #odyssee #agamemnon #patroklos #achilles

Die älteste aller Boygroups.
Ich schreibe endlich wieder an einer neuen Folge zur Ilias und konnte mir das hier einfach nicht verkneifen :D

#takethat #meme #ilias #homer #pop #boygroup #griechischemythologie #robbiewilliams #odysseus #odyssee #agamemnon #patroklos #achilles

Die älteste aller Boygroups.
Ich schreibe endlich wieder an einer neuen Folge zur Ilias und konnte mir das hier einfach nicht verkneifen :D

#takethat #meme #ilias #homer #pop #boygroup #griechischemythologie #robbiewilliams #odysseus #odyssee #agamemnon #patroklos #achilles

𝗥𝗼𝗯𝗯𝗶𝗲 𝗪𝗶𝗹𝗹𝗶𝗮𝗺𝘀 𝗱𝗲𝗲𝗹𝘁 𝗲𝗺𝗼𝘁𝗶𝗼𝗻𝗲𝗹𝗲 𝘁𝗲𝗿𝘂𝗴𝗯𝗹𝗶𝗸 𝗼𝗽 𝗱𝗲 𝗕𝗥𝗜𝗧𝘀

Robbie Williams deelt op Instagram een emotionele terugblik op de 46e editie van de BRITs. De 52-jarige zanger laat weten dat de awardshow in Manchester vorige week zaterdag "opnieuw mijn waardering voor de muziekindustrie heeft aangewakkerd".

https://www.rtl.nl/boulevard/artikel/5574984/robbie-williams-deelt-emotionele-terugblik-op-de-brits

#RobbieWilliams #emotionele #terugblik

This is probably the first, last, and only time I’ll ever mention the former “Bad Boy” of “Pop”.

A common motif scattered around the Academy campus is the visage of Robbie Williams. Site-based stage innovators TAIT have built scenery for his prior productions, with the larger than life result donated afterwards to make an effective fire assembly point. In wintry weather I observe it’s not the first time he’s had snow on his nose.

On a smaller scale, a 3D-fabricated sculpture of his face provided a challenging projection mapped surface as my Visuals module heads toward end-of-term assessment. Indulging a desire to integrate facial projection into future projects, this was the ideal static subject to try things out over a few hours of experimental studio time.

Despite any knowledge of his career purely culled by cultural osmosis (really!), I was able to piece together a collage of clips to represent the journey. With a simian base layer invoking the Better Man biopic, I swiftly incorporated his more recent cartoon appearance on a certain cat food commercial. Going back to the KISS-inspired makeup from “Let Me Entertain You”, the montage was topped off with the skin-stripping coda to the “Rock DJ” video. Looping that segment through the projector’s tinny speaker was sufficient to get everyone’s toes tapping – whether they wanted to or not.

Sourcing the elements in short notice was a challenge within itself, necessitating some quick thinking across many resources and creating new ones on the fly. But for a dabble it did the job nicely – despite a few imperfect keystone masks and off-centre aspects.

Although my studies and assessment focus on mastering Green Hippo media servers, I took the opportunity to try something different. Cracking open the case for the first time on our prized Troikatronix Isadora server, I soon found myself a quick learner.

Green Hippo has a warm, organic user interface that sometimes seems counter-intuitive despite its obvious power. Isadora presents a more familiar building-block style of boxes and properties, allowing links to be dragged between outputs and inputs to visualise how everything is hooked up.

My familiarity with node-based workflows such as DaVinci Resolve Fusion, combined with my coding background, made getting to grips with Isadora a cinch. Although I can understand how the blank starting screen can seem intimidating to non-techies.

Although there are likely far more efficient ways to structure my little throw-together, I was able to coax the effect I wanted by combining smaller known sub-processes. This combination of nodes and lines offered mathematical means to make it work where I may have floundered with an artier interface…

… so I guess I’m loving angles instead.

This is probably the first, last, and only time I’ll ever mention the former “Bad Boy” of “Pop”.

A common motif scattered around the Academy campus is the visage of Robbie Williams. Site-based stage innovators TAIT have built scenery for his prior productions, with the larger than life result donated afterwards to make an effective fire assembly point. In wintry weather I observe it’s not the first time he’s had snow on his nose.

On a smaller scale, a 3D-fabricated sculpture of his face provided a challenging projection mapped surface as my Visuals module heads toward end-of-term assessment. Indulging a desire to integrate facial projection into future projects, this was the ideal static subject to try things out over a few hours of experimental studio time.

Despite any knowledge of his career purely culled by cultural osmosis (really!), I was able to piece together a collage of clips to represent the journey. With a simian base layer invoking the Better Man biopic, I swiftly incorporated his more recent cartoon appearance on a certain cat food commercial. Going back to the KISS-inspired makeup from “Let Me Entertain You”, the montage was topped off with the skin-stripping coda to the “Rock DJ” video. Looping that segment through the projector’s tinny speaker was sufficient to get everyone’s toes tapping – whether they wanted to or not.

Sourcing the elements in short notice was a challenge within itself, necessitating some quick thinking across many resources and creating new ones on the fly. But for a dabble it did the job nicely – despite a few imperfect keystone masks and off-centre aspects.

Although my studies and assessment focus on mastering Green Hippo media servers, I took the opportunity to try something different. Cracking open the case for the first time on our prized Troikatronix Isadora server, I soon found myself a quick learner.

Green Hippo has a warm, organic user interface that sometimes seems counter-intuitive despite its obvious power. Isadora presents a more familiar building-block style of boxes and properties, allowing links to be dragged between outputs and inputs to visualise how everything is hooked up.

My familiarity with node-based workflows such as DaVinci Resolve Fusion, combined with my coding background, made getting to grips with Isadora a cinch. Although I can understand how the blank starting screen can seem intimidating to non-techies.

Although there are likely far more efficient ways to structure my little throw-together, I was able to coax the effect I wanted by combining smaller known sub-processes. This combination of nodes and lines offered mathematical means to make it work where I may have floundered with an artier interface…

… so I guess I’m loving angles instead.

This is probably the first, last, and only time I’ll ever mention the former “Bad Boy” of “Pop”.

A common motif scattered around the Academy campus is the visage of Robbie Williams. Site-based stage innovators TAIT have built scenery for his prior productions, with the larger than life result donated afterwards to make an effective fire assembly point. In wintry weather I observe it’s not the first time he’s had snow on his nose.

On a smaller scale, a 3D-fabricated sculpture of his face provided a challenging projection mapped surface as my Visuals module heads toward end-of-term assessment. Indulging a desire to integrate facial projection into future projects, this was the ideal static subject to try things out over a few hours of experimental studio time.

Despite any knowledge of his career purely culled by cultural osmosis (really!), I was able to piece together a collage of clips to represent the journey. With a simian base layer invoking the Better Man biopic, I swiftly incorporated his more recent cartoon appearance on a certain cat food commercial. Going back to the KISS-inspired makeup from “Let Me Entertain You”, the montage was topped off with the skin-stripping coda to the “Rock DJ” video. Looping that segment through the projector’s tinny speaker was sufficient to get everyone’s toes tapping – whether they wanted to or not.

Sourcing the elements in short notice was a challenge within itself, necessitating some quick thinking across many resources and creating new ones on the fly. But for a dabble it did the job nicely – despite a few imperfect keystone masks and off-centre aspects.

Although my studies and assessment focus on mastering Green Hippo media servers, I took the opportunity to try something different. Cracking open the case for the first time on our prized Troikatronix Isadora server, I soon found myself a quick learner.

Green Hippo has a warm, organic user interface that sometimes seems counter-intuitive despite its obvious power. Isadora presents a more familiar building-block style of boxes and properties, allowing links to be dragged between outputs and inputs to visualise how everything is hooked up.

My familiarity with node-based workflows such as DaVinci Resolve Fusion, combined with my coding background, made getting to grips with Isadora a cinch. Although I can understand how the blank starting screen can seem intimidating to non-techies.

Although there are likely far more efficient ways to structure my little throw-together, I was able to coax the effect I wanted by combining smaller known sub-processes. This combination of nodes and lines offered mathematical means to make it work where I may have floundered with an artier interface…

… so I guess I’m loving angles instead.

This is probably the first, last, and only time I’ll ever mention the former “Bad Boy” of “Pop”.

A common motif scattered around the Academy campus is the visage of Robbie Williams. Site-based stage innovators TAIT have built scenery for his prior productions, with the larger than life result donated afterwards to make an effective fire assembly point. In wintry weather I observe it’s not the first time he’s had snow on his nose.

On a smaller scale, a 3D-fabricated sculpture of his face provided a challenging projection mapped surface as my Visuals module heads toward end-of-term assessment. Indulging a desire to integrate facial projection into future projects, this was the ideal static subject to try things out over a few hours of experimental studio time.

Despite any knowledge of his career purely culled by cultural osmosis (really!), I was able to piece together a collage of clips to represent the journey. With a simian base layer invoking the Better Man biopic, I swiftly incorporated his more recent cartoon appearance on a certain cat food commercial. Going back to the KISS-inspired makeup from “Let Me Entertain You”, the montage was topped off with the skin-stripping coda to the “Rock DJ” video. Looping that segment through the projector’s tinny speaker was sufficient to get everyone’s toes tapping – whether they wanted to or not.

Sourcing the elements in short notice was a challenge within itself, necessitating some quick thinking across many resources and creating new ones on the fly. But for a dabble it did the job nicely – despite a few imperfect keystone masks and off-centre aspects.

Although my studies and assessment focus on mastering Green Hippo media servers, I took the opportunity to try something different. Cracking open the case for the first time on our prized Troikatronix Isadora server, I soon found myself a quick learner.

Green Hippo has a warm, organic user interface that sometimes seems counter-intuitive despite its obvious power. Isadora presents a more familiar building-block style of boxes and properties, allowing links to be dragged between outputs and inputs to visualise how everything is hooked up.

My familiarity with node-based workflows such as DaVinci Resolve Fusion, combined with my coding background, made getting to grips with Isadora a cinch. Although I can understand how the blank starting screen can seem intimidating to non-techies.

Although there are likely far more efficient ways to structure my little throw-together, I was able to coax the effect I wanted by combining smaller known sub-processes. This combination of nodes and lines offered mathematical means to make it work where I may have floundered with an artier interface…

… so I guess I’m loving angles instead.

This is probably the first, last, and only time I’ll ever mention the former “Bad Boy” of “Pop”.

A common motif scattered around the Academy campus is the visage of Robbie Williams. Site-based stage innovators TAIT have built scenery for his prior productions, with the larger than life result donated afterwards to make an effective fire assembly point. In wintry weather I observe it’s not the first time he’s had snow on his nose.

On a smaller scale, a 3D-fabricated sculpture of his face provided a challenging projection surface as my Visuals module heads toward end-of-term assessment. Indulging a desire to integrate facial projection into future projects, this was the ideal static subject to try things out over a few hours of experimental studio time.

Despite any knowledge of his career purely culled by cultural osmosis (really!), I was able to piece together a collage of clips to represent the journey. With a simian base layer invoking the Better Man biopic, I swiftly incorporated his more recent cartoon appearance on a certain cat food commercial. Going back to the KISS-inspired makeup from “Let Me Entertain You”, the montage was topped off with the skin-stripping coda to the “Rock DJ” video. Looping that segment through the projector’s tinny speaker was sufficient to get everyone’s toes tapping – whether they wanted to or not.

Sourcing the elements in short notice was a challenge within itself, necessitating some quick thinking across many resources and creating new ones on the fly. But for a dabble it did the job nicely – despite a few imperfect keystone masks and off-centre aspects.

Although my studies and assessment focus on mastering Green Hippo media servers, I took the opportunity to try something different. Cracking open the case for the first time on our prized Troikatronix Isadora server, I soon found myself a quick learner.

Green Hippo has a warm, organic user interface that sometimes seems counter-intuitive despite its obvious power. Isadora presents a more familiar building-block style of boxes and properties, allowing links to be dragged between outputs and inputs to visualise how everything is hooked up.

My familiarity with node-based workflows such as DaVinci Resolve Fusion, combined with my coding background, made getting to grips with Isadora a cinch. Although I can understand how the blank starting screen can seem intimidating to non-techies.

Although there are likely far more efficient ways to structure my little throw-together, I was able to coax the effect I wanted by combining smaller known sub-processes. This combination of nodes and lines offered mathematical means to make it work where I may have floundered with an artier interface…

… so I guess I’m loving angles instead.

📻 ■ De Leiva a Justin Timberlake: estos han sido los mejores conciertos classic del año 2025 en España ■ Desde despedidas históricas hasta regresos multitudinarios
https://los40.com/2025/12/25/de-leiva-a-justin-timberlake-estos-han-sido-los-mejores-conciertos-classic-del-ano-2025-en-espana/?int=MASTODON_WORLD

#los40 #lennykravitz #leiva #joaquinsabina #justintimberlake #pignoise #robbiewilliams #conciertos #ironmaiden #danimartin #iggypop