#jazztodon — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #jazztodon, aggregated by home.social.
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On today's new episode of The Tonearm Podcast, saxophonist Alden Hellmuth discusses her new album 'Tether, which revolves around two bass players carving out separate sonic spaces while staying locked to a shared pulse.
Much of the conversation centers on 'Tether''s compositional method and how a DIY gig at a Non Plus Ultra, plus a steady diet of Deerhoof and the Japanese punk band Otoboke Beaver, influenced her take on jazz. Hellmuth also talks about what it meant to study at the Herbie Hancock Institute under Ambrose Akinmusire and Herbie Hancock himself, and how that mentorship reframed her music-making.
It's a fun and enlightening episode — be sure to tune in: https://podcast.thetonearm.com/alden-hellmuth-saxophone-tethered-to-a-galaxy-of-bass-tether/
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On today's new episode of The Tonearm Podcast, saxophonist Alden Hellmuth discusses her new album 'Tether, which revolves around two bass players carving out separate sonic spaces while staying locked to a shared pulse.
Much of the conversation centers on 'Tether''s compositional method and how a DIY gig at a Non Plus Ultra, plus a steady diet of Deerhoof and the Japanese punk band Otoboke Beaver, influenced her take on jazz. Hellmuth also talks about what it meant to study at the Herbie Hancock Institute under Ambrose Akinmusire and Herbie Hancock himself, and how that mentorship reframed her music-making.
It's a fun and enlightening episode — be sure to tune in: https://podcast.thetonearm.com/alden-hellmuth-saxophone-tethered-to-a-galaxy-of-bass-tether/
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On today's new episode of The Tonearm Podcast, saxophonist Alden Hellmuth discusses her new album 'Tether, which revolves around two bass players carving out separate sonic spaces while staying locked to a shared pulse.
Much of the conversation centers on 'Tether''s compositional method and how a DIY gig at a Non Plus Ultra, plus a steady diet of Deerhoof and the Japanese punk band Otoboke Beaver, influenced her take on jazz. Hellmuth also talks about what it meant to study at the Herbie Hancock Institute under Ambrose Akinmusire and Herbie Hancock himself, and how that mentorship reframed her music-making.
It's a fun and enlightening episode — be sure to tune in: https://podcast.thetonearm.com/alden-hellmuth-saxophone-tethered-to-a-galaxy-of-bass-tether/
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On today's new episode of The Tonearm Podcast, saxophonist Alden Hellmuth discusses her new album 'Tether, which revolves around two bass players carving out separate sonic spaces while staying locked to a shared pulse.
Much of the conversation centers on 'Tether''s compositional method and how a DIY gig at a Non Plus Ultra, plus a steady diet of Deerhoof and the Japanese punk band Otoboke Beaver, influenced her take on jazz. Hellmuth also talks about what it meant to study at the Herbie Hancock Institute under Ambrose Akinmusire and Herbie Hancock himself, and how that mentorship reframed her music-making.
It's a fun and enlightening episode — be sure to tune in: https://podcast.thetonearm.com/alden-hellmuth-saxophone-tethered-to-a-galaxy-of-bass-tether/
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On today's new episode of The Tonearm Podcast, saxophonist Alden Hellmuth discusses her new album 'Tether, which revolves around two bass players carving out separate sonic spaces while staying locked to a shared pulse.
Much of the conversation centers on 'Tether''s compositional method and how a DIY gig at a Non Plus Ultra, plus a steady diet of Deerhoof and the Japanese punk band Otoboke Beaver, influenced her take on jazz. Hellmuth also talks about what it meant to study at the Herbie Hancock Institute under Ambrose Akinmusire and Herbie Hancock himself, and how that mentorship reframed her music-making.
It's a fun and enlightening episode — be sure to tune in: https://podcast.thetonearm.com/alden-hellmuth-saxophone-tethered-to-a-galaxy-of-bass-tether/
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Miles Dewey Davis III
May 26, 1926 – September 28, 1991#OneHundredYearsOfMiles #MilesDavis #Music #Jazz #Jazztodon #Prestige #BlueNote #CBS
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Miles Dewey Davis III
May 26, 1926 – September 28, 1991#OneHundredYearsOfMiles #MilesDavis #Music #Jazz #Jazztodon #Prestige #BlueNote #CBS
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Miles Dewey Davis III
May 26, 1926 – September 28, 1991#OneHundredYearsOfMiles #MilesDavis #Music #Jazz #Jazztodon #Prestige #BlueNote #CBS
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Miles Dewey Davis III
May 26, 1926 – September 28, 1991#OneHundredYearsOfMiles #MilesDavis #Music #Jazz #Jazztodon #Prestige #BlueNote #CBS
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Miles Dewey Davis III
May 26, 1926 – September 28, 1991#OneHundredYearsOfMiles #MilesDavis #Music #Jazz #Jazztodon #Prestige #BlueNote #CBS
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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Popping this here for later..
Source: BBC (Sounds)
https://www.bbc.co.uk/sounds/play/m002wsj8
Legend: The Miles Davis Story
#Music #Jazztodon #MilesDavis #OneHundredYearsOfMiles #Documentary #BBCSounds #RadioFour #BBC
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Good Morning Peoples.
Kamasi Washington ~ 'The Epic'
Brainfeeder (2015) -
Good Morning Peoples.
Kamasi Washington ~ 'The Epic'
Brainfeeder (2015) -
In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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In this clip from the new episode of The Tonearm Podcast, Maria Schneider describes how her longtime orchestra members approach each note with a shared sense of what the music is supposed to feel like—illustrating the point with the moment when saxophonist Donny McCaslin goes somewhere unexpected, and pianist Gary Versace follows him harmonically into outer space.
Hear the full conversation on the latest episode of The Tonearm Podcast: https://podcast.thetonearm.com/maria-schneider-composing-in-the-age-of-curated-rage-american-crow/
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross
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On today's new episode of The Tonearm Podcast, saxophonist and composer Caroline Davis joins us to discuss 'Fallows', her debut solo album. Davis recorded the twelve-track set entirely alone during an artist residency at Ucross, Wyoming, using prepared saxophone techniques and an Organelle processing unit.
The conversation covers the making of the album in close detail: aluminum cans dragged across a saxophone bell, hand-built drum sequences assembled through Pure Data patches, and the ancestral figures — Steve Lacy, Geri Allen, Thich Nhat Hanh, and Connie Crothers — whose presence Davis summoned throughout the sessions.
Don't miss this particularly fascinating episode: https://podcast.thetonearm.com/caroline-davis-the-saxophone-reimagined-in-the-fallows/
#Jazztodon #Saxophone #CarolineDavis #ExperimentalMusic #Ucross