#philspector — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #philspector, aggregated by home.social.
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https://www.europesays.com/it/463671/ È morta Nedra Talley Ross, l’ultima delle Ronettes: con lei si chiude un’era della musica #baby #band #be #BeMy #BeMyBaby #breve #carriera #chiude #cugine #Entertainment #epoca #estelle #girl #GirlGroup #group #indimenticabili #Intrattenimento #IT #Italia #Italy #morta #Musica #my #MyBaby #nedra #NedraTalley #NedraTalleyRoss #particolare #phil #PhilSpector #pop #relazione #ronettes #ronnie #RonnieSpector #ross #RossUltima #spector #talley #TalleyRoss
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Nedra Talley-Ross, Last Surviving Member of the Ronettes, Dies at 80
#Variety #News #PhilSpector #Ronettes #RonnieSpectorhttps://variety.com/2026/music/news/nedra-talley-ross-ronettes-dead-1236731103/
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"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Be My Baby" is a song written by #JeffBarry, #EllieGreenwich, and #PhilSpector and recorded by the American #girlGroup #theRonettes. It was released in August 1963 as the Ronettes' debut on #PhillesRecords and became their biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. Spector produced the song in his #WallOfSound style at #GoldStarStudios in Hollywood with the group of #sessionMusicians later known as #theWreckingCrew.
https://www.youtube.com/watch?v=jSPpbOGnFgk -
"Spanish Harlem" is a song recorded by #BenEKing in 1960 for #AtcoRecords. It was written by Jerry Leiber and #PhilSpector and produced by #JerryLeiberAndMikeStoller. "Spanish Harlem" was King's first hit away from #TheDrifters, peaking at number 10 on #Billboard's pop chart, and number 15 on the rhythm and blues chart. The song has been covered by a number of artists including #ArethaFranklin, whose version reached number two on Billboard's pop chart.
https://www.youtube.com/watch?v=QlQLGCeUqZw -
Ted Tocks Covers
River Deep Mountain High
Originally posted on March 7, 2020
One of the greatest studio recordings in music history was recorded on this day 60 years ago.
“I love you baby like a flower loves the spring
And I love you baby just like Tina loves to sing”#tinaturner #philspector #EllieGreenwich #jeffbarry #thewreckingcrew #theanimals #deeppurple #thesupremes #thefourtops #annielennox #neildiamond
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Ted Tocks Covers
River Deep Mountain High
Originally posted on March 7, 2020
One of the greatest studio recordings in music history was recorded on this day 60 years ago.
“I love you baby like a flower loves the spring
And I love you baby just like Tina loves to sing”#tinaturner #philspector #EllieGreenwich #jeffbarry #thewreckingcrew #theanimals #deeppurple #thesupremes #thefourtops #annielennox #neildiamond
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Ted Tocks Covers
River Deep Mountain High
Originally posted on March 7, 2020
One of the greatest studio recordings in music history was recorded on this day 60 years ago.
“I love you baby like a flower loves the spring
And I love you baby just like Tina loves to sing”#tinaturner #philspector #EllieGreenwich #jeffbarry #thewreckingcrew #theanimals #deeppurple #thesupremes #thefourtops #annielennox #neildiamond
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"Da Doo Ron Ron (When He Walked Me Home)" is a song written by #JeffBarry, #EllieGreenwich and #PhilSpector. It first became a popular top five hit #single for the American girl group #theCrystals in 1963. American #teenIdol #ShaunCassidy recorded the song in 1977 and his version hit number one on the #Billboard Hot 100 chart. There have also been many other cover versions of this song, including one by the songwriters Jeff Barry and Ellie Greenwich themselves.
https://www.youtube.com/watch?v=L0dikX80Ed8 -
"I Love How You Love Me" is a song written by #BarryMann and Larry Kolber. It was a 1961 Top Five hit for the #pop girl group #theParisSisters, which inaugurated a string of elaborately produced classic hits by #PhilSpector. #BobbyVinton had a Top Ten hit in 1968 with a cover version. The song has been recorded by many other artists over the years.
https://www.youtube.com/watch?v=tOP7ssSHAss -
“They are alone together”*…
Andrew Trousdale and Erik J. Langer bridge the years between Robert Putnam‘s Bowling Alone and Jonathan Haidt‘s The Anxious Generation with a brief history of the trade-off between convenience and connection in America. From Zach Rauch’s introduction…
The Anxious Generation is best understood as a three-act tragedy. Act I begins in the mid-20th century, when new social and entertainment technologies (e.g., air conditioning and television) set in motion a long, gradual collapse of local community. Act II begins in the 1980s, as the loss of local community weakened social trust and helped erode the play-based childhood. Act III begins in the early 2010s, with the arrival of the phone-based childhood that filled the vacuum left behind.
This post, written by Andrew Trousdale and Erik Larson, goes deep into Act I. Andrew is a psychology researcher and human-computer interaction designer who is co-running a project on the psychological tradeoffs of progress. Erik is the author of The Myth of Artificial Intelligence, writes the Substack Colligo, and is completing the MIT Press book Augmented Human Intelligence: Being Human in an Age of AI, due in 2026. Together, they show how the isolation we experience today did not begin with smartphones but began decades earlier, as Americans, often for good and understandable reasons, traded connection for convenience, and place-based relationships for privacy and control.
Tracing these trade-offs across the twentieth century, Andrew and Erik help explain the problem of loneliness we face today, and offer some guidance for how we can turn it around and reconnect with our neighbors. Robert Putnam, who read a recent draft, described it as “easily the best, most comprehensive, and most persuasive piece on the contemporary social capital conundrum I’ve yet read.”…Trousdale and Langer trace the social, cultural, economic, political, and technological forces that have played out from the the late 1940s to today. It is, at once, familiar and shocking. They conclude…
When we asked Robert Putnam what gives him hope, he pointed to history. In The Upswing, he reminds us that Americans faced a similar crisis before. The Gilded Age brought economic inequality, industrialization, and the rise of anonymous urban life. Small-town bonds gave way to tenements and factory floors. Trust collapsed. By the 1890s, social capital had reached historic lows — roughly where it stands today.
The Progressive reformers found this new world unacceptable, but they didn’t try to turn back the clock. Cities and factories were here to stay. Instead, they adapted, creating new forms of connection suited to their changed reality, from settlement houses for anonymous neighborhoods to women’s clubs that built networks of mutual aid. They didn’t reject modernity; they metabolized it, showing up day after day to create new institutions and communities suited to the industrialized world.
Decades ago Neil Postman observed in Amusing Ourselves to Death that we haven’t been conquered by technology — we’ve surrendered to it because we like the stimulation and cheap amusement. More recently, Nicholas Carr concludes in Superbloom that we’re complicit in our loneliness because we embrace these superficial, mediated forms of connection. Like Postman and Carr, the Progressive Era reformers understood where they had agency when technology upended their world. It isn’t in demanding that others fix systems we willingly participate in, nor is it in outright rejecting technologies that deliver real benefits — it’s in changing how we ourselves live with and make use of the tools that surround us.
There are already signs that people are willing to do this. In a small, three-day survey, Talker Research found that 63% of Gen Z now intentionally unplug — the highest rate of any generation — and that half of Americans are spending less time on screens for their well-being, and their top alternative activity is time with friends and family. And they found that two-thirds of Americans are embracing “slow living,” with 84% adopting analog lifestyle choices like wristwatches and paper notebooks that help them unplug. Meanwhile in Eventbrite’s “Reset to Real” survey, 74% of young adults say in-person experiences matter more than digital ones. New devices like the Light Phone, Brick, Meadow, and Daylight Computer signal a growing demand for utility without distraction.
Unplugging isn’t enough on its own. The time and energy we reclaim has to go toward building social connections: hosting the dinner party despite the hassle, staying for coffee after church when you’d rather go home, sitting through the awkward silence, offering or asking for help.
Ultimately, we can’t expect deep social connection in a culture that prioritizes individual ease and convenience. Nor is community something technology can deliver for us. What’s required is a change of culture, grounded in a basic fact of human nature: that authentic connection requires action and effort, and that this action and effort is part of what makes connection fulfilling in the first place.
We can form new rituals and institutions that allow us to adapt to technology, ultimately changing it to our liking. But it starts with the tools we use and the choices we make each day. If we all prioritize the individual comforts and conveniences we’ve grown accustomed to, no one else will restore the community we say we miss. No one else can. If we want deeper relationships and better communities than we have, we’re going to have to put more of our time, effort, and attention into the people around us.
History shows that we can adapt, building communities suited to changing times. The question is: Will we stay in and scroll? Or will we go out and choose one another?…
Eminently worth reading in full: “Scrolling Alone.”
In the spirit of the call for forward-looking determination, pair with “The Displacement of Purpose” from Peter Adam Boeckel (“If AI automates production, then humanity must automate compassion. Only then will progress remember what it was for.”)
[Image above: source]
* Robert Putnam, Bowling Alone (in which he also observed: “People divorced from community, occupation, and association are first and foremost among the supporters of extremism.”)
###
As we get together, we might spare a thought for Aldus Manutius; he died on this date in 1515. A printer and humanist, he founded the Aldine Press. In the books he published, he introduced a standardized system of punctuation and use of the semicolon. He designed many fonts, and created italic type (which he named for Italy).
And apropos the piece featured above, we might note that on this date in 1965 “You’ve Lost That Lovin’ Feeling,” the first major hit for the Righteous Brothers, simultaneously reached #1 on both the Billboard and Cash Box charts in the US as well as the UK singles chart. The song was produced by Phil Spector (who had discovered the duo at a San Francisco show) for his own label, Philles Records. All the songs previously produced by Spector for Philles featured African-American singers; the Righteous Brothers were his first white vocal act– they had a vocal style, blue-eyed soul, that suited Spector.
https://youtu.be/03iSUjHaUxY?si=OkkrUiId1p3KkMHY
#AldusManutius #AndrewTrousdale #anxiety #BowlingAlone #connection #convenience #culture #ErikJLanger #history #italic #JonathanHaidt #loneliness #music #PhilSpector #politics #printing #publishing #punctuation #RighteousBrothers #RobertPutnam #semicolon #society #Technology #TheAnxiousGeneration #YouVeLostThatLovinFeelin #YouVeLostThatLovingFeeling -
“They are alone together”*…
Andrew Trousdale and Erik J. Langer bridge the years between Robert Putnam‘s Bowling Alone and Jonathan Haidt‘s The Anxious Generation with a brief history of the trade-off between convenience and connection in America. From Zach Rauch’s introduction…
The Anxious Generation is best understood as a three-act tragedy. Act I begins in the mid-20th century, when new social and entertainment technologies (e.g., air conditioning and television) set in motion a long, gradual collapse of local community. Act II begins in the 1980s, as the loss of local community weakened social trust and helped erode the play-based childhood. Act III begins in the early 2010s, with the arrival of the phone-based childhood that filled the vacuum left behind.
This post, written by Andrew Trousdale and Erik Larson, goes deep into Act I. Andrew is a psychology researcher and human-computer interaction designer who is co-running a project on the psychological tradeoffs of progress. Erik is the author of The Myth of Artificial Intelligence, writes the Substack Colligo, and is completing the MIT Press book Augmented Human Intelligence: Being Human in an Age of AI, due in 2026. Together, they show how the isolation we experience today did not begin with smartphones but began decades earlier, as Americans, often for good and understandable reasons, traded connection for convenience, and place-based relationships for privacy and control.
Tracing these trade-offs across the twentieth century, Andrew and Erik help explain the problem of loneliness we face today, and offer some guidance for how we can turn it around and reconnect with our neighbors. Robert Putnam, who read a recent draft, described it as “easily the best, most comprehensive, and most persuasive piece on the contemporary social capital conundrum I’ve yet read.”…Trousdale and Langer trace the social, cultural, economic, political, and technological forces that have played out from the the late 1940s to today. It is, at once, familiar and shocking. They conclude…
When we asked Robert Putnam what gives him hope, he pointed to history. In The Upswing, he reminds us that Americans faced a similar crisis before. The Gilded Age brought economic inequality, industrialization, and the rise of anonymous urban life. Small-town bonds gave way to tenements and factory floors. Trust collapsed. By the 1890s, social capital had reached historic lows — roughly where it stands today.
The Progressive reformers found this new world unacceptable, but they didn’t try to turn back the clock. Cities and factories were here to stay. Instead, they adapted, creating new forms of connection suited to their changed reality, from settlement houses for anonymous neighborhoods to women’s clubs that built networks of mutual aid. They didn’t reject modernity; they metabolized it, showing up day after day to create new institutions and communities suited to the industrialized world.
Decades ago Neil Postman observed in Amusing Ourselves to Death that we haven’t been conquered by technology — we’ve surrendered to it because we like the stimulation and cheap amusement. More recently, Nicholas Carr concludes in Superbloom that we’re complicit in our loneliness because we embrace these superficial, mediated forms of connection. Like Postman and Carr, the Progressive Era reformers understood where they had agency when technology upended their world. It isn’t in demanding that others fix systems we willingly participate in, nor is it in outright rejecting technologies that deliver real benefits — it’s in changing how we ourselves live with and make use of the tools that surround us.
There are already signs that people are willing to do this. In a small, three-day survey, Talker Research found that 63% of Gen Z now intentionally unplug — the highest rate of any generation — and that half of Americans are spending less time on screens for their well-being, and their top alternative activity is time with friends and family. And they found that two-thirds of Americans are embracing “slow living,” with 84% adopting analog lifestyle choices like wristwatches and paper notebooks that help them unplug. Meanwhile in Eventbrite’s “Reset to Real” survey, 74% of young adults say in-person experiences matter more than digital ones. New devices like the Light Phone, Brick, Meadow, and Daylight Computer signal a growing demand for utility without distraction.
Unplugging isn’t enough on its own. The time and energy we reclaim has to go toward building social connections: hosting the dinner party despite the hassle, staying for coffee after church when you’d rather go home, sitting through the awkward silence, offering or asking for help.
Ultimately, we can’t expect deep social connection in a culture that prioritizes individual ease and convenience. Nor is community something technology can deliver for us. What’s required is a change of culture, grounded in a basic fact of human nature: that authentic connection requires action and effort, and that this action and effort is part of what makes connection fulfilling in the first place.
We can form new rituals and institutions that allow us to adapt to technology, ultimately changing it to our liking. But it starts with the tools we use and the choices we make each day. If we all prioritize the individual comforts and conveniences we’ve grown accustomed to, no one else will restore the community we say we miss. No one else can. If we want deeper relationships and better communities than we have, we’re going to have to put more of our time, effort, and attention into the people around us.
History shows that we can adapt, building communities suited to changing times. The question is: Will we stay in and scroll? Or will we go out and choose one another?…
Eminently worth reading in full: “Scrolling Alone.”
In the spirit of the call for forward-looking determination, pair with “The Displacement of Purpose” from Peter Adam Boeckel (“If AI automates production, then humanity must automate compassion. Only then will progress remember what it was for.”)
[Image above: source]
* Robert Putnam, Bowling Alone (in which he also observed: “People divorced from community, occupation, and association are first and foremost among the supporters of extremism.”)
###
As we get together, we might spare a thought for Aldus Manutius; he died on this date in 1515. A printer and humanist, he founded the Aldine Press. In the books he published, he introduced a standardized system of punctuation and use of the semicolon. He designed many fonts, and created italic type (which he named for Italy).
And apropos the piece featured above, we might note that on this date in 1965 “You’ve Lost That Lovin’ Feeling,” the first major hit for the Righteous Brothers, simultaneously reached #1 on both the Billboard and Cash Box charts in the US as well as the UK singles chart. The song was produced by Phil Spector (who had discovered the duo at a San Francisco show) for his own label, Philles Records. All the songs previously produced by Spector for Philles featured African-American singers; the Righteous Brothers were his first white vocal act– they had a vocal style, blue-eyed soul, that suited Spector.
https://youtu.be/03iSUjHaUxY?si=OkkrUiId1p3KkMHY
#AldusManutius #AndrewTrousdale #anxiety #BowlingAlone #connection #convenience #culture #ErikJLanger #history #italic #JonathanHaidt #loneliness #music #PhilSpector #politics #printing #publishing #punctuation #RighteousBrothers #RobertPutnam #semicolon #society #Technology #TheAnxiousGeneration #YouVeLostThatLovinFeelin #YouVeLostThatLovingFeeling -
“They are alone together”*…
Andrew Trousdale and Erik J. Langer bridge the years between Robert Putnam‘s Bowling Alone and Jonathan Haidt‘s The Anxious Generation with a brief history of the trade-off between convenience and connection in America. From Zach Rauch’s introduction…
The Anxious Generation is best understood as a three-act tragedy. Act I begins in the mid-20th century, when new social and entertainment technologies (e.g., air conditioning and television) set in motion a long, gradual collapse of local community. Act II begins in the 1980s, as the loss of local community weakened social trust and helped erode the play-based childhood. Act III begins in the early 2010s, with the arrival of the phone-based childhood that filled the vacuum left behind.
This post, written by Andrew Trousdale and Erik Larson, goes deep into Act I. Andrew is a psychology researcher and human-computer interaction designer who is co-running a project on the psychological tradeoffs of progress. Erik is the author of The Myth of Artificial Intelligence, writes the Substack Colligo, and is completing the MIT Press book Augmented Human Intelligence: Being Human in an Age of AI, due in 2026. Together, they show how the isolation we experience today did not begin with smartphones but began decades earlier, as Americans, often for good and understandable reasons, traded connection for convenience, and place-based relationships for privacy and control.
Tracing these trade-offs across the twentieth century, Andrew and Erik help explain the problem of loneliness we face today, and offer some guidance for how we can turn it around and reconnect with our neighbors. Robert Putnam, who read a recent draft, described it as “easily the best, most comprehensive, and most persuasive piece on the contemporary social capital conundrum I’ve yet read.”…Trousdale and Langer trace the social, cultural, economic, political, and technological forces that have played out from the the late 1940s to today. It is, at once, familiar and shocking. They conclude…
When we asked Robert Putnam what gives him hope, he pointed to history. In The Upswing, he reminds us that Americans faced a similar crisis before. The Gilded Age brought economic inequality, industrialization, and the rise of anonymous urban life. Small-town bonds gave way to tenements and factory floors. Trust collapsed. By the 1890s, social capital had reached historic lows — roughly where it stands today.
The Progressive reformers found this new world unacceptable, but they didn’t try to turn back the clock. Cities and factories were here to stay. Instead, they adapted, creating new forms of connection suited to their changed reality, from settlement houses for anonymous neighborhoods to women’s clubs that built networks of mutual aid. They didn’t reject modernity; they metabolized it, showing up day after day to create new institutions and communities suited to the industrialized world.
Decades ago Neil Postman observed in Amusing Ourselves to Death that we haven’t been conquered by technology — we’ve surrendered to it because we like the stimulation and cheap amusement. More recently, Nicholas Carr concludes in Superbloom that we’re complicit in our loneliness because we embrace these superficial, mediated forms of connection. Like Postman and Carr, the Progressive Era reformers understood where they had agency when technology upended their world. It isn’t in demanding that others fix systems we willingly participate in, nor is it in outright rejecting technologies that deliver real benefits — it’s in changing how we ourselves live with and make use of the tools that surround us.
There are already signs that people are willing to do this. In a small, three-day survey, Talker Research found that 63% of Gen Z now intentionally unplug — the highest rate of any generation — and that half of Americans are spending less time on screens for their well-being, and their top alternative activity is time with friends and family. And they found that two-thirds of Americans are embracing “slow living,” with 84% adopting analog lifestyle choices like wristwatches and paper notebooks that help them unplug. Meanwhile in Eventbrite’s “Reset to Real” survey, 74% of young adults say in-person experiences matter more than digital ones. New devices like the Light Phone, Brick, Meadow, and Daylight Computer signal a growing demand for utility without distraction.
Unplugging isn’t enough on its own. The time and energy we reclaim has to go toward building social connections: hosting the dinner party despite the hassle, staying for coffee after church when you’d rather go home, sitting through the awkward silence, offering or asking for help.
Ultimately, we can’t expect deep social connection in a culture that prioritizes individual ease and convenience. Nor is community something technology can deliver for us. What’s required is a change of culture, grounded in a basic fact of human nature: that authentic connection requires action and effort, and that this action and effort is part of what makes connection fulfilling in the first place.
We can form new rituals and institutions that allow us to adapt to technology, ultimately changing it to our liking. But it starts with the tools we use and the choices we make each day. If we all prioritize the individual comforts and conveniences we’ve grown accustomed to, no one else will restore the community we say we miss. No one else can. If we want deeper relationships and better communities than we have, we’re going to have to put more of our time, effort, and attention into the people around us.
History shows that we can adapt, building communities suited to changing times. The question is: Will we stay in and scroll? Or will we go out and choose one another?…
Eminently worth reading in full: “Scrolling Alone.”
In the spirit of the call for forward-looking determination, pair with “The Displacement of Purpose” from Peter Adam Boeckel (“If AI automates production, then humanity must automate compassion. Only then will progress remember what it was for.”)
[Image above: source]
* Robert Putnam, Bowling Alone (in which he also observed: “People divorced from community, occupation, and association are first and foremost among the supporters of extremism.”)
###
As we get together, we might spare a thought for Aldus Manutius; he died on this date in 1515. A printer and humanist, he founded the Aldine Press. In the books he published, he introduced a standardized system of punctuation and use of the semicolon. He designed many fonts, and created italic type (which he named for Italy).
And apropos the piece featured above, we might note that on this date in 1965 “You’ve Lost That Lovin’ Feeling,” the first major hit for the Righteous Brothers, simultaneously reached #1 on both the Billboard and Cash Box charts in the US as well as the UK singles chart. The song was produced by Phil Spector (who had discovered the duo at a San Francisco show) for his own label, Philles Records. All the songs previously produced by Spector for Philles featured African-American singers; the Righteous Brothers were his first white vocal act– they had a vocal style, blue-eyed soul, that suited Spector.
https://youtu.be/03iSUjHaUxY?si=OkkrUiId1p3KkMHY
#AldusManutius #AndrewTrousdale #anxiety #BowlingAlone #connection #convenience #culture #ErikJLanger #history #italic #JonathanHaidt #loneliness #music #PhilSpector #politics #printing #publishing #punctuation #RighteousBrothers #RobertPutnam #semicolon #society #Technology #TheAnxiousGeneration #YouVeLostThatLovinFeelin #YouVeLostThatLovingFeeling -
“They are alone together”*…
Andrew Trousdale and Erik J. Langer bridge the years between Robert Putnam‘s Bowling Alone and Jonathan Haidt‘s The Anxious Generation with a brief history of the trade-off between convenience and connection in America. From Zach Rauch’s introduction…
The Anxious Generation is best understood as a three-act tragedy. Act I begins in the mid-20th century, when new social and entertainment technologies (e.g., air conditioning and television) set in motion a long, gradual collapse of local community. Act II begins in the 1980s, as the loss of local community weakened social trust and helped erode the play-based childhood. Act III begins in the early 2010s, with the arrival of the phone-based childhood that filled the vacuum left behind.
This post, written by Andrew Trousdale and Erik Larson, goes deep into Act I. Andrew is a psychology researcher and human-computer interaction designer who is co-running a project on the psychological tradeoffs of progress. Erik is the author of The Myth of Artificial Intelligence, writes the Substack Colligo, and is completing the MIT Press book Augmented Human Intelligence: Being Human in an Age of AI, due in 2026. Together, they show how the isolation we experience today did not begin with smartphones but began decades earlier, as Americans, often for good and understandable reasons, traded connection for convenience, and place-based relationships for privacy and control.
Tracing these trade-offs across the twentieth century, Andrew and Erik help explain the problem of loneliness we face today, and offer some guidance for how we can turn it around and reconnect with our neighbors. Robert Putnam, who read a recent draft, described it as “easily the best, most comprehensive, and most persuasive piece on the contemporary social capital conundrum I’ve yet read.”…Trousdale and Langer trace the social, cultural, economic, political, and technological forces that have played out from the the late 1940s to today. It is, at once, familiar and shocking. They conclude…
When we asked Robert Putnam what gives him hope, he pointed to history. In The Upswing, he reminds us that Americans faced a similar crisis before. The Gilded Age brought economic inequality, industrialization, and the rise of anonymous urban life. Small-town bonds gave way to tenements and factory floors. Trust collapsed. By the 1890s, social capital had reached historic lows — roughly where it stands today.
The Progressive reformers found this new world unacceptable, but they didn’t try to turn back the clock. Cities and factories were here to stay. Instead, they adapted, creating new forms of connection suited to their changed reality, from settlement houses for anonymous neighborhoods to women’s clubs that built networks of mutual aid. They didn’t reject modernity; they metabolized it, showing up day after day to create new institutions and communities suited to the industrialized world.
Decades ago Neil Postman observed in Amusing Ourselves to Death that we haven’t been conquered by technology — we’ve surrendered to it because we like the stimulation and cheap amusement. More recently, Nicholas Carr concludes in Superbloom that we’re complicit in our loneliness because we embrace these superficial, mediated forms of connection. Like Postman and Carr, the Progressive Era reformers understood where they had agency when technology upended their world. It isn’t in demanding that others fix systems we willingly participate in, nor is it in outright rejecting technologies that deliver real benefits — it’s in changing how we ourselves live with and make use of the tools that surround us.
There are already signs that people are willing to do this. In a small, three-day survey, Talker Research found that 63% of Gen Z now intentionally unplug — the highest rate of any generation — and that half of Americans are spending less time on screens for their well-being, and their top alternative activity is time with friends and family. And they found that two-thirds of Americans are embracing “slow living,” with 84% adopting analog lifestyle choices like wristwatches and paper notebooks that help them unplug. Meanwhile in Eventbrite’s “Reset to Real” survey, 74% of young adults say in-person experiences matter more than digital ones. New devices like the Light Phone, Brick, Meadow, and Daylight Computer signal a growing demand for utility without distraction.
Unplugging isn’t enough on its own. The time and energy we reclaim has to go toward building social connections: hosting the dinner party despite the hassle, staying for coffee after church when you’d rather go home, sitting through the awkward silence, offering or asking for help.
Ultimately, we can’t expect deep social connection in a culture that prioritizes individual ease and convenience. Nor is community something technology can deliver for us. What’s required is a change of culture, grounded in a basic fact of human nature: that authentic connection requires action and effort, and that this action and effort is part of what makes connection fulfilling in the first place.
We can form new rituals and institutions that allow us to adapt to technology, ultimately changing it to our liking. But it starts with the tools we use and the choices we make each day. If we all prioritize the individual comforts and conveniences we’ve grown accustomed to, no one else will restore the community we say we miss. No one else can. If we want deeper relationships and better communities than we have, we’re going to have to put more of our time, effort, and attention into the people around us.
History shows that we can adapt, building communities suited to changing times. The question is: Will we stay in and scroll? Or will we go out and choose one another?…
Eminently worth reading in full: “Scrolling Alone.”
In the spirit of the call for forward-looking determination, pair with “The Displacement of Purpose” from Peter Adam Boeckel (“If AI automates production, then humanity must automate compassion. Only then will progress remember what it was for.”)
[Image above: source]
* Robert Putnam, Bowling Alone (in which he also observed: “People divorced from community, occupation, and association are first and foremost among the supporters of extremism.”)
###
As we get together, we might spare a thought for Aldus Manutius; he died on this date in 1515. A printer and humanist, he founded the Aldine Press. In the books he published, he introduced a standardized system of punctuation and use of the semicolon. He designed many fonts, and created italic type (which he named for Italy).
And apropos the piece featured above, we might note that on this date in 1965 “You’ve Lost That Lovin’ Feeling,” the first major hit for the Righteous Brothers, simultaneously reached #1 on both the Billboard and Cash Box charts in the US as well as the UK singles chart. The song was produced by Phil Spector (who had discovered the duo at a San Francisco show) for his own label, Philles Records. All the songs previously produced by Spector for Philles featured African-American singers; the Righteous Brothers were his first white vocal act– they had a vocal style, blue-eyed soul, that suited Spector.
https://youtu.be/03iSUjHaUxY?si=OkkrUiId1p3KkMHY
#AldusManutius #AndrewTrousdale #anxiety #BowlingAlone #connection #convenience #culture #ErikJLanger #history #italic #JonathanHaidt #loneliness #music #PhilSpector #politics #printing #publishing #punctuation #RighteousBrothers #RobertPutnam #semicolon #society #Technology #TheAnxiousGeneration #YouVeLostThatLovinFeelin #YouVeLostThatLovingFeeling -
“They are alone together”*…
Andrew Trousdale and Erik J. Langer bridge the years between Robert Putnam‘s Bowling Alone and Jonathan Haidt‘s The Anxious Generation with a brief history of the trade-off between convenience and connection in America. From Zach Rauch’s introduction…
The Anxious Generation is best understood as a three-act tragedy. Act I begins in the mid-20th century, when new social and entertainment technologies (e.g., air conditioning and television) set in motion a long, gradual collapse of local community. Act II begins in the 1980s, as the loss of local community weakened social trust and helped erode the play-based childhood. Act III begins in the early 2010s, with the arrival of the phone-based childhood that filled the vacuum left behind.
This post, written by Andrew Trousdale and Erik Larson, goes deep into Act I. Andrew is a psychology researcher and human-computer interaction designer who is co-running a project on the psychological tradeoffs of progress. Erik is the author of The Myth of Artificial Intelligence, writes the Substack Colligo, and is completing the MIT Press book Augmented Human Intelligence: Being Human in an Age of AI, due in 2026. Together, they show how the isolation we experience today did not begin with smartphones but began decades earlier, as Americans, often for good and understandable reasons, traded connection for convenience, and place-based relationships for privacy and control.
Tracing these trade-offs across the twentieth century, Andrew and Erik help explain the problem of loneliness we face today, and offer some guidance for how we can turn it around and reconnect with our neighbors. Robert Putnam, who read a recent draft, described it as “easily the best, most comprehensive, and most persuasive piece on the contemporary social capital conundrum I’ve yet read.”…Trousdale and Langer trace the social, cultural, economic, political, and technological forces that have played out from the the late 1940s to today. It is, at once, familiar and shocking. They conclude…
When we asked Robert Putnam what gives him hope, he pointed to history. In The Upswing, he reminds us that Americans faced a similar crisis before. The Gilded Age brought economic inequality, industrialization, and the rise of anonymous urban life. Small-town bonds gave way to tenements and factory floors. Trust collapsed. By the 1890s, social capital had reached historic lows — roughly where it stands today.
The Progressive reformers found this new world unacceptable, but they didn’t try to turn back the clock. Cities and factories were here to stay. Instead, they adapted, creating new forms of connection suited to their changed reality, from settlement houses for anonymous neighborhoods to women’s clubs that built networks of mutual aid. They didn’t reject modernity; they metabolized it, showing up day after day to create new institutions and communities suited to the industrialized world.
Decades ago Neil Postman observed in Amusing Ourselves to Death that we haven’t been conquered by technology — we’ve surrendered to it because we like the stimulation and cheap amusement. More recently, Nicholas Carr concludes in Superbloom that we’re complicit in our loneliness because we embrace these superficial, mediated forms of connection. Like Postman and Carr, the Progressive Era reformers understood where they had agency when technology upended their world. It isn’t in demanding that others fix systems we willingly participate in, nor is it in outright rejecting technologies that deliver real benefits — it’s in changing how we ourselves live with and make use of the tools that surround us.
There are already signs that people are willing to do this. In a small, three-day survey, Talker Research found that 63% of Gen Z now intentionally unplug — the highest rate of any generation — and that half of Americans are spending less time on screens for their well-being, and their top alternative activity is time with friends and family. And they found that two-thirds of Americans are embracing “slow living,” with 84% adopting analog lifestyle choices like wristwatches and paper notebooks that help them unplug. Meanwhile in Eventbrite’s “Reset to Real” survey, 74% of young adults say in-person experiences matter more than digital ones. New devices like the Light Phone, Brick, Meadow, and Daylight Computer signal a growing demand for utility without distraction.
Unplugging isn’t enough on its own. The time and energy we reclaim has to go toward building social connections: hosting the dinner party despite the hassle, staying for coffee after church when you’d rather go home, sitting through the awkward silence, offering or asking for help.
Ultimately, we can’t expect deep social connection in a culture that prioritizes individual ease and convenience. Nor is community something technology can deliver for us. What’s required is a change of culture, grounded in a basic fact of human nature: that authentic connection requires action and effort, and that this action and effort is part of what makes connection fulfilling in the first place.
We can form new rituals and institutions that allow us to adapt to technology, ultimately changing it to our liking. But it starts with the tools we use and the choices we make each day. If we all prioritize the individual comforts and conveniences we’ve grown accustomed to, no one else will restore the community we say we miss. No one else can. If we want deeper relationships and better communities than we have, we’re going to have to put more of our time, effort, and attention into the people around us.
History shows that we can adapt, building communities suited to changing times. The question is: Will we stay in and scroll? Or will we go out and choose one another?…
Eminently worth reading in full: “Scrolling Alone.”
In the spirit of the call for forward-looking determination, pair with “The Displacement of Purpose” from Peter Adam Boeckel (“If AI automates production, then humanity must automate compassion. Only then will progress remember what it was for.”)
[Image above: source]
* Robert Putnam, Bowling Alone (in which he also observed: “People divorced from community, occupation, and association are first and foremost among the supporters of extremism.”)
###
As we get together, we might spare a thought for Aldus Manutius; he died on this date in 1515. A printer and humanist, he founded the Aldine Press. In the books he published, he introduced a standardized system of punctuation and use of the semicolon. He designed many fonts, and created italic type (which he named for Italy).
And apropos the piece featured above, we might note that on this date in 1965 “You’ve Lost That Lovin’ Feeling,” the first major hit for the Righteous Brothers, simultaneously reached #1 on both the Billboard and Cash Box charts in the US as well as the UK singles chart. The song was produced by Phil Spector (who had discovered the duo at a San Francisco show) for his own label, Philles Records. All the songs previously produced by Spector for Philles featured African-American singers; the Righteous Brothers were his first white vocal act– they had a vocal style, blue-eyed soul, that suited Spector.
https://youtu.be/03iSUjHaUxY?si=OkkrUiId1p3KkMHY
#AldusManutius #AndrewTrousdale #anxiety #BowlingAlone #connection #convenience #culture #ErikJLanger #history #italic #JonathanHaidt #loneliness #music #PhilSpector #politics #printing #publishing #punctuation #RighteousBrothers #RobertPutnam #semicolon #society #Technology #TheAnxiousGeneration #YouVeLostThatLovinFeelin #YouVeLostThatLovingFeeling -
"You've Lost That Lovin' Feelin'" is a song by #PhilSpector, #BarryMann, and #CynthiaWeil, first recorded in 1964 by the American vocal duo #theRighteousBrothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his #WallOfSound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom.
https://www.youtube.com/watch?v=xbg1gkWb0Wo -
"You've Lost That Lovin' Feelin'" is a song by #PhilSpector, #BarryMann, and #CynthiaWeil, first recorded in 1964 by the American vocal duo #theRighteousBrothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his #WallOfSound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom.
https://www.youtube.com/watch?v=xbg1gkWb0Wo -
"You've Lost That Lovin' Feelin'" is a song by #PhilSpector, #BarryMann, and #CynthiaWeil, first recorded in 1964 by the American vocal duo #theRighteousBrothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his #WallOfSound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom.
https://www.youtube.com/watch?v=xbg1gkWb0Wo -
"You've Lost That Lovin' Feelin'" is a song by #PhilSpector, #BarryMann, and #CynthiaWeil, first recorded in 1964 by the American vocal duo #theRighteousBrothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his #WallOfSound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom.
https://www.youtube.com/watch?v=xbg1gkWb0Wo -
"You've Lost That Lovin' Feelin'" is a song by #PhilSpector, #BarryMann, and #CynthiaWeil, first recorded in 1964 by the American vocal duo #theRighteousBrothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his #WallOfSound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom.
https://www.youtube.com/watch?v=xbg1gkWb0Wo -
https://www.europesays.com/ie/290559/ Charli XCX releases 3rd ‘Wuthering Heights’ track #CharliXCX #ConvictedMurderer #Éire #Entertainment #GoldDerby #IE #Ireland #JacobElordi #MargotRobbie #Music #PhilSpector #WallOfSound #WutheringHeights
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On January 18, 1989: 4th Rock and Roll Hall of Fame inductees: Dion; #OtisRedding; #TheRollingStones; The Temptations; #StevieWonder; The Ink Spots; Bessie Smith; The #SoulStirrers; and #PhilSpector.
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"Baby, I Love You" is a song originally recorded by #theRonettes in 1963 and released on their debut album #PresentingTheFabulousRonettes (1964). The song was written by #JeffBarry, #EllieGreenwich, and #PhilSpector, and #produced by Spector. Released in November 1963, the single reached number 24 on both the US #Billboard #Hot100 and #Cashbox Top 100 charts, and peaked at number 11 on the #UKSinglesChart.
https://www.youtube.com/watch?v=-7O4UglqMC4 -
"He's a Rebel" is a song written by #GenePitney that was originally recorded by #VikkiCarr and by the #girlGroup #theBlossoms. Produced by #PhilSpector, the Blossoms' version was issued as a single credited to #theCrystals, which topped the #Billboard #Hot100 chart in November 1962. It was Spector's second chart-topper after "#ToKnowHimIsToLoveHim" (1958). In 2004, "He's a Rebel" was ranked No. 263 on #RollingStones500GreatestSongsOfAllTime.
https://www.youtube.com/watch?v=waRbcqP4cUI -
"Be My Baby" is a #single by the American #girlGroup #theRonettes, released in August 1963 on #PhillesRecords. Written by #JeffBarry, #EllieGreenwich, and #PhilSpector, the song was the Ronettes' biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. It is often ranked as among the best songs of the 1960s, and has been regarded by various publications as one of the greatest songs of all time.
https://www.youtube.com/watch?v=e-dr1PZZMds -
@reverend @soulexpress The following paragraph is from "Shake It Up Baby! Notes from a British pop music reporter" (2016), a memoir written by journalist Norman Jopling (a great read, by the way!):
"While in Britain [in 1964], Phil expressed an interest in meeting Joe Meek, who could be loosely called his British equivalent. Meek refused to see Phil - typically, in case Phil stole his "secrets". Years later, shortly before blowing his own brains out with a shotgun in 1967 after killing his landlady, Meek expressed regret that he hadn't taken that opportunity to meet Phil. He'd since realised that they were birds of a feather."
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"I Love How You Love Me" is a song written by #BarryMann and Larry Kolber. It was a 1961 Top Five hit for the #pop girl group #theParisSisters, which inaugurated a string of elaborately produced classic hits by #PhilSpector. #BobbyVinton had a Top Ten hit in 1968 with a cover version. The song has been recorded by many other artists over the years.
https://www.youtube.com/watch?v=KbHj38r7RGM -
"You've Lost That Lovin' Feelin'" is a song by #PhilSpector, #BarryMann, and #CynthiaWeil, first recorded in 1964 by the American vocal duo #theRighteousBrothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his #WallOfSound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom.
https://www.youtube.com/watch?v=m0EBs6uRgtw -
"I Love How You Love Me" is a song written by #BarryMann and Larry Kolber. It was a 1961 Top Five hit for the #pop girl group #theParisSisters, which inaugurated a string of elaborately produced classic hits by #PhilSpector. #BobbyVinton had a Top Ten hit in 1968 with a cover version. The song has been recorded by many other artists over the years.
https://www.youtube.com/watch?v=KbHj38r7RGM -
"You've Lost That Lovin' Feelin'" is a song by #PhilSpector, #BarryMann, and #CynthiaWeil, first recorded in 1964 by the American vocal duo #theRighteousBrothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his #WallOfSound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom.
https://www.youtube.com/watch?v=gXz6v9slp8Q -
"Be My Baby" is a song by the American #girlGroup #theRonettes that was released as a single on #PhillesRecords in August 1963. Written by #JeffBarry, #EllieGreenwich, and #PhilSpector, the song was the Ronettes' biggest hit, reaching number 2 in the U.S. and Canada, and number 4 in the UK. It is often ranked as among the best songs of the 1960s, and has been regarded by various publications as one of the greatest songs of all time.
https://www.youtube.com/watch?v=e-dr1PZZMds -
"I Love How You Love Me" is a song written by #BarryMann and Larry Kolber. It was a 1961 Top Five hit for the #pop girl group #theParisSisters, which inaugurated a string of elaborately produced classic hits by #PhilSpector. #BobbyVinton had a Top Ten hit in 1968 with a cover version. The song has been recorded by many other artists over the years.
https://www.youtube.com/watch?v=8DW0mwR7VvY -
"You've Lost That Lovin' Feelin'" is a song by #PhilSpector, #BarryMann, and #CynthiaWeil, first recorded in 1964 by the American vocal duo #theRighteousBrothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his #WallOfSound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom.
https://www.youtube.com/watch?v=oquo1ydgrUg -
"You've Lost That Lovin' Feelin'" is a song by #PhilSpector, #BarryMann, and #CynthiaWeil, first recorded in 1964 by the American vocal duo #theRighteousBrothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his #WallOfSound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom.
https://www.youtube.com/watch?v=cU0Zi8IOsTo -
@MamaLake "Twist and Shout" was actually first recorded for by a group called the Top Notes - although produced by the young Phil Spector, this version was somewhat disappointing:
The Top Notes: Twist and Shout (1961)
https://www.youtube.com/watch?v=Cmmap4L8-oMBert Berns, a co-writer of the song, was present at the studio, watching how Spector more or less ruined his song, and it was only in 1962 that he got to produce his own version with the Isley Brothers.
#music #twistandshout #bertberns #TheIsleyBrothers #philspector #topnotes
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Skin issues galore this week. Hope this dose of Jack won't tip it over the edge. Finally hitting the road with Peter, Dennis, can't-act-his-way-out-of-a-wet-paper-bag Jack and that other legendary music producer. It's Easy Rider (1969).
#PeterFonda #DennisHopper #JackNicholson #KarenBlack #PhilSpector #bikers #roadmovie #hippies #counterculture #bikers #FilmFriday
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A new week at #Shfl with #AndyBeta, #JeffTreppel, #RickAnderson and myself -- and in my case that meant talking about some of the favorite Christmas albums of my parents they played while tree-trimming when I was growing up. Bring on #JohnnyMathis, #TheKingstonTrio, #PhilSpector, #TheBeachBoys and #JohnFahey. #music #Christmas #xmas https://news.theshfl.com/p/shfl-update-127-b1f
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He's a Rebel
He'll never ever be any good
He's a Rebel
cuz he never ever does
what he should
But just because he doesn't do
what everybody else does
That's no reason why
I can't give him all my love
He's always good to me
Always treats me tenderly
Cuz he's not a rebel
Oh no no no
He's not a rebel
Oh no no no
To me
✍🏽#GenePitney
🎧#philspector
🎤#TheBlossoms
credited to #TheCrystals
14 Aug 1962
#popmusic #1960s -
Song of the Day August 10 2023
In remembrance of Veronica Yvette Greenfield bka Ronnie Spector
https://en.wikipedia.org/wiki/Ronnie_Spector
The Ronettes - "Be My Baby"
#SongOfTheDay #SOTD #SOTD2023 #August10 #VeronicaYvetteGreenfield #RonnieSpector #Ronettes #BeMyBaby #PhilSpector #FirstSingle #1960s
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Ted Tocks Covers
Da Doo Ron Ron
Originally posted on June 8, 2018
On this day in 1977, #ShaunCassidy went to #1 on the U.S. chart with this hit song from #TheCrystals.
This feature shares the story of how my love of music evolved. From #PhilSpector and The Crystals, to Shaun Cassidy and ultimately #Rush. An unlikely path? Maybe?
Music is a journey.
https://tedtockscovers.wordpress.com/2018/06/08/da-doo-ron-ron/
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Jezebel: Sex. Celebrity. Politics. With Teeth: Tina Turner, Simply the Best, Is Dead at 83 https://jezebel.com/tina-turner-simply-the-best-is-dead-at-83-1850471583 #Jezebel #what27slovegottodowithit #entertainment2cculture #tinaturnerrevue #annamaebullock #privatedancer #georgemichael #jezebelturner #iketinaturner #humaninterest #philspector #afoolinlove #tinaturner #erwinbach #proudmary #iketurner #12grammys #musicians #tjmartin #theoscar #madonna #black #tina
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En la historia del rock ha habido artistas que parecen malditos: buenas personas a las que persiguió la mala suerte.
Pero nuestro protagonista de hoy si mereció todas las maldiciones. Y aún así, tuvo todo el éxito del mundo.
Hoy, en #LaHistorietaMusical, Phil Spector.
#philspector #theronettes #wallofsound #maltratador #lanaclarkson