#ebs — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #ebs, aggregated by home.social.
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https://www.europesays.com/nl/209938/ Heenvliet in rouw om verongelukte vrouw (33) op fiets: ‘Dit laat diepe sporen na’ #112 #Aanrijding #auto #Botsing #BreakingNews #BreakingNews #BURGEMEESTER #bus #Dutch #EBS #FeaturedNews #FeaturedNews #Gezondheid #Headlines #HEENVLIET #Hoofdpunten #LatestNews #LatestNews #Nederland #Nederlanden #Nederlands #Netherlands #News #Nieuws #NISSEWAARD #NL #onderzoek #ongeluk #politie #Politiek #SPIJKENISSE #TopStories #TopStories #VEILIGHEID #VERKEER #Voorpaginanieuws
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https://www.europesays.com/nl/201311/ Kritiek op plan om minder bussen te laten rijden: slechts een bus per uur bij ziekenhuis #BreakingNews #BreakingNews #bus #Dutch #EBS #FeaturedNews #FeaturedNews #Headlines #Hoofdpunten #HOUMEOPDEHOOGTE #HTM #LatestNews #LatestNews #METRO #Nederland #Nederlanden #Nederlands #Netherlands #News #Nieuws #NL #OPENBAARVERVOER #TopStories #TopStories #Voorpaginanieuws #Zoetermeer
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https://www.europesays.com/lt/165021/ Izraelio „Egged“ užbaigė TOKS įsigijimą: plėsis Baltijos šalyse #AmirasLevi #Business #EBS #EGGEDGROUP #KonkurencijosTaryba #Lietuva #Lietuvių #Lithuania #Lithuanian #LT #NemunasDagilis #toks #ValentinasBelousovas #Verslas #ViešasisTransportas #ŽabolisIrPartneriai
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https://www.europesays.com/at/70626/ Wie voestalpine, Erste Group, AT&S, Lenzing, EVN und Österreichische Post für Gesprächsstoff im ATX sorgten #Aktie #AT #AT&S #ATX #Austria #Business #Companies #Companies&Markets #EBS #Erste #EVN #Group #Lenzing #LNZ #Markets #Märkte #Österreich #österreichische #Perf #Post #SK #Symbol #Unternehmen #Unternehmen&Märkte
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https://www.europesays.com/nl/160235/ Overijssel en Flevoland bestellen 7 lange bussen #BreakingNews #BreakingNews #Dutch #EBS #FeaturedNews #FeaturedNews #flevoland #Headlines #Hoofdpunten #LatestNews #LatestNews #Nederland #Nederlanden #Nederlands #Netherlands #News #Nieuws #NL #Overijssel #RRReis #TopStories #TopStories #Voorpaginanieuws
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https://www.europesays.com/nl/147670/ Terneuzen krijgt directe busverbinding met Gent #BreakingNews #BreakingNews #bus #Dutch #EBS #FeaturedNews #FeaturedNews #Headlines #Hoofdpunten #InternationaleVerbinding #LatestNews #LatestNews #Nederland #Nederlanden #Nederlands #Netherlands #News #Nieuws #NL #provincie #Terneuzen #TopStories #TopStories #Voorpaginanieuws
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Pic of the day: Olympus XA and Lomography CN 800 film.
#FilmPhotography #BelieveInFilm #EBS -
Rotarier beschenken Familien in Willich
Insgesamt 33 liebevoll verpackte Pakete hat Semira Talimi vom Rotary-Club Wil…
#Moenchengladbach #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Mönchengladbach #aktion #Club #EBS #Erziehungsberatung #Erziehungsberatungsstelle #Germany #Geschenk #Geschenke #Geschenkpakete #Nordrhein-Westfalen #Rotarier #Rotariern #Rotary #Talimi #Weihnachtsaktion #Weihnachtsgeschenke #WILLICH
https://www.europesays.com/de/665447/ -
The question is: do I need this?
#oddity #flashlight #TV #crt #vintage #thrifting #thriftstore #ebs #batteryoperated #photo #nostalgia #yellow #CRT #radio #compass
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The question is: do I need this?
#oddity #flashlight #TV #crt #vintage #thrifting #thriftstore #ebs #batteryoperated #photo #nostalgia #yellow #CRT #radio #compass
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The question is: do I need this?
#oddity #flashlight #TV #crt #vintage #thrifting #thriftstore #ebs #batteryoperated #photo #nostalgia #yellow #CRT #radio #compass
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The question is: do I need this?
#oddity #flashlight #TV #crt #vintage #thrifting #thriftstore #ebs #batteryoperated #photo #nostalgia #yellow #CRT #radio #compass
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The question is: do I need this?
#oddity #flashlight #TV #crt #vintage #thrifting #thriftstore #ebs #batteryoperated #photo #nostalgia #yellow #CRT #radio #compass
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Cyberangriff - ermöglicht durch gemeinsame Schwachstelle in der Oracle E‑Busines‑Suite (EBS)?
Die russischsprachige Ransomware-Gruppe Cl0p_‑Leaks erpresst aktuell mehrere zahlungskräftige Unternehmen/Institutionen, darunter Logitech, die Washington Post oder auch die Harvard‑Universität. Ausgangspunkt scheint eine Schwachstelle in Oracles E‑Busines‑Suite (EBS) zu sein.
Wenn die Angegriffenen nicht binnen 24h zahlen, werden die Daten zum Verkauf angeboten oder veröffentlicht oder beides. Mehr als unangenehm für die Betroffenen.
https://www.24heures.ch/logitech-le-fabricant-lausannois-vise-par-une-cyberattaque-dampleur-936720204778 -
Here’s a tough one...
I once asked a team if their RDS backups were encrypted. They assumed AWS handled it automatically.
They were wrong.Not everything is encrypted by default, which means your data might be sitting in plain text if you don’t flip the switch.
Turn on encryption at rest for S3, RDS, EBS, and enforce TLS/HTTPS in transit. It’s one of those “set it and forget it” moves that makes all the difference.
#S3 #AWS #RDS #CloudSecurity #Cloud #TLS #EBS #datasecurity #cybersecurity
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Oracle Says Known Vulnerabilities Possibly Exploited in Recent Extortion Attacks https://www.securityweek.com/oracle-says-known-vulnerabilities-possibly-exploited-in-recent-extortion-attacks/ #EBusinessSuite #DataBreaches #Oraclehack #extortion #Oracle #FIN11 #Cl0p #EBS
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Oracle Says Known Vulnerabilities Possibly Exploited in Recent Extortion Attacks https://www.securityweek.com/oracle-says-known-vulnerabilities-possibly-exploited-in-recent-extortion-attacks/ #EBusinessSuite #DataBreaches #Oraclehack #extortion #Oracle #FIN11 #Cl0p #EBS
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Kniffliger Pokal-Auftakt: VfB will Pleiten-Triple verhindern #vfb #1893 #nurdervfb #ebs #eintrachtbraunschweig #ebsvfb #dfbpokal
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Korean portal site logo doodles celebrating 80th anniversary of Korean Liberation.
Search 광복 80주년 on Naver to shoot celebratory fireworks on the search results, including bursting bright Taegeukgi and Mugunghwa.
#Naver #네이버 #Google #구글 #Daum #다음 #Ilbe #일베 #EBS #한국교육방송공사 #AjuEconomicDaily #아주경제 #Damoang #다모앙 #Nate #네이트 #DCInside #디시인사이드 #광복절 #광복80주년
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Korean portal site logo doodles celebrating 80th anniversary of Korean Liberation.
Search 광복 80주년 on Naver to shoot celebratory fireworks on the search results, including bursting bright Taegeukgi and Mugunghwa.
#Naver #네이버 #Google #구글 #Daum #다음 #Ilbe #일베 #EBS #한국교육방송공사 #AjuEconomicDaily #아주경제 #Damoang #다모앙 #Nate #네이트 #DCInside #디시인사이드 #광복절 #광복80주년
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Korean portal site logo doodles celebrating 80th anniversary of Korean Liberation.
Search 광복 80주년 on Naver to shoot celebratory fireworks on the search results, including bursting bright Taegeukgi and Mugunghwa.
#Naver #네이버 #Google #구글 #Daum #다음 #Ilbe #일베 #EBS #한국교육방송공사 #AjuEconomicDaily #아주경제 #Damoang #다모앙 #Nate #네이트 #DCInside #디시인사이드 #광복절 #광복80주년
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初回の EBS スナップショットを削除しても後続のスナップショットに影響がないか教えてください
https://dev.classmethod.jp/articles/tsnote-ebs-delete-first-snapshot/ -
初回の EBS スナップショットを削除しても後続のスナップショットに影響がないか教えてください
https://dev.classmethod.jp/articles/tsnote-ebs-delete-first-snapshot/ -
Utility AC power has been restored
#Power #Company #AC #interruption #EBS
https://mastodon.bsd.cafe/@Dendrobatus_Azureus/114913958611718027
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Minutes ago the Power Company decided to bail on us and stop delivering AC power
I was about to start cooking, but luckily was only busy heating up some H20 that got warm enough to do what I needed
I have a very small old system that I have running continuously in Linux a minimalistic distro. The machine had an uptime of 109 Days. That is how long ago the power company has failed us in this area of the country
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The #FrugalFilmProject, July 2025: The One Where We Tried To Expose Both Sides
This month I thought it would be fun to try something different with the Golden Wonder (a.k.a the Welta Penti II, half-frame Rapid camera). EBS photography, or Expose Both Sides, is exactly what it sounds like. First exposing a film normally in the camera — with the emulsion side facing the subject — but then reversing the film, reloading that into the camera, and exposing the whole film again — this time with the emulsion side facing away from the subject.
There are a few factors that need to be borne in mind when conducting EBS photography, like slightly underexposing each side so that the multiple exposures balance out to give a ‘properly exposed’ film, and deciding whether its important to you if the frames on each side are lined up or not. I loaded the Golden Wonder with a canister of Harman Phoenix, but this time I inserted a little bit of film into the take-up canister and marked the position of the film gate on the film. By doing this I hoped that I could line up the frames when I exposed the other side of the film. I reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to ‘1’.
We took the camera to Barra, where I took photographs around the beach, and later finished the roll in Oliveira do Bairro. When metering the exposures I tried to underexpose the film slightly by taking each image 1-stop under the suggested reading from the Camera Meter app. Once the film was exposed, it was time to turn it over and reload it back into the Golden Wonder. Inside the dark bag I fed the previously exposed film into another Rapid canister, but this time I fed it backwards, as if for redscaling, with the emulsion side facing outwards.
Once loaded into the canister, I pulled a bit of film out of the canister until I could see the gate markings that I made for the first exposure. I marked the emulsion side of the film with the markings in the same position and loaded the canisters into the camera so the film was in the same position. I then reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to number ‘1’. By doing this, I hoped that the frames on each side were lined up.
I took the Golden Wonder on a walk around Águas Boas, a nearby village, and photographed walls, trees and various textures. When taking the photos I held the camera upside down so that the orientation of the images on the both sides would be in the same direction. On completion, the film was taken to Forever Blue in Aveiro and scanned at home with an Epson Perfection v750 Pro flat bed scanner and Epson Scan software. I’ve posted the whole roll in an album on my Flickr, light leaks and all, if you want to see the rest of the images.
On return from the lab, looking at the negatives one thing was immediately apparent: the frames weren’t lined up. In fact they were almost precisely 50% off, so there was a big band down the centre of the first exposure which was the ‘between frames’ unexposed part of the film of the second exposure. Also, the ‘redscaled’ second exposure was well overexposed compared to the first exposure, so most of the details of the first exposure were completely lost. I had tried to underexpose the second exposure by going 1-stop unter the exposure, but clearly it didn’t work.
A couple of the images came out really well, and I was pleased there was some success, but most of them were an unintelligible mess. At the end of the roll, there were a few more redscale images, and these came out really well. I’m definitely going to try some EBS with Rapid films again, though, but next time I might use a different camera to the Golden Wonder. Still, it’s now challenging me to get the frames lined up.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#HarmanPhoenix #Agfa #AgfaRapid #Cassette #EBS #ExposeBothSides #FrugalFilmProject #HalfFrame #Penti2 #Rapid #RapidFilm #Redscale #Welta
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The #FrugalFilmProject, July 2025: The One Where We Tried To Expose Both Sides
This month I thought it would be fun to try something different with the Golden Wonder (a.k.a the Welta Penti II, half-frame Rapid camera). EBS photography, or Expose Both Sides, is exactly what it sounds like. First exposing a film normally in the camera — with the emulsion side facing the subject — but then reversing the film, reloading that into the camera, and exposing the whole film again — this time with the emulsion side facing away from the subject.
There are a few factors that need to be borne in mind when conducting EBS photography, like slightly underexposing each side so that the multiple exposures balance out to give a ‘properly exposed’ film, and deciding whether its important to you if the frames on each side are lined up or not. I loaded the Golden Wonder with a canister of Harman Phoenix, but this time I inserted a little bit of film into the take-up canister and marked the position of the film gate on the film. By doing this I hoped that I could line up the frames when I exposed the other side of the film. I reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to ‘1’.
We took the camera to Barra, where I took photographs around the beach, and later finished the roll in Oliveira do Bairro. When metering the exposures I tried to underexpose the film slightly by taking each image 1-stop under the suggested reading from the Camera Meter app. Once the film was exposed, it was time to turn it over and reload it back into the Golden Wonder. Inside the dark bag I fed the previously exposed film into another Rapid canister, but this time I fed it backwards, as if for redscaling, with the emulsion side facing outwards.
Once loaded into the canister, I pulled a bit of film out of the canister until I could see the gate markings that I made for the first exposure. I marked the emulsion side of the film with the markings in the same position and loaded the canisters into the camera so the film was in the same position. I then reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to number ‘1’. By doing this, I hoped that the frames on each side were lined up.
I took the Golden Wonder on a walk around Águas Boas, a nearby village, and photographed walls, trees and various textures. When taking the photos I held the camera upside down so that the orientation of the images on the both sides would be in the same direction. On completion, the film was taken to Forever Blue in Aveiro and scanned at home with an Epson Perfection v750 Pro flat bed scanner and Epson Scan software. I’ve posted the whole roll in an album on my Flickr, light leaks and all, if you want to see the rest of the images.
On return from the lab, looking at the negatives one thing was immediately apparent: the frames weren’t lined up. In fact they were almost precisely 50% off, so there was a big band down the centre of the first exposure which was the ‘between frames’ unexposed part of the film of the second exposure. Also, the ‘redscaled’ second exposure was well overexposed compared to the first exposure, so most of the details of the first exposure were completely lost. I had tried to underexpose the second exposure by going 1-stop unter the exposure, but clearly it didn’t work.
A couple of the images came out really well, and I was pleased there was some success, but most of them were an unintelligible mess. At the end of the roll, there were a few more redscale images, and these came out really well. I’m definitely going to try some EBS with Rapid films again, though, but next time I might use a different camera to the Golden Wonder. Still, it’s now challenging me to get the frames lined up.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#HarmanPhoenix #Agfa #AgfaRapid #Cassette #EBS #ExposeBothSides #FrugalFilmProject #HalfFrame #Penti2 #Rapid #RapidFilm #Redscale #Welta
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The #FrugalFilmProject, July 2025: The One Where We Tried To Expose Both Sides
This month I thought it would be fun to try something different with the Golden Wonder (a.k.a the Welta Penti II, half-frame Rapid camera). EBS photography, or Expose Both Sides, is exactly what it sounds like. First exposing a film normally in the camera — with the emulsion side facing the subject — but then reversing the film, reloading that into the camera, and exposing the whole film again — this time with the emulsion side facing away from the subject.
There are a few factors that need to be borne in mind when conducting EBS photography, like slightly underexposing each side so that the multiple exposures balance out to give a ‘properly exposed’ film, and deciding whether its important to you if the frames on each side are lined up or not. I loaded the Golden Wonder with a canister of Harman Phoenix, but this time I inserted a little bit of film into the take-up canister and marked the position of the film gate on the film. By doing this I hoped that I could line up the frames when I exposed the other side of the film. I reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to ‘1’.
We took the camera to Barra, where I took photographs around the beach, and later finished the roll in Oliveira do Bairro. When metering the exposures I tried to underexpose the film slightly by taking each image 1-stop under the suggested reading from the Camera Meter app. Once the film was exposed, it was time to turn it over and reload it back into the Golden Wonder. Inside the dark bag I fed the previously exposed film into another Rapid canister, but this time I fed it backwards, as if for redscaling, with the emulsion side facing outwards.
Once loaded into the canister, I pulled a bit of film out of the canister until I could see the gate markings that I made for the first exposure. I marked the emulsion side of the film with the markings in the same position and loaded the canisters into the camera so the film was in the same position. I then reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to number ‘1’. By doing this, I hoped that the frames on each side were lined up.
I took the Golden Wonder on a walk around Águas Boas, a nearby village, and photographed walls, trees and various textures. When taking the photos I held the camera upside down so that the orientation of the images on the both sides would be in the same direction. On completion, the film was taken to Forever Blue in Aveiro and scanned at home with an Epson Perfection v750 Pro flat bed scanner and Epson Scan software. I’ve posted the whole roll in an album on my Flickr, light leaks and all, if you want to see the rest of the images.
On return from the lab, looking at the negatives one thing was immediately apparent: the frames weren’t lined up. In fact they were almost precisely 50% off, so there was a big band down the centre of the first exposure which was the ‘between frames’ unexposed part of the film of the second exposure. Also, the ‘redscaled’ second exposure was well overexposed compared to the first exposure, so most of the details of the first exposure were completely lost. I had tried to underexpose the second exposure by going 1-stop unter the exposure, but clearly it didn’t work.
A couple of the images came out really well, and I was pleased there was some success, but most of them were an unintelligible mess. At the end of the roll, there were a few more redscale images, and these came out really well. I’m definitely going to try some EBS with Rapid films again, though, but next time I might use a different camera to the Golden Wonder. Still, it’s now challenging me to get the frames lined up.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#HarmanPhoenix #Agfa #AgfaRapid #Cassette #EBS #ExposeBothSides #FrugalFilmProject #HalfFrame #Penti2 #Rapid #RapidFilm #Redscale #Welta
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The #FrugalFilmProject, July 2025: The One Where We Tried To Expose Both Sides
This month I thought it would be fun to try something different with the Golden Wonder (a.k.a the Welta Penti II, half-frame Rapid camera). EBS photography, or Expose Both Sides, is exactly what it sounds like. First exposing a film normally in the camera — with the emulsion side facing the subject — but then reversing the film, reloading that into the camera, and exposing the whole film again — this time with the emulsion side facing away from the subject.
There are a few factors that need to be borne in mind when conducting EBS photography, like slightly underexposing each side so that the multiple exposures balance out to give a ‘properly exposed’ film, and deciding whether its important to you if the frames on each side are lined up or not. I loaded the Golden Wonder with a canister of Harman Phoenix, but this time I inserted a little bit of film into the take-up canister and marked the position of the film gate on the film. By doing this I hoped that I could line up the frames when I exposed the other side of the film. I reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to ‘1’.
We took the camera to Barra, where I took photographs around the beach, and later finished the roll in Oliveira do Bairro. When metering the exposures I tried to underexpose the film slightly by taking each image 1-stop under the suggested reading from the Camera Meter app. Once the film was exposed, it was time to turn it over and reload it back into the Golden Wonder. Inside the dark bag I fed the previously exposed film into another Rapid canister, but this time I fed it backwards, as if for redscaling, with the emulsion side facing outwards.
Once loaded into the canister, I pulled a bit of film out of the canister until I could see the gate markings that I made for the first exposure. I marked the emulsion side of the film with the markings in the same position and loaded the canisters into the camera so the film was in the same position. I then reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to number ‘1’. By doing this, I hoped that the frames on each side were lined up.
I took the Golden Wonder on a walk around Águas Boas, a nearby village, and photographed walls, trees and various textures. When taking the photos I held the camera upside down so that the orientation of the images on the both sides would be in the same direction. On completion, the film was taken to Forever Blue in Aveiro and scanned at home with an Epson Perfection v750 Pro flat bed scanner and Epson Scan software. I’ve posted the whole roll in an album on my Flickr, light leaks and all, if you want to see the rest of the images.
On return from the lab, looking at the negatives one thing was immediately apparent: the frames weren’t lined up. In fact they were almost precisely 50% off, so there was a big band down the centre of the first exposure which was the ‘between frames’ unexposed part of the film of the second exposure. Also, the ‘redscaled’ second exposure was well overexposed compared to the first exposure, so most of the details of the first exposure were completely lost. I had tried to underexpose the second exposure by going 1-stop unter the exposure, but clearly it didn’t work.
A couple of the images came out really well, and I was pleased there was some success, but most of them were an unintelligible mess. At the end of the roll, there were a few more redscale images, and these came out really well. I’m definitely going to try some EBS with Rapid films again, though, but next time I might use a different camera to the Golden Wonder. Still, it’s now challenging me to get the frames lined up.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#HarmanPhoenix #Agfa #AgfaRapid #Cassette #EBS #ExposeBothSides #FrugalFilmProject #HalfFrame #Penti2 #Rapid #RapidFilm #Redscale #Welta
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The #FrugalFilmProject, July 2025: The One Where We Tried To Expose Both Sides
This month I thought it would be fun to try something different with the Golden Wonder (a.k.a the Welta Penti II, half-frame Rapid camera). EBS photography, or Expose Both Sides, is exactly what it sounds like. First exposing a film normally in the camera — with the emulsion side facing the subject — but then reversing the film, reloading that into the camera, and exposing the whole film again — this time with the emulsion side facing away from the subject.
There are a few factors that need to be borne in mind when conducting EBS photography, like slightly underexposing each side so that the multiple exposures balance out to give a ‘properly exposed’ film, and deciding whether its important to you if the frames on each side are lined up or not. I loaded the Golden Wonder with a canister of Harman Phoenix, but this time I inserted a little bit of film into the take-up canister and marked the position of the film gate on the film. By doing this I hoped that I could line up the frames when I exposed the other side of the film. I reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to ‘1’.
We took the camera to Barra, where I took photographs around the beach, and later finished the roll in Oliveira do Bairro. When metering the exposures I tried to underexpose the film slightly by taking each image 1-stop under the suggested reading from the Camera Meter app. Once the film was exposed, it was time to turn it over and reload it back into the Golden Wonder. Inside the dark bag I fed the previously exposed film into another Rapid canister, but this time I fed it backwards, as if for redscaling, with the emulsion side facing outwards.
Once loaded into the canister, I pulled a bit of film out of the canister until I could see the gate markings that I made for the first exposure. I marked the emulsion side of the film with the markings in the same position and loaded the canisters into the camera so the film was in the same position. I then reset the frame counter to zero, closed the camera, and fired off two shots to take the counter to number ‘1’. By doing this, I hoped that the frames on each side were lined up.
I took the Golden Wonder on a walk around Águas Boas, a nearby village, and photographed walls, trees and various textures. When taking the photos I held the camera upside down so that the orientation of the images on the both sides would be in the same direction. On completion, the film was taken to Forever Blue in Aveiro and scanned at home with an Epson Perfection v750 Pro flat bed scanner and Epson Scan software. I’ve posted the whole roll in an album on my Flickr, light leaks and all, if you want to see the rest of the images.
On return from the lab, looking at the negatives one thing was immediately apparent: the frames weren’t lined up. In fact they were almost precisely 50% off, so there was a big band down the centre of the first exposure which was the ‘between frames’ unexposed part of the film of the second exposure. Also, the ‘redscaled’ second exposure was well overexposed compared to the first exposure, so most of the details of the first exposure were completely lost. I had tried to underexpose the second exposure by going 1-stop unter the exposure, but clearly it didn’t work.
A couple of the images came out really well, and I was pleased there was some success, but most of them were an unintelligible mess. At the end of the roll, there were a few more redscale images, and these came out really well. I’m definitely going to try some EBS with Rapid films again, though, but next time I might use a different camera to the Golden Wonder. Still, it’s now challenging me to get the frames lined up.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#HarmanPhoenix #Agfa #AgfaRapid #Cassette #EBS #ExposeBothSides #FrugalFilmProject #HalfFrame #Penti2 #Rapid #RapidFilm #Redscale #Welta
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“Veel kunnen wij hier niet doen als verzet tegen het Israëlische beleid, dit wel.”
https://www.bd.nl/opinie/de-brabantse-staten-moeten-israelische-bussen-tegenhouden~a9b8dad2/ (archief: https://archive.ph/x03IR)
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Neuer Fan-Trend? Zerstörte Stadion-Klos sorgen für Ärger #2liga #2bundesliga #zweiteliga #3liga #dritteliga #fce #m60 #tsv1860 #fcn #ebs
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I doubt federal #MARS administrators can stick their oars in this water but maybe MARS volunteers can.
For those who want to know, what's MARS? It's this:
https://www.usarmymars.org/about-army-mars
and
https://www.acc.af.mil/Units/CCC/MILITARY-AUXILIARY-RADIO-SYSTEM/
if everybody has not already been fired.
Yes, "it's complicated." Maybe conflicted. A Cold War relic but like #EBS also having a higher purpose.
Anyway, mobilize MARS operators? Probably already in train.
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Demonstratie tegen EBS-bussen bij vergadering Vervoerregio Amsterdam
Stopera, Amsterdam, dinsdag 18 maart om 17:30 CET
We willen dat Vervoerregio Amsterdam het contract met EBS verbreekt.
Bloed kleeft aan EBS-banden
Egged (in NL: "EBS") verzorgt openbaar vervoer voor kolonisten tussen bezet Jeruzalem en de illegale nederzettingen op de Westelijke Jordaanoever en staat daarom op de VN-sanctielijst van bedrijven die profiteren van en bijdragen aan de kolonisatie van Palestijns land.
Illegale bezetting
In juli 2024 oordeelde het internationaal Gerechtshof dat Israël zich schuldig maakt aan illegale bezetting, annexatie en segregatie. De VN-Mensenrechtenraad beschrijft openbaar vervoer als cruciaal voor het bestaan en de instandhouding van de illegale nederzettingen.
Vervoerregio Amsterdam: met zo’n bedrijf sluit je als Vervoerregio toch geen contract?!
Bij de vergadering van de Vervoerregio is er gelegenheid om 2 minuten in te spreken. Geïnteresseerd? Stuur een mail of meld je zelf aan bij [email protected]
https://acties.todon.nl/event/demonstratie-tegen-ebs-bussen-bij-vergadering-vervoerregio-amsterdam-2
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Demonstratie tegen EBS-bussen bij vergadering Vervoerregio Amsterdam
Stopera, Amsterdam, dinsdag 18 maart om 17:30 CET
We willen dat Vervoerregio Amsterdam het contract met EBS verbreekt.
Bloed kleeft aan EBS-banden
Egged (in NL: "EBS") verzorgt openbaar vervoer voor kolonisten tussen bezet Jeruzalem en de illegale nederzettingen op de Westelijke Jordaanoever en staat daarom op de VN-sanctielijst van bedrijven die profiteren van en bijdragen aan de kolonisatie van Palestijns land.
Illegale bezetting
In juli 2024 oordeelde het internationaal Gerechtshof dat Israël zich schuldig maakt aan illegale bezetting, annexatie en segregatie. De VN-Mensenrechtenraad beschrijft openbaar vervoer als cruciaal voor het bestaan en de instandhouding van de illegale nederzettingen.
Vervoerregio Amsterdam: met zo’n bedrijf sluit je als Vervoerregio toch geen contract?!
Bij de vergadering van de Vervoerregio is er gelegenheid om 2 minuten in te spreken. Geïnteresseerd? Stuur een mail of meld je zelf aan bij [email protected]
https://acties.todon.nl/event/demonstratie-tegen-ebs-bussen-bij-vergadering-vervoerregio-amsterdam-2
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Demonstratie tegen EBS-bussen bij vergadering Vervoerregio Amsterdam
Stopera, Amsterdam, dinsdag 18 maart om 17:30 CET
We willen dat Vervoerregio Amsterdam het contract met EBS verbreekt.
Bloed kleeft aan EBS-banden
Egged (in NL: "EBS") verzorgt openbaar vervoer voor kolonisten tussen bezet Jeruzalem en de illegale nederzettingen op de Westelijke Jordaanoever en staat daarom op de VN-sanctielijst van bedrijven die profiteren van en bijdragen aan de kolonisatie van Palestijns land.
Illegale bezetting
In juli 2024 oordeelde het internationaal Gerechtshof dat Israël zich schuldig maakt aan illegale bezetting, annexatie en segregatie. De VN-Mensenrechtenraad beschrijft openbaar vervoer als cruciaal voor het bestaan en de instandhouding van de illegale nederzettingen.
Vervoerregio Amsterdam: met zo’n bedrijf sluit je als Vervoerregio toch geen contract?!
Bij de vergadering van de Vervoerregio is er gelegenheid om 2 minuten in te spreken. Geïnteresseerd? Stuur een mail of meld je zelf aan bij [email protected]
https://acties.todon.nl/event/demonstratie-tegen-ebs-bussen-bij-vergadering-vervoerregio-amsterdam-2
-
Demonstratie tegen EBS-bussen bij vergadering Vervoerregio Amsterdam
Stopera, Amsterdam, dinsdag 18 maart om 17:30 CET
We willen dat Vervoerregio Amsterdam het contract met EBS verbreekt.
Bloed kleeft aan EBS-banden
Egged (in NL: "EBS") verzorgt openbaar vervoer voor kolonisten tussen bezet Jeruzalem en de illegale nederzettingen op de Westelijke Jordaanoever en staat daarom op de VN-sanctielijst van bedrijven die profiteren van en bijdragen aan de kolonisatie van Palestijns land.
Illegale bezetting
In juli 2024 oordeelde het internationaal Gerechtshof dat Israël zich schuldig maakt aan illegale bezetting, annexatie en segregatie. De VN-Mensenrechtenraad beschrijft openbaar vervoer als cruciaal voor het bestaan en de instandhouding van de illegale nederzettingen.
Vervoerregio Amsterdam: met zo’n bedrijf sluit je als Vervoerregio toch geen contract?!
Bij de vergadering van de Vervoerregio is er gelegenheid om 2 minuten in te spreken. Geïnteresseerd? Stuur een mail of meld je zelf aan bij [email protected]
https://acties.todon.nl/event/demonstratie-tegen-ebs-bussen-bij-vergadering-vervoerregio-amsterdam-2
-
Demonstratie tegen EBS-bussen bij vergadering Vervoerregio Amsterdam
Stopera, Amsterdam, dinsdag 18 maart om 17:30 CET
We willen dat Vervoerregio Amsterdam het contract met EBS verbreekt.
Bloed kleeft aan EBS-banden
Egged (in NL: "EBS") verzorgt openbaar vervoer voor kolonisten tussen bezet Jeruzalem en de illegale nederzettingen op de Westelijke Jordaanoever en staat daarom op de VN-sanctielijst van bedrijven die profiteren van en bijdragen aan de kolonisatie van Palestijns land.
Illegale bezetting
In juli 2024 oordeelde het internationaal Gerechtshof dat Israël zich schuldig maakt aan illegale bezetting, annexatie en segregatie. De VN-Mensenrechtenraad beschrijft openbaar vervoer als cruciaal voor het bestaan en de instandhouding van de illegale nederzettingen.
Vervoerregio Amsterdam: met zo’n bedrijf sluit je als Vervoerregio toch geen contract?!
Bij de vergadering van de Vervoerregio is er gelegenheid om 2 minuten in te spreken. Geïnteresseerd? Stuur een mail of meld je zelf aan bij [email protected]
https://acties.todon.nl/event/demonstratie-tegen-ebs-bussen-bij-vergadering-vervoerregio-amsterdam-2
