#jazztodon — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #jazztodon, aggregated by home.social.
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Miles Dewey Davis III
May 26, 1926 – September 28, 1991#OneHundredYearsOfMiles #MilesDavis #Music #Jazz #Jazztodon #Prestige #BlueNote #CBS
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross
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Listening to the album while reading Doug Payne's review, published yesterday - The forgotten Larry Coryell album?
I'll have a related new post tomorrow about the new #tedrosenthal album
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Listening to the album while reading Doug Payne's review, published yesterday - The forgotten Larry Coryell album?
I'll have a related new post tomorrow about the new #tedrosenthal album
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On today's new episode of The Tonearm Podcast, Tomeka Reid joins us to talk about 'dance! skip! hop!', the fourth album from her quartet—and one of the more irresistible things to come out of avant-garde jazz this year. Reid discusses writing music she could bounce around to, the very physical demands of the cello, and what twelve years with the same four musicians does to a band sound.
She also talks about her grandmother's photographs from Green River, Wyoming, and how those images keep finding their way onto her album covers, what the cello can do that other jazz instruments can't, and the philosophy behind the Chicago Jazz String Summit.
Don't miss this special episode: https://podcast.thetonearm.com/tomeka-reid-the-low-seat-the-long-haul-and-dance-skip-hop-cellist/
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On today's new episode of The Tonearm Podcast, Tomeka Reid joins us to talk about 'dance! skip! hop!', the fourth album from her quartet—and one of the more irresistible things to come out of avant-garde jazz this year. Reid discusses writing music she could bounce around to, the very physical demands of the cello, and what twelve years with the same four musicians does to a band sound.
She also talks about her grandmother's photographs from Green River, Wyoming, and how those images keep finding their way onto her album covers, what the cello can do that other jazz instruments can't, and the philosophy behind the Chicago Jazz String Summit.
Don't miss this special episode: https://podcast.thetonearm.com/tomeka-reid-the-low-seat-the-long-haul-and-dance-skip-hop-cellist/
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On today's new episode of The Tonearm Podcast, Tomeka Reid joins us to talk about 'dance! skip! hop!', the fourth album from her quartet—and one of the more irresistible things to come out of avant-garde jazz this year. Reid discusses writing music she could bounce around to, the very physical demands of the cello, and what twelve years with the same four musicians does to a band sound.
She also talks about her grandmother's photographs from Green River, Wyoming, and how those images keep finding their way onto her album covers, what the cello can do that other jazz instruments can't, and the philosophy behind the Chicago Jazz String Summit.
Don't miss this special episode: https://podcast.thetonearm.com/tomeka-reid-the-low-seat-the-long-haul-and-dance-skip-hop-cellist/
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On today's new episode of The Tonearm Podcast, Tomeka Reid joins us to talk about 'dance! skip! hop!', the fourth album from her quartet—and one of the more irresistible things to come out of avant-garde jazz this year. Reid discusses writing music she could bounce around to, the very physical demands of the cello, and what twelve years with the same four musicians does to a band sound.
She also talks about her grandmother's photographs from Green River, Wyoming, and how those images keep finding their way onto her album covers, what the cello can do that other jazz instruments can't, and the philosophy behind the Chicago Jazz String Summit.
Don't miss this special episode: https://podcast.thetonearm.com/tomeka-reid-the-low-seat-the-long-haul-and-dance-skip-hop-cellist/
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On today's new episode of The Tonearm Podcast, Tomeka Reid joins us to talk about 'dance! skip! hop!', the fourth album from her quartet—and one of the more irresistible things to come out of avant-garde jazz this year. Reid discusses writing music she could bounce around to, the very physical demands of the cello, and what twelve years with the same four musicians does to a band sound.
She also talks about her grandmother's photographs from Green River, Wyoming, and how those images keep finding their way onto her album covers, what the cello can do that other jazz instruments can't, and the philosophy behind the Chicago Jazz String Summit.
Don't miss this special episode: https://podcast.thetonearm.com/tomeka-reid-the-low-seat-the-long-haul-and-dance-skip-hop-cellist/
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In this clip from The Tonearm Podcast, saxophonist Ben Wendel describes the moment he walked toward the Village Vanguard stage for the first time as a bandleader and how fear dissolved into what he calls a lifting, supportive energy, as if the accumulated history of the room was urging him forward.
Don't miss the full conversation on the latest episode of our podcast: https://podcast.thetonearm.com/ben-wendel-assembling-the-mallet-avengers-barcode-saxophone/
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In this clip from The Tonearm Podcast, saxophonist Ben Wendel describes the moment he walked toward the Village Vanguard stage for the first time as a bandleader and how fear dissolved into what he calls a lifting, supportive energy, as if the accumulated history of the room was urging him forward.
Don't miss the full conversation on the latest episode of our podcast: https://podcast.thetonearm.com/ben-wendel-assembling-the-mallet-avengers-barcode-saxophone/
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In this clip from The Tonearm Podcast, saxophonist Ben Wendel describes the moment he walked toward the Village Vanguard stage for the first time as a bandleader and how fear dissolved into what he calls a lifting, supportive energy, as if the accumulated history of the room was urging him forward.
Don't miss the full conversation on the latest episode of our podcast: https://podcast.thetonearm.com/ben-wendel-assembling-the-mallet-avengers-barcode-saxophone/
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In this clip from The Tonearm Podcast, saxophonist Ben Wendel describes the moment he walked toward the Village Vanguard stage for the first time as a bandleader and how fear dissolved into what he calls a lifting, supportive energy, as if the accumulated history of the room was urging him forward.
Don't miss the full conversation on the latest episode of our podcast: https://podcast.thetonearm.com/ben-wendel-assembling-the-mallet-avengers-barcode-saxophone/
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In this clip from The Tonearm Podcast, saxophonist Ben Wendel describes the moment he walked toward the Village Vanguard stage for the first time as a bandleader and how fear dissolved into what he calls a lifting, supportive energy, as if the accumulated history of the room was urging him forward.
Don't miss the full conversation on the latest episode of our podcast: https://podcast.thetonearm.com/ben-wendel-assembling-the-mallet-avengers-barcode-saxophone/
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In this excerpt from the new episode of The Tonearm Podcast, saxophonist Ben Wendel explains how he built the BaRcoDe ensemble by consulting vibraphonist Joel Ross, generating a list of about fifteen players, and then selecting four whose approaches were distinct enough to give him the widest possible palette—describing the goal as assembling the "Avengers of Mallet Players."
Be sure to listen to the entire conversation: https://podcast.thetonearm.com/ben-wendel-assembling-the-mallet-avengers-barcode-saxophone/
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In this excerpt from the new episode of The Tonearm Podcast, saxophonist Ben Wendel explains how he built the BaRcoDe ensemble by consulting vibraphonist Joel Ross, generating a list of about fifteen players, and then selecting four whose approaches were distinct enough to give him the widest possible palette—describing the goal as assembling the "Avengers of Mallet Players."
Be sure to listen to the entire conversation: https://podcast.thetonearm.com/ben-wendel-assembling-the-mallet-avengers-barcode-saxophone/
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In this excerpt from the new episode of The Tonearm Podcast, saxophonist Ben Wendel explains how he built the BaRcoDe ensemble by consulting vibraphonist Joel Ross, generating a list of about fifteen players, and then selecting four whose approaches were distinct enough to give him the widest possible palette—describing the goal as assembling the "Avengers of Mallet Players."
Be sure to listen to the entire conversation: https://podcast.thetonearm.com/ben-wendel-assembling-the-mallet-avengers-barcode-saxophone/
-
In this excerpt from the new episode of The Tonearm Podcast, saxophonist Ben Wendel explains how he built the BaRcoDe ensemble by consulting vibraphonist Joel Ross, generating a list of about fifteen players, and then selecting four whose approaches were distinct enough to give him the widest possible palette—describing the goal as assembling the "Avengers of Mallet Players."
Be sure to listen to the entire conversation: https://podcast.thetonearm.com/ben-wendel-assembling-the-mallet-avengers-barcode-saxophone/