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#sunraarkestra — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #sunraarkestra, aggregated by home.social.

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  1. Heute läuft hier mal wieder etwas Jazz. Tolle Musik von Philip Thomas Cohran jr. der auch für kurze Zeit Mitglied des Sun Ra Arkestra war zusammen mit den Musikern Aquilla Sadalla, Josefe Marie Verna, Malik Cohran und Oscar Brown jr.
    Sehr eingängig und mit viel Seele, sollte man sich unbedingt mal anhören.
    #Jazz #Funk #Soul #SunRaArkestra #KelanPhilCohran #nowplaying #vinyl #vinylrecords

  2. Heute läuft hier mal wieder etwas Jazz. Tolle Musik von Philip Thomas Cohran jr. der auch für kurze Zeit Mitglied des Sun Ra Arkestra war zusammen mit den Musikern Aquilla Sadalla, Josefe Marie Verna, Malik Cohran und Oscar Brown jr.
    Sehr eingängig und mit viel Seele, sollte man sich unbedingt mal anhören.
    #Jazz #Funk #Soul #SunRaArkestra #KelanPhilCohran #nowplaying #vinyl #vinylrecords

  3. Part documentary, part musical ethnography, “The Cry of Jazz” (1959) was conceived by the composer Edward Bland, novelist Mark Kennedy, city-planner Nelam Hill, and mathematician Eugene Titus and comments on the innovations of Black musical history while acknowledging the ongoing fight for civil rights. It was incredibly controversial for these reasons and the frank discussions between the multi-racial cast at the center of the film
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  4. Part documentary, part musical ethnography, “The Cry of Jazz” (1959) was conceived by the composer Edward Bland, novelist Mark Kennedy, city-planner Nelam Hill, and mathematician Eugene Titus and comments on the innovations of Black musical history while acknowledging the ongoing fight for civil rights. It was incredibly controversial for these reasons and the frank discussions between the multi-racial cast at the center of the film
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  5. Part documentary, part musical ethnography, “The Cry of Jazz” (1959) was conceived by the composer Edward Bland, novelist Mark Kennedy, city-planner Nelam Hill, and mathematician Eugene Titus and comments on the innovations of Black musical history while acknowledging the ongoing fight for civil rights. It was incredibly controversial for these reasons and the frank discussions between the multi-racial cast at the center of the film
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  6. Part documentary, part musical ethnography, “The Cry of Jazz” (1959) was conceived by the composer Edward Bland, novelist Mark Kennedy, city-planner Nelam Hill, and mathematician Eugene Titus and comments on the innovations of Black musical history while acknowledging the ongoing fight for civil rights. It was incredibly controversial for these reasons and the frank discussions between the multi-racial cast at the center of the film
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  7. Part documentary, part musical ethnography, “The Cry of Jazz” (1959) was conceived by the composer Edward Bland, novelist Mark Kennedy, city-planner Nelam Hill, and mathematician Eugene Titus and comments on the innovations of Black musical history while acknowledging the ongoing fight for civil rights. It was incredibly controversial for these reasons and the frank discussions between the multi-racial cast at the center of the film
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  8. Time for our first feature presentation: “The Cry of Jazz” (1959) directed by Edward O. Bland (youtu.be/fE00fzXpI04?si=UG1JNr) and featuring the music of poet, musician and Afro-Futurist Sun Ra and His Arkestra
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  9. Time for our first feature presentation: “The Cry of Jazz” (1959) directed by Edward O. Bland (youtu.be/fE00fzXpI04?si=UG1JNr) and featuring the music of poet, musician and Afro-Futurist Sun Ra and His Arkestra
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  10. Time for our first feature presentation: “The Cry of Jazz” (1959) directed by Edward O. Bland (youtu.be/fE00fzXpI04?si=UG1JNr) and featuring the music of poet, musician and Afro-Futurist Sun Ra and His Arkestra
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  11. Time for our first feature presentation: “The Cry of Jazz” (1959) directed by Edward O. Bland (youtu.be/fE00fzXpI04?si=UG1JNr) and featuring the music of poet, musician and Afro-Futurist Sun Ra and His Arkestra
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  12. Time for our first feature presentation: “The Cry of Jazz” (1959) directed by Edward O. Bland (youtu.be/fE00fzXpI04?si=UG1JNr) and featuring the music of poet, musician and Afro-Futurist Sun Ra and His Arkestra
    #LaEsoterica #TheCryOfJazz #Jazz #SunRa #SunRaArkestra

  13. "What if the 'material' of music could be something that transcends these more object-oriented forms? Can music, for instance, be a process, a way of relating, a way of listening, a way interacting? And if music can be de-coupled from objects, what might my role as a composer be in the creation of this music?"

    — William Doherty — When Sound Becomes Like a Spaceship

    #columbiacomposers #sunraarkestra
    youtube.com/watch?v=uWHSRtKgdxE

  14. "What if the 'material' of music could be something that transcends these more object-oriented forms? Can music, for instance, be a process, a way of relating, a way of listening, a way interacting? And if music can be de-coupled from objects, what might my role as a composer be in the creation of this music?"

    — William Doherty — When Sound Becomes Like a Spaceship

    #columbiacomposers #sunraarkestra
    youtube.com/watch?v=uWHSRtKgdxE

  15. "What if the 'material' of music could be something that transcends these more object-oriented forms? Can music, for instance, be a process, a way of relating, a way of listening, a way interacting? And if music can be de-coupled from objects, what might my role as a composer be in the creation of this music?"

    — William Doherty — When Sound Becomes Like a Spaceship

    #columbiacomposers #sunraarkestra
    youtube.com/watch?v=uWHSRtKgdxE

  16. "What if the 'material' of music could be something that transcends these more object-oriented forms? Can music, for instance, be a process, a way of relating, a way of listening, a way interacting? And if music can be de-coupled from objects, what might my role as a composer be in the creation of this music?"

    — William Doherty — When Sound Becomes Like a Spaceship

    #columbiacomposers #sunraarkestra
    youtube.com/watch?v=uWHSRtKgdxE

  17. "What if the 'material' of music could be something that transcends these more object-oriented forms? Can music, for instance, be a process, a way of relating, a way of listening, a way interacting? And if music can be de-coupled from objects, what might my role as a composer be in the creation of this music?"

    — William Doherty — When Sound Becomes Like a Spaceship

    #columbiacomposers #sunraarkestra
    youtube.com/watch?v=uWHSRtKgdxE